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term="post-communist music"/><category term="post-industrial sound"/><category term="power noise"/><category term="powered"/><category term="pre-2014 tracks"/><category term="pre-premiere"/><category term="preview"/><category term="progressive rock"/><category term="promotion"/><category term="płyta tygodnia"/><category term="qobuz"/><category term="rapper"/><category term="rebeat artist camp"/><category term="remastered album"/><category term="remix 2025"/><category term="remix artists"/><category term="remix collaboration"/><category term="remix video"/><category term="rhythmic"/><category term="rhythmic beats"/><category term="rhythmic tracks"/><category term="robotics"/><category term="rock"/><category term="sample pack"/><category term="sampling"/><category term="sci-fi inspired track"/><category term="sci-fi soundtrack"/><category term="science fiction"/><category term="science fiction novel"/><category term="science fiction thriller"/><category term="self-expression"/><category term="sensuality"/><category term="shapes"/><category term="short film"/><category term="song about cars"/><category term="soundscape"/><category term="soundtrack production"/><category term="space station dialogue"/><category term="subscribe Kromp Room"/><category term="synth music"/><category term="synthesizer"/><category term="synthesizers"/><category term="synthpop fanatics"/><category term="synths"/><category term="synthwave"/><category term="teaser clips"/><category term="techno remixes"/><category term="techno trance"/><category term="the special digital edition"/><category term="tracklist"/><category term="traditional meets modern"/><category term="traffic safety"/><category term="trance fans"/><category term="trance tracks"/><category term="tranquil music"/><category term="transformation"/><category term="tribal sounds"/><category term="tribute song"/><category term="trip-hop"/><category term="ummmet"/><category term="underground car park"/><category term="unreleased retro game"/><category term="upcoming album Sovjetunion"/><category term="upcoming releases"/><category term="uplifting beats"/><category term="urban photography"/><category term="video clip"/><category term="video premiere"/><category term="vinyl edition"/><category term="vinyl reissue"/><category term="vinyl release"/><category term="visual artwork"/><category term="vocoder effects"/><category term="why not you"/><category term="Łukasz Rusinek"/><category term="Łódź drone"/><title type='text'>KROMP ROOM RECORDS – Independent Electronic Music Label</title><subtitle type='html'>Independent record label releasing industrial, techno, and electronic rock music since 2009.</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://www.kromp-room-records.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default?redirect=false'/><link rel='alternate' type='text/html' href='http://www.kromp-room-records.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default?start-index=26&amp;max-results=25&amp;redirect=false'/><author><name>Kromproom</name><uri>http://www.blogger.com/profile/15227962973692929544</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>209</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-2135890044969294381.post-3954203503714101836</id><published>2026-10-09T13:02:31.033+02:00</published><updated>2026-10-09T13:12:17.182+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="DJ set"/><category scheme="http://www.blogger.com/atom/ns#" term="electronic music"/><category scheme="http://www.blogger.com/atom/ns#" term="independent record label"/><category scheme="http://www.blogger.com/atom/ns#" term="Istanbul underground radio"/><category scheme="http://www.blogger.com/atom/ns#" term="It Has Started Again"/><category scheme="http://www.blogger.com/atom/ns#" term="KROMP ROOM RECORDS"/><category scheme="http://www.blogger.com/atom/ns#" term="KrompRoom"/><category scheme="http://www.blogger.com/atom/ns#" term="NOH Radio"/><category scheme="http://www.blogger.com/atom/ns#" term="underground music"/><category scheme="http://www.blogger.com/atom/ns#" term="YouTube Extras"/><title type='text'>It Has Started Again - a track from the KROMP ROOM RECORDS catalogue surfaces on NOH Radio in Istanbul</title><content type='html'>&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;br /&gt;&lt;b&gt;Some tracks continue their journey long after their original release.&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;b&gt;While reviewing the YouTube Extras data made available by our distributor, we came across &lt;em&gt;It Has Started Again&lt;/em&gt;, a track by Kromproom originally released in 2012. The track was featured in a DJ set broadcast by NOH Radio in Istanbul, Turkey, in 2022.&lt;/b&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;float: none;&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyK-geE-Kcm_DVUwqo46PZe4b55-WE_e-2gFHHJAvxeO6bYa-H0x9FPGkHdQ0RcICO1SQIOykcCErSMrGo_f2WjPsal3Py2rmd70jjgJ_joeWmcQhx8FHK-WDbr-MEF7tUHmEEA0eGmbEoKYaQ0_M4LFEvhADZG653jXRw3a0LZ3SfKZA5DbJSqtjBv2vZ/s1344/Kromproom%20-%20It%20Has%20Started%20Again%20%20-%20NOH%20Radio.jpg&quot; style=&quot;clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;img alt=&quot;A female DJ mixing music behind a console in a red-lit NOH Radio studio during a two-hour AMDIENCE set in 2022. An on-screen graphic displays the track being played: Kromproom - &amp;quot;It Has Started Again&amp;quot;.&quot; border=&quot;0&quot; data-original-height=&quot;768&quot; data-original-width=&quot;1344&quot; height=&quot;366&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyK-geE-Kcm_DVUwqo46PZe4b55-WE_e-2gFHHJAvxeO6bYa-H0x9FPGkHdQ0RcICO1SQIOykcCErSMrGo_f2WjPsal3Py2rmd70jjgJ_joeWmcQhx8FHK-WDbr-MEF7tUHmEEA0eGmbEoKYaQ0_M4LFEvhADZG653jXRw3a0LZ3SfKZA5DbJSqtjBv2vZ/w640-h366/Kromproom%20-%20It%20Has%20Started%20Again%20%20-%20NOH%20Radio.jpg&quot; title=&quot;• NOH Radio AMDIENCE Set (2022) featuring Kromproom - &amp;quot;It Has Started Again&amp;quot;&quot; width=&quot;640&quot; /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The track &quot;It Has Started Again&quot; by Kromproom, played on NOH Radio in 2022.&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div&gt;&lt;p class=&quot;isSelectedEnd&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Running for more than two hours, the set brought together a selection of music in which &lt;em&gt;It Has Started Again&lt;/em&gt; found its place. The broadcast itself took place four years ago, but we only discovered this connection in 2026.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;For an independent label, moments like this offer a glimpse into the life of a release beyond its initial publication. Once music leaves the studio and enters the world, it can travel through different scenes, broadcasts and listening environments, sometimes without the label knowing about it at the time.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;363&quot; src=&quot;https://www.youtube.com/embed/5PeaQk7iIVs&quot; width=&quot;640&quot; youtube-src-id=&quot;5PeaQk7iIVs&quot;&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;p class=&quot;isSelectedEnd&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;At KROMP ROOM RECORDS, we find it interesting to come across these traces of our catalogue years later. There is no need to turn such discoveries into grand claims. It&#39;s simply good to know that a track released in 2012 became part of a radio set in Istanbul ten years after its original release.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;em&gt;It Has Started Again&lt;/em&gt; is one small example of how music can continue to find its way into new contexts, long after the release date has become a distant point in the archive.&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;363&quot; src=&quot;https://www.youtube.com/embed/2nBrlDRxoQc&quot; width=&quot;640&quot; youtube-src-id=&quot;2nBrlDRxoQc&quot;&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;Listen to the complete set, originally broadcast in 2022 by NOH Radio in Istanbul, featuring Kromproom alongside other artists.&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;br /&gt;Sometimes, the journey continues. Sometimes, it starts again.&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.kromp-room-records.com/feeds/3954203503714101836/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.kromp-room-records.com/2026/10/it-has-started-again-track-from-kromp.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/3954203503714101836'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/3954203503714101836'/><link rel='alternate' type='text/html' href='http://www.kromp-room-records.com/2026/10/it-has-started-again-track-from-kromp.html' title='It Has Started Again - a track from the KROMP ROOM RECORDS catalogue surfaces on NOH Radio in Istanbul'/><author><name>Kromproom</name><uri>http://www.blogger.com/profile/15227962973692929544</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyK-geE-Kcm_DVUwqo46PZe4b55-WE_e-2gFHHJAvxeO6bYa-H0x9FPGkHdQ0RcICO1SQIOykcCErSMrGo_f2WjPsal3Py2rmd70jjgJ_joeWmcQhx8FHK-WDbr-MEF7tUHmEEA0eGmbEoKYaQ0_M4LFEvhADZG653jXRw3a0LZ3SfKZA5DbJSqtjBv2vZ/s72-w640-h366-c/Kromproom%20-%20It%20Has%20Started%20Again%20%20-%20NOH%20Radio.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2135890044969294381.post-1702747102769783050</id><published>2026-08-02T11:50:56.373+02:00</published><updated>2026-08-08T10:41:04.600+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Agressiva 69"/><category scheme="http://www.blogger.com/atom/ns#" term="bandcamp"/><category scheme="http://www.blogger.com/atom/ns#" term="Collected Remixes"/><category scheme="http://www.blogger.com/atom/ns#" term="electronic music"/><category scheme="http://www.blogger.com/atom/ns#" term="industrial remixes"/><category scheme="http://www.blogger.com/atom/ns#" term="Kings in White"/><category scheme="http://www.blogger.com/atom/ns#" term="KROMP ROOM RECORDS"/><category scheme="http://www.blogger.com/atom/ns#" term="KrompRoom"/><category scheme="http://www.blogger.com/atom/ns#" term="Tomek Grochola"/><category scheme="http://www.blogger.com/atom/ns#" term="Trance Remixes"/><title type='text'>Kings in White - Collected Remixes Out Now | Industrial, Electronic &amp; Trance Remixes</title><content type='html'>&lt;h1&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Kings in White -&amp;nbsp;&lt;/span&gt;&lt;em style=&quot;font-family: arial;&quot;&gt;Collected Remixes&lt;/em&gt;&lt;span style=&quot;font-family: arial;&quot;&gt; Out Now&lt;/span&gt;&lt;/h1&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;After several years of creating remixes for various artists, &lt;strong&gt;Kings in White&lt;/strong&gt; presents its first release bringing together its most significant reinterpretations in one collection.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;strong&gt;Collected Remixes&lt;/strong&gt; features ten tracks created between &lt;strong&gt;2019 and 2024&lt;/strong&gt;. Each remix was produced with respect for the original composition while giving it a new identity through Kings in White&#39;s distinctive blend of electronic music, industrial, trance, rock, and modern production.&lt;/span&gt;&lt;br /&gt;&lt;/p&gt;&lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;float: none;&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfrOQ69YokFMI4Jok4gLBzQv6m6ShgdX90x2K_sh1gxqBG7GYm8ss790wX999Cyr-MZaTvqm4oLsvM60Yt3kD9MFHy4Phn9gwjplk3VlEANz8too2GP17cWjAGR4XqrafA27HcXpvPpk6puPaoIQLfSm171mUkACImV6LVErZxZJQm16-HIojGmC0bMFP6/s1024/Kings%20in%20White%20Collected%20Remixes%20Cover%201024.jpg&quot; style=&quot;clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;&quot;&gt;&lt;img alt=&quot;Album cover featuring the two members of the electronic music duo Kings in White standing against a gray concrete wall with the engraved text &amp;quot;KINGS IN WHITE REMIXES&amp;quot;. The musician on the left wears a black leather jacket and jeans with his arms crossed. The musician on the right wears a long dark coat and glasses. The wet ground creates a clear reflection of both figures, and a small text at the bottom reads &amp;quot;COLLECTED REMIXES&amp;quot;.&quot; border=&quot;0&quot; data-original-height=&quot;1024&quot; data-original-width=&quot;1024&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfrOQ69YokFMI4Jok4gLBzQv6m6ShgdX90x2K_sh1gxqBG7GYm8ss790wX999Cyr-MZaTvqm4oLsvM60Yt3kD9MFHy4Phn9gwjplk3VlEANz8too2GP17cWjAGR4XqrafA27HcXpvPpk6puPaoIQLfSm171mUkACImV6LVErZxZJQm16-HIojGmC0bMFP6/w640-h640/Kings%20in%20White%20Collected%20Remixes%20Cover%201024.jpg&quot; title=&quot;Kings in White - Collected Remixes (Album Cover)&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;i&gt;Photo: Janusz Słaboński. Featuring: Kings in White – Piotr Krompiewski &amp;amp; Tomek Grochola.&lt;/i&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;i&gt;Cover artwork: KROMP ROOM RECORDS.&lt;/i&gt;&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The project is the collaboration between &lt;strong&gt;Piotr Krompiewski (Kromproom)&lt;/strong&gt; and &lt;strong&gt;Tomek Grochola&lt;/strong&gt;, vocalist of the legendary Polish industrial rock band &lt;strong&gt;Agressiva 69&lt;/strong&gt;. Together they have created a musical space where classic compositions meet contemporary electronic soundscapes, preserving the emotion of the originals while giving them a completely new dimension.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The album features remixes created for artists representing various styles of electronic and alternative music. Among them are new interpretations of tracks by &lt;strong&gt;Agressiva 69&lt;/strong&gt;, &lt;strong&gt;Outsized &amp;amp; Blind Passenger&lt;/strong&gt;, &lt;strong&gt;BlueForge&lt;/strong&gt;, &lt;strong&gt;Blitzkrieg&lt;/strong&gt;, and &lt;strong&gt;Frett&lt;/strong&gt;. Every remix has been newly remastered and specially prepared for this compilation.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;363&quot; src=&quot;https://www.youtube.com/embed/LysjKnaBZEA&quot; width=&quot;640&quot; youtube-src-id=&quot;LysjKnaBZEA&quot;&gt;&lt;/iframe&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Although these tracks were previously released as singles or appeared on various albums and EPs, &lt;strong&gt;Collected Remixes&lt;/strong&gt; is the first opportunity to experience them together as a cohesive body of work. The album showcases the evolution of the Kings in White sound over several years-from darker industrial reinterpretations to energetic electronic productions infused with elements of trance and synthwave.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;This release also marks the symbolic conclusion of the project&#39;s first chapter. It brings together years of remix work and may well open the door to future original productions.&lt;/span&gt;&lt;/p&gt;&lt;h2&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Tracklista&lt;/span&gt;&lt;/h2&gt;&lt;h3&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;01. Blitzkrieg -&amp;nbsp;&lt;em&gt;In Cold Blood -&amp;nbsp;&lt;/em&gt;Kings in White Remix – 6:16&lt;/span&gt;&lt;/h3&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;strong&gt;Original version&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;320&quot; src=&quot;https://www.youtube.com/embed/YfuQ9ImkpOs&quot; width=&quot;640&quot; youtube-src-id=&quot;YfuQ9ImkpOs&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;strong&gt;Kings in White Remix&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;320&quot; src=&quot;https://www.youtube.com/embed/P59GggiBdqE&quot; width=&quot;640&quot; youtube-src-id=&quot;P59GggiBdqE&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;hr /&gt;&lt;h3&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;span&gt;02. Agressiva 69 -&amp;nbsp;&lt;em&gt;Agressiva 2069 -&amp;nbsp;&lt;/em&gt;&lt;/span&gt;Kings in White MO Remix – 8:01&lt;/span&gt;&lt;/h3&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;strong&gt;Original version&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;320&quot; src=&quot;https://www.youtube.com/embed/tL3AqvRimBs&quot; width=&quot;640&quot; youtube-src-id=&quot;tL3AqvRimBs&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;strong&gt;Kings in White MO Remix&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;320&quot; src=&quot;https://www.youtube.com/embed/TKb44Gr6USA&quot; width=&quot;640&quot; youtube-src-id=&quot;TKb44Gr6USA&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;hr /&gt;&lt;h3&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;span&gt;03. Agressiva 69 -&amp;nbsp;&lt;em&gt;Ummmet -&amp;nbsp;&lt;/em&gt;&lt;/span&gt;Kings in White Remix – 9:54&lt;/span&gt;&lt;/h3&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;strong&gt;Original version&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;320&quot; src=&quot;https://www.youtube.com/embed/nXAK1zEgMiM&quot; width=&quot;640&quot; youtube-src-id=&quot;nXAK1zEgMiM&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;strong&gt;Kings in White Remix&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;320&quot; src=&quot;https://www.youtube.com/embed/ZdqbiL1qRrs&quot; width=&quot;640&quot; youtube-src-id=&quot;ZdqbiL1qRrs&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;hr /&gt;&lt;h3&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;span&gt;04. BlueForge -&amp;nbsp;&lt;em&gt;Break It Down -&amp;nbsp;&lt;/em&gt;&lt;/span&gt;Kings in White Remix – 5:20&lt;/span&gt;&lt;/h3&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;strong&gt;Original version&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;320&quot; src=&quot;https://www.youtube.com/embed/swETmRBYMBE&quot; width=&quot;640&quot; youtube-src-id=&quot;swETmRBYMBE&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;strong&gt;Kings in White Remix&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;320&quot; src=&quot;https://www.youtube.com/embed/m4SZMdjvZRk&quot; width=&quot;640&quot; youtube-src-id=&quot;m4SZMdjvZRk&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;br /&gt;&lt;p&gt;&lt;/p&gt;&lt;hr /&gt;&lt;h3&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;span&gt;05. BlueForge -&amp;nbsp;&lt;em&gt;Fools -&amp;nbsp;&lt;/em&gt;&lt;/span&gt;Kings in White Remix – 6:55&lt;/span&gt;&lt;/h3&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;strong&gt;Original version&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;363&quot; src=&quot;https://www.youtube.com/embed/Z5vyyOxrgO0&quot; width=&quot;640&quot; youtube-src-id=&quot;Z5vyyOxrgO0&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;strong&gt;Kings in White Remix&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;363&quot; src=&quot;https://www.youtube.com/embed/wKb8crJaQpo&quot; width=&quot;640&quot; youtube-src-id=&quot;wKb8crJaQpo&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;hr /&gt;&lt;h3&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;span&gt;06. Agressiva 69 feat. Ge Karkoszka -&amp;nbsp;&lt;em&gt;Dlaczego Nie Ty -&amp;nbsp;&lt;/em&gt;&lt;/span&gt;Kings in White China Mix – 6:09&lt;/span&gt;&lt;/h3&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;strong&gt;Original version&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;363&quot; src=&quot;https://www.youtube.com/embed/zEhCexcJj0k&quot; width=&quot;640&quot; youtube-src-id=&quot;zEhCexcJj0k&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;strong&gt;Kings in White China Mix&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;320&quot; src=&quot;https://www.youtube.com/embed/cg78_AdFiKc&quot; width=&quot;640&quot; youtube-src-id=&quot;cg78_AdFiKc&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;hr /&gt;&lt;h3&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;span&gt;07. Agressiva 69 -&amp;nbsp;&lt;em&gt;Agressiva 2069 -&amp;nbsp;&lt;/em&gt;&lt;/span&gt;Kings in White 2069 Remix – 5:19&lt;/span&gt;&lt;/h3&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;strong&gt;Original version&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;363&quot; src=&quot;https://www.youtube.com/embed/o_qLrjbMR9g&quot; width=&quot;640&quot; youtube-src-id=&quot;o_qLrjbMR9g&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;strong&gt;Kings in White 2069 Remix&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;320&quot; src=&quot;https://www.youtube.com/embed/A2kjt6-0vig&quot; width=&quot;640&quot; youtube-src-id=&quot;A2kjt6-0vig&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;hr /&gt;&lt;h3&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;span&gt;08. Outsized &amp;amp; Blind Passenger -&amp;nbsp;&lt;em&gt;Burned Out Sun -&amp;nbsp;&lt;/em&gt;&lt;/span&gt;Kings in White Remix – 5:56&lt;/span&gt;&lt;/h3&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;strong&gt;Original version&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;320&quot; src=&quot;https://www.youtube.com/embed/WZPlp7F4YYA&quot; width=&quot;640&quot; youtube-src-id=&quot;WZPlp7F4YYA&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;strong&gt;Kings in White Remix&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;363&quot; src=&quot;https://www.youtube.com/embed/3AHjM6YXx4I&quot; width=&quot;640&quot; youtube-src-id=&quot;3AHjM6YXx4I&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;hr /&gt;&lt;h3&gt;&lt;span style=&quot;font-family: arial; font-weight: normal;&quot;&gt;&lt;span&gt;09. Agressiva 69 -&amp;nbsp;&lt;em&gt;1|11 -&amp;nbsp;&lt;/em&gt;&lt;/span&gt;Kings in White Remix – 3:48&lt;/span&gt;&lt;/h3&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;strong&gt;Original version&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;363&quot; src=&quot;https://www.youtube.com/embed/o0IOHVLF4w4&quot; width=&quot;640&quot; youtube-src-id=&quot;o0IOHVLF4w4&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;strong&gt;Kings in White Remix&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;363&quot; src=&quot;https://www.youtube.com/embed/HfBQAAWzXEQ&quot; width=&quot;640&quot; youtube-src-id=&quot;HfBQAAWzXEQ&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;hr /&gt;&lt;h3&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;span&gt;10. Frett -&amp;nbsp;&lt;em&gt;Dreams -&amp;nbsp;&lt;/em&gt;&lt;/span&gt;Kings in White Remix – 5:02&lt;/span&gt;&lt;/h3&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;strong&gt;Original version&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;363&quot; src=&quot;https://www.youtube.com/embed/eJXPhPzY0_g&quot; width=&quot;640&quot; youtube-src-id=&quot;eJXPhPzY0_g&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;strong&gt;Kings in White Remix&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;363&quot; src=&quot;https://www.youtube.com/embed/hQSVO0fm8SI&quot; width=&quot;640&quot; youtube-src-id=&quot;hQSVO0fm8SI&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;strong&gt;Kings in White - Collected Remixes&lt;/strong&gt; is now available on all major streaming platforms and on &lt;strong&gt;Bandcamp&lt;/strong&gt;, where the album can be purchased in &lt;strong&gt;lossless WAV format&lt;/strong&gt;, mastered in &lt;strong&gt;24-bit / 48 kHz&lt;/strong&gt; high-resolution audio.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;iframe seamless=&quot;&quot; src=&quot;https://bandcamp.com/EmbeddedPlayer/album=3181410835/size=large/bgcol=333333/linkcol=0f91ff/transparent=true/&quot; style=&quot;border: 0; height: 1076px; width: 640px;&quot;&gt;&lt;a href=&quot;https://kingsinwhite.bandcamp.com/album/collected-remixes&quot;&gt;Collected Remixes by Kings in White&lt;/a&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Finally, we would like to express our sincere gratitude to all the artists who gave us the opportunity to create these remixes. It has been not only a rewarding creative journey but also a great honor to reinterpret such diverse compositions and give them our own musical perspective.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;iframe allowfullscreen=&quot;&quot; frameborder=&quot;1&quot; height=&quot;600px&quot; marginheight=&quot;0px&quot; marginwidth=&quot;0px&quot; name=&quot;myiFrame&quot; scrolling=&quot;no&quot; src=&quot;https://smartlinks.artistcamp.com/9008798775101/&quot; style=&quot;border: 0px #ffffff none;&quot; width=&quot;800px&quot;&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;We hope that &lt;strong&gt;Collected Remixes&lt;/strong&gt; will be an enjoyable journey both for listeners who already know the original versions and for those discovering the &lt;strong&gt;Kings in White&lt;/strong&gt; project for the very first time.&lt;/span&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.kromp-room-records.com/feeds/1702747102769783050/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.kromp-room-records.com/2026/08/kings-in-white-collected-remixes-out.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/1702747102769783050'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/1702747102769783050'/><link rel='alternate' type='text/html' href='http://www.kromp-room-records.com/2026/08/kings-in-white-collected-remixes-out.html' title='Kings in White - Collected Remixes Out Now | Industrial, Electronic &amp; Trance Remixes'/><author><name>Kromproom</name><uri>http://www.blogger.com/profile/15227962973692929544</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfrOQ69YokFMI4Jok4gLBzQv6m6ShgdX90x2K_sh1gxqBG7GYm8ss790wX999Cyr-MZaTvqm4oLsvM60Yt3kD9MFHy4Phn9gwjplk3VlEANz8too2GP17cWjAGR4XqrafA27HcXpvPpk6puPaoIQLfSm171mUkACImV6LVErZxZJQm16-HIojGmC0bMFP6/s72-w640-h640-c/Kings%20in%20White%20Collected%20Remixes%20Cover%201024.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2135890044969294381.post-2268088344942165247</id><published>2026-07-11T09:08:36.146+02:00</published><updated>2026-07-11T09:25:30.278+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Aggressive Driver 2"/><category scheme="http://www.blogger.com/atom/ns#" term="EBM"/><category scheme="http://www.blogger.com/atom/ns#" term="electronic music"/><category scheme="http://www.blogger.com/atom/ns#" term="Electronic Rock"/><category scheme="http://www.blogger.com/atom/ns#" term="Flormen"/><category scheme="http://www.blogger.com/atom/ns#" term="Full Color Cut"/><category scheme="http://www.blogger.com/atom/ns#" term="industrial"/><category scheme="http://www.blogger.com/atom/ns#" term="KROMP ROOM RECORDS"/><category scheme="http://www.blogger.com/atom/ns#" term="KrompRoom"/><category scheme="http://www.blogger.com/atom/ns#" term="Music Video"/><title type='text'>Kromproom feat. Flormen - Aggressive Driver 2 Returns with the Full Color Cut Video</title><content type='html'>&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Some releases deserve a second look.&lt;/span&gt;&lt;/p&gt;
&lt;p data-end=&quot;909&quot; data-start=&quot;424&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Originally released in 2024, &lt;strong data-end=&quot;504&quot; data-start=&quot;453&quot;&gt;Kromproom feat. Flormen – &lt;em data-end=&quot;502&quot; data-start=&quot;481&quot;&gt;Aggressive Driver 2&lt;/em&gt;&lt;/strong&gt; marked a collaboration between two artists who share not only a passion for electronic music but also their hometown of &lt;strong data-end=&quot;654&quot; data-start=&quot;625&quot;&gt;Krosno Odrzańskie, Poland&lt;/strong&gt;. Built upon the original &lt;em data-end=&quot;699&quot; data-start=&quot;680&quot;&gt;Aggressive Driver&lt;/em&gt; from the EKS-port album &lt;em data-end=&quot;735&quot; data-start=&quot;724&quot;&gt;7788 km/h&lt;/em&gt;, the track combined powerful electronic production with Flormen&#39;s distinctive vocals, giving new meaning to a composition that had already become familiar to many listeners.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9lwE55n1MHixKguDmCePjfDLD9xH5MGfMQFumPtF3NOk0qB9cUdHnzfFmnmC4I5B8KEhQhATxGX7SFdDpIu7L_vmdLvN7nu68yE-FbJBba2A_J97jHsniNGtieP15SOfA0FDs5g3Z0iuSdEgkDJRx8Yv3wep3ltc9M4wJ78fxwcZU18FRAUjfmAwayTIm/s1344/Create_a_Facebook_event_cover_for_Kromproom_feat._Flormen_-_Aggressive_Driver_2_-0.jpg&quot; style=&quot;clear: left; float: none; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Cover artwork for Kromproom feat. Flormen – Aggressive Driver 2 (Full Color Cut) featuring a burning car in a cinematic night scene.&quot; border=&quot;0&quot; data-original-height=&quot;768&quot; data-original-width=&quot;1344&quot; height=&quot;366&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9lwE55n1MHixKguDmCePjfDLD9xH5MGfMQFumPtF3NOk0qB9cUdHnzfFmnmC4I5B8KEhQhATxGX7SFdDpIu7L_vmdLvN7nu68yE-FbJBba2A_J97jHsniNGtieP15SOfA0FDs5g3Z0iuSdEgkDJRx8Yv3wep3ltc9M4wJ78fxwcZU18FRAUjfmAwayTIm/w640-h366/Create_a_Facebook_event_cover_for_Kromproom_feat._Flormen_-_Aggressive_Driver_2_-0.jpg&quot; title=&quot;Kromproom feat. Flormen - Aggressive Driver 2 (Full Color Cut) | Official Music Video&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;p class=&quot;PDq2pG_selectionAnchorContainer&quot; data-end=&quot;980&quot; data-start=&quot;911&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Now, two years later, the project returns in a refreshed visual form.&lt;span aria-hidden=&quot;true&quot; class=&quot;PDq2pG_selectionAnchor&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p data-end=&quot;1306&quot; data-start=&quot;982&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The newly released &lt;strong data-end=&quot;1019&quot; data-start=&quot;1001&quot;&gt;Full Color Cut&lt;/strong&gt; presents the music video in full colour and features a slightly re-edited sequence of scenes. While the music remains unchanged, the updated visual edit offers a different viewing experience, revealing new details and atmosphere without changing the identity of the original production.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;iframe seamless=&quot;&quot; src=&quot;https://bandcamp.com/EmbeddedPlayer/album=2540325222/size=large/bgcol=333333/linkcol=0f91ff/artwork=small/transparent=true/&quot; style=&quot;border: 0; height: 241px; width: 640px;&quot;&gt;&lt;a href=&quot;https://kromproom.bandcamp.com/album/aggressive-driver-2&quot;&gt;Aggressive Driver 2 by Kromproom feat. Flormen&lt;/a&gt;&lt;/iframe&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The video continues to reflect the message carried by the song - a reminder that in a fast-paced world driven by tension and constant movement, love remains one of the strongest values, while aggression ultimately leads nowhere.&lt;br /&gt;&lt;/span&gt;&lt;p class=&quot;PDq2pG_selectionAnchorContainer&quot; data-end=&quot;1772&quot; data-start=&quot;1538&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;If you watched the original version in 2024, this is an opportunity to experience the video from a new perspective. And if you are discovering &lt;em data-end=&quot;1702&quot; data-start=&quot;1681&quot;&gt;Aggressive Driver 2&lt;/em&gt; for the first time, the &lt;strong data-end=&quot;1745&quot; data-start=&quot;1727&quot;&gt;Full Color Cut&lt;/strong&gt; is a great place to begin.&lt;br /&gt;&lt;span aria-hidden=&quot;true&quot; class=&quot;PDq2pG_selectionAnchor&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;iframe allow=&quot;autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture&quot; allowfullscreen=&quot;&quot; data-testid=&quot;embed-iframe&quot; frameborder=&quot;0&quot; height=&quot;352&quot; loading=&quot;lazy&quot; src=&quot;https://open.spotify.com/embed/album/42n7ohooSxRFiX59PH5L03?utm_source=generator&amp;amp;si=1a7f63298e4649d5&quot; style=&quot;border-radius: 12px;&quot; width=&quot;100%&quot;&gt;&lt;/iframe&gt;&lt;p data-end=&quot;1839&quot; data-start=&quot;1774&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Beyond its visual intensity, &lt;em data-end=&quot;325&quot; data-start=&quot;304&quot;&gt;Aggressive Driver 2&lt;/em&gt; can also be seen as a metaphor for the pace of modern life. Every day we rush from one place to another, constantly chasing time, deadlines and expectations. The title is not only about driving a car, but also about the way we often move through life. The song reminds us that despite the pressure and constant movement, we should never lose sight of what truly matters - because love and understanding will always carry more meaning than anger and haste.&lt;/span&gt;&lt;/p&gt;&lt;p data-end=&quot;1839&quot; data-start=&quot;1774&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Watch the new version now on the &lt;strong data-end=&quot;1829&quot; data-start=&quot;1807&quot;&gt;KROMP ROOM RECORDS&lt;/strong&gt; channels.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p data-end=&quot;1839&quot; data-start=&quot;1774&quot;&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;363&quot; src=&quot;https://www.youtube.com/embed/b-kxZsjnfJ4&quot; width=&quot;640&quot; youtube-src-id=&quot;b-kxZsjnfJ4&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The Full Color Cut becomes part of the continuing history of the release, offering a refreshed visual interpretation while preserving the spirit of the original video.&lt;br /&gt;&lt;p class=&quot;PDq2pG_selectionAnchorContainer&quot; data-end=&quot;371&quot; data-start=&quot;243&quot;&gt;If you would like to learn more about the story behind &lt;em data-end=&quot;319&quot; data-start=&quot;298&quot;&gt;Aggressive Driver 2&lt;/em&gt; and its origins, you may also enjoy these articles:&lt;span aria-hidden=&quot;true&quot; class=&quot;PDq2pG_selectionAnchor&quot;&gt;&lt;/span&gt;&lt;/p&gt;
