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	<description>- dance, opera, photography...</description>
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		<title>Review: The Trocks in London with Olga Supphozova taking her final bows</title>
		<link>https://www.gramilano.com/2026/05/the-trocks-in-london-robert-carter/</link>
					<comments>https://www.gramilano.com/2026/05/the-trocks-in-london-robert-carter/#respond</comments>
		
		<dc:creator><![CDATA[Jonathan Gray]]></dc:creator>
		<pubDate>Wed, 06 May 2026 17:16:01 +0000</pubDate>
				<category><![CDATA[dance]]></category>
		<category><![CDATA[reviews]]></category>
		<category><![CDATA[Jonathan Gray]]></category>
		<category><![CDATA[Les Ballets Trockadero de Monte Carlo]]></category>
		<category><![CDATA[Sadler’s Wells]]></category>
		<guid isPermaLink="false">https://www.gramilano.com/?p=1155086</guid>

					<description><![CDATA[Jonathan Gray has been admiring Robert Carter’s dancing for over 30 years, now on his last tour with The Trocks, who were “a delight from start to finish”.]]></description>
		
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			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1155086</post-id>	</item>
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		<title>Royal Ballet and Opera unveils new stage curtains during special Gala performance</title>
		<link>https://www.gramilano.com/2026/05/royal-ballet-and-opera-new-curtains/</link>
					<comments>https://www.gramilano.com/2026/05/royal-ballet-and-opera-new-curtains/#respond</comments>
		
		<dc:creator><![CDATA[Gramilano]]></dc:creator>
		<pubDate>Tue, 05 May 2026 18:07:20 +0000</pubDate>
				<category><![CDATA[dance]]></category>
		<category><![CDATA[music & opera]]></category>
		<category><![CDATA[news]]></category>
		<category><![CDATA[Akram Khan]]></category>
		<category><![CDATA[Alessandra Ferri]]></category>
		<category><![CDATA[Bryn Terfel]]></category>
		<category><![CDATA[Francesca Hayward]]></category>
		<category><![CDATA[Frederick Ashton]]></category>
		<category><![CDATA[Jeffrey Cirio]]></category>
		<category><![CDATA[Justin Peck]]></category>
		<category><![CDATA[Kenneth MacMillan]]></category>
		<category><![CDATA[Lauren Cuthbertson]]></category>
		<category><![CDATA[Marianela Nuñez]]></category>
		<category><![CDATA[Matthew Ball]]></category>
		<category><![CDATA[Royal Ballet and Opera]]></category>
		<category><![CDATA[The Sleeping Beauty]]></category>
		<category><![CDATA[Valentino Zucchetti]]></category>
		<category><![CDATA[Wayne McGregor]]></category>
		<guid isPermaLink="false">https://www.gramilano.com/?p=1155056</guid>

					<description><![CDATA[On 14 May, after 3 decades and tens of thousands of performances, the Royal Ballet and Opera unveils its new stage curtains as part of a Gala performance.]]></description>
		
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			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1155056</post-id>	</item>
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		<title>Review: McGregor / Maillot / Naharin, an eclectic triple bill at La Scala</title>
		<link>https://www.gramilano.com/2026/05/review-mcgregor-maillot-naharin/</link>
					<comments>https://www.gramilano.com/2026/05/review-mcgregor-maillot-naharin/#respond</comments>
		
		<dc:creator><![CDATA[Gramilano]]></dc:creator>
		<pubDate>Mon, 04 May 2026 18:08:49 +0000</pubDate>
				<category><![CDATA[dance]]></category>
		<category><![CDATA[reviews]]></category>
		<category><![CDATA[Claudio Coviello]]></category>
		<category><![CDATA[Clement Crisp]]></category>
		<category><![CDATA[Frédéric Olivieri]]></category>
		<category><![CDATA[Graham Spicer]]></category>
		<category><![CDATA[La Scala]]></category>
		<category><![CDATA[Maria Celeste Losa]]></category>
		<category><![CDATA[Monica Mason]]></category>
		<category><![CDATA[Nicoletta Manni]]></category>
		<category><![CDATA[Roberto Bolle]]></category>
		<category><![CDATA[Royal Ballet]]></category>
		<category><![CDATA[Sylvie Guillem]]></category>
		<category><![CDATA[Timofej Andrijashenko]]></category>
		<category><![CDATA[Wayne McGregor]]></category>
		<guid isPermaLink="false">https://www.gramilano.com/?p=1155036</guid>

					<description><![CDATA[Graham Spicer sees La Scala’s thrilling contemporary programme: Wayne McGregor’s Chroma, Jean-Christophe Maillot’s Dov'è la luna and Ohad Naharin's Minus 16.]]></description>
		