&lt;ul data-end=&quot;612&quot; data-start=&quot;373&quot;&gt;
&lt;li data-end=&quot;466&quot; data-section-id=&quot;f8lu8i&quot; data-start=&quot;373&quot;&gt;
&lt;strong data-end=&quot;466&quot; data-start=&quot;375&quot;&gt;&lt;a href=&quot;https://www.kromp-room-records.com/2024/06/from-krosno-odrzanskie-to-world.html&quot; target=&quot;_blank&quot;&gt;From Krosno Odrzańskie to the World: Kromproom &amp;amp; Flormen Unite on “Aggressive Driver 2”&lt;/a&gt;&lt;/strong&gt;
&lt;/li&gt;
&lt;li data-end=&quot;538&quot; data-section-id=&quot;mv7pud&quot; data-start=&quot;467&quot;&gt;
&lt;strong data-end=&quot;538&quot; data-start=&quot;469&quot;&gt;&lt;a href=&quot;https://www.kromp-room-records.com/2024/07/aggressive-driver-2-by-kromproom-feat.html&quot; target=&quot;_blank&quot;&gt;Aggressive Driver 2 by Kromproom feat. Flormen - Official Release&lt;/a&gt;&lt;/strong&gt;
&lt;/li&gt;
&lt;li data-end=&quot;612&quot; data-section-id=&quot;1rnma99&quot; data-start=&quot;539&quot;&gt;
&lt;strong data-end=&quot;612&quot; data-start=&quot;541&quot;&gt;&lt;a href=&quot;https://www.kromp-room-records.com/2024/08/kromproom-feat-flormen-aggressive.html&quot; target=&quot;_blank&quot;&gt;Kromproom feat. Flormen – Aggressive Driver 2: Official Music Video&lt;/a&gt;&lt;/strong&gt;&lt;/li&gt;&lt;/ul&gt;&lt;div&gt;2024 Music Distribution by Rebeat Digital GmbH&lt;/div&gt;&lt;br /&gt;&lt;/span&gt;&lt;p&gt;&lt;/p&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.kromp-room-records.com/feeds/2268088344942165247/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.kromp-room-records.com/2026/07/kromproom-feat-flormen-aggressive.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/2268088344942165247'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/2268088344942165247'/><link rel='alternate' type='text/html' href='http://www.kromp-room-records.com/2026/07/kromproom-feat-flormen-aggressive.html' title='Kromproom feat. Flormen - Aggressive Driver 2 Returns with the Full Color Cut Video'/><author><name>Kromproom</name><uri>http://www.blogger.com/profile/15227962973692929544</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9lwE55n1MHixKguDmCePjfDLD9xH5MGfMQFumPtF3NOk0qB9cUdHnzfFmnmC4I5B8KEhQhATxGX7SFdDpIu7L_vmdLvN7nu68yE-FbJBba2A_J97jHsniNGtieP15SOfA0FDs5g3Z0iuSdEgkDJRx8Yv3wep3ltc9M4wJ78fxwcZU18FRAUjfmAwayTIm/s72-w640-h366-c/Create_a_Facebook_event_cover_for_Kromproom_feat._Flormen_-_Aggressive_Driver_2_-0.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2135890044969294381.post-1083069623209913243</id><published>2026-06-05T16:57:52.430+02:00</published><updated>2026-06-05T17:01:50.778+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Amiga"/><category scheme="http://www.blogger.com/atom/ns#" term="Amiga bez ściemy"/><category scheme="http://www.blogger.com/atom/ns#" term="Brain Killer"/><category scheme="http://www.blogger.com/atom/ns#" term="FPS game"/><category scheme="http://www.blogger.com/atom/ns#" term="Piotr Krompiewski"/><category scheme="http://www.blogger.com/atom/ns#" term="Polish Amiga scene"/><category scheme="http://www.blogger.com/atom/ns#" term="Rafał Głębowski"/><category scheme="http://www.blogger.com/atom/ns#" term="Titan Computer"/><category scheme="http://www.blogger.com/atom/ns#" term="unreleased retro game"/><category scheme="http://www.blogger.com/atom/ns#" term="Virtual Madness"/><title type='text'>The Rise and Fall of Brain Killer: The Legendary Unreleased Amiga FPS</title><content type='html'>&lt;h1&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Brain Killer – The FPS Game the Amiga Community Was Waiting For&lt;/span&gt;&lt;/h1&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The Polish Amiga scene of the 1990s was thriving, and dreams of creating a homegrown hit comparable to Doom inspired many young developers. Despite the severe technical limitations of the beloved Commodore Amiga, which set the bar incredibly high, the Virtual Madness team decided to challenge the industry&#39;s biggest players.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The story behind the development, ambitious plans, and ultimate fate of the unfinished game Brain Killer was recently revealed by its co-creators, Rafał Głębowski and Piotr Krompiewski, in a widely discussed interview on the &lt;a href=&quot;https://www.youtube.com/@Amiga_bez_sciemy&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;&lt;em&gt;Amiga bez ściemy&lt;/em&gt; YouTube channel&lt;/b&gt;&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;/span&gt;&lt;/p&gt;&lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;float: none;&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4Kd4ubI9noYbZzfubvlaqWyvEf6exqS_P5tDT3WG1JKTuwM0WYGg1s8dP2GKr6cVWtOsfdvsfyIJplNbF2jshxX8vuOXdOFWISfu-LC9ENoL3II8pjYhLKBPELMisj7GojmL6RAEmWyhrEuai51612kaHZE-NYEj4BUKPH3l6D-0O3i6tGLwJZwYv6ExM/s1024/CeBIT%2097%20Hannover%20v2.jpg&quot; style=&quot;clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;564&quot; data-original-width=&quot;1024&quot; height=&quot;352&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4Kd4ubI9noYbZzfubvlaqWyvEf6exqS_P5tDT3WG1JKTuwM0WYGg1s8dP2GKr6cVWtOsfdvsfyIJplNbF2jshxX8vuOXdOFWISfu-LC9ENoL3II8pjYhLKBPELMisj7GojmL6RAEmWyhrEuai51612kaHZE-NYEj4BUKPH3l6D-0O3i6tGLwJZwYv6ExM/w640-h352/CeBIT%2097%20Hannover%20v2.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class=&quot;tr-caption&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;North Entrance 1 at the CeBIT &#39;97 technology trade fair in Hannover.&lt;br /&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;p&gt;&lt;/p&gt;&lt;h2&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;A Detective Mission: Finding the Missing Developers&lt;/span&gt;&lt;/h2&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;This interview might never have happened without the dedication of the retro computing community. For years, the creators of Brain Killer remained virtually impossible to track down within the Amiga scene.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The breakthrough came thanks to the Polish Amiga Floppy Preservation Group. After one of the channel&#39;s episodes mentioned the lack of contact with the game&#39;s creators, community members managed to locate Rafał Głębowski in just fifteen minutes. The resulting reunion in front of the cameras triggered a flood of memories from an era when games were created out of pure passion rather than for massive budgets.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;363&quot; src=&quot;https://www.youtube.com/embed/iz7FEhH3wSA&quot; width=&quot;640&quot; youtube-src-id=&quot;iz7FEhH3wSA&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;h2&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The Ambitious Vision of Virtual Madness and Titan Computer&lt;/span&gt;&lt;/h2&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Brain Killer was never intended to be just another simple first-person shooter clone. Developed by Virtual Madness, the project attracted the attention of German publisher Titan Computer, with an initial release planned for 1997–1998.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;To run smoothly, the game required an AGA-equipped Amiga with at least 4 MB of RAM.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The game introduced features that were innovative even by contemporary PC standards:&lt;/span&gt;&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;strong&gt;Advanced combat mechanics&lt;/strong&gt; – players could punch enemies and perform powerful kicks.&lt;/span&gt;&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;strong&gt;Object physics&lt;/strong&gt; – grenades followed realistic parabolic trajectories, requiring players to judge distance and timing.&lt;/span&gt;&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;strong&gt;Atmospheric environments&lt;/strong&gt; – dynamic transitions through dimly lit and dark locations enhanced immersion.&lt;/span&gt;&lt;/p&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Interestingly, the team&#39;s ambitions continued to grow throughout development. At one point, they even discussed creating projects inspired by the legendary RPG series &lt;em&gt;Ishar&lt;/em&gt;. Looking back today, fans often express disbelief at the sheer scale of such ambitions, as delivering a game of that magnitude on the Amiga would have required an enormous amount of work.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;/span&gt;&lt;/p&gt;&lt;table align=&quot;left&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;clear: both; float: none; margin-right: 1em;&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style=&quot;text-align: right;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSpR0ByU2aRkCGEYyzxeVtRnVXcU3j6E3OymByxiAf7_cZbdybrP4oTGTSoknDmWqdMd9_tdE-yX9agukPwN3M4jhJhFtxJh1WE9qF3z3Fo36CbLa9rhCNGewspnuvViRSiSAgkdas-Gcv6_YaIvPKLiaPhsY8h51YpiDn3eDEki_0BTCCEy_E8Hyqsu_9/s640/Brain%20Killer%20-%20Hall%20Of%20Light%20-%20The%20database%20of%20Amiga%20games.png&quot; style=&quot;clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;&quot;&gt;&lt;img alt=&quot;Promotional screenshot for the unreleased retro FPS game Brain Killer by Virtual Madness, showing gameplay screens, hud elements, and promotional text features.&quot; border=&quot;0&quot; data-original-height=&quot;256&quot; data-original-width=&quot;640&quot; height=&quot;256&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSpR0ByU2aRkCGEYyzxeVtRnVXcU3j6E3OymByxiAf7_cZbdybrP4oTGTSoknDmWqdMd9_tdE-yX9agukPwN3M4jhJhFtxJh1WE9qF3z3Fo36CbLa9rhCNGewspnuvViRSiSAgkdas-Gcv6_YaIvPKLiaPhsY8h51YpiDn3eDEki_0BTCCEy_E8Hyqsu_9/w640-h256/Brain%20Killer%20-%20Hall%20Of%20Light%20-%20The%20database%20of%20Amiga%20games.png&quot; title=&quot;Unreleased Brain Killer game by Virtual Madness promotional screen&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class=&quot;tr-caption&quot;&gt;&lt;span&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Official promotional screen for the unreleased Brain Killer by Virtual Madness.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;h2&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Why Was Brain Killer Never Released?&lt;/span&gt;&lt;/h2&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Despite significant progress and the release of a playable demo, the final version of Brain Killer never reached store shelves.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Titan Computer showcased the demo at CeBIT &#39;97 in Hanover, where visitors were able to test the game firsthand. However, player feedback delivered a harsh verdict. The community expected a Doom-like experience featuring multi-level environments, staircases, and vertically layered maps. Meeting those expectations would have required a complete technological overhaul and the development of an entirely new game engine.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;For Titan Computer, the version submitted by the developers was simply too buggy for commercial release, and the publisher demanded major changes to the codebase.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;At that point, the harsh realities of post-communist Poland began to take their toll. Without reliable internet access, professional development resources, or significant financial backing, there was only so much a group of 18-, 19-, and 20-year-olds could accomplish.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Real life eventually took priority. University studies, mandatory military service for lead programmer Marcin Kmiecik, and simple creative exhaustion all contributed to the project&#39;s downfall. The developers no longer had the time or energy required to rebuild the game from scratch.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Ultimately, Brain Killer was shelved, becoming one of the most legendary and ambitious unreleased projects in the history of Polish game development.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;363&quot; src=&quot;https://www.youtube.com/embed/xBeeONgMS7c&quot; width=&quot;640&quot; youtube-src-id=&quot;xBeeONgMS7c&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;h2&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The Smell of Floppy Disks and Homemade Solutions&lt;/span&gt;&lt;/h2&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The interview on the &lt;em&gt;Amiga bez ściemy&lt;/em&gt; channel became a genuine time machine back to the 1990s.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Piotr Krompiewski sparked a wave of nostalgia when he recalled building his own audio sampler. After the interview, co-host Rafał Chyła clarified that the project had originally been described in electronics magazines such as &lt;em&gt;Elektronika Praktyczna&lt;/em&gt; or &lt;em&gt;Praktyczny Elektronik&lt;/em&gt;.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The comments section quickly filled with memories from viewers who could closely relate to the experiences shared by Piotr and Rafał:&lt;/span&gt;&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Buying a first Amiga from iconic stores such as Domus in Łódź or Vadim in Zielona Góra.&lt;/span&gt;&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The unforgettable smell of freshly opened 3.5-inch floppy disks, including legendary brands like Kodak.&lt;/span&gt;&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Building homemade cables to connect Amigas to old black-and-white televisions, such as the Neptun 557.&lt;/span&gt;&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Spending sleepless nights gaming after the evening news had ended and parents finally freed up the family television.&lt;/span&gt;&lt;/p&gt;&lt;/li&gt;&lt;/ul&gt;&lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;float: none;&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpZrnkRviWYA_iaGvk6wM4S7eeJjoeVGFKSjeUty-OGUKwmPD9hLXnhRo9qi8xx6RYjjFpoo_e-rHwaxxgTg0T6STCGh61MZ0OAz1EJRowmGW9P9_HxczXmwspstx4pXdod1jKJ6tHqiPnZa2Dv1F699AzZfBqbS-jVtciEf2ZnmyjH5UttsNCTskyK_t3/s1024/Amiga%20Bez%20%C5%9Aciemy%20-%20Wywiad%20-%20Brain%20Killer%201024.png&quot; style=&quot;clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;&quot;&gt;&lt;img alt=&quot;A screenshot from the Amiga bez sciemy YouTube channel showing a four-way video interview. The left side features the channel logo with the text Mufa and Remix, while the right side displays four video feeds of the participants stacked vertically.&quot; border=&quot;0&quot; data-original-height=&quot;576&quot; data-original-width=&quot;1024&quot; height=&quot;360&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpZrnkRviWYA_iaGvk6wM4S7eeJjoeVGFKSjeUty-OGUKwmPD9hLXnhRo9qi8xx6RYjjFpoo_e-rHwaxxgTg0T6STCGh61MZ0OAz1EJRowmGW9P9_HxczXmwspstx4pXdod1jKJ6tHqiPnZa2Dv1F699AzZfBqbS-jVtciEf2ZnmyjH5UttsNCTskyK_t3/w640-h360/Amiga%20Bez%20%C5%9Aciemy%20-%20Wywiad%20-%20Brain%20Killer%201024.png&quot; title=&quot;Amiga bez sciemy YouTube talk show interview screen&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;A frame from an interview on the &quot;Amiga bez ściemy&quot; channel. Seated from the top are: &lt;br /&gt;Remix, Piotr Krompiewski, Rafał Głębowski, and Mufa.&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;h2&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;A Legacy of Passion&lt;/span&gt;&lt;/h2&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Although Brain Killer was never officially released, it left a lasting impression on Amiga enthusiasts and retro gaming fans alike.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The story also highlights the remarkable creativity of developers from that era. Sound effects and ambient recordings were often created using everyday household objects—everything from VHS tapes to kitchen kettles, washing machines, and cooking pots.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Today, in the age of emulators and the renewed appreciation for authentic retro hardware, the story of Piotr Krompiewski, Rafał Głębowski, Marcin Kmiecik, and Jacek Rudowski stands as a monument to a time when hardware limitations did not suppress creativity. Instead, they inspired developers to push beyond what seemed possible.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.kromp-room-records.com/feeds/1083069623209913243/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.kromp-room-records.com/2026/06/the-rise-and-fall-of-brain-killer.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/1083069623209913243'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/1083069623209913243'/><link rel='alternate' type='text/html' href='http://www.kromp-room-records.com/2026/06/the-rise-and-fall-of-brain-killer.html' title='The Rise and Fall of Brain Killer: The Legendary Unreleased Amiga FPS'/><author><name>Kromproom</name><uri>http://www.blogger.com/profile/15227962973692929544</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4Kd4ubI9noYbZzfubvlaqWyvEf6exqS_P5tDT3WG1JKTuwM0WYGg1s8dP2GKr6cVWtOsfdvsfyIJplNbF2jshxX8vuOXdOFWISfu-LC9ENoL3II8pjYhLKBPELMisj7GojmL6RAEmWyhrEuai51612kaHZE-NYEj4BUKPH3l6D-0O3i6tGLwJZwYv6ExM/s72-w640-h352-c/CeBIT%2097%20Hannover%20v2.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2135890044969294381.post-2844873803057065887</id><published>2026-05-18T13:29:17.537+02:00</published><updated>2026-06-02T06:55:59.395+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="art exhibition"/><category scheme="http://www.blogger.com/atom/ns#" term="audiovisual experience"/><category scheme="http://www.blogger.com/atom/ns#" term="Bruntal Castle"/><category scheme="http://www.blogger.com/atom/ns#" term="contemporary art"/><category scheme="http://www.blogger.com/atom/ns#" term="electronic music"/><category scheme="http://www.blogger.com/atom/ns#" term="Kling AI"/><category scheme="http://www.blogger.com/atom/ns#" term="KrompRoom"/><category scheme="http://www.blogger.com/atom/ns#" term="MIPS"/><category scheme="http://www.blogger.com/atom/ns#" term="Pavel Forman"/><category scheme="http://www.blogger.com/atom/ns#" term="Všude Dobře"/><title type='text'>Deconstructing &quot;Home Sweet Home&quot;: How Kromproom, MIPS, and Pavel Forman Shook Bruntál Castle</title><content type='html'>&lt;h1 data-path-to-node=&quot;2&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;When Canvas Meets Code: The Triumphant Premiere of &quot;VŠUDE DOBŘE&quot; at Bruntál Castle&lt;/span&gt;&lt;/h1&gt;&lt;p data-path-to-node=&quot;3&quot;&gt;&lt;b data-index-in-node=&quot;0&quot; data-path-to-node=&quot;3&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Tradition, artificial intelligence, and Kromproom electronic music converged in the historic halls of the Bruntál Region Museum. On May 15, 2026, the international collaboration between painter Pavel Forman, Piotr Krompiewski (Kromproom), and MIPS came to life, offering a multifaceted extension to how we experience contemporary art.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;hr data-path-to-node=&quot;4&quot; /&gt;&lt;h3 data-path-to-node=&quot;5&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;A Historic Setting for a Multi-Dimensional Vision&lt;/span&gt;&lt;/h3&gt;&lt;p data-path-to-node=&quot;6&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;There is a powerful, almost mystical paradox in showcasing cutting-edge digital art inside the centuries-old architecture of &lt;b data-index-in-node=&quot;125&quot; data-path-to-node=&quot;6&quot;&gt;Bruntál Castle (Muzeum v Bruntále)&lt;/b&gt;. On Friday evening, at 17:30, visitors gathered to admire the latest physical oil paintings by Czech artist Pavel Forman for his exhibition titled &lt;b data-index-in-node=&quot;307&quot; data-path-to-node=&quot;6&quot;&gt;&quot;VŠUDE DOBŘE&quot; (Home Sweet Home)&lt;/b&gt;. As a unique, modern addition to the gallery experience, the highly anticipated full-length audiovisual visualization was premiered as an integral part of the exhibition layout.&lt;/span&gt;&lt;/p&gt;&lt;p data-path-to-node=&quot;6&quot;&gt;&lt;/p&gt;&lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;float: none;&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXdMNzI24786V4cc1VXK9t_7CnFeGkvyQYJRofw4rIbyzmvv5_-xG80cOF3vW2UKuOS367sgVEXmqrW6i9DFR65bazO8ghsYx1E8hf4eDKXUQmK_c5SHbUAzaDEx9nSVjPfM009TJVDBhaqAl9NyGRZD7t4HxCXu74NJXXf_VCU3eQYFUdb3G3Wt8oIJa6/s1640/FORMAN_VSUDE_DOBRE_V2_1640.png&quot; style=&quot;clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;&quot;&gt;&lt;img alt=&quot;Visitors gathered during the opening of the &amp;quot;Všude dobře&amp;quot; exhibition at Bruntál Castle, with a projected digital artwork displayed on the gallery wall.&quot; border=&quot;0&quot; data-original-height=&quot;923&quot; data-original-width=&quot;1640&quot; height=&quot;360&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXdMNzI24786V4cc1VXK9t_7CnFeGkvyQYJRofw4rIbyzmvv5_-xG80cOF3vW2UKuOS367sgVEXmqrW6i9DFR65bazO8ghsYx1E8hf4eDKXUQmK_c5SHbUAzaDEx9nSVjPfM009TJVDBhaqAl9NyGRZD7t4HxCXu74NJXXf_VCU3eQYFUdb3G3Wt8oIJa6/w640-h360/FORMAN_VSUDE_DOBRE_V2_1640.png&quot; title=&quot;Opening of Pavel Forman&#39;s &amp;quot;Všude dobře&amp;quot; exhibition at Bruntál Castle – photo by Kromproom.&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Pavel Forman opening his &quot;Všude&amp;nbsp;dobře&quot; exhibition at Bruntál Castle at 15.5.2026, 17:30. &lt;br /&gt;Photo by Kromproom.&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;p data-path-to-node=&quot;7&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;This experimental fusion of traditional vernissage and new media created a cohesive, hypnotic atmosphere. While guests explored the expressive, raw canvases hanging in the hall, they could simultaneously watch these same artworks come to life on the stone walls—subtly animated and reinterpreted through advanced AI generation (Kling AI) to act as a living backdrop to the physical pieces.&lt;/span&gt;&lt;/p&gt;&lt;div _ngcontent-ng-c3268475479=&quot;&quot; class=&quot;code-block ng-tns-c3268475479-581 ng-animate-disabled ng-trigger ng-trigger-codeBlockRevealAnimation&quot; jslog=&quot;223238;track:impression,attention;BardVeMetadataKey:[[&amp;quot;r_41af5e131ab5da3c&amp;quot;,&amp;quot;c_a51e552b8957b889&amp;quot;,null,&amp;quot;rc_8af78af2ea7f3f53&amp;quot;,null,null,&amp;quot;en&amp;quot;,null,1,null,null,1,0]]&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;!----&gt;&lt;/span&gt;&lt;div _ngcontent-ng-c3268475479=&quot;&quot; class=&quot;formatted-code-block-internal-container ng-tns-c3268475479-581&quot;&gt;&lt;div _ngcontent-ng-c3268475479=&quot;&quot; class=&quot;animated-opacity ng-tns-c3268475479-581&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;!----&gt;&lt;/span&gt;&lt;pre _ngcontent-ng-c3268475479=&quot;&quot; class=&quot;ng-tns-c3268475479-581&quot;&gt;&lt;code _ngcontent-ng-c3268475479=&quot;&quot; class=&quot;code-container formatted ng-tns-c3268475479-581 no-decoration-radius&quot; data-test-id=&quot;code-content&quot; role=&quot;text&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&quot;The static paintings on display remained the focal point, &lt;br /&gt;but their moving digital counterparts allowed the audience to see &lt;br /&gt;Forman&#39;s visual language fluidly transform in real-time.&quot;
&lt;/span&gt;&lt;/code&gt;&lt;/pre&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;!----&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;h3 data-path-to-node=&quot;9&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The Synergy of Kromproom Beats and Ambient&lt;/span&gt;&lt;/h3&gt;&lt;p data-path-to-node=&quot;10&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;If Pavel Forman’s physical imagery provided the core foundation, and MIPS’s precise editing and AI direction provided the visual flow, then &lt;b data-index-in-node=&quot;140&quot; data-path-to-node=&quot;10&quot;&gt;Kromproom’s&lt;/b&gt; music was the heartbeat tying the entire environment together.&lt;/span&gt;&lt;/p&gt;&lt;p data-path-to-node=&quot;10&quot;&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;363&quot; src=&quot;https://www.youtube.com/embed/53ywLB5DPWo&quot; width=&quot;640&quot; youtube-src-id=&quot;53ywLB5DPWo&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;p data-path-to-node=&quot;11&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The soundscape - an ambient, intricate blend of Kromproom sound and electronic beats - anchored the abstract digital transitions playing in the background. The rhythmic precision of the music perfectly synchronized with the visual on screen. It created an immersive layer of tension, proving that modern electronic music can act as an equal narrative force alongside fine art, rather than just simple background noise.&lt;/span&gt;&lt;/p&gt;&lt;p data-path-to-node=&quot;12&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The contrast between the domestic, familiar concept of &quot;Home Sweet Home&quot; in the physical paintings and the beautifully deconstructed digital environment gave the entire gallery space a captivating depth.&lt;/span&gt;&lt;/p&gt;&lt;hr data-path-to-node=&quot;13&quot; /&gt;&lt;h3 data-path-to-node=&quot;14&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;From the Castle to the Global Screen: The YouTube Premiere&lt;/span&gt;&lt;/h3&gt;&lt;p data-path-to-node=&quot;15&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;For those who couldn&#39;t attend the physical opening in the Czech Republic, the collective prepared a second wave of impact. Just two days later, the full standalone audio-visual piece was officially unleashed globally on the &lt;b data-index-in-node=&quot;221&quot; data-path-to-node=&quot;15&quot;&gt;KROMPROOM&lt;/b&gt; YouTube channel.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;float: none;&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmfOt5UeZSNqj8ab8R4JrPQ8-iX46ts5hSp_gLj5kQSRgbIGNf4WWKqK89u79ycKHUeuLhoABn0OoU9glHJwOcW9Tuw8YyWuwB3iAqmREvw7IRp-vPe8vjvF-OSzNb_C0PUbubN5uJDZDLgTJ53yt5NLqQXM-0hUsrAF8MshXJDuJrK6PgadGTY3JCAhjE/s1640/Pavel%20Forman%20Kromproom%20MIPS%20YT%20Premiere%20Promo%20JPG.jpg&quot; style=&quot;clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;&quot;&gt;&lt;img alt=&quot;Wide interior view of an exhibition hall at Bruntál Castle featuring large paintings, vaulted ceilings, and a projected audiovisual artwork on the gallery wall.&quot; border=&quot;0&quot; data-original-height=&quot;1230&quot; data-original-width=&quot;1640&quot; height=&quot;480&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmfOt5UeZSNqj8ab8R4JrPQ8-iX46ts5hSp_gLj5kQSRgbIGNf4WWKqK89u79ycKHUeuLhoABn0OoU9glHJwOcW9Tuw8YyWuwB3iAqmREvw7IRp-vPe8vjvF-OSzNb_C0PUbubN5uJDZDLgTJ53yt5NLqQXM-0hUsrAF8MshXJDuJrK6PgadGTY3JCAhjE/w640-h480/Pavel%20Forman%20Kromproom%20MIPS%20YT%20Premiere%20Promo%20JPG.jpg&quot; title=&quot;“VŠUDE DOBŘE” exhibition installation at Bruntál Castle – audiovisual art experience.&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Installation view of the &quot;VŠUDE DOBŘE&quot; exhibition at Bruntál Castle, &lt;br /&gt;where traditional paintings merge with immersive audiovisual projection.&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;p data-path-to-node=&quot;16&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The digital release captures the exact energy and sequence of the Bruntál installation, allowing viewers worldwide to experience this historic collaboration in high definition. It stands as a brilliant testament to what happens when independent international artists join forces, blending traditional craftsmanship with futuristic technology without losing the emotional depth of the original work.&lt;/span&gt;&lt;/p&gt;&lt;h3 data-path-to-node=&quot;17&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The Verdict&lt;/span&gt;&lt;/h3&gt;&lt;p data-path-to-node=&quot;18&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;b data-index-in-node=&quot;0&quot; data-path-to-node=&quot;18&quot;&gt;&quot;VŠUDE DOBŘE&quot;&lt;/b&gt; is a milestone for everyone involved. Pavel Forman proved once again that his art is fluid and open to new horizons. MIPS delivered a masterclass in AI-assisted visual editing that respects the source material, and Kromproom provided a sonic depth that will resonate with fans of electronic music for a long time.&lt;/span&gt;&lt;/p&gt;&lt;p data-path-to-node=&quot;19&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;If you want to experience how the digital extension complements the exhibition&#39;s vision, turn off the lights, put on your best headphones, and step into the dimension of &quot;VŠUDE DOBŘE&quot;.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;response-element ng-version=&quot;0.0.0-PLACEHOLDER&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;code-block _nghost-ng-c3268475479=&quot;&quot; class=&quot;ng-tns-c3268475479-581 ng-star-inserted&quot;&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;/code-block&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;!----&gt;&lt;/span&gt;&lt;/response-element&gt;&lt;/p&gt;&lt;p data-path-to-node=&quot;20&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;b data-index-in-node=&quot;3&quot; data-path-to-node=&quot;20&quot;&gt;Watch the full audiovisual experience here:&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;363&quot; src=&quot;https://www.youtube.com/embed/3aoXuaBy3Cc&quot; width=&quot;640&quot; youtube-src-id=&quot;3aoXuaBy3Cc&quot;&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;br /&gt;Paintings by Pavel Forman&lt;br /&gt;Music by Kromproom&lt;br /&gt;Animation by Kling AI&lt;br /&gt;Production &amp;amp; Edition by MIPS&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;p&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.kromp-room-records.com/feeds/2844873803057065887/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.kromp-room-records.com/2026/05/deconstructing-home-sweet-home-how.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/2844873803057065887'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/2844873803057065887'/><link rel='alternate' type='text/html' href='http://www.kromp-room-records.com/2026/05/deconstructing-home-sweet-home-how.html' title='Deconstructing &quot;Home Sweet Home&quot;: How Kromproom, MIPS, and Pavel Forman Shook Bruntál Castle'/><author><name>Kromproom</name><uri>http://www.blogger.com/profile/15227962973692929544</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXdMNzI24786V4cc1VXK9t_7CnFeGkvyQYJRofw4rIbyzmvv5_-xG80cOF3vW2UKuOS367sgVEXmqrW6i9DFR65bazO8ghsYx1E8hf4eDKXUQmK_c5SHbUAzaDEx9nSVjPfM009TJVDBhaqAl9NyGRZD7t4HxCXu74NJXXf_VCU3eQYFUdb3G3Wt8oIJa6/s72-w640-h360-c/FORMAN_VSUDE_DOBRE_V2_1640.png" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2135890044969294381.post-1673876533533777897</id><published>2026-04-11T16:37:00.007+02:00</published><updated>2026-04-15T14:36:53.287+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="AI animation"/><category scheme="http://www.blogger.com/atom/ns#" term="audiovisual art"/><category scheme="http://www.blogger.com/atom/ns#" term="contemporary painting"/><category scheme="http://www.blogger.com/atom/ns#" term="digital art"/><category scheme="http://www.blogger.com/atom/ns#" term="exhibition Bruntál"/><category scheme="http://www.blogger.com/atom/ns#" term="Kling AI"/><category scheme="http://www.blogger.com/atom/ns#" term="KrompRoom"/><category scheme="http://www.blogger.com/atom/ns#" term="MIPS"/><category scheme="http://www.blogger.com/atom/ns#" term="multimedia installation"/><category scheme="http://www.blogger.com/atom/ns#" term="Pavel Forman"/><title type='text'>When Painting Comes Alive: Kromproom &amp; MIPS Create an Audiovisual Experience for Pavel Forman</title><content type='html'>&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;h2 data-end=&quot;161&quot; data-section-id=&quot;1r9ljsk&quot; data-start=&quot;57&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The Fusion of Image and Sound – An International Collaboration by Kromproom and MIPS for Pavel Forman&lt;/span&gt;&lt;/h2&gt;
&lt;p data-end=&quot;499&quot; data-start=&quot;163&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;In contemporary art, the boundaries between disciplines are increasingly dissolving. Visual art, sound, and technology now merge to create entirely new forms of expression. One such project is a unique collaboration between Piotr Krompiewski (Kromproom), Marek Holewiński (MIPS), and Czech painter &lt;span class=&quot;hover:entity-accent entity-underline inline cursor-pointer align-baseline&quot;&gt;Pavel Forman&lt;/span&gt;.&lt;/span&gt;&lt;/p&gt;&lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;float: none; margin-right: 1em; text-align: center;&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style=&quot;text-align: left;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEha7Q9HrMl3ey5FcpY-kpN11vzYhpoVvXB3kbC3dRaQHXaxXaqT4DjP5rpOoxl48vKHJR35EgMW_NF7_E6qTeZsyG3iNfeGvQWBQ5DbOaDUW57PxH_a4my6FRsPXX6zsXa4rYbj0rxSzCud4ac6rX0bh0T7mRCqGR72vUlm74hQ51p2mWQXwMSAvKkh08wd/s1821/PavelForman_Zoe2_140x160cm_oiloncanvas2018_KlingAI_Cut.jpg&quot; style=&quot;clear: left; margin-left: auto; margin-right: auto;&quot;&gt;&lt;img alt=&quot;Stylized digital portrait of a woman wearing a mask, with dramatic lighting and a red-orange abstract background.&quot; border=&quot;0&quot; data-original-height=&quot;1024&quot; data-original-width=&quot;1821&quot; height=&quot;360&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEha7Q9HrMl3ey5FcpY-kpN11vzYhpoVvXB3kbC3dRaQHXaxXaqT4DjP5rpOoxl48vKHJR35EgMW_NF7_E6qTeZsyG3iNfeGvQWBQ5DbOaDUW57PxH_a4my6FRsPXX6zsXa4rYbj0rxSzCud4ac6rX0bh0T7mRCqGR72vUlm74hQ51p2mWQXwMSAvKkh08wd/w640-h360/PavelForman_Zoe2_140x160cm_oiloncanvas2018_KlingAI_Cut.jpg&quot; title=&quot;A digital portrait of a woman wearing a mask in a dynamic, artistic AI style.&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;span class=&quot;hover:entity-accent entity-underline inline cursor-pointer align-baseline&quot;&gt;Zoe 2&lt;/span&gt;&amp;nbsp;- reimagined through AI-driven motion, original work by &lt;span class=&quot;hover:entity-accent entity-underline inline cursor-pointer align-baseline&quot;&gt;Pavel Forman&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;p data-end=&quot;499&quot; data-start=&quot;163&quot;&gt;&lt;/p&gt;&lt;t&gt;&lt;/t&gt;&lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;float: left; text-align: center;&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;h3 data-end=&quot;539&quot; data-section-id=&quot;bqycbn&quot; data-start=&quot;501&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;From Painting to Visual Experience&lt;/span&gt;&lt;/h3&gt;
&lt;p data-end=&quot;865&quot; data-start=&quot;541&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The project was initiated at the invitation of Pavel Forman, an artist born in 1977 in &lt;span class=&quot;hover:entity-accent entity-underline inline cursor-pointer align-baseline&quot;&gt;Bruntál&lt;/span&gt;. His expressive and distinctive visual language became the foundation for a modern audiovisual interpretation, which will be presented during an exhibition in May at the local museum in his hometown.&lt;/span&gt;&lt;/p&gt;
&lt;p data-end=&quot;1237&quot; data-start=&quot;867&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;For this project, the artist provided a collection of photographs of his paintings. These images underwent an initial transformation using advanced artificial intelligence tools such as &lt;span class=&quot;hover:entity-accent entity-underline inline cursor-pointer align-baseline&quot;&gt;Kling AI&lt;/span&gt;. Through this process, the originally static works were brought to life with subtle animation, while preserving their original artistic integrity.&lt;/span&gt;&lt;/p&gt;
&lt;h3 data-end=&quot;1275&quot; data-section-id=&quot;1u39iy5&quot; data-start=&quot;1239&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Technology Meets Artistic Vision&lt;/span&gt;&lt;/h3&gt;
&lt;p data-end=&quot;1547&quot; data-start=&quot;1277&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The next stage of the project is currently being developed by Marek Holewiński, also known as MIPS. He is responsible for shaping the final visual form - creating a cohesive and immersive narrative that connects the animated artworks into a unified audiovisual experience.&lt;/span&gt;&lt;/p&gt;
&lt;p data-end=&quot;1704&quot; data-start=&quot;1549&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;This project exemplifies a contemporary approach to art, where technology does not replace the artist but expands the possibilities of creative expression.&lt;/span&gt;&lt;/p&gt;&lt;p data-end=&quot;1704&quot; data-start=&quot;1549&quot;&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;363&quot; src=&quot;https://www.youtube.com/embed/HeebP2IgeV4&quot; width=&quot;640&quot; youtube-src-id=&quot;HeebP2IgeV4&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;
&lt;h3 data-end=&quot;1737&quot; data-section-id=&quot;gjmh0j&quot; data-start=&quot;1706&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Sound as the Emotional Core&lt;/span&gt;&lt;/h3&gt;
&lt;p data-end=&quot;1986&quot; data-start=&quot;1739&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;An essential element of the visualization is its musical layer. The track “&lt;span class=&quot;hover:entity-accent entity-underline inline cursor-pointer align-baseline&quot;&gt;Annihilating Rhythm&lt;/span&gt;” by Kromproom, taken from the 2015 album “&lt;span class=&quot;hover:entity-accent entity-underline inline cursor-pointer align-baseline&quot;&gt;Tenacity&lt;/span&gt;”, was selected as the sonic foundation of the project.&lt;/span&gt;&lt;/p&gt;
&lt;p data-end=&quot;2252&quot; data-start=&quot;1988&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Its distinctive industrial sound perfectly complements the expressive nature of Forman’s paintings and the dynamic structure of the visuals. The music serves not merely as a background, but as an equal narrative force - defining rhythm, tension, and emotional depth.&lt;/span&gt;&lt;/p&gt;
&lt;h3 data-end=&quot;2271&quot; data-section-id=&quot;1s7yjzp&quot; data-start=&quot;2254&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;First Glimpse&lt;/span&gt;&lt;/h3&gt;
&lt;p data-end=&quot;2513&quot; data-start=&quot;2273&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The first teaser of the project offers an early glimpse into the direction and atmosphere of the final visualization. It introduces viewers to the aesthetic language and mood that will define the full experience presented at the exhibition.&lt;/span&gt;&lt;/p&gt;
&lt;p data-end=&quot;2742&quot; data-start=&quot;2515&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;This collaboration between Kromproom and MIPS stands as a strong example of international artistic synergy, demonstrating how the fusion of painting, music, and digital technology can result in entirely new artistic dimensions.&lt;/span&gt;&lt;/p&gt;&lt;p data-end=&quot;2742&quot; data-start=&quot;2515&quot;&gt;&lt;/p&gt;&lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;float: none;&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhANFFnIVnM2NV6p37z6LWzpfKbGyd0Ff3gd-NpAZrAdr_vPOD1TJDFjhu6XI4BkZXJAwH9HYDFo0DbhwjSFhcGjmNmsyUb2w6HBCyp9mh3I71SPshfFpHiH8H-QMFfnF7-Gu_To4Ac6NMwXxWf-hKnfM6WtiWLmJtW1sj_7kugHN86-r4N1g6L0nHX_OIJ/s1170/P.Forman_MagicCreator_140cmx160cm_oiloncanvas_2019_JPG.jpg&quot; style=&quot;clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;&quot;&gt;&lt;img alt=&quot;An expressive oil painting on a dark background featuring two hybrid figures. On the left, a pale humanoid creature with combined infant and simian features holds a small, glowing golden object - resembling a firefly or a spark - on its upturned palm. On the right, a white-skinned infant leans forward with curiosity toward the light. The composition uses dramatic chiaroscuro (strong light and shadow contrast), creating a dark, surreal atmosphere typical of Forman’s style, which often explores themes of mutation and pop-culture aesthetics.&quot; border=&quot;0&quot; data-original-height=&quot;1170&quot; data-original-width=&quot;1024&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhANFFnIVnM2NV6p37z6LWzpfKbGyd0Ff3gd-NpAZrAdr_vPOD1TJDFjhu6XI4BkZXJAwH9HYDFo0DbhwjSFhcGjmNmsyUb2w6HBCyp9mh3I71SPshfFpHiH8H-QMFfnF7-Gu_To4Ac6NMwXxWf-hKnfM6WtiWLmJtW1sj_7kugHN86-r4N1g6L0nHX_OIJ/w560-h640/P.Forman_MagicCreator_140cmx160cm_oiloncanvas_2019_JPG.jpg&quot; title=&quot;Pavel Forman, Magic Creator, 2019&quot; width=&quot;560&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Pavel Forman Magic Creator 140cmx160cm oiloncanvas 2019&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;p&gt;&lt;/p&gt;
&lt;h3 data-end=&quot;2777&quot; data-section-id=&quot;1stsdmx&quot; data-start=&quot;2744&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;A New Dimension of Exhibition&lt;/span&gt;&lt;/h3&gt;
&lt;p data-end=&quot;3010&quot; data-start=&quot;2779&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The exhibition in Bruntál will not only showcase the paintings of Pavel Forman but will also offer a fully immersive audiovisual experience. Visitors will be invited into a world where images come alive and sound guides perception.&lt;/span&gt;&lt;/p&gt;
&lt;p data-end=&quot;3187&quot; data-start=&quot;3012&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;It is a project that reflects the evolving nature of art - where tradition meets innovation, and where new technologies open doors to previously unexplored creative territories.&lt;br /&gt;&lt;br /&gt;Pavel Forman Official Webside&amp;nbsp;&lt;a href=&quot;https://www.pavelforman.com/&quot;&gt;https://www.pavelforman.com/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.kromp-room-records.com/feeds/1673876533533777897/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.kromp-room-records.com/2026/04/when-painting-comes-alive-kromproom.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/1673876533533777897'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/1673876533533777897'/><link rel='alternate' type='text/html' href='http://www.kromp-room-records.com/2026/04/when-painting-comes-alive-kromproom.html' title='When Painting Comes Alive: Kromproom &amp; MIPS Create an Audiovisual Experience for Pavel Forman'/><author><name>Kromproom</name><uri>http://www.blogger.com/profile/15227962973692929544</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEha7Q9HrMl3ey5FcpY-kpN11vzYhpoVvXB3kbC3dRaQHXaxXaqT4DjP5rpOoxl48vKHJR35EgMW_NF7_E6qTeZsyG3iNfeGvQWBQ5DbOaDUW57PxH_a4my6FRsPXX6zsXa4rYbj0rxSzCud4ac6rX0bh0T7mRCqGR72vUlm74hQ51p2mWQXwMSAvKkh08wd/s72-w640-h360-c/PavelForman_Zoe2_140x160cm_oiloncanvas2018_KlingAI_Cut.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2135890044969294381.post-860061896576038282</id><published>2025-11-14T10:00:00.008+01:00</published><updated>2025-11-14T10:00:00.242+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="avant-garde"/><category scheme="http://www.blogger.com/atom/ns#" term="Beatroom 02"/><category scheme="http://www.blogger.com/atom/ns#" term="creative collaboration"/><category scheme="http://www.blogger.com/atom/ns#" term="electronic compilation"/><category scheme="http://www.blogger.com/atom/ns#" term="experimental sounds"/><category scheme="http://www.blogger.com/atom/ns#" term="independent electronic"/><category scheme="http://www.blogger.com/atom/ns#" term="KrompRoom"/><category scheme="http://www.blogger.com/atom/ns#" term="MIPS design"/><category scheme="http://www.blogger.com/atom/ns#" term="Music Video"/><category scheme="http://www.blogger.com/atom/ns#" term="underground music"/><title type='text'>Beatroom 02 – The Second Wave of Independent Energy. Out Now!</title><content type='html'>&lt;p&gt;&lt;br /&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;b&gt;Five years after the release of the first volume, &lt;span data-end=&quot;363&quot; data-start=&quot;348&quot;&gt;Beatroom 02&lt;/span&gt; returns – a unique compilation connecting independent electronic music creators. The album continues the original idea born from the need to showcase the true diversity of the underground scene and the power of collaboration between artists outside the mainstream.&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5j-DfHwveuYlf_cb1VhyXrgf8wMzd4KlzCWDPK6HUDOdA5W-zrQH727eJg7Ap25FIMgJsks-nnn7cgxMmugObBIxwhnKtq8FFSfIQwz0moM1pETUELhtTLVvM_6hsLiubxi9ejfh5jiMzhX2JcUX8AdUAcM5mSNc_IHz8bs_n6OMrqrfuobRErsvK4HfX/s1024/Beatroom_02_Compilation_Cover%201024_mipsed2%20v2%20cut.jpg&quot;&gt;&lt;img alt=&quot;A row of massive robotic arms in an industrial hall bathed in green light, symbolizing mechanical precision and creative energy. The image represents the independent electronic compilation Beatroom 02 by KROMP ROOM RECORDS.&quot; border=&quot;0&quot; data-original-height=&quot;1024&quot; data-original-width=&quot;1024&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5j-DfHwveuYlf_cb1VhyXrgf8wMzd4KlzCWDPK6HUDOdA5W-zrQH727eJg7Ap25FIMgJsks-nnn7cgxMmugObBIxwhnKtq8FFSfIQwz0moM1pETUELhtTLVvM_6hsLiubxi9ejfh5jiMzhX2JcUX8AdUAcM5mSNc_IHz8bs_n6OMrqrfuobRErsvK4HfX/w640-h640/Beatroom_02_Compilation_Cover%201024_mipsed2%20v2%20cut.jpg&quot; title=&quot;Beatroom 02 – Machines of Emotion&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;
&lt;p data-end=&quot;988&quot; data-start=&quot;632&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The compilation features producers and composers who consistently build their own sonic worlds. Each artist received a &lt;strong data-end=&quot;819&quot; data-start=&quot;751&quot;&gt;personal copy of the album as a symbol of creative participation&lt;/strong&gt; in this shared project. The visual design of the entire release was created by &lt;strong data-end=&quot;907&quot; data-start=&quot;899&quot;&gt;MIPS&lt;/strong&gt;, whose demoscene-inspired aesthetics perfectly capture the spirit of Beatroom.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpsRQB4lXtxbsq7NQpWfx6hYu55ne47EYOUIP9G_f3C06LT2IrgYHY9tjauuQ6HiHYRPaxmXCZTKol215JC7ssKHqn2jfHaLriCN6eP1BVg50CDKTfRS4dyW5nveOMwpQbnH8W9scuVUsH5eF8Smh7GASIvOzRUBVkmRmLBMvB4TppAR4JrEy4Aqr-O3z4/s1024/Beatroom%2002%20Promo%20AI%20Photo%206%201024.jpg&quot;&gt;&lt;img alt=&quot;A young girl and a humanoid robot walk hand in hand toward a bright light in a desolate industrial corridor. The robot has a CD embedded in its back, and the girl holds another disc, symbolizing the bond between humanity and technology in the spirit of the independent electronic compilation Beatroom 02 by KROMP ROOM RECORDS.&quot; border=&quot;0&quot; data-original-height=&quot;768&quot; data-original-width=&quot;1024&quot; height=&quot;480&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpsRQB4lXtxbsq7NQpWfx6hYu55ne47EYOUIP9G_f3C06LT2IrgYHY9tjauuQ6HiHYRPaxmXCZTKol215JC7ssKHqn2jfHaLriCN6eP1BVg50CDKTfRS4dyW5nveOMwpQbnH8W9scuVUsH5eF8Smh7GASIvOzRUBVkmRmLBMvB4TppAR4JrEy4Aqr-O3z4/w640-h480/Beatroom%2002%20Promo%20AI%20Photo%206%201024.jpg&quot; title=&quot;Beatroom 02 – Where Machines Feel&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;
&lt;p data-end=&quot;1423&quot; data-start=&quot;990&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Among the tracks featured on &lt;em data-end=&quot;1032&quot; data-start=&quot;1019&quot;&gt;Beatroom 02&lt;/em&gt; is &lt;strong data-end=&quot;1054&quot; data-start=&quot;1036&quot;&gt;“Come On Baby”&lt;/strong&gt; by &lt;strong data-end=&quot;1071&quot; data-start=&quot;1058&quot;&gt;Kromproom&lt;/strong&gt; – producer, artist, and founder of the label, who also curated the concept of the compilation. Alongside the album release, the &lt;strong data-end=&quot;1224&quot; data-start=&quot;1200&quot;&gt;official music video&lt;/strong&gt; for the track premieres today on Kromproom’s official YouTube channel. The video serves as a visual manifesto of freedom, emotion, and expression that have long defined Kromproom’s artistic style.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNFyPp8d65KkoW7uzgI-AQh2tpp1hll1Pst1_IYEW9dczJ7Kn86jBqK4KWldWH3zu_8RQFH7rUIvU5o_qCPrpEhjVBPxZhgVYdMDOlea3uFJlKSu9G2xKsVnCzbriJP10JJ0GpqcmR8yf_2lHb0KfN9Jo3gg7zGgVdX-Ys2ZhhSGsdiTmPIZUermwlCCMX/s2048/Kromproom%20-%20Come%20On%20Baby%20-%20Miniatura%20v3%20Cut.jpg&quot;&gt;&lt;img alt=&quot;The image shows the legs of a ballerina standing en pointe in the middle of an empty asphalt road. The minimalist, symbolic scene contrasts the elegance of ballet with the rawness of the environment. The text “Kromproom – Come On Baby” is written on the pavement, creating a striking and artistic promotional visual for the track.&quot; border=&quot;0&quot; data-original-height=&quot;1613&quot; data-original-width=&quot;2048&quot; height=&quot;504&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNFyPp8d65KkoW7uzgI-AQh2tpp1hll1Pst1_IYEW9dczJ7Kn86jBqK4KWldWH3zu_8RQFH7rUIvU5o_qCPrpEhjVBPxZhgVYdMDOlea3uFJlKSu9G2xKsVnCzbriJP10JJ0GpqcmR8yf_2lHb0KfN9Jo3gg7zGgVdX-Ys2ZhhSGsdiTmPIZUermwlCCMX/w640-h504/Kromproom%20-%20Come%20On%20Baby%20-%20Miniatura%20v3%20Cut.jpg&quot; title=&quot;Ballerina on the Empty Road – Kromproom: Come On Baby&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;
&lt;p data-end=&quot;1689&quot; data-start=&quot;1425&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Another video released simultaneously with the album is &lt;strong data-end=&quot;1492&quot; data-start=&quot;1481&quot;&gt;“Shiva”&lt;/strong&gt; by &lt;strong data-end=&quot;1506&quot; data-start=&quot;1496&quot;&gt;Jamick&lt;/strong&gt; – a ritualistic, hypnotic track that blends electronic energy with an organic, spiritual pulse. The clip adds a deeper audiovisual dimension to the entire &lt;em data-end=&quot;1675&quot; data-start=&quot;1662&quot;&gt;Beatroom 02&lt;/em&gt; experience.&lt;/span&gt;&lt;/p&gt;
&lt;blockquote data-end=&quot;1878&quot; data-start=&quot;1691&quot;&gt;
&lt;p data-end=&quot;1878&quot; data-start=&quot;1693&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;“Beatroom is a space for people who aren’t afraid of sound, experimentation, and truth in music. It’s not about the mainstream — it’s about passion and shared energy,” says Kromproom.&lt;/span&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;table align=&quot;center&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;float: left; margin-right: 1em;&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyLdEXA5SoWeL4N5g0tNvMsUPvXPCTq7_ls00YnX4OlZkBwuKVlOt7394EtTKby0DBW17M8JlFAknNuQhnTUajo_s9-lck_Ff5P2gwnD8TbXF2yK0H2uw0U60FHyopaZ5TJGP99GtlY09IxLsSwmMp34RnQTIFt7rR3z3p3dQyjVhm1vbd_NFvnvyMd_KM/s1488/CD%20Project%20-%20Disc%20GFX.jpeg&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1488&quot; data-original-width=&quot;1488&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyLdEXA5SoWeL4N5g0tNvMsUPvXPCTq7_ls00YnX4OlZkBwuKVlOt7394EtTKby0DBW17M8JlFAknNuQhnTUajo_s9-lck_Ff5P2gwnD8TbXF2yK0H2uw0U60FHyopaZ5TJGP99GtlY09IxLsSwmMp34RnQTIFt7rR3z3p3dQyjVhm1vbd_NFvnvyMd_KM/w640-h640/CD%20Project%20-%20Disc%20GFX.jpeg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class=&quot;tr-caption&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;CD GFX Project by MIPS&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;em data-end=&quot;1893&quot; data-start=&quot;1880&quot; style=&quot;font-family: arial;&quot;&gt;&lt;br /&gt;Beatroom 02&lt;/em&gt;&lt;span style=&quot;font-family: arial;&quot;&gt; is available in a &lt;/span&gt;&lt;strong data-end=&quot;1942&quot; data-start=&quot;1912&quot; style=&quot;font-family: arial;&quot;&gt;limited edition CD release&lt;/strong&gt;&lt;span style=&quot;font-family: arial;&quot;&gt; and &lt;a href=&quot;https://smartlinks.artistcamp.com/9008798729371/&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;also in &lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;b style=&quot;font-family: arial;&quot;&gt;&lt;a href=&quot;https://smartlinks.artistcamp.com/9008798729371/&quot; target=&quot;_blank&quot;&gt;digital form&lt;/a&gt;&lt;/b&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;.&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;It’s more than a compilation — it’s a collective statement from artists who believe in independence and authenticity in music.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;iframe allow=&quot;autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture&quot; allowfullscreen=&quot;&quot; data-testid=&quot;embed-iframe&quot; frameborder=&quot;0&quot; height=&quot;352&quot; loading=&quot;lazy&quot; src=&quot;https://open.spotify.com/embed/album/1TrLIf7CSyCeHvLeEqR9yI?utm_source=generator&quot; style=&quot;border-radius: 12px;&quot; width=&quot;100%&quot;&gt;&lt;/iframe&gt;&lt;p&gt;&lt;/p&gt;
&lt;hr data-end=&quot;2104&quot; data-start=&quot;2101&quot; /&gt;
&lt;h3 data-end=&quot;2156&quot; data-start=&quot;2106&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Go Back and Meet the Artists of Beatroom 02&lt;/span&gt;&lt;/h3&gt;
&lt;p data-end=&quot;2394&quot; data-start=&quot;2158&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Before the release, our blog featured a series of short articles introducing the artists and teasers of their tracks. Each story revealed a unique approach to sound and emotion, showing how different worlds came together on one album:&lt;/span&gt;&lt;/p&gt;
&lt;ul data-end=&quot;2634&quot; data-start=&quot;2396&quot;&gt;
&lt;li data-end=&quot;2451&quot; data-start=&quot;2396&quot;&gt;
&lt;p data-end=&quot;2451&quot; data-start=&quot;2398&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;a href=&quot;https://www.kromp-room-records.com/2024/12/work-on-beatroom-02-compilation-is.html&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;MIPS - Dreamy Sussane -&amp;nbsp;Work on Beatroom 02 Compilation is Underway!&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li data-end=&quot;2503&quot; data-start=&quot;2452&quot;&gt;
&lt;p data-end=&quot;2503&quot; data-start=&quot;2454&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;a href=&quot;https://www.kromp-room-records.com/2025/01/preview-of-dichros-scratch-remix-by.html&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;DICHRO - Scratch -&amp;nbsp;Preview of Dichro&#39;s &quot;Scratch&quot; Remix by Kromproom to Feature on the Upcoming Beatroom 02 Compilation&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li data-end=&quot;2561&quot; data-start=&quot;2504&quot;&gt;
&lt;p data-end=&quot;2561&quot; data-start=&quot;2506&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;a href=&quot;https://www.kromp-room-records.com/2025/02/jamick-artist-who-isnt-afraid-to.html&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;JAMICK - Shiva -&amp;nbsp;Jamick: An Artist Who Isn&#39;t Afraid to Experiment – &quot;Shiva&quot; on Beatroom 02&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li data-end=&quot;2634&quot; data-start=&quot;2562&quot;&gt;
&lt;p data-end=&quot;2634&quot; data-start=&quot;2564&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;a href=&quot;https://www.kromp-room-records.com/2025/03/danced-with-robot-returns-on-beatroom.html&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;KROMPROOM feat. CENTURIO - Danced With A Robot (130 bpm) -&amp;nbsp;Danced with a Robot Returns on Beatroom 02 in a 130 BPM Version&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/li&gt;&lt;li data-end=&quot;2634&quot; data-start=&quot;2562&quot;&gt;&lt;p data-end=&quot;2634&quot; data-start=&quot;2564&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;a href=&quot;https://www.kromp-room-records.com/2025/03/kris-mandre-joins-beatroom-02-powerful.html&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;KRIS MANDRE - Master Of The Moon -&amp;nbsp;Kris Mandre Joins Beatroom 02 – A Powerful Drum and Bass Entry&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;/li&gt;&lt;li data-end=&quot;2634&quot; data-start=&quot;2562&quot;&gt;&lt;p data-end=&quot;2634&quot; data-start=&quot;2564&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;a href=&quot;https://www.kromp-room-records.com/2025/05/bornless-by-udo-volfram-to-appear-on.html&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;UDO VOLFRAM - Bornless -&amp;nbsp;Bornless by Udo Volfram to Appear on Beatroom 02 Compilation&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;/li&gt;&lt;li data-end=&quot;2634&quot; data-start=&quot;2562&quot;&gt;&lt;p data-end=&quot;2634&quot; data-start=&quot;2564&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;a href=&quot;https://www.kromp-room-records.com/2025/06/shapes-by-kambium-story-behind-organic.html&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;KAMBIUM - Shapes -&amp;nbsp;Shapes by Kambium: The Story Behind an Organic Electronic Track on Beatroom 02&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;/li&gt;&lt;li data-end=&quot;2634&quot; data-start=&quot;2562&quot;&gt;&lt;p data-end=&quot;2634&quot; data-start=&quot;2564&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;a href=&quot;https://www.kromp-room-records.com/2025/05/beatroom-02-wrongs-skrzyda-exclusive.html&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;WRONG! - Skrzydła -&amp;nbsp;Beatroom 02: WRONG!’s “Skrzydła” – Exclusive Preview on YouTube Shorts&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;/li&gt;&lt;li data-end=&quot;2634&quot; data-start=&quot;2562&quot;&gt;&lt;p data-end=&quot;2634&quot; data-start=&quot;2564&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;a href=&quot;https://www.kromp-room-records.com/2025/08/come-on-baby-kromprooms-unreleased.html&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;KROMPROOM - Come On Baby -&amp;nbsp;Come on Baby: Kromproom’s Unreleased Anthem Arrives on Beatroom 02&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;/li&gt;&lt;li data-end=&quot;2634&quot; data-start=&quot;2562&quot;&gt;&lt;p data-end=&quot;2634&quot; data-start=&quot;2564&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;a href=&quot;https://www.kromp-room-records.com/2025/08/jazzass-joins-beatroom-02-with-run-for.html&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;JAZZ ASS - Run For Your Life -&amp;nbsp;JazzAss joins “Beatroom 02” with Run For Your Life&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;/li&gt;&lt;li data-end=&quot;2634&quot; data-start=&quot;2562&quot;&gt;&lt;p data-end=&quot;2634&quot; data-start=&quot;2564&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;a href=&quot;https://www.kromp-room-records.com/2025/09/tr21-returns-with-nobody-cares-about.html&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;TR21 - Nobody Cares About Acid (Part 025) -&amp;nbsp;TR21 Returns with „Nobody Cares About Acid (Part 025)” Beatroom 02&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;/li&gt;&lt;li data-end=&quot;2634&quot; data-start=&quot;2562&quot;&gt;&lt;p data-end=&quot;2634&quot; data-start=&quot;2564&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;a href=&quot;https://www.kromp-room-records.com/2025/09/endorphine-on-beatroom-02-stunning.html&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;ENDORPHINE - Recalibratio -&amp;nbsp;Endorphine on Beatroom 02 – A Stunning Finale to the Compilation&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;hr data-end=&quot;2639&quot; data-start=&quot;2636&quot; /&gt;