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			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1155036</post-id>	</item>
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		<title>Interview: Tenor Dave Monaco, at 30, reflects on his journey to becoming one of the world’s most exciting opera singers.</title>
		<link>https://www.gramilano.com/2026/05/interview-tenor-dave-monaco/</link>
					<comments>https://www.gramilano.com/2026/05/interview-tenor-dave-monaco/#respond</comments>
		
		<dc:creator><![CDATA[Gramilano]]></dc:creator>
		<pubDate>Sun, 03 May 2026 18:26:00 +0000</pubDate>
				<category><![CDATA[music & opera]]></category>
		<category><![CDATA[interviews]]></category>
		<category><![CDATA[Andrea Bocelli]]></category>
		<category><![CDATA[Graham Spicer]]></category>
		<category><![CDATA[Jakub Józef Orliński]]></category>
		<category><![CDATA[La Scala]]></category>
		<category><![CDATA[Mario Del Monaco]]></category>
		<category><![CDATA[Michele Pertusi]]></category>
		<category><![CDATA[Rossini]]></category>
		<category><![CDATA[Rossini Opera Festival]]></category>
		<category><![CDATA[Vittorio Grigolo]]></category>
		<guid isPermaLink="false">https://www.gramilano.com/?p=1155016</guid>

					<description><![CDATA[Tenor Dave Monaco chats with Graham Spicer about his journey to becoming one of today’s most sought-after Rossini and Mozart singers.]]></description>
		
					<wfw:commentRss>https://www.gramilano.com/2026/05/interview-tenor-dave-monaco/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1155016</post-id>	</item>
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		<title>Review: Thick &#038; Tight in Papillons – performers and friends; a brilliantly creative space to reside in</title>
		<link>https://www.gramilano.com/2026/05/review-thick-and-tight-papillons/</link>
					<comments>https://www.gramilano.com/2026/05/review-thick-and-tight-papillons/#respond</comments>
		
		<dc:creator><![CDATA[Matthew Paluch]]></dc:creator>
		<pubDate>Sat, 02 May 2026 18:09:45 +0000</pubDate>
				<category><![CDATA[dance]]></category>
		<category><![CDATA[reviews]]></category>
		<category><![CDATA[contemporary dance]]></category>
		<category><![CDATA[Matthew Paluch]]></category>
		<category><![CDATA[Southbank Centre]]></category>
		<guid isPermaLink="false">https://www.gramilano.com/?p=1155003</guid>

					<description><![CDATA[Matthew Paluch sees Thick &#038; Tight, the Manchester Collective, and CHAINES in Papillons –  work that speaks but doesn't shout.]]></description>
		
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			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1155003</post-id>	</item>
		<item>
		<title>Review: Louise Lecavalier in Danses Vagabondes – death by a thousand cuts</title>
		<link>https://www.gramilano.com/2026/05/louise-lecavalier-danses-vagabondes/</link>
					<comments>https://www.gramilano.com/2026/05/louise-lecavalier-danses-vagabondes/#respond</comments>
		
		<dc:creator><![CDATA[Lydia Wharf]]></dc:creator>
		<pubDate>Fri, 01 May 2026 18:03:38 +0000</pubDate>
				<category><![CDATA[dance]]></category>
		<category><![CDATA[reviews]]></category>
		<category><![CDATA[contemporary dance]]></category>
		<category><![CDATA[Lydia Wharf]]></category>
		<category><![CDATA[Sadler's Wells]]></category>
		<category><![CDATA[Sadler's Wells East]]></category>
		<guid isPermaLink="false">https://www.gramilano.com/?p=1154995</guid>

					<description><![CDATA[Lydia Wharf sees the latest from Louise Lecavalier – She’s an icon. She owes you nothing. Yet somehow she gives you everything, in her own inimitable style.]]></description>
		
					<wfw:commentRss>https://www.gramilano.com/2026/05/louise-lecavalier-danses-vagabondes/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1154995</post-id>	</item>
		<item>
		<title>Interview: The Royal Ballet’s William Bracewell on his journey to Mayerling</title>
		<link>https://www.gramilano.com/2026/04/interview-william-bracewell-royal-ballet/</link>
					<comments>https://www.gramilano.com/2026/04/interview-william-bracewell-royal-ballet/#respond</comments>
		