&lt;h3 data-end=&quot;2670&quot; data-start=&quot;2641&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Watch the Music Videos&lt;br /&gt;&lt;/span&gt;&lt;/h3&gt;&lt;h3 data-end=&quot;2670&quot; data-start=&quot;2641&quot;&gt;&lt;span style=&quot;font-family: arial; font-weight: normal;&quot;&gt;Jamick –&amp;nbsp;&lt;em data-end=&quot;2736&quot; data-start=&quot;2729&quot;&gt;Shiva&lt;/em&gt;&amp;nbsp;(YouTube)&lt;/span&gt;&lt;/h3&gt;&lt;h3 data-end=&quot;2670&quot; data-start=&quot;2641&quot;&gt;&lt;iframe allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;363&quot; referrerpolicy=&quot;strict-origin-when-cross-origin&quot; src=&quot;https://www.youtube.com/embed/AIVPlwAw0pM?si=hnmpJkMuzcu-RdKA&quot; title=&quot;YouTube video player&quot; width=&quot;640&quot;&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;br /&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;Kromproom – &lt;em data-end=&quot;2700&quot; data-start=&quot;2686&quot;&gt;Come On Baby&lt;/em&gt; (YouTube)&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;363&quot; src=&quot;https://www.youtube.com/embed/KpDk_HBWMck&quot; width=&quot;640&quot; youtube-src-id=&quot;KpDk_HBWMck&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;/h3&gt;
&lt;hr data-end=&quot;2757&quot; data-start=&quot;2754&quot; /&gt;
&lt;p data-end=&quot;2899&quot; data-start=&quot;2759&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;🎵 &lt;em data-end=&quot;2775&quot; data-start=&quot;2762&quot;&gt;Beatroom 02&lt;/em&gt; – Independent music. Real emotion. Shared energy.&lt;br data-end=&quot;2828&quot; data-start=&quot;2825&quot; /&gt;
Thank you to all the artists and listeners who keep this scene alive.&lt;/span&gt;&lt;/p&gt;
&lt;hr data-end=&quot;2904&quot; data-start=&quot;2901&quot; /&gt;
&lt;p data-end=&quot;3119&quot; data-is-last-node=&quot;&quot; data-is-only-node=&quot;&quot; data-start=&quot;2906&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;2025 KROMP ROOM RECORDS&lt;br /&gt;CD by Repliq Media&lt;br /&gt;Licence by ZAiKS/BIEM&lt;br /&gt;Digital Distribution by Rebeat Digital GmbH&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.kromp-room-records.com/feeds/860061896576038282/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.kromp-room-records.com/2025/11/beatroom-02-second-wave-of-independent.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/860061896576038282'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/860061896576038282'/><link rel='alternate' type='text/html' href='http://www.kromp-room-records.com/2025/11/beatroom-02-second-wave-of-independent.html' title='Beatroom 02 – The Second Wave of Independent Energy. Out Now!'/><author><name>Kromproom</name><uri>http://www.blogger.com/profile/15227962973692929544</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5j-DfHwveuYlf_cb1VhyXrgf8wMzd4KlzCWDPK6HUDOdA5W-zrQH727eJg7Ap25FIMgJsks-nnn7cgxMmugObBIxwhnKtq8FFSfIQwz0moM1pETUELhtTLVvM_6hsLiubxi9ejfh5jiMzhX2JcUX8AdUAcM5mSNc_IHz8bs_n6OMrqrfuobRErsvK4HfX/s72-w640-h640-c/Beatroom_02_Compilation_Cover%201024_mipsed2%20v2%20cut.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2135890044969294381.post-530098636226735567</id><published>2025-11-10T19:23:00.000+01:00</published><updated>2026-05-16T11:27:23.590+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="ambient electronic"/><category scheme="http://www.blogger.com/atom/ns#" term="Beatroom 02"/><category scheme="http://www.blogger.com/atom/ns#" term="Come on Baby"/><category scheme="http://www.blogger.com/atom/ns#" term="electronic music"/><category scheme="http://www.blogger.com/atom/ns#" term="emotional manifesto"/><category scheme="http://www.blogger.com/atom/ns#" term="freedom and identity"/><category scheme="http://www.blogger.com/atom/ns#" term="independent artists"/><category scheme="http://www.blogger.com/atom/ns#" term="KrompRoom"/><category scheme="http://www.blogger.com/atom/ns#" term="Music Video"/><category scheme="http://www.blogger.com/atom/ns#" term="self-expression"/><title type='text'>Kromproom – Come On Baby: A Sonic Manifest of Freedom and Inner Strength</title><content type='html'>&lt;h3 style=&quot;text-align: left;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Kromproom – Come On Baby&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;(from the compilation “Beatroom 02”)&lt;/span&gt;&lt;/h3&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;b&gt;In this image, a ballerina stands on her toes in the middle of an empty road. The asphalt beneath her feet is rough and cracked – far from the smooth stage where dancing usually feels effortless, under the glow of spotlights. It’s a picture filled with tension – between delicacy and the harshness of life, between dreams and pressure, between who we want to be and who others want us to become.&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;“Come On Baby” is more than just a track – it’s an emotional manifesto. It’s a sonic portrayal of childhood that’s often led by the ambitions of others. Many parents see in their children a reflection of their own unfulfilled desires. They push them toward goals they themselves never achieved, trying to heal their own egos rather than nurture the child’s soul. As a result, the child dances on hard asphalt – in a place that was never their choice.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnddFu9m5C6Hnu2dMT6BRpkhftF2AfEnl52MYQRNCxGN30ac9XYlN-FLQRzJIXDQy_szP4iiPX-8S92GlAL0Fbfoy34o8WCygJSfUMIdCcLGZITdjZxvNmBUAXaFlEb5qiP3v7gAwZQIuiDXEnmCou-wyIRBcr8c2T17gA1QV8ZiIAR31TJi0VochBX-t5/s1024/Gemini_Generated_Come_On_Baby_Kromproom%20v2%20logo%20v1.jpg&quot; style=&quot;clear: left; margin-bottom: 1em; margin-right: 1em; none: left;&quot;&gt;&lt;img alt=&quot;Close-up shot of a ballerina&#39;s lower legs and pointe shoes, standing on an asphalt road with double yellow lines running down the center. The horizon is visible in the background, and the words &amp;quot;Kromproom - Come On Baby&amp;quot; are painted in a light color alongside the yellow lines.&quot; border=&quot;0&quot; data-original-height=&quot;806&quot; data-original-width=&quot;1024&quot; height=&quot;504&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnddFu9m5C6Hnu2dMT6BRpkhftF2AfEnl52MYQRNCxGN30ac9XYlN-FLQRzJIXDQy_szP4iiPX-8S92GlAL0Fbfoy34o8WCygJSfUMIdCcLGZITdjZxvNmBUAXaFlEb5qiP3v7gAwZQIuiDXEnmCou-wyIRBcr8c2T17gA1QV8ZiIAR31TJi0VochBX-t5/w640-h504/Gemini_Generated_Come_On_Baby_Kromproom%20v2%20logo%20v1.jpg&quot; title=&quot;Ballerina standing on asphalt&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;But the same mechanism also works in the opposite direction. There are people who don’t push – they hold you back. Who will do anything to stop your growth, to keep you from rising higher, from stepping out of the shadows, from becoming “better” than them. It’s a different kind of pressure – silent control, driven by fear and jealousy. In both cases, the common denominator is the same: the desire to dim someone else’s light instead of letting it shine on its own.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;363&quot; src=&quot;https://www.youtube.com/embed/cZZc3hjSRIk&quot; width=&quot;640&quot; youtube-src-id=&quot;cZZc3hjSRIk&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;This track and its symbolism form a quiet protest against living in the name of other people’s dreams – whether imposed by ambition or suffocated by fear. It shows how easily beauty and passion can be distorted when they become an extension of someone’s ego rather than an expression of an authentic self.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;A child – and every human being – should grow in the light of their own interests, in the rhythm of their own heart, not in the rhythm of others’ unfulfilled desires or imposed limits. Only then will their dance – whether on stage or in life – be true, honest, and free.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;“Come On Baby” is a call – not to obedience, but to awakening. It’s a voice that says: find your own rhythm, even if you have to dance amidst the roughness of the world.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;363&quot; src=&quot;https://www.youtube.com/embed/VaUSU2coE9w&quot; width=&quot;640&quot; youtube-src-id=&quot;VaUSU2coE9w&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The track “Come On Baby” by Kromproom appears on the compilation “Beatroom 02” – a project that unites independent electronic artists, showcasing their diverse emotions, visions, and sounds. Kromproom brings to this collection a unique depth – music that not only pulses with rhythm but also tells a story. A story about freedom, identity, and the courage to be yourself – even if it means dancing on asphalt.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;363&quot; src=&quot;https://www.youtube.com/embed/KpDk_HBWMck&quot; width=&quot;640&quot; youtube-src-id=&quot;KpDk_HBWMck&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The music video for the track was created using beautiful, moving footage by artists from Pexels, edited and assembled by Kromproom himself. The color grading was done by his friend and visual artist MIPS, who gave the video a unique emotional tone – perfectly aligned with the music’s message.&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.kromp-room-records.com/feeds/530098636226735567/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.kromp-room-records.com/2025/11/kromproom-come-on-baby-sonic-manifest.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/530098636226735567'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/530098636226735567'/><link rel='alternate' type='text/html' href='http://www.kromp-room-records.com/2025/11/kromproom-come-on-baby-sonic-manifest.html' title='Kromproom – Come On Baby: A Sonic Manifest of Freedom and Inner Strength'/><author><name>Kromproom</name><uri>http://www.blogger.com/profile/15227962973692929544</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnddFu9m5C6Hnu2dMT6BRpkhftF2AfEnl52MYQRNCxGN30ac9XYlN-FLQRzJIXDQy_szP4iiPX-8S92GlAL0Fbfoy34o8WCygJSfUMIdCcLGZITdjZxvNmBUAXaFlEb5qiP3v7gAwZQIuiDXEnmCou-wyIRBcr8c2T17gA1QV8ZiIAR31TJi0VochBX-t5/s72-w640-h504-c/Gemini_Generated_Come_On_Baby_Kromproom%20v2%20logo%20v1.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2135890044969294381.post-1493646988932160922</id><published>2025-10-16T10:40:00.003+02:00</published><updated>2025-10-16T13:54:53.895+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Ambient"/><category scheme="http://www.blogger.com/atom/ns#" term="Beatroom 02"/><category scheme="http://www.blogger.com/atom/ns#" term="club music"/><category scheme="http://www.blogger.com/atom/ns#" term="dance"/><category scheme="http://www.blogger.com/atom/ns#" term="electronic music"/><category scheme="http://www.blogger.com/atom/ns#" term="European artists"/><category scheme="http://www.blogger.com/atom/ns#" term="experimental"/><category scheme="http://www.blogger.com/atom/ns#" term="IDM"/><category scheme="http://www.blogger.com/atom/ns#" term="KROMP ROOM RECORDS"/><category scheme="http://www.blogger.com/atom/ns#" term="minimal techno"/><title type='text'>Beatroom 02 – The Second Chapter of KROMP ROOM RECORDS’ Electronic Soul</title><content type='html'>&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;br /&gt;The second installment of the &lt;span data-end=&quot;254&quot; data-start=&quot;242&quot;&gt;Beatroom&lt;/span&gt; series is approaching fast. &lt;span data-end=&quot;305&quot; data-start=&quot;283&quot;&gt;KROMP ROOM RECORDS&lt;/span&gt;, five years after the release of &lt;span data-end=&quot;354&quot; data-start=&quot;339&quot;&gt;Beatroom 01&lt;/span&gt;, presents a new, emotionally charged chapter where music becomes a space for creative freedom.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p data-end=&quot;598&quot; data-start=&quot;453&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;This time, listeners are treated to 12 tracks from artists across Europe, all connected by an independent approach to sound, space, and rhythm.&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTVuBmDt6hpM9fPpV_TjKq1bkjtWJeBSiS1yubjUJtlRAE_4KPoqsWBcW04stgfMghR9wBo53E7NdsjAgqdeDBShDA7cK1cuE8qiz839KHdXp1tRAlAhXhsMgZCk9Y9iMWhoUYDaKH-fAPL6ms-LqMjSdbEUTkujMoNe7Qe3CHoQKeBdgThk5DrUA5_gKS/s1024/FB%20Cover%20Teaser.jpg&quot; style=&quot;clear: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;A vast retro-futuristic factory hall filled with towering robotic arms and heavy machinery, where engineers and workers are supervising an assembly line. Thick smoke rises from the machines under a glass ceiling, and the scene evokes a cinematic blend of technology, progress, and industrial power. At the front, a digital sign reads “KROMP ROOM COMPILATION”, connecting the mechanical atmosphere to an electronic music release. The mood is dramatic, highlighting the synergy between human creativity and machine precision.&quot; border=&quot;0&quot; data-original-height=&quot;512&quot; data-original-width=&quot;1024&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTVuBmDt6hpM9fPpV_TjKq1bkjtWJeBSiS1yubjUJtlRAE_4KPoqsWBcW04stgfMghR9wBo53E7NdsjAgqdeDBShDA7cK1cuE8qiz839KHdXp1tRAlAhXhsMgZCk9Y9iMWhoUYDaKH-fAPL6ms-LqMjSdbEUTkujMoNe7Qe3CHoQKeBdgThk5DrUA5_gKS/w640-h320/FB%20Cover%20Teaser.jpg&quot; title=&quot;Industrial Dawn – The Assembly Line of Tomorrow&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/p&gt;&lt;div&gt;&lt;h2 data-end=&quot;642&quot; data-start=&quot;605&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Full Artist Lineup – Beatroom 02&lt;/span&gt;&lt;/h2&gt;
&lt;p data-end=&quot;798&quot; data-start=&quot;644&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Featured on &lt;strong data-end=&quot;671&quot; data-start=&quot;656&quot;&gt;Beatroom 02&lt;/strong&gt; are:&amp;nbsp;&lt;strong data-end=&quot;796&quot; data-start=&quot;679&quot;&gt;MIPS, Dichro, TR21, Jazz Ass, Kris Mandre, Jamick, WRONG!, Kromproom, Centurio, Udo Volfram, Endorphine, Kambium.&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p data-end=&quot;942&quot; data-start=&quot;800&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Each project brings something unique to the compilation – from experimental sound structures to danceable grooves and cinematic soundscapes.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;363&quot; src=&quot;https://www.youtube.com/embed/rPQk3oenmWo&quot; width=&quot;640&quot; youtube-src-id=&quot;rPQk3oenmWo&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;ul style=&quot;text-align: left;&quot;&gt;&lt;li&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;a href=&quot;https://www.kromp-room-records.com/2024/12/work-on-beatroom-02-compilation-is.html&quot; target=&quot;_blank&quot;&gt;MIPS&lt;/a&gt; opens the album with the subtle, cinematic track Dreamy Sussane, also responsible for the project’s graphic and video design.&lt;br /&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;a href=&quot;https://www.kromp-room-records.com/2025/01/preview-of-dichros-scratch-remix-by.html&quot; target=&quot;_blank&quot;&gt;Dichro&lt;/a&gt; appears in an original mix by Kromproom, inspired by the British club scene and contemporary electronic dance music.&lt;br /&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;a href=&quot;https://www.kromp-room-records.com/2025/09/tr21-returns-with-nobody-cares-about.html&quot; target=&quot;_blank&quot;&gt;TR21&lt;/a&gt; delivers precise, raw IDM with deep, mechanical pulses and spacious textures.&lt;br /&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;a href=&quot;https://www.kromp-room-records.com/2025/08/jazzass-joins-beatroom-02-with-run-for.html&quot; target=&quot;_blank&quot;&gt;Jazz Ass&lt;/a&gt; adds a jazz-infused beat groove with percussive bass lines, blending electronic sounds with club energy.&lt;br /&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;a href=&quot;https://www.kromp-room-records.com/2025/03/kris-mandre-joins-beatroom-02-powerful.html&quot; target=&quot;_blank&quot;&gt;Kris Mandre&lt;/a&gt; presents organic drum house with pulsating rhythms and hypnotic bass.&lt;br /&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;a href=&quot;https://www.kromp-room-records.com/2025/02/jamick-artist-who-isnt-afraid-to.html&quot; target=&quot;_blank&quot;&gt;Jamick&lt;/a&gt; returns with a melancholic track blending ethno-techno and ambient influences.&lt;br /&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;a href=&quot;https://www.kromp-room-records.com/2025/05/beatroom-02-wrongs-skrzyda-exclusive.html&quot; target=&quot;_blank&quot;&gt;WRONG!&lt;/a&gt; contributes atmospheric electro in the previously unreleased track Skrzydła.&lt;br /&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;a href=&quot;https://www.kromp-room-records.com/2025/08/come-on-baby-kromprooms-unreleased.html&quot; target=&quot;_blank&quot;&gt;Kromproom&lt;/a&gt;, curator and producer of the project, contributes his own composition and handled the mastering of several tracks.&lt;br /&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;a href=&quot;https://www.kromp-room-records.com/2025/03/danced-with-robot-returns-on-beatroom.html&quot; target=&quot;_blank&quot;&gt;Centurio&lt;/a&gt; appears as a guest on a well-known breakbeat track by Kromproom, this time in a 130 bpm version.&lt;br /&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;a href=&quot;https://www.kromp-room-records.com/2025/06/shapes-by-kambium-story-behind-organic.html&quot; target=&quot;_blank&quot;&gt;Kambium&lt;/a&gt; presents Shapes, a raw live session highlighting the emotional side of minimal techno.&lt;br /&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;a href=&quot;https://www.kromp-room-records.com/2025/05/bornless-by-udo-volfram-to-appear-on.html&quot; target=&quot;_blank&quot;&gt;Udo Volfram&lt;/a&gt; delivers cold, experimental sounds inspired by industrial and minimalism.&lt;br /&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;a href=&quot;https://www.kromp-room-records.com/2025/09/endorphine-on-beatroom-02-stunning.html&quot; target=&quot;_blank&quot;&gt;Endorphine&lt;/a&gt; closes the album with Recalibratio – a trance journey through ambient and progressive soundscapes, serving as the compilation’s instrumental epilogue.&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;363&quot; src=&quot;https://www.youtube.com/embed/9F4PuQQbolo&quot; width=&quot;640&quot; youtube-src-id=&quot;9F4PuQQbolo&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;h2 data-end=&quot;2363&quot; data-start=&quot;2333&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Sound That Expresses More&lt;/span&gt;&lt;/h2&gt;
&lt;p data-end=&quot;2759&quot; data-start=&quot;2365&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;strong data-end=&quot;95&quot; data-start=&quot;80&quot;&gt;Beatroom 02&lt;/strong&gt; is more than a compilation – it is an audiovisual journey, weaving diverse stylistic threads into a cohesive electronic experience. Some tracks, such as &lt;em data-end=&quot;261&quot; data-start=&quot;249&quot;&gt;&lt;b&gt;Endorphine&lt;/b&gt;&lt;/em&gt; and &lt;em data-end=&quot;276&quot; data-start=&quot;266&quot;&gt;&lt;b&gt;Jazz Ass&lt;/b&gt;&lt;/em&gt;, were masterfully finalized by &lt;b&gt;Piotr Krompiewski&lt;/b&gt;, while the track sequence was carefully curated by &lt;b&gt;Udo Volfram&lt;/b&gt;. The graphic design and teaser videos were created in collaboration between Piotr Krompiewski and Marek Holewiński, combining raw visuals and animations perfectly synchronized with the rhythm of the music.&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;363&quot; src=&quot;https://www.youtube.com/embed/vKZB-N2KIwQ&quot; width=&quot;640&quot; youtube-src-id=&quot;vKZB-N2KIwQ&quot;&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;h2 data-end=&quot;2789&quot; data-start=&quot;2766&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Release and Teaser&lt;/span&gt;&lt;/h2&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;
&lt;p data-end=&quot;3069&quot; data-start=&quot;2791&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The latest short teaser, released in October 2025 on official &lt;strong data-end=&quot;2889&quot; data-start=&quot;2853&quot;&gt;YouTube, Instagram, and Facebook&lt;/strong&gt; channels, announces the digital release of the album in November. The visual style emphasizes the raw character of the compilation – industrial, futuristic, and full of emotion.&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjo74xNRfoNJgYw9MUMo3sBgEMOJo5N6skQ5fvssLvor52RiRgvjQJfb9Deohik5Ed2UWtQkU9ZkWlTmC-8K6i4LX6-TldOZuKCsC92Nd86SMcifKXVMf9ITY7vcJHmCILNyZhspIk-hpS0zaTQ5Oksr4wP0M6GNVjVOvHjtfVP1SXkyLBqakeoFBFeIXJ1/s1024/BEATROOM_02_COMPILATION_TEASER-6-Blog-KRR.jpg&quot; style=&quot;clear: left; font-family: &amp;quot;Times New Roman&amp;quot;; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Industrial scene in a factory hall with a robot and people, promoting the Beatroom 02 compilation teaser from Kromp Room Records.&quot; border=&quot;0&quot; data-original-height=&quot;576&quot; data-original-width=&quot;1024&quot; height=&quot;360&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjo74xNRfoNJgYw9MUMo3sBgEMOJo5N6skQ5fvssLvor52RiRgvjQJfb9Deohik5Ed2UWtQkU9ZkWlTmC-8K6i4LX6-TldOZuKCsC92Nd86SMcifKXVMf9ITY7vcJHmCILNyZhspIk-hpS0zaTQ5Oksr4wP0M6GNVjVOvHjtfVP1SXkyLBqakeoFBFeIXJ1/w640-h360/BEATROOM_02_COMPILATION_TEASER-6-Blog-KRR.jpg&quot; title=&quot;Beatroom 02 – Teaser of the Kromp Room Records Compilation&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;hr data-end=&quot;3074&quot; data-start=&quot;3071&quot; /&gt;
&lt;p data-end=&quot;3256&quot; data-start=&quot;3076&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;strong data-end=&quot;3091&quot; data-start=&quot;3076&quot;&gt;Beatroom 02&lt;/strong&gt; is an evolution of sound – mature, pulsating, and intimate. A project where each track adds a new chapter to the story of sound crafted by &lt;strong data-end=&quot;3253&quot; data-start=&quot;3231&quot;&gt;KROMP ROOM RECORDS&lt;/strong&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;2025 KROMP ROOM RECORDS&lt;br /&gt;2025 Rebeat Digital GmbH&lt;br /&gt;2025 Repliq Media&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;br /&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.kromp-room-records.com/feeds/1493646988932160922/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.kromp-room-records.com/2025/10/beatroom-02-second-chapter-of-kromp.html#comment-form' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/1493646988932160922'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/1493646988932160922'/><link rel='alternate' type='text/html' href='http://www.kromp-room-records.com/2025/10/beatroom-02-second-chapter-of-kromp.html' title='Beatroom 02 – The Second Chapter of KROMP ROOM RECORDS’ Electronic Soul'/><author><name>Kromproom</name><uri>http://www.blogger.com/profile/15227962973692929544</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTVuBmDt6hpM9fPpV_TjKq1bkjtWJeBSiS1yubjUJtlRAE_4KPoqsWBcW04stgfMghR9wBo53E7NdsjAgqdeDBShDA7cK1cuE8qiz839KHdXp1tRAlAhXhsMgZCk9Y9iMWhoUYDaKH-fAPL6ms-LqMjSdbEUTkujMoNe7Qe3CHoQKeBdgThk5DrUA5_gKS/s72-w640-h320-c/FB%20Cover%20Teaser.jpg" height="72" width="72"/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2135890044969294381.post-3807850821833931425</id><published>2025-09-26T20:12:00.001+02:00</published><updated>2025-09-26T20:15:24.006+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Ambient"/><category scheme="http://www.blogger.com/atom/ns#" term="atmospheric"/><category scheme="http://www.blogger.com/atom/ns#" term="Beatroom 02"/><category scheme="http://www.blogger.com/atom/ns#" term="Endorphine"/><category scheme="http://www.blogger.com/atom/ns#" term="KrompRoom"/><category scheme="http://www.blogger.com/atom/ns#" term="Pink Floyd"/><category scheme="http://www.blogger.com/atom/ns#" term="Polish music"/><category scheme="http://www.blogger.com/atom/ns#" term="progressive rock"/><category scheme="http://www.blogger.com/atom/ns#" term="Recalibratio"/><category scheme="http://www.blogger.com/atom/ns#" term="soundscape"/><title type='text'>Endorphine on Beatroom 02 – A Stunning Finale to the Compilation</title><content type='html'>&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;b&gt;&lt;br /&gt;We are proud to announce that our upcoming compilation Beatroom 02, released digitally by KROMP ROOM RECORDS, will feature a truly special track — Recalibratio, composed exclusively by the Polish band Endorphine.&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;float: none;&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRxl8hSzAn0SbPYItCnvqopUCeHPHkscKbj__3KHmoSbBbS5Dq0ltGEe44cb6ITF4a2ubmeuJ_X_GOUHiwTTL2QNJQ-29USiNOsSQ_05J4O7LvW_m5_Y13SBjlxN8HcNT2fj9LUeweEFZU_WlYwIb0EPPYgBbLm9fSU4I6N-M96skOPDqsJJ3mLqiJcniY/s1536/Endorphine.jpg&quot; style=&quot;clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;&quot;&gt;&lt;img alt=&quot;Band Endorphine photographed in dramatic lighting with one member in front and two behind.&quot; border=&quot;0&quot; data-original-height=&quot;1536&quot; data-original-width=&quot;1024&quot; height=&quot;885&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRxl8hSzAn0SbPYItCnvqopUCeHPHkscKbj__3KHmoSbBbS5Dq0ltGEe44cb6ITF4a2ubmeuJ_X_GOUHiwTTL2QNJQ-29USiNOsSQ_05J4O7LvW_m5_Y13SBjlxN8HcNT2fj9LUeweEFZU_WlYwIb0EPPYgBbLm9fSU4I6N-M96skOPDqsJJ3mLqiJcniY/w589-h885/Endorphine.jpg&quot; title=&quot;Endorphine – Music Group Promotional Photo&quot; width=&quot;589&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Endorphine, photo by Kenny&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;p&gt;&lt;/p&gt;&lt;div&gt;&lt;div&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;This remarkable group, rooted in progressive rock, ambient, and expansive soundscapes, delivers a unique sonic journey for listeners. The creators behind Recalibratio&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;are:&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;b&gt;Krzysztof Kurkowski&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;– synthesizers (Expressive Osmose, SOMA Cosmos, Waldorf Quantum)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;b&gt;Darek Śliwa&lt;/b&gt;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;– guitar&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;b&gt;Adam Bórkowski&lt;/b&gt;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;– synthesizers (Nord Modular, Nord Modular G2)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Recalibratio&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;closes the compilation, standing as its contemplative finale. Atmospheric and deeply emotional, the track blends spacious textures and soaring guitar work, echoing the spirit of classic progressive rock - especially the mood of The Division Bell&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;by the legendary Pink Floyd.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhm2SVACy17kmO5wmy0o8AuA9A2lUoI49i_cJ04X4rFYcndHE0bUGb1O8pKahbl_Ckj1fYYWvrLX9MBjVmYPIIK3KxvT6kStMfw-VWVog4Ab3eFPv8bspignG-iASOCZcycBblihpLTK5fv8hUOA6sjLXe4IoAKiNTdCzQynRHXN4R2MFi0_R0yThfKQWHh/s1189/Endorphine%20-%20Recalibratio.jpg&quot; style=&quot;clear: left; float: none; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Molecule illustration on a green background with the text endorphine recalibration.&quot; border=&quot;0&quot; data-original-height=&quot;663&quot; data-original-width=&quot;1189&quot; height=&quot;356&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhm2SVACy17kmO5wmy0o8AuA9A2lUoI49i_cJ04X4rFYcndHE0bUGb1O8pKahbl_Ckj1fYYWvrLX9MBjVmYPIIK3KxvT6kStMfw-VWVog4Ab3eFPv8bspignG-iASOCZcycBblihpLTK5fv8hUOA6sjLXe4IoAKiNTdCzQynRHXN4R2MFi0_R0yThfKQWHh/w640-h356/Endorphine%20-%20Recalibratio.jpg&quot; title=&quot;Endorphine Recalibration – Natural Balance and Energy&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The piece comes with a visual companion: video footage by Çağrı Kanmaz, edited and designed by Piotr Krompiewski (Adobe Express). Final mastering was crafted by Kromproom.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;br /&gt;Beatroom 02 marks the second volume in our series showcasing the creativity of artists connected with KROMP ROOM RECORDS. Each track offers a unique sonic universe, with Recalibratio by Endorphine closing the album as a reflective epilogue.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;363&quot; src=&quot;https://www.youtube.com/embed/gcbVD-CffNw&quot; width=&quot;640&quot; youtube-src-id=&quot;gcbVD-CffNw&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;This is music for the soul — expansive, emotional, and opening a path to inner recalibration.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.kromp-room-records.com/feeds/3807850821833931425/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.kromp-room-records.com/2025/09/endorphine-on-beatroom-02-stunning.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/3807850821833931425'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/3807850821833931425'/><link rel='alternate' type='text/html' href='http://www.kromp-room-records.com/2025/09/endorphine-on-beatroom-02-stunning.html' title='Endorphine on Beatroom 02 – A Stunning Finale to the Compilation'/><author><name>Kromproom</name><uri>http://www.blogger.com/profile/15227962973692929544</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRxl8hSzAn0SbPYItCnvqopUCeHPHkscKbj__3KHmoSbBbS5Dq0ltGEe44cb6ITF4a2ubmeuJ_X_GOUHiwTTL2QNJQ-29USiNOsSQ_05J4O7LvW_m5_Y13SBjlxN8HcNT2fj9LUeweEFZU_WlYwIb0EPPYgBbLm9fSU4I6N-M96skOPDqsJJ3mLqiJcniY/s72-w589-h885-c/Endorphine.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2135890044969294381.post-5777529973147238936</id><published>2025-09-11T14:40:00.001+02:00</published><updated>2025-09-15T16:14:33.940+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="acid music"/><category scheme="http://www.blogger.com/atom/ns#" term="Beatroom 02"/><category scheme="http://www.blogger.com/atom/ns#" term="electronic"/><category scheme="http://www.blogger.com/atom/ns#" term="KROMP ROOM RECORDS"/><category scheme="http://www.blogger.com/atom/ns#" term="Pino Girotti"/><category scheme="http://www.blogger.com/atom/ns#" term="preview"/><category scheme="http://www.blogger.com/atom/ns#" term="Remix"/><category scheme="http://www.blogger.com/atom/ns#" term="Romuald Trojanowski"/><category scheme="http://www.blogger.com/atom/ns#" term="techno"/><category scheme="http://www.blogger.com/atom/ns#" term="TR21"/><title type='text'>TR21 Returns with „Nobody Cares About Acid (Part 025)” Beatroom 02</title><content type='html'>&lt;h3 style=&quot;text-align: left;&quot;&gt;&lt;span data-end=&quot;145&quot; data-start=&quot;79&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;br /&gt;TR21 Returns with a New Track on the „Beatroom 02” Compilation&lt;/span&gt;&lt;/span&gt;&lt;/h3&gt;
&lt;p data-end=&quot;547&quot; data-start=&quot;149&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Romuald Trojanowski, better known as &lt;strong data-end=&quot;194&quot; data-start=&quot;186&quot;&gt;TR21&lt;/strong&gt; (aka Pino Girotti), is an electronic music producer whose latest track, &lt;strong data-end=&quot;307&quot; data-start=&quot;267&quot;&gt;“Nobody Cares About Acid (Part 025)”&lt;/strong&gt;, will soon appear on the &lt;strong data-end=&quot;350&quot; data-start=&quot;333&quot;&gt;“Beatroom 02”&lt;/strong&gt; compilation, released by &lt;strong data-end=&quot;398&quot; data-start=&quot;376&quot;&gt;KROMP ROOM RECORDS&lt;/strong&gt;. A 30-second preview of the track is already available on YouTube, giving listeners a first taste of TR21’s unconventional approach to acid music.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;float: none;&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjX_S9GKwcPYYzvBMUT3f6-vWptBzGAUtwvlZGlQ9_s85SnMkw4mh9zzDGiWatKovuttBlalVr7-76z1uw2EBBzlfZx1GeMICOzFSu1lZ2dv4KxBcfrSb-UygyPNSC_xZs6yTGf-8oUS7ujehfMxD3sgm_Jn2rnPLtE6uZmfOsAZatHwCP3tYekX8ki6Xf-/s2048/TR21%20Photo.jpg&quot; style=&quot;clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;&quot;&gt;&lt;img alt=&quot;Portrait of Romuald Trojanowski, known as TR21, wearing a brown polo shirt and dark sunglasses, standing in front of a light gray wall.&quot; border=&quot;0&quot; data-original-height=&quot;2048&quot; data-original-width=&quot;2048&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjX_S9GKwcPYYzvBMUT3f6-vWptBzGAUtwvlZGlQ9_s85SnMkw4mh9zzDGiWatKovuttBlalVr7-76z1uw2EBBzlfZx1GeMICOzFSu1lZ2dv4KxBcfrSb-UygyPNSC_xZs6yTGf-8oUS7ujehfMxD3sgm_Jn2rnPLtE6uZmfOsAZatHwCP3tYekX8ki6Xf-/w640-h640/TR21%20Photo.jpg&quot; title=&quot;Romuald Trojanowski (TR21) in Sunglasses&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Romuald Trojanowski, known as TR21.&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;p&gt;&lt;/p&gt;&lt;h3 data-end=&quot;567&quot; data-start=&quot;549&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Who is TR21?&lt;/span&gt;&lt;/h3&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;
&lt;p data-end=&quot;1003&quot; data-start=&quot;568&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Romuald Trojanowski is a producer driven by &lt;strong data-end=&quot;660&quot; data-start=&quot;612&quot;&gt;constant sonic evolution and experimentation&lt;/strong&gt;. His remixes have been featured on international releases, and his talent for creating unique sound syntheses has been highly appreciated within the electronic music community. Back in 2015, TR21 produced a remix of &lt;strong data-end=&quot;906&quot; data-start=&quot;877&quot;&gt;“Artificial Intelligence”&lt;/strong&gt; for Kromproom, which was included on the album &lt;strong data-end=&quot;968&quot; data-start=&quot;954&quot;&gt;“Tenacity”&lt;/strong&gt;, released by KROMP ROOM RECORDS.&lt;/span&gt;&lt;/p&gt;&lt;p data-end=&quot;1003&quot; data-start=&quot;568&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;iframe allow=&quot;autoplay&quot; frameborder=&quot;no&quot; height=&quot;300&quot; scrolling=&quot;no&quot; src=&quot;https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/210471374&amp;amp;color=%23ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false&amp;amp;show_teaser=true&amp;amp;visual=true&quot; width=&quot;100%&quot;&gt;&lt;/iframe&gt;&lt;a href=&quot;https://soundcloud.com/tr21&quot; style=&quot;color: #cccccc; font-family: Interstate, &amp;quot;Lucida Grande&amp;quot;, &amp;quot;Lucida Sans Unicode&amp;quot;, &amp;quot;Lucida Sans&amp;quot;, Garuda, Verdana, Tahoma, sans-serif; font-size: 10px; text-decoration-line: none; text-wrap-mode: nowrap;&quot; target=&quot;_blank&quot; title=&quot;TR21 a.k.a. Pino Girotti&quot;&gt;TR21 a.k.a. Pino Girotti&lt;/a&gt;&lt;span style=&quot;color: #cccccc; font-family: Interstate, &amp;quot;Lucida Grande&amp;quot;, &amp;quot;Lucida Sans Unicode&amp;quot;, &amp;quot;Lucida Sans&amp;quot;, Garuda, Verdana, Tahoma, sans-serif; font-size: 10px; text-wrap-mode: nowrap;&quot;&gt; · &lt;/span&gt;&lt;a href=&quot;https://soundcloud.com/tr21/kromproom-artificial-intelligence-tr21-remix&quot; style=&quot;color: #cccccc; font-family: Interstate, &amp;quot;Lucida Grande&amp;quot;, &amp;quot;Lucida Sans Unicode&amp;quot;, &amp;quot;Lucida Sans&amp;quot;, Garuda, Verdana, Tahoma, sans-serif; font-size: 10px; text-decoration-line: none; text-wrap-mode: nowrap;&quot; target=&quot;_blank&quot; title=&quot;Kromproom - Artificial Intelligence [TR21 remix]&quot;&gt;Kromproom - Artificial Intelligence [TR21 remix]&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;
&lt;h3 data-end=&quot;1042&quot; data-start=&quot;1005&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;History with KROMP ROOM RECORDS&lt;/span&gt;&lt;/h3&gt;
&lt;p data-end=&quot;1340&quot; data-start=&quot;1043&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;TR21’s collaboration with the label began with the &lt;strong data-end=&quot;1123&quot; data-start=&quot;1094&quot;&gt;“Artificial Intelligence”&lt;/strong&gt; remix, which was promoted as a single and featured on international streaming platforms as well as at various music events. This project showcased TR21’s creative ability to breathe new energy into familiar motifs.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfC8wdbMpnYQ0ppJX8jILg91cnzBqt1ogeocKBNnaFTTHd5dI8igEhDFaVCRxqJlysOvy3zCDYcceVcbSnoTmRBM8R7fFixlprhjAqc40SaDwFSIgn1MrWH3Q2un4mO4uAkj2ymSJPHeaas1mFgHJ1GQKlZqs7H2aSCqQA0bKfwL8ouxLhqdEk95DdAPZB/s2048/TR21%20Nobody%20Cares%20About%20Acid.jpg&quot; style=&quot;clear: left; float: none; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;A small, weathered building in a desert landscape under a yellow-orange sky, with a large billboard on top displaying &amp;quot;TR21 aka Pino Girotti&amp;quot; and the text &amp;quot;Nobody Cares About Acid.&amp;quot; Cacti and scattered debris surround the building.&quot; border=&quot;0&quot; data-original-height=&quot;1152&quot; data-original-width=&quot;2048&quot; height=&quot;360&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfC8wdbMpnYQ0ppJX8jILg91cnzBqt1ogeocKBNnaFTTHd5dI8igEhDFaVCRxqJlysOvy3zCDYcceVcbSnoTmRBM8R7fFixlprhjAqc40SaDwFSIgn1MrWH3Q2un4mO4uAkj2ymSJPHeaas1mFgHJ1GQKlZqs7H2aSCqQA0bKfwL8ouxLhqdEk95DdAPZB/w640-h360/TR21%20Nobody%20Cares%20About%20Acid.jpg&quot; title=&quot;TR21 Billboard over Desert Building&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;h3 data-end=&quot;1374&quot; data-start=&quot;1342&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;New Track on „Beatroom 02”&lt;/span&gt;&lt;/h3&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;
&lt;p data-end=&quot;1639&quot; data-start=&quot;1375&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;strong data-end=&quot;1415&quot; data-start=&quot;1375&quot;&gt;“Nobody Cares About Acid (Part 025)”&lt;/strong&gt; offers a fresh take on acid sounds, filtered through &lt;strong data-end=&quot;1524&quot; data-start=&quot;1469&quot;&gt;TR21’s contemporary sensibility and signature style&lt;/strong&gt;. The track breaks the mold of typical compilations, delivering a unique production that stands out unmistakably.&lt;/span&gt;&lt;/p&gt;
&lt;h3 data-end=&quot;1671&quot; data-start=&quot;1641&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Preview and Availability&lt;/span&gt;&lt;/h3&gt;
&lt;p data-end=&quot;1991&quot; data-start=&quot;1672&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The 30-second YouTube Shorts preview captures the energy and vibe TR21 will bring to the full compilation. &lt;strong data-end=&quot;1796&quot; data-start=&quot;1779&quot;&gt;“Beatroom 02”&lt;/strong&gt;, released by &lt;strong data-end=&quot;1832&quot; data-start=&quot;1810&quot;&gt;KROMP ROOM RECORDS&lt;/strong&gt;, will be available on all major streaming platforms, allowing listeners to fully immerse themselves in the world of acid and electronic music at its finest.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;363&quot; src=&quot;https://www.youtube.com/embed/pLUZDXpf-DU&quot; width=&quot;640&quot; youtube-src-id=&quot;pLUZDXpf-DU&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;strong data-end=&quot;2015&quot; data-start=&quot;1993&quot;&gt;KROMP ROOM RECORDS&lt;/strong&gt; proudly announces the premiere of &lt;strong data-end=&quot;2097&quot; data-start=&quot;2050&quot;&gt;TR21’s “Nobody Cares About Acid (Part 025)”&lt;/strong&gt;—another chapter in their ongoing collaboration and a promise of unforgettable experiences for fans of the genre.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.kromp-room-records.com/feeds/5777529973147238936/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.kromp-room-records.com/2025/09/tr21-returns-with-nobody-cares-about.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/5777529973147238936'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/5777529973147238936'/><link rel='alternate' type='text/html' href='http://www.kromp-room-records.com/2025/09/tr21-returns-with-nobody-cares-about.html' title='TR21 Returns with „Nobody Cares About Acid (Part 025)” Beatroom 02'/><author><name>Kromproom</name><uri>http://www.blogger.com/profile/15227962973692929544</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjX_S9GKwcPYYzvBMUT3f6-vWptBzGAUtwvlZGlQ9_s85SnMkw4mh9zzDGiWatKovuttBlalVr7-76z1uw2EBBzlfZx1GeMICOzFSu1lZ2dv4KxBcfrSb-UygyPNSC_xZs6yTGf-8oUS7ujehfMxD3sgm_Jn2rnPLtE6uZmfOsAZatHwCP3tYekX8ki6Xf-/s72-w640-h640-c/TR21%20Photo.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2135890044969294381.post-1277673016051081193</id><published>2025-08-30T12:21:00.003+02:00</published><updated>2025-09-04T15:13:38.684+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Beatroom 02"/><category scheme="http://www.blogger.com/atom/ns#" term="compilation album"/><category scheme="http://www.blogger.com/atom/ns#" term="Drum and Bass"/><category scheme="http://www.blogger.com/atom/ns#" term="electronic music"/><category scheme="http://www.blogger.com/atom/ns#" term="home studio production"/><category scheme="http://www.blogger.com/atom/ns#" term="independent artist"/><category scheme="http://www.blogger.com/atom/ns#" term="JazzAss"/><category scheme="http://www.blogger.com/atom/ns#" term="KrompRoom"/><category scheme="http://www.blogger.com/atom/ns#" term="music passion"/><category scheme="http://www.blogger.com/atom/ns#" term="Run For Your Life"/><title type='text'>JazzAss joins “Beatroom 02” with Run For Your Life</title><content type='html'>&lt;h3 style=&quot;text-align: left;&quot;&gt;&amp;nbsp;&lt;br /&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;JazzAss joins “Beatroom 02” with &lt;em data-end=&quot;180&quot; data-start=&quot;161&quot;&gt;Run For Your Life&lt;/em&gt;&lt;/span&gt;&lt;/h3&gt;
&lt;p data-end=&quot;409&quot; data-start=&quot;184&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;We are excited to share more details about the upcoming compilation &lt;strong data-end=&quot;269&quot; data-start=&quot;252&quot;&gt;“Beatroom 02”&lt;/strong&gt;. This time, we introduce an artist who creates music without chasing fame or popularity – purely out of passion. His name is &lt;strong data-end=&quot;406&quot; data-start=&quot;395&quot;&gt;JazzAss&lt;/strong&gt;.&lt;/span&gt;&lt;/p&gt;
&lt;p data-end=&quot;711&quot; data-start=&quot;411&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Our connection with JazzAss began when he sent us his unique double album. The release consists of two parts – &lt;strong data-end=&quot;537&quot; data-start=&quot;522&quot;&gt;“Dla ludzi”&lt;/strong&gt; (&lt;em data-end=&quot;555&quot; data-start=&quot;539&quot;&gt;For the People&lt;/em&gt;) and &lt;strong data-end=&quot;577&quot; data-start=&quot;561&quot;&gt;“Hikikomori”&lt;/strong&gt;. Both records were entirely composed and produced at his home studio, highlighting his independence and authenticity as a musician.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;float: none;&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvTzFa4fQZranLFTEHG5yGCnfd1PLYOZLdh1E9-1GbCjbZ65FS_jP46lPCciYWfWnEMsWl18gFpYglSAwCucmkqQaAmu5t1YgM7Xx72VXN4UhL6z9Fp58jDU1K5V4JGfYctGerfGHytI4C9l1TRYA8oi2Ap4So0YuXxDVHiAMHFwW1pnoA50hAd3ol5Kty/s2048/JazzAss%20Run%20for%20your%20life%20promo%20photo.jpg&quot; style=&quot;clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;&quot;&gt;&lt;img alt=&quot;Black-and-white portrait of JazzAss, looking at the camera, resting his chin on a table, wearing a cap with the inscription “KRAKOW POLAND”.&quot; border=&quot;0&quot; data-original-height=&quot;2048&quot; data-original-width=&quot;1387&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvTzFa4fQZranLFTEHG5yGCnfd1PLYOZLdh1E9-1GbCjbZ65FS_jP46lPCciYWfWnEMsWl18gFpYglSAwCucmkqQaAmu5t1YgM7Xx72VXN4UhL6z9Fp58jDU1K5V4JGfYctGerfGHytI4C9l1TRYA8oi2Ap4So0YuXxDVHiAMHFwW1pnoA50hAd3ol5Kty/w434-h640/JazzAss%20Run%20for%20your%20life%20promo%20photo.jpg&quot; title=&quot;JazzAss in a “KRAKOW POLAND” cap&quot; width=&quot;434&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Photo by Mariusz Mike Adolf aka JazzAss.&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;p&gt;&lt;/p&gt;
&lt;p data-end=&quot;1128&quot; data-start=&quot;713&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;On the &lt;strong data-end=&quot;735&quot; data-start=&quot;720&quot;&gt;“Dla ludzi”&lt;/strong&gt; album we discovered the track &lt;em data-end=&quot;785&quot; data-start=&quot;766&quot;&gt;Run For Your Life&lt;/em&gt;, which immediately caught our attention with its energy and character. We liked it so much that we decided to prepare a new mastering version in the distinctive &lt;strong data-end=&quot;966&quot; data-start=&quot;947&quot;&gt;Kromproom style&lt;/strong&gt;. The original track had room for even more dynamics, and we wanted to bring out that extra power. The result? You will be able to judge for yourself very soon.&lt;/span&gt;&lt;/p&gt;
&lt;p data-end=&quot;1391&quot; data-start=&quot;1130&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;We have already released a &lt;strong data-end=&quot;1187&quot; data-start=&quot;1157&quot;&gt;short preview of the track&lt;/strong&gt; in the form of a YouTube Shorts/Reels to give you a taste of what’s coming. The full version will appear on the &lt;strong data-end=&quot;1317&quot; data-start=&quot;1300&quot;&gt;“Beatroom 02”&lt;/strong&gt; compilation, where listeners will finally get to experience it in full.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;float: none;&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKkRHyPrbzhdt_of4xSue9NCF2fqbiCWdlx9jcb3UHV_odnas6F5_7Q9h6IaPsZNfHk83ZclHSvmPiEQwuhyphenhyphenzA1U_0ZA8jSfmsyTKDkgvQY9pJU2bs4qLhnPVX2bXQ5BrPpEfCs1l4r0jyHkqpXQa5hDLx1dEAn1rslxdLq6YkGSAsXpZt15R_zx4CZiVV/s1542/JazzAss%202%20CD%20Album%20v2.jpg&quot; style=&quot;clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;&quot;&gt;&lt;img alt=&quot;ChatGPT powiedział:  A double-album by JazzAss, consisting of two discs: “Hikikomori” on the left with a black-and-white artistic photo of lips, and “Dla ludzi” on the right with a purple photo of a dog with its mouth open.&quot; border=&quot;0&quot; data-original-height=&quot;830&quot; data-original-width=&quot;1542&quot; height=&quot;344&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKkRHyPrbzhdt_of4xSue9NCF2fqbiCWdlx9jcb3UHV_odnas6F5_7Q9h6IaPsZNfHk83ZclHSvmPiEQwuhyphenhyphenzA1U_0ZA8jSfmsyTKDkgvQY9pJU2bs4qLhnPVX2bXQ5BrPpEfCs1l4r0jyHkqpXQa5hDLx1dEAn1rslxdLq6YkGSAsXpZt15R_zx4CZiVV/w640-h344/JazzAss%202%20CD%20Album%20v2.jpg&quot; title=&quot;JazzAss – Double Album “Hikikomori / Dla ludzi&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Album 2 CD by JazzAss. Photo by Kromproom.&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;p&gt;&lt;/p&gt;
&lt;p data-end=&quot;1700&quot; data-start=&quot;1393&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Although we haven’t met JazzAss in person yet, we’ve been in touch on Facebook for a while. He often told us how much he appreciates our music, and we are equally happy that his work reached us in such a powerful way. This mutual exchange of inspiration proves how music can connect people beyond borders.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;363&quot; src=&quot;https://www.youtube.com/embed/jghvP7eSVSU&quot; width=&quot;640&quot; youtube-src-id=&quot;jghvP7eSVSU&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;
&lt;p data-end=&quot;1887&quot; data-start=&quot;1702&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;em data-end=&quot;1721&quot; data-start=&quot;1702&quot;&gt;Run For Your Life&lt;/em&gt; will officially appear on &lt;strong data-end=&quot;1765&quot; data-start=&quot;1748&quot;&gt;“Beatroom 02”&lt;/strong&gt;, which is now in its final stages. We’re waiting for just two more tracks before we announce the official release date.&lt;/span&gt;&lt;/p&gt;
&lt;p data-end=&quot;1962&quot; data-start=&quot;1889&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Stay tuned – this is only the beginning of what we’ve prepared for you!&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.kromp-room-records.com/feeds/1277673016051081193/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.kromp-room-records.com/2025/08/jazzass-joins-beatroom-02-with-run-for.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/1277673016051081193'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/1277673016051081193'/><link rel='alternate' type='text/html' href='http://www.kromp-room-records.com/2025/08/jazzass-joins-beatroom-02-with-run-for.html' title='JazzAss joins “Beatroom 02” with Run For Your Life'/><author><name>Kromproom</name><uri>http://www.blogger.com/profile/15227962973692929544</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvTzFa4fQZranLFTEHG5yGCnfd1PLYOZLdh1E9-1GbCjbZ65FS_jP46lPCciYWfWnEMsWl18gFpYglSAwCucmkqQaAmu5t1YgM7Xx72VXN4UhL6z9Fp58jDU1K5V4JGfYctGerfGHytI4C9l1TRYA8oi2Ap4So0YuXxDVHiAMHFwW1pnoA50hAd3ol5Kty/s72-w434-h640-c/JazzAss%20Run%20for%20your%20life%20promo%20photo.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2135890044969294381.post-3146633274782360978</id><published>2025-08-12T19:19:00.002+02:00</published><updated>2025-08-16T10:02:24.663+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="atmospheric music"/><category scheme="http://www.blogger.com/atom/ns#" term="Beatroom 02"/><category scheme="http://www.blogger.com/atom/ns#" term="Come on Baby"/><category scheme="http://www.blogger.com/atom/ns#" term="Electronic Rock"/><category scheme="http://www.blogger.com/atom/ns#" term="Enigma style"/><category scheme="http://www.blogger.com/atom/ns#" term="KROMP ROOM RECORDS"/><category scheme="http://www.blogger.com/atom/ns#" term="KrompRoom"/><category scheme="http://www.blogger.com/atom/ns#" term="Moby Play"/><category scheme="http://www.blogger.com/atom/ns#" term="motivational track"/><category scheme="http://www.blogger.com/atom/ns#" term="new release"/><title type='text'>Come on Baby: Kromproom’s Unreleased Anthem Arrives on Beatroom 02</title><content type='html'>&lt;h3 style=&quot;text-align: left;&quot;&gt;&lt;span data-end=&quot;164&quot; data-start=&quot;92&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;br /&gt;Kromproom Unveils “Come on Baby” – An Unreleased Gem for Beatroom 02&lt;/span&gt;&lt;/span&gt;&lt;/h3&gt;
&lt;p data-end=&quot;452&quot; data-start=&quot;166&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Fans of genre-blending soundscapes have something special to look forward to. &lt;strong data-end=&quot;257&quot; data-start=&quot;244&quot;&gt;Kromproom&lt;/strong&gt;, known for his distinctive production style and emotional depth, is releasing a brand-new, previously unreleased track — &lt;strong data-end=&quot;397&quot; data-start=&quot;379&quot;&gt;“Come on Baby”&lt;/strong&gt; — as part of the upcoming compilation &lt;strong data-end=&quot;451&quot; data-start=&quot;436&quot;&gt;Beatroom 02&lt;/strong&gt;.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgF6QLyuVLlj2XIbObhahkr7aedF_tWuQam844d5kULAlaCC8kDlOoA-KgxddCmbTth698eSqWDGdIzY1kmdecB5J7EFXeUL1egJqlh0gzClDnMVaT8OsIZO-jSJmLvby1s20xLoMBlBcZ3aa15An32WkpNXASrbfi4AMaewzeJrv_p8XfJZOMQDnFSzvd0/s1920/Kromproom%20-%20Come%20on%20baby%20-%20Promo%20image.jpg&quot; style=&quot;clear: left; float: none; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Silhouette of a person walking through a dark tunnel toward a glowing golden light, symbolizing hope and transformation.&quot; border=&quot;0&quot; data-original-height=&quot;1088&quot; data-original-width=&quot;1920&quot; height=&quot;362&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgF6QLyuVLlj2XIbObhahkr7aedF_tWuQam844d5kULAlaCC8kDlOoA-KgxddCmbTth698eSqWDGdIzY1kmdecB5J7EFXeUL1egJqlh0gzClDnMVaT8OsIZO-jSJmLvby1s20xLoMBlBcZ3aa15An32WkpNXASrbfi4AMaewzeJrv_p8XfJZOMQDnFSzvd0/w640-h362/Kromproom%20-%20Come%20on%20baby%20-%20Promo%20image.jpg&quot; title=&quot;Man walking toward a bright golden light at the end of a tunnel.&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;h3 style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;A Song Born in a Time of Transformation&lt;/span&gt;&lt;/h3&gt;&lt;p data-end=&quot;452&quot; data-start=&quot;166&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;“Come on Baby” emerged during a period of profound changes in Kromproom’s life. It’s more than just a track — it’s a message of encouragement and resilience.&lt;/span&gt;&lt;/p&gt;&lt;p data-end=&quot;452&quot; data-start=&quot;166&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;/span&gt;&lt;/p&gt;&lt;p data-end=&quot;452&quot; data-start=&quot;166&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The title itself is a motivating call: “Come on baby — you can make it despite the challenges ahead.” Every beat and atmospheric layer reflects this emotional journey, giving the listener a sense of strength and determination.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgl6j70O_PbyJToCJ0oUDEKVYQrDIjXMXmJuG-CDHS9FjJzLWndpjyp4D8Ask4XTjbVTcITXMLYVPwbO3dqufxvs8QWg5EyJT01MHvtEp0hKwZTDvxDpv2ZnwivaP7lnzcFd-yRLfAFTB0a2upb_df2R3wA3XE1NnNPXzdBQfi1Y_dFpMTMrLFb8zBEHE3x/s1024/Beatroom%2002%20Promo.png&quot; style=&quot;clear: left; float: none; margin-bottom: 1em; margin-right: 1em; text-align: center;&quot;&gt;&lt;img alt=&quot;Abstract artwork promoting the Beatroom 02 compilation – neon lights and geometric shapes create a futuristic, musical atmosphere.&quot; border=&quot;0&quot; data-original-height=&quot;1024&quot; data-original-width=&quot;1024&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgl6j70O_PbyJToCJ0oUDEKVYQrDIjXMXmJuG-CDHS9FjJzLWndpjyp4D8Ask4XTjbVTcITXMLYVPwbO3dqufxvs8QWg5EyJT01MHvtEp0hKwZTDvxDpv2ZnwivaP7lnzcFd-yRLfAFTB0a2upb_df2R3wA3XE1NnNPXzdBQfi1Y_dFpMTMrLFb8zBEHE3x/w640-h640/Beatroom%2002%20Promo.png&quot; title=&quot;Beatroom 02 – futuristic graphic artwork for the music compilation.&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;h3 style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Where Electronica Meets Rock and Moby’s Atmosphere&lt;/span&gt;&lt;/h3&gt;&lt;p data-end=&quot;452&quot; data-start=&quot;166&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;/span&gt;&lt;/p&gt;&lt;p data-end=&quot;452&quot; data-start=&quot;166&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Musically, “Come on Baby” blends pulsating electronic grooves with rock-infused riffs and cinematic textures. Listeners may catch echoes of Moby’s iconic Play album, yet the production unmistakably carries Kromproom’s own refined touch. There’s also a spiritual, atmospheric quality reminiscent of Enigma, making the track both energizing and emotionally captivating.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;h3 style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Two Shorts — A Visual Gateway to the Song&lt;/span&gt;&lt;/h3&gt;&lt;p data-end=&quot;452&quot; data-start=&quot;166&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;/span&gt;&lt;/p&gt;&lt;p data-end=&quot;452&quot; data-start=&quot;166&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;To give audiences a taste of the track before its full release, Kromproom created two dedicated short videos. These clips visually and sonically capture the essence of “Come on Baby,” offering a glimpse into its rhythm, energy, and mood. It’s the perfect appetizer ahead of its inclusion on Beatroom 02.&lt;br /&gt;&lt;br /&gt;&lt;iframe allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;363&quot; referrerpolicy=&quot;strict-origin-when-cross-origin&quot; src=&quot;https://www.youtube.com/embed/cZZc3hjSRIk?si=z4S8yUzPRqHw-wZg&quot; title=&quot;YouTube video player&quot; width=&quot;640&quot;&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/p&gt;&lt;h3 style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Beatroom 02 — More Than a Compilation&lt;/span&gt;&lt;/h3&gt;&lt;p data-end=&quot;432&quot; data-start=&quot;127&quot;&gt;&lt;span data-end=&quot;430&quot; data-start=&quot;127&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Beatroom 02 continues the legacy of its predecessor, bringing together a selection of unique productions from the Kromp Room Records family. Each artist involved has contributed their own vision and sound, creating a diverse yet cohesive musical journey that blends energy, atmosphere, and creativity.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p data-end=&quot;696&quot; data-start=&quot;434&quot;&gt;&lt;span data-end=&quot;694&quot; data-start=&quot;434&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Among the standout tracks is “Come on Baby,” which adds emotional depth and sonic diversity to the release. The track sits alongside other original works that showcase the richness of our collective artistry and highlight the label’s spirit of collaboration.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p data-end=&quot;452&quot; data-start=&quot;166&quot;&gt;