		<dc:creator><![CDATA[Lily Hyde]]></dc:creator>
		<pubDate>Thu, 30 Apr 2026 18:07:05 +0000</pubDate>
				<category><![CDATA[interviews]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[Birmingham Royal Ballet]]></category>
		<category><![CDATA[Edward Watson]]></category>
		<category><![CDATA[Fumi Kaneko]]></category>
		<category><![CDATA[Kenneth MacMillan]]></category>
		<category><![CDATA[Laura Morera]]></category>
		<category><![CDATA[Laurence Olivier]]></category>
		<category><![CDATA[Lily Hyde]]></category>
		<category><![CDATA[Mayerling]]></category>
		<category><![CDATA[Pam Tanowitz]]></category>
		<category><![CDATA[Romeo and Juliet]]></category>
		<category><![CDATA[Royal Ballet]]></category>
		<category><![CDATA[Royal Ballet School]]></category>
		<category><![CDATA[William Bracewell]]></category>
		<guid isPermaLink="false">https://www.gramilano.com/?p=1154979</guid>

					<description><![CDATA[Lily Hyde talks to William Bracewell about preparing to play Prince Rudolf in The Royal Ballet's Mayerling, his acting process, and an unlikely source of inspiration.]]></description>
		
					<wfw:commentRss>https://www.gramilano.com/2026/04/interview-william-bracewell-royal-ballet/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1154979</post-id>	</item>
		<item>
		<title>(A few) International Dance Day events &#8211; 29 April 2026</title>
		<link>https://www.gramilano.com/2026/04/international-dance-day-events/</link>
					<comments>https://www.gramilano.com/2026/04/international-dance-day-events/#comments</comments>
		
		<dc:creator><![CDATA[Gramilano]]></dc:creator>
		<pubDate>Wed, 29 Apr 2026 18:10:31 +0000</pubDate>
				<category><![CDATA[news]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[Alice Mariani]]></category>
		<category><![CDATA[Angelin Preljocaj]]></category>
		<category><![CDATA[Eleonora Abbagnato]]></category>
		<category><![CDATA[Friedemann Vogel]]></category>
		<category><![CDATA[Michele Satriano]]></category>
		<category><![CDATA[Paul Marque]]></category>
		<category><![CDATA[Roland Petit]]></category>
		<category><![CDATA[Sadler’s Wells]]></category>
		<category><![CDATA[Sasha Riva]]></category>
		<category><![CDATA[Simone Repele]]></category>
		<category><![CDATA[The Rose Prize]]></category>
		<category><![CDATA[Zubin Mehta]]></category>
		<guid isPermaLink="false">https://www.gramilano.com/?p=1154971</guid>

					<description><![CDATA[Emails about many initiatives have arrived in gramilano’s inbox over the last few days for International Dance Day – 29 April 2026. Here is a selection.]]></description>
		
					<wfw:commentRss>https://www.gramilano.com/2026/04/international-dance-day-events/feed/</wfw:commentRss>
			<slash:comments>1</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1154971</post-id>	</item>
		<item>
		<title>Review: Shobana Jeyasingh Dance in We Caliban, an ‘inventive, sideways look’ at The Tempest</title>
		<link>https://www.gramilano.com/2026/04/shobana-jeyasingh-dance-we-caliban/</link>
					<comments>https://www.gramilano.com/2026/04/shobana-jeyasingh-dance-we-caliban/#respond</comments>
		
		<dc:creator><![CDATA[Graham Watts]]></dc:creator>
		<pubDate>Tue, 28 Apr 2026 17:42:45 +0000</pubDate>
				<category><![CDATA[dance]]></category>
		<category><![CDATA[reviews]]></category>
		<category><![CDATA[Graham Watts]]></category>
		<category><![CDATA[Sadler’s Wells East]]></category>
		<category><![CDATA[Shakespeare]]></category>
		<guid isPermaLink="false">https://www.gramilano.com/?p=1154959</guid>

					<description><![CDATA[Graham Watts sees Shobana Jeyasingh's We Caliban – I would rather see fresh ideas than this continuing trope of reinventing Shakespeare.]]></description>
		
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			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1154959</post-id>	</item>
		<item>
		<title>Teatro La Fenice in Venice and Beatrice Venezi – set to become the theatre’s first music director – cut ties</title>
		<link>https://www.gramilano.com/2026/04/beatrice-venezi-teatro-la-fenice/</link>
					<comments>https://www.gramilano.com/2026/04/beatrice-venezi-teatro-la-fenice/#respond</comments>
		
		<dc:creator><![CDATA[Gramilano]]></dc:creator>
		<pubDate>Mon, 27 Apr 2026 15:19:07 +0000</pubDate>
				<category><![CDATA[news]]></category>
		<category><![CDATA[music & opera]]></category>
		<category><![CDATA[Fabio Luisi]]></category>
		<category><![CDATA[La Fenice]]></category>
		<guid isPermaLink="false">https://www.gramilano.com/?p=1154946</guid>

					<description><![CDATA[Beatrice Venezi will no longer be music director at Teatro La Fenice in Venice after the conductor's interview with the Argentine newspaper La Nación.]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">1154946</post-id>	</item>
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