&lt;/p&gt;&lt;p data-end=&quot;970&quot; data-start=&quot;698&quot;&gt;&lt;span data-end=&quot;968&quot; data-start=&quot;698&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The launch of Beatroom 02 is not just about one artist — it’s about community. It’s an invitation for listeners to discover the evolving sounds of Kromp Room Records, to explore new perspectives, and to immerse themselves in an inspiring world of genre-crossing music.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p data-end=&quot;452&quot; data-start=&quot;166&quot;&gt;&lt;iframe allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;363&quot; referrerpolicy=&quot;strict-origin-when-cross-origin&quot; src=&quot;https://www.youtube.com/embed/VaUSU2coE9w?si=r2tC66cEr9X4qiDg&quot; title=&quot;YouTube video player&quot; width=&quot;640&quot;&gt;&lt;/iframe&gt;&lt;/p&gt;&lt;p data-end=&quot;452&quot; data-start=&quot;166&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;“Come on Baby” — sometimes all it takes is one push to believe you can overcome anything.&lt;br /&gt;&lt;br /&gt;2025 KROMP ROOM RECORDS&lt;br /&gt;2025 Rebeat Digital GmbH&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.kromp-room-records.com/feeds/3146633274782360978/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.kromp-room-records.com/2025/08/come-on-baby-kromprooms-unreleased.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/3146633274782360978'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/3146633274782360978'/><link rel='alternate' type='text/html' href='http://www.kromp-room-records.com/2025/08/come-on-baby-kromprooms-unreleased.html' title='Come on Baby: Kromproom’s Unreleased Anthem Arrives on Beatroom 02'/><author><name>Kromproom</name><uri>http://www.blogger.com/profile/15227962973692929544</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgF6QLyuVLlj2XIbObhahkr7aedF_tWuQam844d5kULAlaCC8kDlOoA-KgxddCmbTth698eSqWDGdIzY1kmdecB5J7EFXeUL1egJqlh0gzClDnMVaT8OsIZO-jSJmLvby1s20xLoMBlBcZ3aa15An32WkpNXASrbfi4AMaewzeJrv_p8XfJZOMQDnFSzvd0/s72-w640-h362-c/Kromproom%20-%20Come%20on%20baby%20-%20Promo%20image.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2135890044969294381.post-4021459566230502598</id><published>2025-06-21T08:28:00.006+02:00</published><updated>2025-06-28T16:56:04.604+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Beatroom 02"/><category scheme="http://www.blogger.com/atom/ns#" term="Creative process"/><category scheme="http://www.blogger.com/atom/ns#" term="electronic music"/><category scheme="http://www.blogger.com/atom/ns#" term="Jamick"/><category scheme="http://www.blogger.com/atom/ns#" term="kambium"/><category scheme="http://www.blogger.com/atom/ns#" term="KrompRoom"/><category scheme="http://www.blogger.com/atom/ns#" term="live recording"/><category scheme="http://www.blogger.com/atom/ns#" term="music duo"/><category scheme="http://www.blogger.com/atom/ns#" term="shapes"/><category scheme="http://www.blogger.com/atom/ns#" term="synthesizers"/><title type='text'>Shapes by Kambium: The Story Behind an Organic Electronic Track on Beatroom 02</title><content type='html'>&lt;p&gt;&lt;/p&gt;&lt;h3 style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;br /&gt;The Story Behind the Track &quot;Shapes&quot;&lt;/span&gt;&lt;/h3&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;In the autumn of 2014, a unique musical encounter took place between two artists: Kromproom and Jamick. This meeting, held in Jamick&#39;s studio, was not only the birthplace of several sonic ideas but also marked the genesis of their collaborative project—Kambium.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;div&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvz-lGFT92mVglSP9At2HFxjTBtZvJ3oaI96WpvV1aneE0QUUNYREWIt71ohOHDWL2OlYpFj0qGGU3Zc64X7KV6wLNp_zEIfKsy29sJ8xFpgufW922tUYUjeWa06zcij-pxJ-XDg9IUwygfNZZJx3eGDbQXGh7eze-gL9Ne-9wsYqJz_6IQxatF6e0L0tG/s1024/Kambium%202%20by%20Google%20AI.png&quot; style=&quot;clear: left; margin-bottom: 1em;&quot;&gt;&lt;img alt=&quot;Abstract plant cells seen through an electron microscope, each containing musical visualizations such as waveforms, oscillators, and rhythmic sequences. Neon green and teal colors glow against a dark, cosmic background.&quot; border=&quot;0&quot; data-original-height=&quot;1024&quot; data-original-width=&quot;1024&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvz-lGFT92mVglSP9At2HFxjTBtZvJ3oaI96WpvV1aneE0QUUNYREWIt71ohOHDWL2OlYpFj0qGGU3Zc64X7KV6wLNp_zEIfKsy29sJ8xFpgufW922tUYUjeWa06zcij-pxJ-XDg9IUwygfNZZJx3eGDbQXGh7eze-gL9Ne-9wsYqJz_6IQxatF6e0L0tG/w640-h640/Kambium%202%20by%20Google%20AI.png&quot; title=&quot;Musical interpretation of plant cells under a microscope – soundwaves inside biological structures&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;h3 style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The Meaning Behind &quot;Kambium&quot;&lt;/span&gt;&lt;/h3&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The name &quot;Kambium&quot; is more than just a label; it is a metaphor deeply rooted in nature. In botany, cambium (or &quot;miazga&quot; in Polish) is the secondary meristematic tissue in plants responsible for secondary growth in thickness. Situated between the phloem and the wood, cambium continually produces new layers of wood inward and phloem outward, enabling the plant to grow season after season. This biological process became a powerful symbol for the duo, representing organic, layered growth through musical creativity. Just as cambium forms the annual rings in a tree trunk—each ring a testament to a year of growth—so too do the artists build their legacy, layer by layer, through sound.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdlYBDbC13B6FM4O5l5MS8pDbclrkrUHTvkUrvWeCkrwb7GMaW7RNMbeOeLjqz-fw1uVsNyGO79ps2i0Q1pHIVr7cjokmh4Xyp3BS7Pd2Dl14YIYRm3zXJ25kpaVUATgYAu3xzRKWwlU9pkMQTuLa196kFflR7pn-NyANOb40kjAywPfixP1NFG4-j74kg/s1408/Kambium%201%20by%20Google%20AI.png&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Translucent spherical cells resembling organic machines, with internal patterns shaped like electronic circuits and glowing lights. Bioluminescent tones in amber and green, set against a dark atmospheric background.&quot; border=&quot;0&quot; data-original-height=&quot;768&quot; data-original-width=&quot;1408&quot; height=&quot;350&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdlYBDbC13B6FM4O5l5MS8pDbclrkrUHTvkUrvWeCkrwb7GMaW7RNMbeOeLjqz-fw1uVsNyGO79ps2i0Q1pHIVr7cjokmh4Xyp3BS7Pd2Dl14YIYRm3zXJ25kpaVUATgYAu3xzRKWwlU9pkMQTuLa196kFflR7pn-NyANOb40kjAywPfixP1NFG4-j74kg/w640-h350/Kambium%201%20by%20Google%20AI.png&quot; title=&quot;Futuristic vision of cells with musical cores – blending nature and technology&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;h3 style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The Birth of &quot;Shapes&quot;&lt;/span&gt;&lt;/h3&gt;&lt;/div&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;During their marathon recording session, Kromproom and Jamick generated a number of musical sketches. Among these, one stood out: &quot;Shapes.&quot; This track, crafted entirely with synthesizers and recorded live—without pre-made loops or automation—captured the raw, organic energy of that creative moment. Over time, &quot;Shapes&quot; survived as one of the most complete and resonant pieces from those sessions.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Years later, while revisiting their archives, Kromproom decided to breathe new life into &quot;Shapes,&quot; refining its production and shaping it into its final form. Together with Jamick, they agreed that this track deserved to see the light of day. Although Kambium did not continue with further recording sessions, &quot;Shapes&quot; proved strong enough to tell its own story—a sonic &quot;ring&quot; rediscovered and brought into the present.&lt;/span&gt;&lt;/p&gt;&lt;iframe allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;363&quot; referrerpolicy=&quot;strict-origin-when-cross-origin&quot; src=&quot;https://www.youtube.com/embed/l5TARGnS6Ho?si=cmv6epDiGTC98-n8&quot; title=&quot;YouTube video player&quot; width=&quot;640&quot;&gt;&lt;/iframe&gt;&lt;h3 style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;From Studio to Compilaton&lt;/span&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;i&lt;/span&gt;&lt;/h3&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&quot;Shapes&quot; is set to be released on the upcoming compilation &quot;Beatroom 02&quot; by Kromp Room Records. The track stands as a testament to the duo&#39;s creative synergy and their ability to merge past with present, nature with technology, and analog with digital. Its pulsating, organic soundscape is a direct result of the live session, preserving the authenticity and spontaneity that defined the original recording.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;iframe allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;363&quot; referrerpolicy=&quot;strict-origin-when-cross-origin&quot; src=&quot;https://www.youtube.com/embed/uiyGzk_jkZI?si=5Cz0DCQMizxmed6T&quot; title=&quot;YouTube video player&quot; width=&quot;640&quot;&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/p&gt;&lt;h3 style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;A Musical Legacy&lt;/span&gt;&lt;/h3&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&quot;Shapes&quot; is more than just a track; it is a musical imprint of a singular, unrepeatable session—much like the growth rings in a tree. It serves as a reminder that not every artistic endeavor needs to be part of a long-term project to be meaningful. Sometimes, a single piece of music is enough to tell an entire story.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Distribution Rebeat Digital GmbH&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.kromp-room-records.com/feeds/4021459566230502598/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.kromp-room-records.com/2025/06/shapes-by-kambium-story-behind-organic.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/4021459566230502598'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/4021459566230502598'/><link rel='alternate' type='text/html' href='http://www.kromp-room-records.com/2025/06/shapes-by-kambium-story-behind-organic.html' title='Shapes by Kambium: The Story Behind an Organic Electronic Track on Beatroom 02'/><author><name>Kromproom</name><uri>http://www.blogger.com/profile/15227962973692929544</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvz-lGFT92mVglSP9At2HFxjTBtZvJ3oaI96WpvV1aneE0QUUNYREWIt71ohOHDWL2OlYpFj0qGGU3Zc64X7KV6wLNp_zEIfKsy29sJ8xFpgufW922tUYUjeWa06zcij-pxJ-XDg9IUwygfNZZJx3eGDbQXGh7eze-gL9Ne-9wsYqJz_6IQxatF6e0L0tG/s72-w640-h640-c/Kambium%202%20by%20Google%20AI.png" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2135890044969294381.post-8561591821869579227</id><published>2025-05-25T10:55:00.001+02:00</published><updated>2025-05-25T10:57:59.874+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Beatroom 02"/><category scheme="http://www.blogger.com/atom/ns#" term="electronic compilation"/><category scheme="http://www.blogger.com/atom/ns#" term="KROMP ROOM RECORDS"/><category scheme="http://www.blogger.com/atom/ns#" term="KrompRoom"/><category scheme="http://www.blogger.com/atom/ns#" term="music premiere"/><category scheme="http://www.blogger.com/atom/ns#" term="new music"/><category scheme="http://www.blogger.com/atom/ns#" term="Skrzydła"/><category scheme="http://www.blogger.com/atom/ns#" term="synth-pop"/><category scheme="http://www.blogger.com/atom/ns#" term="WRONG! duo"/><category scheme="http://www.blogger.com/atom/ns#" term="YouTube Shorts"/><title type='text'>Beatroom 02: WRONG!’s “Skrzydła” – Exclusive Preview on YouTube Shorts</title><content type='html'>&lt;br /&gt;&lt;span style=&quot;font-family: arial; font-weight: bold;&quot;&gt;KROMP ROOM RECORDS is proud to present an exclusive first look at the unreleased track “Skrzydła” by the rising electro duo WRONG!. Yesterday, fans were treated to a special preview on YouTube Shorts, offering a glimpse of the song ahead of its official debut on the forthcoming compilation Beatroom 02, available soon as a digital release.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;float: none; margin-right: 1em; text-align: left;&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiw_aFE2FCKZG7wn02cUw9we47nftiXFAiSccaIAQgzVQ92lN0lilaAwfeh2Cr0mhg6lv3rOAqsAW9oDhDajjuqp8LNILvybnikqmh4kaXXQa3mUdNSvleZsgaORaCZNcEV7QXyQYYQsEs6B88ubuDRL6fFZaP97RtFyomuPZj3KWUy_A1AuDxp_Z_njqGB/s1080/WRONG%20Live.jpg&quot; style=&quot;clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;&quot;&gt;&lt;img alt=&quot;The electronic music duo WRONG! performing live on stage, with Justyna Młynarska singing into a microphone and Wojciech Szczygłowski playing synthesizers, illuminated by blue stage lights.&quot; border=&quot;0&quot; data-original-height=&quot;613&quot; data-original-width=&quot;1080&quot; height=&quot;364&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiw_aFE2FCKZG7wn02cUw9we47nftiXFAiSccaIAQgzVQ92lN0lilaAwfeh2Cr0mhg6lv3rOAqsAW9oDhDajjuqp8LNILvybnikqmh4kaXXQa3mUdNSvleZsgaORaCZNcEV7QXyQYYQsEs6B88ubuDRL6fFZaP97RtFyomuPZj3KWUy_A1AuDxp_Z_njqGB/w640-h364/WRONG%20Live.jpg&quot; title=&quot;WRONG! performing live on stage at an electronic music concert&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;WRONG! Live&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;div&gt;&lt;h3 style=&quot;text-align: left;&quot;&gt;&lt;b&gt;“Skrzydła” – A Track to Remember&lt;/b&gt;&lt;/h3&gt;&lt;div&gt;Meaning “Wings” in Polish, “Skrzydła” is set to be a standout feature on Beatroom 02. Until now, this track has never been officially released, making its preview on YouTube Shorts a highly anticipated event for music lovers. The snippet highlights WRONG!’s dreamy synths, memorable melodies, and heartfelt vocals—signature elements of their unique style.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;float: none; margin-right: 1em; text-align: left;&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7wQIUqjSOyNiiavpe5K-BXHfeBm7zTTK7Rhqf_gdpaRYE0GDGReE6fbNpnL5DIJ1sDeXR2BlheuVMxQqOwEFR_obaJjUbmclLmjLHiMhvaXeFe4-24ax_LzW13ufWKIJcB2nBexf92f_DqPMsaQ5IdKpwZcFwBXwrdFGaVVp_xCfKJp_jcNRM6sH0i5gY/s2048/WRONG%20Music%202%20up.jpg&quot; style=&quot;clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;&quot;&gt;&lt;img alt=&quot;A sound engineer operates a mixing console in the foreground while a member of WRONG! stands on stage during a soundcheck in an empty, red-lit auditorium.&quot; border=&quot;0&quot; data-original-height=&quot;920&quot; data-original-width=&quot;2048&quot; height=&quot;288&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7wQIUqjSOyNiiavpe5K-BXHfeBm7zTTK7Rhqf_gdpaRYE0GDGReE6fbNpnL5DIJ1sDeXR2BlheuVMxQqOwEFR_obaJjUbmclLmjLHiMhvaXeFe4-24ax_LzW13ufWKIJcB2nBexf92f_DqPMsaQ5IdKpwZcFwBXwrdFGaVVp_xCfKJp_jcNRM6sH0i5gY/w640-h288/WRONG%20Music%202%20up.jpg&quot; title=&quot;Sound engineer at mixing desk during WRONG! soundcheck in an empty concert hall&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: left;&quot;&gt;WRONG! Sound check&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;h3&gt;&lt;b&gt;Spotlight on WRONG!&lt;/b&gt;&lt;/h3&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;WRONG! is a dynamic duo at the forefront of the alternative electronic and synth-pop movement. Their signature sound blends nostalgic synth textures with contemporary production, resulting in atmospheric and emotionally resonant music. With a rapidly growing fanbase and increasing online buzz, WRONG! is poised to become a key name in the scene.&lt;br /&gt;&lt;/div&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;iframe allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;363&quot; referrerpolicy=&quot;strict-origin-when-cross-origin&quot; src=&quot;https://www.youtube.com/embed/k-pbTuzbqfA?si=PwOES6zydJVlwAnA&quot; title=&quot;YouTube video player&quot; width=&quot;640&quot;&gt;&lt;/iframe&gt;&lt;div&gt;&lt;div&gt;&lt;h3 style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;b&gt;Beatroom 02: A Platform for New Talent&lt;/b&gt;&lt;/span&gt;&lt;/h3&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Curated by KROMP ROOM RECORDS, Beatroom 02 is a thoughtfully assembled compilation showcasing the freshest sounds from innovative artists. The release is designed to highlight and promote emerging talent, with WRONG!’s “Skrzydła” as one of its key attractions. This compilation is set to make a significant impact in the electronic music community.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;h3 style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;b&gt;Don’t Miss Out&lt;/b&gt;&lt;/span&gt;&lt;/h3&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;For fans of cutting-edge electronic and synth-pop music, Beatroom 02 is an essential listen. Stay tuned to KROMP ROOM RECORDS and WRONG! for the latest updates, exclusive content, and the official release of Beatroom 02. The future of electronic music is here—don’t miss your chance to be a part of it.&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.kromp-room-records.com/feeds/8561591821869579227/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.kromp-room-records.com/2025/05/beatroom-02-wrongs-skrzyda-exclusive.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/8561591821869579227'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/8561591821869579227'/><link rel='alternate' type='text/html' href='http://www.kromp-room-records.com/2025/05/beatroom-02-wrongs-skrzyda-exclusive.html' title='Beatroom 02: WRONG!’s “Skrzydła” – Exclusive Preview on YouTube Shorts'/><author><name>Kromproom</name><uri>http://www.blogger.com/profile/15227962973692929544</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiw_aFE2FCKZG7wn02cUw9we47nftiXFAiSccaIAQgzVQ92lN0lilaAwfeh2Cr0mhg6lv3rOAqsAW9oDhDajjuqp8LNILvybnikqmh4kaXXQa3mUdNSvleZsgaORaCZNcEV7QXyQYYQsEs6B88ubuDRL6fFZaP97RtFyomuPZj3KWUy_A1AuDxp_Z_njqGB/s72-w640-h364-c/WRONG%20Live.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2135890044969294381.post-8045492015014102550</id><published>2025-05-01T20:54:00.006+02:00</published><updated>2025-05-08T09:01:02.590+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Beatroom 02"/><category scheme="http://www.blogger.com/atom/ns#" term="Bornless"/><category scheme="http://www.blogger.com/atom/ns#" term="cassette archive"/><category scheme="http://www.blogger.com/atom/ns#" term="electronic music"/><category scheme="http://www.blogger.com/atom/ns#" term="FORMANT"/><category scheme="http://www.blogger.com/atom/ns#" term="generative music"/><category scheme="http://www.blogger.com/atom/ns#" term="industrial sound"/><category scheme="http://www.blogger.com/atom/ns#" term="KROMP ROOM RECORDS"/><category scheme="http://www.blogger.com/atom/ns#" term="music compilation"/><category scheme="http://www.blogger.com/atom/ns#" term="Udo Volfram"/><title type='text'>Bornless by Udo Volfram to Appear on Beatroom 02 Compilation</title><content type='html'>&lt;p&gt;&amp;nbsp;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;b&gt;We are thrilled to announce that &lt;span data-end=&quot;257&quot; data-start=&quot;243&quot;&gt;&quot;Bornless&quot;&lt;/span&gt;, a track by &lt;span data-end=&quot;285&quot; data-start=&quot;270&quot;&gt;Udo Volfram&lt;/span&gt; from his album &lt;em data-end=&quot;316&quot; data-start=&quot;301&quot;&gt;F O R M A N T&lt;/em&gt;, will be featured on the upcoming &lt;span data-end=&quot;366&quot; data-start=&quot;351&quot;&gt;Beatroom 02&lt;/span&gt; compilation by Kromp Room Records. This is a special selection – a track that opens the &lt;em data-end=&quot;464&quot; data-start=&quot;455&quot;&gt;FORMANT&lt;/em&gt; album and now takes on a new life within the context of our curated series.&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;In &lt;em data-end=&quot;555&quot; data-start=&quot;545&quot;&gt;Bornless&lt;/em&gt;, we hear everything that defines Udo Volfram’s artistic identity: a blend of late 1990s raw aesthetics, fascination with industrial soundscapes, and a deep reflection on sonic physics and the spiritual charge of sound. The piece is haunting yet driving, dirty yet hypnotic – a true sonic artifact of its time, revived with care and intention.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;float: none;&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUibRcWpTXUjfJUNn0hZAghueeX-qnfwh15VHxDHiKiUa0wgJYtw-KMryGoNJe5DdRLreKeyyBp6eiOO7aFaI9gtFg_Hz1FTAjOYhUiq3KMXCAeLCkt9xHr_sfBOmwQEfYqZWyr5i41MCcpv1QmU37Os5CWCvGSLlDLQvMwZ3ODwxww8rWw-FLbFahTPU4/s1024/8.jpeg&quot; style=&quot;clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;&quot;&gt;&lt;img alt=&quot;Człowiek w przemysłowej masce ochronnej z wizjerem i filtrem, najprawdopodobniej pracownik zakładu produkcyjnego w latach 40. lub 50.&quot; border=&quot;0&quot; data-original-height=&quot;1024&quot; data-original-width=&quot;1024&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUibRcWpTXUjfJUNn0hZAghueeX-qnfwh15VHxDHiKiUa0wgJYtw-KMryGoNJe5DdRLreKeyyBp6eiOO7aFaI9gtFg_Hz1FTAjOYhUiq3KMXCAeLCkt9xHr_sfBOmwQEfYqZWyr5i41MCcpv1QmU37Os5CWCvGSLlDLQvMwZ3ODwxww8rWw-FLbFahTPU4/w640-h640/8.jpeg&quot; title=&quot;Historyczne zdjęcie pracownika w masce ochronnej podczas pracy w przemyśle ciężkim&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Bornless by Udo Volfram&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The inclusion of &lt;em data-end=&quot;927&quot; data-start=&quot;917&quot;&gt;Bornless&lt;/em&gt; in &lt;em data-end=&quot;944&quot; data-start=&quot;931&quot;&gt;Beatroom 02&lt;/em&gt; is no coincidence – the track perfectly fits the compilation’s concept: a collection of bold, unconventional, industrial-electronic works that share a common thread of emotional tension and experimental sound design.&lt;/span&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijCbciKYjsacqO2jJ54QHC9IErlZVUYPEZLdNRAalFaT4QObgHjJerArqr5re1-_Zfhz8xlz_pB3KhHWE7whv9BTS16PYziq6BcXRwZrGrz1KMRwTcA0q3PH4EM6FF4efNO0u1bnjkRVVY8K7Nfxxh94-9E4GI1M4QFfoObTgcmRxRBNHmm_c7E5Et8dIe/s1000/UV%20Formant%20Album%20Cover%201000.jpg&quot; style=&quot;clear: left; margin-bottom: 1em; margin-right: 1em; text-align: center;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1000&quot; data-original-width=&quot;1000&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijCbciKYjsacqO2jJ54QHC9IErlZVUYPEZLdNRAalFaT4QObgHjJerArqr5re1-_Zfhz8xlz_pB3KhHWE7whv9BTS16PYziq6BcXRwZrGrz1KMRwTcA0q3PH4EM6FF4efNO0u1bnjkRVVY8K7Nfxxh94-9E4GI1M4QFfoObTgcmRxRBNHmm_c7E5Et8dIe/w640-h640/UV%20Formant%20Album%20Cover%201000.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;div&gt;&lt;br /&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;em data-end=&quot;1176&quot; data-start=&quot;1163&quot;&gt;Beatroom 02&lt;/em&gt; is the second part of our ongoing series highlighting standout releases from Kromp Room Records – both new and rediscovered. In this spirit, &lt;em data-end=&quot;1328&quot; data-start=&quot;1318&quot;&gt;Bornless&lt;/em&gt; reemerges, now in dialogue with other artists who share a similar sensitivity and sonic vision.&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;br /&gt;&lt;iframe allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;363&quot; referrerpolicy=&quot;strict-origin-when-cross-origin&quot; src=&quot;https://www.youtube.com/embed/mdURxjOfYcU?si=jVgiNzu-rz7AtDro&quot; title=&quot;YouTube video player&quot; width=&quot;640&quot;&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;If you haven’t yet explored Udo Volfram’s work, check out these articles:&lt;/span&gt;&lt;/div&gt;&lt;div&gt;
&lt;ul data-end=&quot;1776&quot; data-start=&quot;1505&quot;&gt;
&lt;li data-end=&quot;1633&quot; data-start=&quot;1505&quot;&gt;
&lt;p data-end=&quot;1633&quot; data-start=&quot;1507&quot;&gt;&lt;a data-end=&quot;1631&quot; data-start=&quot;1507&quot; href=&quot;https://www.kromp-room-records.com/2024/01/udo-volfram-joins-kromp-room-records.html&quot; rel=&quot;noopener&quot; target=&quot;_new&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Udo Volfram joins Kromp Room Records&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li data-end=&quot;1776&quot; data-start=&quot;1634&quot;&gt;
&lt;p data-end=&quot;1776&quot; data-start=&quot;1636&quot;&gt;&lt;a data-end=&quot;1776&quot; data-start=&quot;1636&quot; href=&quot;https://www.kromp-room-records.com/2024/01/unveiling-sonic-tapestry-udo-volframs.html&quot; rel=&quot;noopener&quot; target=&quot;_new&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Unveiling the sonic tapestry: Udo Volfram’s FORMANT&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;/ul&gt;
&lt;p data-end=&quot;1880&quot; data-start=&quot;1778&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The compilation is coming soon – stay tuned for the release date and more previews from &lt;em data-end=&quot;1879&quot; data-start=&quot;1866&quot;&gt;Beatroom 02&lt;/em&gt;!&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.kromp-room-records.com/feeds/8045492015014102550/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.kromp-room-records.com/2025/05/bornless-by-udo-volfram-to-appear-on.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/8045492015014102550'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/8045492015014102550'/><link rel='alternate' type='text/html' href='http://www.kromp-room-records.com/2025/05/bornless-by-udo-volfram-to-appear-on.html' title='Bornless by Udo Volfram to Appear on Beatroom 02 Compilation'/><author><name>Kromproom</name><uri>http://www.blogger.com/profile/15227962973692929544</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUibRcWpTXUjfJUNn0hZAghueeX-qnfwh15VHxDHiKiUa0wgJYtw-KMryGoNJe5DdRLreKeyyBp6eiOO7aFaI9gtFg_Hz1FTAjOYhUiq3KMXCAeLCkt9xHr_sfBOmwQEfYqZWyr5i41MCcpv1QmU37Os5CWCvGSLlDLQvMwZ3ODwxww8rWw-FLbFahTPU4/s72-w640-h640-c/8.jpeg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2135890044969294381.post-8709896327510574319</id><published>2025-04-18T09:35:00.000+02:00</published><updated>2025-04-18T09:35:58.943+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Beatroom 02"/><category scheme="http://www.blogger.com/atom/ns#" term="Coco remix"/><category scheme="http://www.blogger.com/atom/ns#" term="dark synth"/><category scheme="http://www.blogger.com/atom/ns#" term="demoscene"/><category scheme="http://www.blogger.com/atom/ns#" term="electronic duo"/><category scheme="http://www.blogger.com/atom/ns#" term="KrompRoom"/><category scheme="http://www.blogger.com/atom/ns#" term="Polish electronic music"/><category scheme="http://www.blogger.com/atom/ns#" term="remix release"/><category scheme="http://www.blogger.com/atom/ns#" term="requiem records"/><category scheme="http://www.blogger.com/atom/ns#" term="WRONG!"/><title type='text'>WRONG! – New Polish Electronic Duo and Kromproom’s “Coco” Remix</title><content type='html'>&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;h2 data-end=&quot;150&quot; data-start=&quot;85&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;WRONG! – a new duo from Poland and Kromproom’s remix of “Coco”&lt;/span&gt;&lt;/h2&gt;
&lt;p data-end=&quot;633&quot; data-start=&quot;152&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;On April 9, 2025, the release &lt;em data-end=&quot;188&quot; data-start=&quot;182&quot;&gt;Coco&lt;/em&gt; by the duo &lt;strong data-end=&quot;210&quot; data-start=&quot;200&quot;&gt;WRONG!&lt;/strong&gt; was published, featuring – among others – a remix by &lt;strong data-end=&quot;277&quot; data-start=&quot;264&quot;&gt;Kromproom&lt;/strong&gt;, founder of Kromp Room Records. This unique take on the original material combines the beat-driven energy of the demoscene with a subtle breeze of stylistics inspired by the likes of &lt;em data-end=&quot;470&quot; data-start=&quot;461&quot;&gt;Orbital&lt;/em&gt;. Kromproom stays true to the original atmosphere while adding his own pulse – something between club rhythm and the sentimental spirit of digital experimentation.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;float: none;&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgy2ZBNbO7jBhxvX4wVVlWsXFD1HIL0TyZ79zbAzvV98hyphenhyphenUAzcAK_dPwcPj1BmBNBkLybxDRfubBu2-IqHncSJfKXmDCtG3haODYZ49dza06kcUDJVDp1kJdDdkfPusHX89ZGEJmsbliDk86VaRdmCeRXPvsMnHbH6YcFV7bS31_rqHNM9vWlaQSNyZW-M8/s960/WRONG%20Live.jpg&quot; style=&quot;clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;&quot;&gt;&lt;img alt=&quot;The Polish electronic duo WRONG! performing live on stage – the vocalist sings into a microphone while the producer operates electronic gear, with a large “WRONG!” logo projected behind them.&quot; border=&quot;0&quot; data-original-height=&quot;720&quot; data-original-width=&quot;960&quot; height=&quot;480&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgy2ZBNbO7jBhxvX4wVVlWsXFD1HIL0TyZ79zbAzvV98hyphenhyphenUAzcAK_dPwcPj1BmBNBkLybxDRfubBu2-IqHncSJfKXmDCtG3haODYZ49dza06kcUDJVDp1kJdDdkfPusHX89ZGEJmsbliDk86VaRdmCeRXPvsMnHbH6YcFV7bS31_rqHNM9vWlaQSNyZW-M8/w640-h480/WRONG%20Live.jpg&quot; title=&quot;WRONG! live performance – Justyna Młynarska and Wojciech Szczygłowski on stage&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;WRONG! live performance – Justyna Młynarska and Wojciech Szczygłowski on stage&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;strong data-end=&quot;645&quot; data-start=&quot;635&quot;&gt;WRONG!&lt;/strong&gt; is a fresh project on the Polish electronic music scene that’s definitely worth following. It’s formed by &lt;strong data-end=&quot;773&quot; data-start=&quot;752&quot;&gt;Justyna Młynarska&lt;/strong&gt; (also known from Projekt Chanel) and &lt;strong data-end=&quot;836&quot; data-start=&quot;811&quot;&gt;Wojciech Szczygłowski&lt;/strong&gt; (W242 Studio). Their music merges spacious, multilayered synthesizers with poetic vocals and lyrics that explore relationships, emotions, and love. The duo draws inspiration from acts such as &lt;em data-end=&quot;1040&quot; data-start=&quot;1029&quot;&gt;Clock DVA&lt;/em&gt; and &lt;em data-end=&quot;1059&quot; data-start=&quot;1045&quot;&gt;Depeche Mode&lt;/em&gt;, yet enriches their sound with a modern club vibe and artistic depth. Their songs are performed in several languages, giving their work a universal, European character.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;iframe allow=&quot;autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;352&quot; loading=&quot;lazy&quot; src=&quot;https://open.spotify.com/embed/album/0WNOQSFWR63H4MAZIVvPSH?utm_source=generator&quot; style=&quot;border-radius: 12px;&quot; width=&quot;100%&quot;&gt;&lt;/iframe&gt;&lt;div&gt;&lt;p data-end=&quot;1425&quot; data-start=&quot;1230&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;em data-end=&quot;1236&quot; data-start=&quot;1230&quot;&gt;Coco&lt;/em&gt; serves as a preview of the group’s second album, &lt;strong data-end=&quot;1307&quot; data-start=&quot;1286&quot;&gt;Bonjour Mon Amour&lt;/strong&gt;, which premiered in December 2024. However, the material has not yet been released on streaming platforms or YouTube.&lt;/span&gt;&lt;/p&gt;
&lt;p data-end=&quot;1603&quot; data-start=&quot;1427&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;In addition to Kromproom, the remix release of &lt;em data-end=&quot;1480&quot; data-start=&quot;1474&quot;&gt;Coco&lt;/em&gt; features other artists who contributed their own interpretations – each bringing something special to the overall release.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;iframe allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;363&quot; referrerpolicy=&quot;strict-origin-when-cross-origin&quot; src=&quot;https://www.youtube.com/embed/mrIKnImfiYE?si=XhIjwdnuWH6AGp41&quot; title=&quot;YouTube video player&quot; width=&quot;640&quot;&gt;&lt;/iframe&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;On the upcoming compilation &lt;strong data-end=&quot;1648&quot; data-start=&quot;1633&quot;&gt;Beatroom 02&lt;/strong&gt;, curated by &lt;strong data-end=&quot;1683&quot; data-start=&quot;1661&quot;&gt;Kromp Room Records&lt;/strong&gt;, one of WRONG!’s original tracks will be featured (note: not the &lt;em data-end=&quot;1755&quot; data-start=&quot;1749&quot;&gt;Coco&lt;/em&gt; remix). We are honored to showcase their original work as part of this compilation – a perfect example of fresh, high-quality energy on the Polish scene.&lt;br /&gt;&lt;br data-end=&quot;1912&quot; data-start=&quot;1909&quot; /&gt;
&lt;strong data-end=&quot;2022&quot; data-start=&quot;1912&quot;&gt;We’ll soon reveal which track by WRONG! will appear on the compilation – stay tuned for something special!&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;float: none;&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZs3BIhIASdhFy2mxKWXJTQCTWWvr0s85zsVhiqOOgvQSRs9Fw2sRK-FHqCzxB5woTf5w5MQ4e6mki-DCZEc8_Gkz-8P554wSTeV3eaO2mjcZ9IoeYtRIZf3he1grEm9xdRtwkBXljfXwKcSUa1bG5srVV6Kl4dSUlzMj_RwpqbTFcJQTkA2apfcwy_Hjq/s960/WRONG%20Bonjour%20Mon%20Amour.jpg&quot; style=&quot;clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;&quot;&gt;&lt;img alt=&quot;Cover art of WRONG!&#39;s second album &amp;quot;Bonjour Mon Amour&amp;quot; – a black-and-white portrait of a woman with short, tousled blonde hair partially covering her face, with the album title in bold pink and white text.&quot; border=&quot;0&quot; data-original-height=&quot;954&quot; data-original-width=&quot;960&quot; height=&quot;636&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZs3BIhIASdhFy2mxKWXJTQCTWWvr0s85zsVhiqOOgvQSRs9Fw2sRK-FHqCzxB5woTf5w5MQ4e6mki-DCZEc8_Gkz-8P554wSTeV3eaO2mjcZ9IoeYtRIZf3he1grEm9xdRtwkBXljfXwKcSUa1bG5srVV6Kl4dSUlzMj_RwpqbTFcJQTkA2apfcwy_Hjq/w640-h636/WRONG%20Bonjour%20Mon%20Amour.jpg&quot; title=&quot;WRONG! – Bonjour Mon Amour (album cover)&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: left;&quot;&gt;Cover album WRONG Bonjour Mon Amour&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;p class=&quot;&quot; data-end=&quot;2185&quot; data-start=&quot;2024&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Huge thanks to Justyna and Wojtek for their collaboration and inspiration. &lt;strong data-end=&quot;2109&quot; data-start=&quot;2099&quot;&gt;WRONG!&lt;/strong&gt; is a project that not only sounds great – they truly have something to say.&lt;br /&gt;&lt;/span&gt;&lt;span data-end=&quot;2195&quot; data-start=&quot;2189&quot; style=&quot;font-family: arial;&quot;&gt;&lt;br /&gt;&lt;i&gt;Coco&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;font-family: arial;&quot;&gt; was released by &lt;/span&gt;&lt;strong data-end=&quot;2231&quot; data-start=&quot;2212&quot; style=&quot;font-family: arial;&quot;&gt;Requiem Records&lt;/strong&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.kromp-room-records.com/feeds/8709896327510574319/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.kromp-room-records.com/2025/04/wrong-new-polish-electronic-duo-and.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/8709896327510574319'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/8709896327510574319'/><link rel='alternate' type='text/html' href='http://www.kromp-room-records.com/2025/04/wrong-new-polish-electronic-duo-and.html' title='WRONG! – New Polish Electronic Duo and Kromproom’s “Coco” Remix'/><author><name>Kromproom</name><uri>http://www.blogger.com/profile/15227962973692929544</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgy2ZBNbO7jBhxvX4wVVlWsXFD1HIL0TyZ79zbAzvV98hyphenhyphenUAzcAK_dPwcPj1BmBNBkLybxDRfubBu2-IqHncSJfKXmDCtG3haODYZ49dza06kcUDJVDp1kJdDdkfPusHX89ZGEJmsbliDk86VaRdmCeRXPvsMnHbH6YcFV7bS31_rqHNM9vWlaQSNyZW-M8/s72-w640-h480-c/WRONG%20Live.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2135890044969294381.post-5844803734021286284</id><published>2025-03-28T11:54:00.005+01:00</published><updated>2025-03-28T11:54:40.097+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Anthill"/><category scheme="http://www.blogger.com/atom/ns#" term="Beatroom 02"/><category scheme="http://www.blogger.com/atom/ns#" term="Drum and Bass"/><category scheme="http://www.blogger.com/atom/ns#" term="electronic music"/><category scheme="http://www.blogger.com/atom/ns#" term="Go Boys Records"/><category scheme="http://www.blogger.com/atom/ns#" term="Kris Mandre"/><category scheme="http://www.blogger.com/atom/ns#" term="Master of the Moon"/><category scheme="http://www.blogger.com/atom/ns#" term="music compilation"/><category scheme="http://www.blogger.com/atom/ns#" term="Selected 2015_2023"/><category scheme="http://www.blogger.com/atom/ns#" term="Spotify"/><title type='text'>Kris Mandre Joins Beatroom 02 – A Powerful Drum and Bass Entry</title><content type='html'>&lt;p&gt;&lt;br /&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;b&gt;Kris Mandre Joins Beatroom 02 – A Powerful Track Master of The Moon&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;b&gt;We are thrilled to announce the upcoming release of our second music compilation, Beatroom 02! This time, one of the featured artists is Krzysztof Mandrela, known as Kris Mandre. Hailing from Wieliczka (Poland), this electronic music producer has been captivating audiences for years with his dynamic soundscapes. You can explore his work on Spotify: &lt;a href=&quot;https://open.spotify.com/artist/7feb5CG4ki8qGoj5CYcm1v&quot; target=&quot;_blank&quot;&gt;Kris Mandre on Spotify&lt;/a&gt;.&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAKxxW3Z_kQxbPEuHl1H097wc9AoFpvjtygbEjEiA9nwPzFRLeR0TjO0x4C4wFgpeXdJuuUTJdZmrjt7ik2K0cM_2HCJ6vI_lXlYm-ohsPIqk1_wkVW0pUndv50qeOvA_x0ajtMwFi34tWB1ld91Nl4cQrPBnD4LvvIl7V6kISXcvdKufAy-hhn6IpDpt6/s544/Kris%20Mandre%20Selected%202015_2023.jpg&quot; style=&quot;clear: left; float: none; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Album cover for &#39;Selected 2015_2023&#39; by Kris Mandre. The artwork features bold, stylized illustrations of a snarling wolf and a fierce panther against a dark background, with a striking red hand pointing forward.&quot; border=&quot;0&quot; data-original-height=&quot;544&quot; data-original-width=&quot;544&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAKxxW3Z_kQxbPEuHl1H097wc9AoFpvjtygbEjEiA9nwPzFRLeR0TjO0x4C4wFgpeXdJuuUTJdZmrjt7ik2K0cM_2HCJ6vI_lXlYm-ohsPIqk1_wkVW0pUndv50qeOvA_x0ajtMwFi34tWB1ld91Nl4cQrPBnD4LvvIl7V6kISXcvdKufAy-hhn6IpDpt6/w640-h640/Kris%20Mandre%20Selected%202015_2023.jpg&quot; title=&quot;Kris Mandre – Selected 2015_2023 Album Cover&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;For this compilation, we have selected the track “Master of the Moon” from Kris Mandre’s album Selected 2015_2023. This high-energy Drum and Bass track opens the album with an electrifying sound. The full track is available on Spotify, and for those looking for a quick preview, we have also prepared a promo short. This short video not only promotes Beatroom 02 but also highlights the brilliance of Kris Mandre’s production style.&lt;br /&gt;&lt;br /&gt;&lt;iframe allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;363&quot; referrerpolicy=&quot;strict-origin-when-cross-origin&quot; src=&quot;https://www.youtube.com/embed/hK11FI8m59Y?si=LkZ3lkqY4X6LJFR9&quot; title=&quot;YouTube video player&quot; width=&quot;640&quot;&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;Listen to the full track on Spotify.&lt;br /&gt;&lt;iframe allow=&quot;autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;152&quot; loading=&quot;lazy&quot; src=&quot;https://open.spotify.com/embed/track/0BMvKlqsf7PrpUr0fk6Fvs?utm_source=generator&quot; style=&quot;border-radius: 12px;&quot; width=&quot;100%&quot;&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;This is not the first time Kris Mandre has been featured on a compilation. His track “The Invasion”, released under the alias Anthill, was included in Music From Poland, a compilation by Go Boys Records. Now, his music once again reaches a broader audience, and we believe that both “Master of the Moon” and his past works will intrigue listeners and encourage them to dive deeper into his creative universe.&lt;br /&gt;&lt;br /&gt;&lt;iframe allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;363&quot; referrerpolicy=&quot;strict-origin-when-cross-origin&quot; src=&quot;https://www.youtube.com/embed/H4O0Fz64J60?si=NPoL32Foglx8qrOl&quot; title=&quot;YouTube video player&quot; width=&quot;640&quot;&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Stay tuned! Follow our channels to catch the premiere of Beatroom 02 and discover the latest sounds from talented producers.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Follow us!&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.kromp-room-records.com/feeds/5844803734021286284/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.kromp-room-records.com/2025/03/kris-mandre-joins-beatroom-02-powerful.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/5844803734021286284'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/5844803734021286284'/><link rel='alternate' type='text/html' href='http://www.kromp-room-records.com/2025/03/kris-mandre-joins-beatroom-02-powerful.html' title='Kris Mandre Joins Beatroom 02 – A Powerful Drum and Bass Entry'/><author><name>Kromproom</name><uri>http://www.blogger.com/profile/15227962973692929544</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAKxxW3Z_kQxbPEuHl1H097wc9AoFpvjtygbEjEiA9nwPzFRLeR0TjO0x4C4wFgpeXdJuuUTJdZmrjt7ik2K0cM_2HCJ6vI_lXlYm-ohsPIqk1_wkVW0pUndv50qeOvA_x0ajtMwFi34tWB1ld91Nl4cQrPBnD4LvvIl7V6kISXcvdKufAy-hhn6IpDpt6/s72-w640-h640-c/Kris%20Mandre%20Selected%202015_2023.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2135890044969294381.post-46712595231501650</id><published>2025-03-11T16:38:00.003+01:00</published><updated>2025-03-12T08:49:11.435+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="130 BPM"/><category scheme="http://www.blogger.com/atom/ns#" term="Beatroom 02"/><category scheme="http://www.blogger.com/atom/ns#" term="Black Import"/><category scheme="http://www.blogger.com/atom/ns#" term="CENTURIO"/><category scheme="http://www.blogger.com/atom/ns#" term="compilation"/><category scheme="http://www.blogger.com/atom/ns#" term="Danced with a robot"/><category scheme="http://www.blogger.com/atom/ns#" term="electronic music"/><category scheme="http://www.blogger.com/atom/ns#" term="KrompRoom"/><category scheme="http://www.blogger.com/atom/ns#" term="Remix"/><category scheme="http://www.blogger.com/atom/ns#" term="Warner Chappell Music"/><title type='text'>Danced with a Robot Returns on Beatroom 02 in a 130 BPM Version</title><content type='html'>&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&amp;nbsp;&lt;br /&gt;&lt;strong&gt;Danced with a Robot Returns on Beatroom 02 Compilation&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The upcoming &lt;strong&gt;Beatroom 02&lt;/strong&gt; compilation will feature a special version of the track &lt;strong&gt;Danced with a Robot&lt;/strong&gt;—this time at &lt;strong&gt;130 BPM&lt;/strong&gt;. This track has a rich history, spanning over two decades, making it a true classic within the &lt;strong&gt;Kromproom&lt;/strong&gt; catalog.&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghqpe8Sqls4Co5MLJlWOhuwN8NsCOI234pPwZ6GleCvOLMgvizyG9tbvUQhrEIdvJ6O0__uaFmf8AlMkX0rvfcd28W4WATbLZqhiWZQrwgackUx4jVkwP7I4glUrqrpQPW4P0Qq7hsfxZqLBCu6BAK38EL-S-8ePYacr-5aykwU__YF4WNLYFYQdMv8_ok/s1080/Leonardo_Kino_XL_DWAR_Up_1x1%20kopia_130bpm_1080.jpg&quot; style=&quot;clear: left; display: inline; font-family: arial; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;A cybernetic humanoid robot in a futuristic style stands against a natural backdrop at dusk. Its armor features inscriptions: &amp;quot;KROMPROOM FEAT. CENTURIO,&amp;quot; &amp;quot;DANCED WITH A ROBOT,&amp;quot; and &amp;quot;130 BPM,&amp;quot; suggesting the title of a music track.&quot; border=&quot;0&quot; data-original-height=&quot;1080&quot; data-original-width=&quot;1080&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghqpe8Sqls4Co5MLJlWOhuwN8NsCOI234pPwZ6GleCvOLMgvizyG9tbvUQhrEIdvJ6O0__uaFmf8AlMkX0rvfcd28W4WATbLZqhiWZQrwgackUx4jVkwP7I4glUrqrpQPW4P0Qq7hsfxZqLBCu6BAK38EL-S-8ePYacr-5aykwU__YF4WNLYFYQdMv8_ok/w640-h640/Leonardo_Kino_XL_DWAR_Up_1x1%20kopia_130bpm_1080.jpg&quot; title=&quot;Kromproom feat. Centurio – Danced with a Robot (130 BPM)&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/p&gt;&lt;p data-pm-slice=&quot;1 1 []&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Originally composed in &lt;strong&gt;2002&lt;/strong&gt;, the track was first released in &lt;strong&gt;2003&lt;/strong&gt; on &lt;strong&gt;Kromproom’s debut album, Black Import&lt;/strong&gt;, under its Polish title, &lt;strong&gt;Zatańczysz z robotem&lt;/strong&gt;. At that time, it was purely instrumental, showcasing Kromproom’s signature electronic sound.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;iframe allow=&quot;autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;152&quot; loading=&quot;lazy&quot; src=&quot;https://open.spotify.com/embed/track/7LZ6IImbHauhMXPnMUPtky?utm_source=generator&quot; style=&quot;border-radius: 12px;&quot; width=&quot;100%&quot;&gt;&lt;/iframe&gt;&lt;div&gt;&lt;p data-pm-slice=&quot;1 1 []&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;A decade later, in &lt;strong&gt;2013&lt;/strong&gt;, the track underwent a transformation when &lt;strong&gt;Jens Esch Centurio&lt;/strong&gt; contributed his powerful vocals and lyrics in English. The result was a refreshed and electrifying version, which was released as an EP titled &lt;strong&gt;Danced with a Robot&lt;/strong&gt;. This &lt;strong&gt;five-track EP&lt;/strong&gt; was published by &lt;strong&gt;Warner Chappell Music&lt;/strong&gt;, marking a significant milestone in Kromproom’s career.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;iframe allow=&quot;autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;352&quot; loading=&quot;lazy&quot; src=&quot;https://open.spotify.com/embed/album/5c3o7USKigVSArjMUf8DoD?utm_source=generator&quot; style=&quot;border-radius: 12px;&quot; width=&quot;100%&quot;&gt;&lt;/iframe&gt;&lt;div&gt;&lt;p data-pm-slice=&quot;1 3 []&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Now, another decade has passed, and &lt;strong&gt;Danced with a Robot&lt;/strong&gt; is making its way onto &lt;strong&gt;Beatroom 02&lt;/strong&gt; in an exclusive &lt;strong&gt;130 BPM version&lt;/strong&gt;. This new inclusion is a tribute to the track’s lasting impact and evolution through the years.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;For those interested in revisiting the journey of this remarkable song, here are some articles detailing its previous releases and transformations:&lt;/span&gt;&lt;/p&gt;&lt;ul data-spread=&quot;false&quot;&gt;&lt;li&gt;&lt;p&gt;&lt;a disabled=&quot;false&quot; href=&quot;https://www.kromp-room-records.com/2013/03/8-april-2013-new-kromproom-maxi-single.html&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;b&gt;April 8, 2013 – Announcement of the new Kromproom maxi single&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;&lt;a disabled=&quot;false&quot; href=&quot;https://www.kromp-room-records.com/2013/03/kromproom-danced-with-robot-feat.html&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;b&gt;Danced with a Robot featuring Centurio&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;&lt;a disabled=&quot;false&quot; href=&quot;https://www.kromp-room-records.com/2013/04/kromproom-feat-centurio-maxi-single-out.html&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;b&gt;Maxi Single Release Announcement&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;&lt;a disabled=&quot;false&quot; href=&quot;https://www.kromp-room-records.com/2013/06/kromproom-feat-centurio-danced-with.html&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;b&gt;Further Insights on Danced with a Robot&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;iframe allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;363&quot; referrerpolicy=&quot;strict-origin-when-cross-origin&quot; src=&quot;https://www.youtube.com/embed/c_SC61KZjjw?si=FgRs1GK7zxt0sGq1&quot; title=&quot;YouTube video player&quot; width=&quot;640&quot;&gt;&lt;/iframe&gt;&lt;div&gt;&lt;div&gt;&lt;p data-pm-slice=&quot;1 1 []&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;iframe allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;363&quot; referrerpolicy=&quot;strict-origin-when-cross-origin&quot; src=&quot;https://www.youtube.com/embed/aesg2q5lbOs?si=ZO8TDqk9smnsEsZP&quot; title=&quot;YouTube video player&quot; width=&quot;640&quot;&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/p&gt;&lt;p data-pm-slice=&quot;1 1 []&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Stay tuned for &lt;strong&gt;Beatroom 02&lt;/strong&gt;, where this legendary track will once again take center stage!&lt;br /&gt;&lt;b&gt;&lt;br /&gt;2025 KROMP ROOM RECORDS&lt;br /&gt;2025 Rebeat Digital GmbH&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.kromp-room-records.com/feeds/46712595231501650/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.kromp-room-records.com/2025/03/danced-with-robot-returns-on-beatroom.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/46712595231501650'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/46712595231501650'/><link rel='alternate' type='text/html' href='http://www.kromp-room-records.com/2025/03/danced-with-robot-returns-on-beatroom.html' title='Danced with a Robot Returns on Beatroom 02 in a 130 BPM Version'/><author><name>Kromproom</name><uri>http://www.blogger.com/profile/15227962973692929544</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghqpe8Sqls4Co5MLJlWOhuwN8NsCOI234pPwZ6GleCvOLMgvizyG9tbvUQhrEIdvJ6O0__uaFmf8AlMkX0rvfcd28W4WATbLZqhiWZQrwgackUx4jVkwP7I4glUrqrpQPW4P0Qq7hsfxZqLBCu6BAK38EL-S-8ePYacr-5aykwU__YF4WNLYFYQdMv8_ok/s72-w640-h640-c/Leonardo_Kino_XL_DWAR_Up_1x1%20kopia_130bpm_1080.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2135890044969294381.post-2205015391990747326</id><published>2025-02-21T16:30:00.004+01:00</published><updated>2025-02-21T16:35:17.845+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Ambient"/><category scheme="http://www.blogger.com/atom/ns#" term="Andrzej Kulbiński"/><category scheme="http://www.blogger.com/atom/ns#" term="Beatroom 02"/><category scheme="http://www.blogger.com/atom/ns#" term="Drum and Bass"/><category scheme="http://www.blogger.com/atom/ns#" term="electronic music"/><category scheme="http://www.blogger.com/atom/ns#" term="experimental sounds"/><category scheme="http://www.blogger.com/atom/ns#" term="Homo Roboticus"/><category scheme="http://www.blogger.com/atom/ns#" term="Jamick"/><category scheme="http://www.blogger.com/atom/ns#" term="Shiva"/><category scheme="http://www.blogger.com/atom/ns#" term="synth music"/><title type='text'>Jamick: An Artist Who Isn&#39;t Afraid to Experiment – &quot;Shiva&quot; on Beatroom 02</title><content type='html'>&lt;p data-end=&quot;569&quot; data-start=&quot;140&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;b&gt;&lt;br /&gt;Jamick, also known as Andrzej Kulbiński, began his musical journey in 1989 when he started composing music on a friend&#39;s Amiga computer. That moment sparked his passion for creating electronic music, and soon after, he purchased his first keyboard, the Casio MA-120. Over time, his music setup expanded to include instruments such as the Yamaha MU-80 and an Atari ST computer, allowing him to further explore electronic sounds.&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p data-end=&quot;569&quot; data-start=&quot;140&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOIRsugtpDumllinyWiA85R53I5BdMBOYt5g1dvVdQK_ve7dkjF4Nuh0J6jdZ7Yxlphp2AOoOqKrBmA5Zr2v051KRfW-HNMTzH4oJAqH9aA9sXJzO6BBLTSAzcWFms3TqFoCeZHISCT4a-3sXeuszTEMIC_xN4XoWljTZPoJi_Vz844tTqWqN98SdZTu7G/s715/Jamick%20Photo%20From%20FB.jpg&quot; style=&quot;clear: left; float: none; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;715&quot; data-original-width=&quot;715&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOIRsugtpDumllinyWiA85R53I5BdMBOYt5g1dvVdQK_ve7dkjF4Nuh0J6jdZ7Yxlphp2AOoOqKrBmA5Zr2v051KRfW-HNMTzH4oJAqH9aA9sXJzO6BBLTSAzcWFms3TqFoCeZHISCT4a-3sXeuszTEMIC_xN4XoWljTZPoJi_Vz844tTqWqN98SdZTu7G/w640-h640/Jamick%20Photo%20From%20FB.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;p data-end=&quot;987&quot; data-start=&quot;571&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Jamick recorded his first tracks on cassette tapes, a common practice among aspiring artists in the 90s. His music drew inspiration from giants like Jean-Michel Jarre, Vangelis, Kitaro, and Kraftwerk, as well as experimental creators such as Art of Noise, Marek Biliński, and Władysław Komendarek. One of Jamick’s first albums to see the light of day was &lt;em data-end=&quot;950&quot; data-start=&quot;926&quot;&gt;Chasing a Falling Star&lt;/em&gt; (&lt;em data-end=&quot;983&quot; data-start=&quot;952&quot;&gt;W Pogoni Za Spadającą Gwiazdą&lt;/em&gt;).&lt;/span&gt;&lt;/p&gt;&lt;p data-end=&quot;1451&quot; data-start=&quot;989&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Over the years, Jamick began experimenting with more rhythmic genres like jungle and drum and bass, which can be heard on his second album, &lt;em data-end=&quot;1143&quot; data-start=&quot;1129&quot;&gt;In The Flash&lt;/em&gt;. His style continued to evolve, blending electronic music with rock influences. His experience in this genre includes playing in the band Maria Nefeli and later joining Next In Line, where he had the opportunity to perform at the Benátská Noc festival in the Czech Republic alongside legends like Anthrax.&lt;/span&gt;&lt;/p&gt;&lt;iframe allow=&quot;autoplay&quot; frameborder=&quot;no&quot; height=&quot;300&quot; scrolling=&quot;no&quot; src=&quot;https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/13578282&amp;amp;color=%23ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false&amp;amp;show_teaser=true&amp;amp;visual=true&quot; width=&quot;100%&quot;&gt;&lt;/iframe&gt;&lt;div style=&quot;color: #cccccc; font-family: Interstate, &amp;quot;Lucida Grande&amp;quot;, &amp;quot;Lucida Sans Unicode&amp;quot;, &amp;quot;Lucida Sans&amp;quot;, Garuda, Verdana, Tahoma, sans-serif; font-size: 10px; font-weight: 100; line-break: anywhere; overflow: hidden; text-overflow: ellipsis; white-space: nowrap; word-break: normal;&quot;&gt;&lt;a href=&quot;https://soundcloud.com/jamick-elektronika&quot; style=&quot;color: #cccccc; text-decoration: none;&quot; target=&quot;_blank&quot; title=&quot;Jamick&quot;&gt;Jamick&lt;/a&gt; · &lt;a href=&quot;https://soundcloud.com/jamick-elektronika/sets/homo-roboticus&quot; style=&quot;color: #cccccc; text-decoration: none;&quot; target=&quot;_blank&quot; title=&quot;Homo Roboticus&quot;&gt;Homo Roboticus&lt;/a&gt;&lt;/div&gt;&lt;p data-end=&quot;1858&quot; data-start=&quot;1453&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;However, Jamick eventually returned to his electronic roots, and his track &lt;em data-end=&quot;1537&quot; data-start=&quot;1528&quot;&gt;Rebirth&lt;/em&gt; became the foundation for the album &lt;em data-end=&quot;1590&quot; data-start=&quot;1574&quot;&gt;Homo Roboticus&lt;/em&gt;, marking a new chapter in his career. &lt;em data-end=&quot;1645&quot; data-start=&quot;1629&quot;&gt;Homo Roboticus&lt;/em&gt; reflects the artist’s fascination with the fusion of humans and robots, a theme that is also evident in his subsequent projects, such as &lt;em data-end=&quot;1793&quot; data-start=&quot;1783&quot;&gt;Season’s&lt;/em&gt; and &lt;em data-end=&quot;1826&quot; data-start=&quot;1798&quot;&gt;The End of the Known World&lt;/em&gt; (&lt;em data-end=&quot;1854&quot; data-start=&quot;1828&quot;&gt;Koniec Znanego Ci Świata&lt;/em&gt;).&lt;/span&gt;&lt;/p&gt;&lt;h3 data-end=&quot;1927&quot; data-start=&quot;1860&quot;&gt;&lt;strong data-end=&quot;1925&quot; data-start=&quot;1864&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&quot;Shiva&quot; – A New Chapter in Jamick’s Career on Beatroom 02&lt;/span&gt;&lt;/strong&gt;&lt;/h3&gt;&lt;p data-end=&quot;2364&quot; data-start=&quot;1929&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Jamick will feature on the &lt;em data-end=&quot;1969&quot; data-start=&quot;1956&quot;&gt;Beatroom 02&lt;/em&gt; compilation with his track &lt;em data-end=&quot;2004&quot; data-start=&quot;1997&quot;&gt;Shiva&lt;/em&gt;, which stands out as a key highlight of this release. While the track is part of a larger project already well-known among electronic music fans, &lt;em data-end=&quot;2158&quot; data-start=&quot;2151&quot;&gt;Shiva&lt;/em&gt; represents an exciting new development in his artistic evolution. The composition blends ambient elements, experimental sounds, and processed ethnic vocals, with a dynamic rhythm that captures attention.&lt;/span&gt;&lt;/p&gt;&lt;p data-end=&quot;2534&quot; data-start=&quot;2366&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Rather than diving into a detailed analysis of the track, we encourage you to listen to the preview and experience the atmosphere that Jamick brings to &lt;em data-end=&quot;2531&quot; data-start=&quot;2518&quot;&gt;Beatroom 02&lt;/em&gt;.&lt;/span&gt;&lt;/p&gt;&lt;iframe allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;363&quot; referrerpolicy=&quot;strict-origin-when-cross-origin&quot; src=&quot;https://www.youtube.com/embed/KjItCMmr5RU?si=PAo0m2RAX7EPFz6R&quot; title=&quot;YouTube video player&quot; width=&quot;640&quot;&gt;&lt;/iframe&gt;&lt;h3 data-end=&quot;2577&quot; data-start=&quot;2560&quot;&gt;&lt;strong data-end=&quot;2575&quot; data-start=&quot;2564&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Summary&lt;/span&gt;&lt;/strong&gt;&lt;/h3&gt;&lt;p data-end=&quot;2916&quot; data-start=&quot;2579&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Jamick is an artist who has been developing his musical identity for years, fearlessly experimenting and merging different genres. His track on the &lt;em data-end=&quot;2740&quot; data-start=&quot;2727&quot;&gt;Beatroom 02&lt;/em&gt; compilation is a perfect example of how his sound has evolved over time, and &lt;em data-end=&quot;2825&quot; data-start=&quot;2818&quot;&gt;Shiva&lt;/em&gt; introduces a fresh quality that will undoubtedly captivate electronic music enthusiasts.&lt;/span&gt;&lt;/p&gt;&lt;p data-end=&quot;3163&quot; data-start=&quot;2918&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;b&gt;It is also worth mentioning that previous articles, such as:&lt;/b&gt;&lt;br data-end=&quot;2981&quot; data-start=&quot;2978&quot; /&gt;•&amp;nbsp;&lt;a href=&quot;https://www.kromp-room-records.com/2013/08/more-about-artist-jamick-from-poland.html&quot; target=&quot;_blank&quot;&gt;Jamick: From Early Electronic Compositions to ABS Remixes and Beyond&lt;/a&gt;&lt;br data-end=&quot;3012&quot; data-start=&quot;3009&quot; /&gt;• &lt;em data-end=&quot;3050&quot; data-start=&quot;3014&quot;&gt;&lt;a href=&quot;https://www.kromp-room-records.com/2013/09/eks-port-abs-psychic-force-remix.html&quot; target=&quot;_blank&quot;&gt;EKS-port – ABS Remixes Vol. 2: Electro, Synthwave, and Trance Collide&lt;/a&gt;&lt;/em&gt;&lt;br data-end=&quot;3053&quot; data-start=&quot;3050&quot; /&gt;• &lt;a href=&quot;https://www.kromp-room-records.com/2013/09/eks-port-abs-vol2-01102013-is-available.html&quot; target=&quot;_blank&quot;&gt;P&lt;em data-end=&quot;3075&quot; data-start=&quot;3055&quot;&gt;re-Premiere of ABS Remixes Vol. 2: An EKS-port Release Featuring The Psychic Force and Jamick&lt;/em&gt;&lt;/a&gt;&lt;br data-end=&quot;3078&quot; data-start=&quot;3075&quot; /&gt;• &lt;em data-end=&quot;3120&quot; data-start=&quot;3080&quot;&gt;&lt;a href=&quot;https://www.kromp-room-records.com/2014/01/kromprooms-annihilating-rhythm-remixed.html&quot; target=&quot;_blank&quot;&gt;Pre-Premiere Review: Jamick&#39;s Remix of &quot;Annihilating Rhythm&quot;&lt;/a&gt;&lt;/em&gt;&lt;br data-end=&quot;3123&quot; data-start=&quot;3120&quot; /&gt;• &lt;em data-end=&quot;3161&quot; data-start=&quot;3125&quot;&gt;&lt;a href=&quot;https://www.kromp-room-records.com/2018/01/kings-in-white-remixes-by-jamick-and.html&quot; target=&quot;_blank&quot;&gt;Kromproom feat. Tomek Grochola – Road – Final Remixes by Jamick and L&#39;Freeq&lt;/a&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;p data-end=&quot;3393&quot; data-start=&quot;3165&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;help provide a deeper understanding of the artist&#39;s development and his unique approach to music creation. We eagerly anticipate the release of &lt;em data-end=&quot;3322&quot; data-start=&quot;3309&quot;&gt;Beatroom 02&lt;/em&gt;, which is sure to deliver new and unforgettable musical experiences!&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.kromp-room-records.com/feeds/2205015391990747326/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.kromp-room-records.com/2025/02/jamick-artist-who-isnt-afraid-to.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/2205015391990747326'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/2205015391990747326'/><link rel='alternate' type='text/html' href='http://www.kromp-room-records.com/2025/02/jamick-artist-who-isnt-afraid-to.html' title='Jamick: An Artist Who Isn&#39;t Afraid to Experiment – &quot;Shiva&quot; on Beatroom 02'/><author><name>Kromproom</name><uri>http://www.blogger.com/profile/15227962973692929544</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOIRsugtpDumllinyWiA85R53I5BdMBOYt5g1dvVdQK_ve7dkjF4Nuh0J6jdZ7Yxlphp2AOoOqKrBmA5Zr2v051KRfW-HNMTzH4oJAqH9aA9sXJzO6BBLTSAzcWFms3TqFoCeZHISCT4a-3sXeuszTEMIC_xN4XoWljTZPoJi_Vz844tTqWqN98SdZTu7G/s72-w640-h640-c/Jamick%20Photo%20From%20FB.jpg" height="72" width="72"/><thr:total>0</thr:total><georss:featurename>Europa</georss:featurename><georss:point>54.5259614 15.2551187</georss:point><georss:box>26.215727563821154 -19.9011313 82.836195236178838 50.4113687</georss:box></entry><entry><id>tag:blogger.com,1999:blog-2135890044969294381.post-8458064060145205936</id><published>2025-02-19T14:32:00.001+01:00</published><updated>2025-02-19T16:36:32.437+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Death by Love"/><category scheme="http://www.blogger.com/atom/ns#" term="Distortion Productions"/><category scheme="http://www.blogger.com/atom/ns#" term="electronic music"/><category scheme="http://www.blogger.com/atom/ns#" term="electronic remix"/><category scheme="http://www.blogger.com/atom/ns#" term="emotional electronics"/><category scheme="http://www.blogger.com/atom/ns#" term="KROMP ROOM RECORDS"/><category scheme="http://www.blogger.com/atom/ns#" term="Kromproom remix"/><category scheme="http://www.blogger.com/atom/ns#" term="love in music"/><category scheme="http://www.blogger.com/atom/ns#" term="remix 2025"/><category scheme="http://www.blogger.com/atom/ns#" term="Strong Inside"/><title type='text'>Death by Love - Kromproom Machine Mix – A Remix That Blends Emotions, Mathematics, and Love for Humanity</title><content type='html'>&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&amp;nbsp;&lt;br /&gt;&lt;/span&gt;&lt;strong style=&quot;font-family: arial;&quot;&gt;Kromproom’s Remix of &quot;Strong Inside&quot; by Death by Love – Emotions That Last Forever&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;On January 31, 2025, the single &lt;em&gt;Strong Inside&lt;/em&gt; by Death by Love was released, featuring a remix by Kromproom. This reinterpretation is a tribute to deep emotions and the complexity of love. While the title might suggest an ending, for Kromproom, it tells a story of love’s infinite power—how it transforms and revives, always present but in different forms.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Just like in music, life is full of moments that seem like an ending but turn out to be the beginning of something new. Love never truly dies; it evolves. This remix captures that transition—from sorrow and loss to hope and rebirth. Love is not just about romance; it extends to humanity, to the world, and to each other. Sometimes, the love for others is what we need most, especially when we feel lost.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;float: left;&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKGTp5aciGF5ouWRZ48_oI5_yceU5C08MmEpxTczxMNUeN-yY3KQNv2nETZQmJn7Vui7bsr7UBTAJ9lB4c3BVS2VmGjmQ3B77L7TE1XW8TBnAzYJIuK5s89cKcyTBgX63-eOoThVbxuFrQc5KA1SnJusM7d12GcxbkmWDDkneLEK8W2EZJEq5XBS2-g8fu/s1048/kromproom_machine_mix_3_1048_1.jpg&quot; style=&quot;clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;557&quot; data-original-width=&quot;1048&quot; height=&quot;340&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKGTp5aciGF5ouWRZ48_oI5_yceU5C08MmEpxTczxMNUeN-yY3KQNv2nETZQmJn7Vui7bsr7UBTAJ9lB4c3BVS2VmGjmQ3B77L7TE1XW8TBnAzYJIuK5s89cKcyTBgX63-eOoThVbxuFrQc5KA1SnJusM7d12GcxbkmWDDkneLEK8W2EZJEq5XBS2-g8fu/w640-h340/kromproom_machine_mix_3_1048_1.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;GFX by MIPS&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&quot;Strong Inside&quot; – Transformation and Renewal&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Kromproom’s approach to remixing &lt;em&gt;Strong Inside&lt;/em&gt; was deeply reflective, focusing on how difficult moments shape our inner strength. While the title may imply the end of love, in reality, it signifies its rebirth. Much like in mathematics, where numbers break down only to be recombined, love also moves through phases. Each phase and transformation helps us grow as individuals and as artists.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;This remix embodies the energy that follows an ending—the energy that propels us towards new beginnings. By altering, reshaping, and fusing elements into something new—just as numbers in an equation come together—nothing truly ends until we discover how to reassemble the pieces into a greater whole. This track encapsulates this complexity, showing that emotions never fade; they remain within us, shaping our lives.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;iframe allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;363&quot; referrerpolicy=&quot;strict-origin-when-cross-origin&quot; src=&quot;https://www.youtube.com/embed/RRQL5sOScbU?si=if3XL6YFRvE4Shov&quot; title=&quot;YouTube video player&quot; width=&quot;640&quot;&gt;&lt;/iframe&gt;&lt;div&gt;&lt;p data-pm-slice=&quot;1 1 []&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The Mathematics of Life – Learning to Count Again&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;A personal reflection inspired this remix. Kromproom’s daughter, now in her first year of elementary school, has mastered a smart method of breaking numbers into tens and ones to simplify calculations. This approach mirrors how life and music unfold—we often need to break emotions down into smaller parts to understand and rebuild them into something greater.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Children grasp fundamental concepts in an advanced way, showing how even the simplest things, like numbers and emotions, can form something profound. When combined with a passion for music, these insights unlock a powerful creative potential.&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;iframe allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;363&quot; referrerpolicy=&quot;strict-origin-when-cross-origin&quot; src=&quot;https://www.youtube.com/embed/1lvkQ1G1L04?si=RuDbI28mYaTIc6Wc&quot; title=&quot;YouTube video player&quot; width=&quot;640&quot;&gt;&lt;/iframe&gt;&lt;div&gt;&lt;p data-pm-slice=&quot;1 1 []&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Creativity as a Reflection on Love&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;In crafting the &lt;em&gt;Strong Inside&lt;/em&gt; remix, Kromproom sought to capture what the younger generation brings into his life—both simplicity and depth. Sometimes, the simplest things hold the deepest truths, just as in the rules of numbers. Love, as expressed through music, may initially seem complex, but at its core, it is built on fundamental, universal truths that guide us toward a new understanding of ourselves and the world.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;For Kromproom, &lt;em&gt;Strong Inside&lt;/em&gt; is not just a remix; it is a creative challenge and a reminder that love and emotions, regardless of form, remain within us forever. Just as a child takes the first steps in understanding mathematics, we, too, can find strength in breaking things down, only to rebuild them into something more profound and lasting. Love—our inner strength—never disappears; it merely transforms into something new.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;2025 Distortion Productions&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.kromp-room-records.com/feeds/8458064060145205936/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.kromp-room-records.com/2025/02/death-by-love-kromproom-machine-mix.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/8458064060145205936'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/8458064060145205936'/><link rel='alternate' type='text/html' href='http://www.kromp-room-records.com/2025/02/death-by-love-kromproom-machine-mix.html' title='Death by Love - Kromproom Machine Mix – A Remix That Blends Emotions, Mathematics, and Love for Humanity'/><author><name>Kromproom</name><uri>http://www.blogger.com/profile/15227962973692929544</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKGTp5aciGF5ouWRZ48_oI5_yceU5C08MmEpxTczxMNUeN-yY3KQNv2nETZQmJn7Vui7bsr7UBTAJ9lB4c3BVS2VmGjmQ3B77L7TE1XW8TBnAzYJIuK5s89cKcyTBgX63-eOoThVbxuFrQc5KA1SnJusM7d12GcxbkmWDDkneLEK8W2EZJEq5XBS2-g8fu/s72-w640-h340-c/kromproom_machine_mix_3_1048_1.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2135890044969294381.post-5739716579412590730</id><published>2025-01-17T19:01:00.001+01:00</published><updated>2025-01-17T19:02:46.734+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="alternative USA"/><category scheme="http://www.blogger.com/atom/ns#" term="Beatroom 02"/><category scheme="http://www.blogger.com/atom/ns#" term="Beatroom 02 release"/><category scheme="http://www.blogger.com/atom/ns#" term="Dichro Scratch remix"/><category scheme="http://www.blogger.com/atom/ns#" term="Distortion Productions"/><category scheme="http://www.blogger.com/atom/ns#" term="electronic music"/><category scheme="http://www.blogger.com/atom/ns#" term="Kromproom remix"/><category scheme="http://www.blogger.com/atom/ns#" term="Stained Glass album"/><category scheme="http://www.blogger.com/atom/ns#" term="Trance Rock Kromproom Machine Mix"/><title type='text'>Preview of Dichro&#39;s &quot;Scratch&quot; Remix by Kromproom to Feature on the Upcoming Beatroom 02 Compilation</title><content type='html'>&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;b&gt;&lt;br /&gt;On January 19, 2024, the band Dichro reached out to Piotr Krompiewski (Kromproom) with a proposal to remix their track &quot;Scratch.&quot; Kromproom eagerly accepted the challenge, recognizing the potential of this project. By February 10, he had received the stems and began intensive work on a new version of the track.&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcC0TLBdJiMVvc5XqU_pohbSpvJI_Sj2KuTb2S_SCycHtReOtHuuH6MBwbSqTLysX-Z9Xppmn9esQVqJj7CHgorX5Q2_jr9xbDQqyEzTs2QtqsSPX4hnuOcY0fvvMXY3zrvN1gS6ec01a6v4M0c6BPvE-iKLEnVBJqN6Lpl4-DFSDCmL4B6LjQzEMtMNvk/s620/Dichro%20-%20TRKMMix%20v2.jpg&quot; style=&quot;clear: left; float: none; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;620&quot; data-original-width=&quot;618&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcC0TLBdJiMVvc5XqU_pohbSpvJI_Sj2KuTb2S_SCycHtReOtHuuH6MBwbSqTLysX-Z9Xppmn9esQVqJj7CHgorX5Q2_jr9xbDQqyEzTs2QtqsSPX4hnuOcY0fvvMXY3zrvN1gS6ec01a6v4M0c6BPvE-iKLEnVBJqN6Lpl4-DFSDCmL4B6LjQzEMtMNvk/w638-h640/Dichro%20-%20TRKMMix%20v2.jpg&quot; width=&quot;638&quot; /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;It’s worth noting that Peter Guellard, a member of Dichro, previously collaborated with Piotr Krompiewski and Tomek Grochola from the band Agressiva 69 on a remix for the Polish band Blitzkrieg. The track, &lt;em&gt;&quot;In Cold Blood (Kings in White Remix),&quot;&lt;/em&gt; became a highlight of the Beatroom 01 compilation. Check out earlier publications about this project for more details.&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;https://www.kromp-room-records.com/2020/04/blitzkrieg-kings-in-white.html&quot; target=&quot;_blank&quot;&gt;Blitzkrieg&#39;s Cold Wave Revival: Remix, Video Teaser, and Compilation News&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;https://www.kromp-room-records.com/2020/04/blitzkrieg-kings-in-white-2242020.html&quot; target=&quot;_blank&quot;&gt;Blitzkrieg &amp;amp; Kings in White: In Cold Blood Remix Video Premiere&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;https://www.kromp-room-records.com/2020/04/the-video-blitzkrieg-kings-in-white-by.html&quot; target=&quot;_blank&quot;&gt;Blitzkrieg Video Premiere: Kings in White Remix by Peter Guellard&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Dichro is an American band whose music blends alternative rock with subtle melancholy. Their debut album, &lt;em&gt;&quot;Stained Glass,&quot;&lt;/em&gt; was released on August 9, 2024, under Distortion Productions. The song &lt;em&gt;&quot;Scratch&quot;&lt;/em&gt; from this album stands out with its dynamic instrumental sections and poignant vocals. This track became the inspiration for a new, unique remix under Kromproom’s direction.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;iframe seamless=&quot;&quot; src=&quot;https://bandcamp.com/EmbeddedPlayer/album=1444361754/size=large/bgcol=333333/linkcol=0f91ff/artwork=small/transparent=true/&quot; style=&quot;border: 0; height: 472px; width: 640px;&quot;&gt;&lt;a href=&quot;https://dichro.bandcamp.com/album/stained-glass&quot;&gt;Stained Glass by dichro&lt;/a&gt;&lt;/iframe&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;While working on &lt;em&gt;&quot;Scratch (Trance Rock Kromproom Machine Mix),&quot;&lt;/em&gt; Dichro had the chance to hear early fragments of the remix, which sparked powerful emotions. As Peter Guellard noted, the band&#39;s vocalist was moved to tears — the best evidence of how Kromproom&#39;s music resonates deeply with listeners.&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The original version of &lt;em&gt;&quot;Scratch&quot;&lt;/em&gt; premiered in August, and the band also prepared a special acoustic version of the track, available as a short video. A live performance of the full version by Dichro is also available. Kromproom’s remix combines trance with rock elements, emphasizing the emotional depth of the original while giving it a fresh, dynamic sound.&lt;/span&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;iframe allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;363&quot; referrerpolicy=&quot;strict-origin-when-cross-origin&quot; src=&quot;https://www.youtube.com/embed/oXB-DxVL6Ls?si=2aOB9jSJn5yGpWXm&quot; title=&quot;YouTube video player&quot; width=&quot;640&quot;&gt;&lt;/iframe&gt;&lt;div&gt;&lt;br /&gt;&lt;iframe allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;363&quot; referrerpolicy=&quot;strict-origin-when-cross-origin&quot; src=&quot;https://www.youtube.com/embed/rgi0hKPtjcw?si=FMF6e2t4W10Q7VMb&quot; title=&quot;YouTube video player&quot; width=&quot;640&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;em&gt;&quot;Scratch (Trance Rock Kromproom Machine Mix)&quot;&lt;/em&gt; will appear on the &lt;em&gt;&quot;Beatroom 02&quot;&lt;/em&gt; compilation — the latest release from KROMP ROOM RECORDS. The album will be available digitally and will include both new and previously released tracks from various artists. Stay tuned for announcements and sneak peeks of the tracks, which will be shared online.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;iframe allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;363&quot; referrerpolicy=&quot;strict-origin-when-cross-origin&quot; src=&quot;https://www.youtube.com/embed/tDP9qrE_jhg?si=47zdUkPWng_oiZBn&quot; title=&quot;YouTube video player&quot; width=&quot;640&quot;&gt;&lt;/iframe&gt;&lt;div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;iframe allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;363&quot; referrerpolicy=&quot;strict-origin-when-cross-origin&quot; src=&quot;https://www.youtube.com/embed/3M7ph6TFXPA?si=FCZxMVeNyFlmzXk9&quot; title=&quot;YouTube video player&quot; width=&quot;640&quot;&gt;&lt;/iframe&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;We can’t wait for you to hear the full remix! In the meantime, visit Dichro’s website: &lt;a href=&quot;https://www.dichroband.com/&quot; rel=&quot;noopener&quot; target=&quot;_new&quot;&gt;www.dichroband.com&lt;/a&gt; and subscribe to our channels to make sure you don’t miss any upcoming releases.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.kromp-room-records.com/feeds/5739716579412590730/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.kromp-room-records.com/2025/01/preview-of-dichros-scratch-remix-by.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/5739716579412590730'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/5739716579412590730'/><link rel='alternate' type='text/html' href='http://www.kromp-room-records.com/2025/01/preview-of-dichros-scratch-remix-by.html' title='Preview of Dichro&#39;s &quot;Scratch&quot; Remix by Kromproom to Feature on the Upcoming Beatroom 02 Compilation'/><author><name>Kromproom</name><uri>http://www.blogger.com/profile/15227962973692929544</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcC0TLBdJiMVvc5XqU_pohbSpvJI_Sj2KuTb2S_SCycHtReOtHuuH6MBwbSqTLysX-Z9Xppmn9esQVqJj7CHgorX5Q2_jr9xbDQqyEzTs2QtqsSPX4hnuOcY0fvvMXY3zrvN1gS6ec01a6v4M0c6BPvE-iKLEnVBJqN6Lpl4-DFSDCmL4B6LjQzEMtMNvk/s72-w638-h640-c/Dichro%20-%20TRKMMix%20v2.jpg" height="72" width="72"/><thr:total>1</thr:total><georss:featurename>Europa</georss:featurename><georss:point>54.5259614 15.2551187</georss:point><georss:box>28.409785399086669 -19.9011313 80.642137400913327 50.4113687</georss:box></entry><entry><id>tag:blogger.com,1999:blog-2135890044969294381.post-529811545842940501</id><published>2024-12-12T09:49:00.004+01:00</published><updated>2025-10-16T13:58:07.588+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Beatroom 02"/><category scheme="http://www.blogger.com/atom/ns#" term="breakbeat"/><category scheme="http://www.blogger.com/atom/ns#" term="Dreammy Sussane"/><category scheme="http://www.blogger.com/atom/ns#" term="Kings in White"/><category scheme="http://www.blogger.com/atom/ns#" term="KrompRoom"/><category scheme="http://www.blogger.com/atom/ns#" term="MIPS"/><category scheme="http://www.blogger.com/atom/ns#" term="music compilation"/><category scheme="http://www.blogger.com/atom/ns#" term="Ninja Tune"/><category scheme="http://www.blogger.com/atom/ns#" term="techno"/><category scheme="http://www.blogger.com/atom/ns#" term="trance"/><title type='text'>Work on Beatroom 02 Compilation is Underway!</title><content type='html'>&lt;p&gt;&lt;br /&gt;&lt;b&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Work on Beatroom 02 Compilation is Underway!&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;We are thrilled to announce that work has begun on the new music compilation &lt;strong&gt;Beatroom 02&lt;/strong&gt;. The first part of this project, &lt;strong&gt;Beatroom 01&lt;/strong&gt;, released in 2020, was a huge success. It was promoted by a music video for the track &lt;a href=&quot;https://www.youtube.com/watch?v=P59GggiBdqE&quot;&gt;&lt;em&gt;In Cold Blood&lt;/em&gt; by Blitzkrieg, remixed by the duo Kings in White&lt;/a&gt;. Now, it’s time for the next chapter of this exciting project, which promises to gather even more talented artists and captivating sounds.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaPOtuZgZVyBy4W2ksiIp93a6i-QZsX-fr8_DF-XYOSbUS5TDWS3coLuzTDj0dnJ9mlm7ZprdlUm9z-_XfGF_dY_qhJl0oeA3Dn4xiFkQgfq6FdkZ7L40eFWrJAxPhuK2EqH8Df9gOuuY0j4xqBSMvjImV6ywTLNmb2vh9M7c_6VzmdosbjQ1MZqXakiAT/s2048/Dreammy%20Sussane.jpg&quot; style=&quot;clear: left; float: none; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;2048&quot; data-original-width=&quot;2048&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaPOtuZgZVyBy4W2ksiIp93a6i-QZsX-fr8_DF-XYOSbUS5TDWS3coLuzTDj0dnJ9mlm7ZprdlUm9z-_XfGF_dY_qhJl0oeA3Dn4xiFkQgfq6FdkZ7L40eFWrJAxPhuK2EqH8Df9gOuuY0j4xqBSMvjImV6ywTLNmb2vh9M7c_6VzmdosbjQ1MZqXakiAT/w640-h640/Dreammy%20Sussane.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The first track heralding the Beatroom 02 compilation is &lt;strong&gt;MIPS (Marek Holewiński)&lt;/strong&gt;&#39;s composition titled &lt;em&gt;Dreamy Sussane&lt;/em&gt;. Released on October 13, 2024, the track has immediately won the hearts of listeners, echoing the vibe of productions typical of the iconic Ninja Tune label. Moreover, its accompanying music video proves that work on Beatroom 02 is in full swing.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p data-pm-slice=&quot;1 1 []&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Watch the &lt;em&gt;Dreamy Sussane&lt;/em&gt; music video here: &lt;a disabled=&quot;false&quot; href=&quot;https://www.youtube.com/watch?v=JeJFaadNC7c&quot;&gt;Dreamy Sussane – MIPS&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;363&quot; src=&quot;https://www.youtube.com/embed/JeJFaadNC7c&quot; width=&quot;640&quot; youtube-src-id=&quot;JeJFaadNC7c&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;
&lt;div&gt;&lt;h3 data-pm-slice=&quot;1 1 []&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Who is MIPS?&lt;/span&gt;&lt;/h3&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Marek Holewiński, known as &lt;strong&gt;MIPS&lt;/strong&gt;, is a versatile and talented artist who has been combining his graphic design skills with his passion for music for years. While primarily a graphic designer, music has always been an integral part of his life. His work spans genres such as techno, trance, breakbeat, and film music.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Notably, in 2016, MIPS created a teaser for the track &lt;em&gt;Android&lt;/em&gt; in collaboration with Kromproom. Although the full version of the clip was not released due to personal reasons, the teaser continues to impress: &lt;a disabled=&quot;false&quot; href=&quot;https://www.kromp-room-records.com/2016/03/a-n-d-r-o-i-d-watch-official-music.html&quot;&gt;Android Teaser&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;
&lt;iframe allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;363&quot; referrerpolicy=&quot;strict-origin-when-cross-origin&quot; src=&quot;https://www.youtube.com/embed/kWRkteF7J_0?si=XMmtC6NGtV6Vt8R3&quot; title=&quot;YouTube video player&quot; width=&quot;640&quot;&gt;&lt;/iframe&gt;&lt;div&gt;&lt;p data-pm-slice=&quot;1 3 []&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Additionally, Marek was responsible for the video, cover art, and promotional materials for the single &lt;strong&gt;Kromproom feat. Flormen – Aggressive Driver 2&lt;/strong&gt;, which can be admired here: &lt;a disabled=&quot;false&quot; href=&quot;https://www.kromp-room-records.com/2024/08/kromproom-feat-flormen-aggressive.html&quot;&gt;Aggressive Driver 2&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt;&lt;iframe allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;363&quot; referrerpolicy=&quot;strict-origin-when-cross-origin&quot; src=&quot;https://www.youtube.com/embed/Hc8zJOuVTD8?si=3qcuLym9-0If1ElF&quot; title=&quot;YouTube video player&quot; width=&quot;640&quot;&gt;&lt;/iframe&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Find out more about MIPS on his official pages:&lt;/span&gt;&lt;/p&gt;&lt;ul data-spread=&quot;false&quot;&gt;&lt;li&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Behance: &lt;a href=&quot;https://www.behance.net/madnesspl?locale=pl_PL&quot; target=&quot;_blank&quot;&gt;Marek Holewiński on Behance&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Facebook: &lt;a disabled=&quot;false&quot; href=&quot;https://www.facebook.com/djmips&quot;&gt;DJ MIPS&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;YouTube: &lt;a disabled=&quot;false&quot; href=&quot;https://www.youtube.com/@dj_MIPS&quot;&gt;MIPS Channel&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Spotify: &lt;a disabled=&quot;false&quot; href=&quot;https://open.spotify.com/artist/0feQVEq1qom3awHnOmt868?si=f5r7QWtlT5CIc0SjjcUP8w&quot;&gt;MIPS on Spotify&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;iTunes: &lt;a disabled=&quot;false&quot; href=&quot;https://music.apple.com/us/artist/mips/1765385115&quot;&gt;MIPS on iTunes&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Amazon: &lt;a disabled=&quot;true&quot; href=&quot;https://www.amazon.co.uk/music/player/artists/B0DBZ3WVJ6/mips?marketplaceId=A1F83G8C2ARO7P&amp;amp;musicTerritory=GB&amp;amp;ref=dm_sh_DCdsRs36bsdJIEfOpmvDFmlrk&amp;amp;fbclid=IwZXh0bgNhZW0CMTAAAR1833y2fbtkbWik_D4LOJyvLladvWZ8Dh2LUeJBwbDz7SYATcQj64nUmgk_aem_EIFSH_O39mhej8stj8OqKw&quot;&gt;MIPS on Amazon&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;/li&gt;&lt;/ul&gt;&lt;div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnpbeqMv4bui7GM0R54McpSll6xmvokrkapd_0pdTo_paej5MpOfiNH-m3q4oql7STNhuyDfDG1-zGau1WpQwrjGraEOEeq17UDyfkZ1KdzEI3lKOXyQLa6ROJVcTupr3Bip9NqNntZgmMLQLLsv6MioxKTMvYC842cCgmvvSOd7QmYrGotMmuHlkZVTng/s1417/MIPS%20FB%20Profile.jpg&quot; style=&quot;clear: left; float: none; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1417&quot; data-original-width=&quot;1417&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnpbeqMv4bui7GM0R54McpSll6xmvokrkapd_0pdTo_paej5MpOfiNH-m3q4oql7STNhuyDfDG1-zGau1WpQwrjGraEOEeq17UDyfkZ1KdzEI3lKOXyQLa6ROJVcTupr3Bip9NqNntZgmMLQLLsv6MioxKTMvYC842cCgmvvSOd7QmYrGotMmuHlkZVTng/w640-h640/MIPS%20FB%20Profile.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;h3 data-pm-slice=&quot;1 1 []&quot;&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;What’s Next for Beatroom 02?&lt;/span&gt;&lt;/h3&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The Beatroom 02 compilation looks incredibly promising. Soon, we can expect more information about the artists involved and upcoming releases tied to this project. If Beatroom 01 was an indication of what this series can offer, Beatroom 02 will undoubtedly take us to a whole new level of musical experience.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Stay tuned and follow updates about Beatroom 02 – it’s a project not to be missed!&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.kromp-room-records.com/feeds/529811545842940501/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.kromp-room-records.com/2024/12/work-on-beatroom-02-compilation-is.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/529811545842940501'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/529811545842940501'/><link rel='alternate' type='text/html' href='http://www.kromp-room-records.com/2024/12/work-on-beatroom-02-compilation-is.html' title='Work on Beatroom 02 Compilation is Underway!'/><author><name>Kromproom</name><uri>http://www.blogger.com/profile/15227962973692929544</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaPOtuZgZVyBy4W2ksiIp93a6i-QZsX-fr8_DF-XYOSbUS5TDWS3coLuzTDj0dnJ9mlm7ZprdlUm9z-_XfGF_dY_qhJl0oeA3Dn4xiFkQgfq6FdkZ7L40eFWrJAxPhuK2EqH8Df9gOuuY0j4xqBSMvjImV6ywTLNmb2vh9M7c_6VzmdosbjQ1MZqXakiAT/s72-w640-h640-c/Dreammy%20Sussane.jpg" height="72" width="72"/><thr:total>0</thr:total><georss:featurename>Europa</georss:featurename><georss:point>54.5259614 15.2551187</georss:point><georss:box>26.215727563821154 -19.9011313 82.836195236178838 50.4113687</georss:box></entry><entry><id>tag:blogger.com,1999:blog-2135890044969294381.post-5759948065357907945</id><published>2024-11-21T15:53:00.000+01:00</published><updated>2024-11-21T15:53:35.007+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Dreams"/><category scheme="http://www.blogger.com/atom/ns#" term="electronic music"/><category scheme="http://www.blogger.com/atom/ns#" term="experimental music"/><category scheme="http://www.blogger.com/atom/ns#" term="Frett"/><category scheme="http://www.blogger.com/atom/ns#" term="Go! Boys Records"/><category scheme="http://www.blogger.com/atom/ns#" term="industrial"/><category scheme="http://www.blogger.com/atom/ns#" term="Kings in White"/><category scheme="http://www.blogger.com/atom/ns#" term="KROMP ROOM RECORDS"/><category scheme="http://www.blogger.com/atom/ns#" term="Polish music"/><category scheme="http://www.blogger.com/atom/ns#" term="Remix"/><title type='text'>Frett - Dreams (Kings in White Remix): A Fresh Take on Sonic Illusion</title><content type='html'>&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;br /&gt;&lt;b&gt;Frett - Dreams (Kings in White Remix): A New Dimension of Sonic Illusion&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;When art meets technology, and sounds weave stories of loneliness and hope, truly exceptional creations emerge. One such creation is &lt;em&gt;Frett - Dreams (Kings in White Remix)&lt;/em&gt;, a collaboration that I had the pleasure of working on with Tomek Grochola, known from the band Agressiva 69, under our duo &lt;em&gt;Kings in White&lt;/em&gt;.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVcCcR33DmX7aIvy-5Pb28IbtwnCjiMEwZZwLTgePAIH0HtH4mHmTgTJFDp4CI3cS0MuuHFACzxY0DPFnarB6EuQbJHmYRGRd7HeQKQT_ApaDFRbCKS2kUOeM06oSlTCVYYStrx_mydWYUR8_dnDaxs3DVfXsXy3CQ7rXk_QBqoeGu2n3Hq1z2b1pyhsRk/s1120/Dreams%20by%20Leonardo%20AI.jpg&quot; style=&quot;clear: left; float: none; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Abstract, futuristic landscape blending elements of technology and nature. A man in virtual reality glasses stands in the center, surrounded by geometric shapes and soft neon glows, reflecting the themes of loneliness and hope. A mix of dark, industrial tones and bright highlights evoke both coldness and warmth, capturing the essence of electronic, industrial, and rock music.&quot; border=&quot;0&quot; data-original-height=&quot;1120&quot; data-original-width=&quot;1120&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVcCcR33DmX7aIvy-5Pb28IbtwnCjiMEwZZwLTgePAIH0HtH4mHmTgTJFDp4CI3cS0MuuHFACzxY0DPFnarB6EuQbJHmYRGRd7HeQKQT_ApaDFRbCKS2kUOeM06oSlTCVYYStrx_mydWYUR8_dnDaxs3DVfXsXy3CQ7rXk_QBqoeGu2n3Hq1z2b1pyhsRk/w640-h640/Dreams%20by%20Leonardo%20AI.jpg&quot; title=&quot;Sonic Illusion: A Journey Through Technology and Emotion&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;h3&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The Original: A Raw Vision in a World of Holograms&lt;/span&gt;&lt;/h3&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The track &lt;em&gt;Dreams&lt;/em&gt; is part of the album &lt;em&gt;The World as a Hologram&lt;/em&gt;, released by Frett in 2020 via Ant-Zen and Gusstaff Records. In its original form, the composition captivates with raw, synthetic sounds that create a cold, almost futuristic atmosphere.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The accompanying music video, created by Arek Bagiński and Rafał Zaremba, is a true work of art. Featuring Maciek Frett, founder of the Wrocław Industrial Festival, the video guides us through his dreams and visions while wearing virtual reality glasses. These images are filled with loneliness, confinement within technology, and subtle reflections on humanity in the digital world. The video tells a fascinating story about the condition of modern man, trapped in the illusion of his own dreams.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;iframe allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;363&quot; referrerpolicy=&quot;strict-origin-when-cross-origin&quot; src=&quot;https://www.youtube.com/embed/eJXPhPzY0_g?si=XOf8pEGwdE4oRgGz&quot; title=&quot;YouTube video player&quot; width=&quot;640&quot;&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;h3&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The Remix: Warmth and Hope in an Electronic Rock Sound&lt;/span&gt;&lt;/h3&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;For our remix, we decided to approach the track from a new perspective. &lt;em&gt;Frett - Dreams (Kings in White Remix)&lt;/em&gt; is an interpretation that gives the composition a more rock-infused character, introducing warmth and emotional depth.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The rawness of the original gives way to dynamic, lively energy, while the track takes on a more organic sound that emphasizes the contrast between technology and humanity. Our vision brings a touch of hope – suggesting the possibility of breaking free from illusion and finding light.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYSrZDPpU5ZHhmnEQ-Il66LgB-RpH52PR1K0qFssnPGp8FeIHmO87-coyBoUsq9WU2IDy-i5omb5zPVq9A7kpf3u0KWjgHhtApkh7HQFBQfU0A60NXe8Z9-ETC6jWuTVxoGp_MDja7qJz9EvtvV2yGTQvL2_IfWuuiY6hq8DlSGZ2HN-HFEHK0umBVBP60/s1897/Cover%20MusicFromPoland.jpg&quot; style=&quot;clear: left; font-family: &amp;quot;Times New Roman&amp;quot;; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1040&quot; data-original-width=&quot;1897&quot; height=&quot;350&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYSrZDPpU5ZHhmnEQ-Il66LgB-RpH52PR1K0qFssnPGp8FeIHmO87-coyBoUsq9WU2IDy-i5omb5zPVq9A7kpf3u0KWjgHhtApkh7HQFBQfU0A60NXe8Z9-ETC6jWuTVxoGp_MDja7qJz9EvtvV2yGTQvL2_IfWuuiY6hq8DlSGZ2HN-HFEHK0umBVBP60/w640-h350/Cover%20MusicFromPoland.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;div&gt;&lt;h3&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Released on the &lt;em&gt;Music from Poland&lt;/em&gt; Compilation&lt;/span&gt;&lt;/h3&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The remix was released on October 31, 2024, as part of the digital compilation &lt;em&gt;Music from Poland&lt;/em&gt;, released by Go! Boys Records. This compilation promotes Polish artists, showcasing their diverse approaches to electronic, industrial, and experimental music. It’s a unique opportunity to explore the rich sounds of the Polish music scene and witness how different artistic visions can complement each other.&lt;/span&gt;&lt;/p&gt;&lt;h3&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Behind the Collaboration and Reflections&lt;/span&gt;&lt;/h3&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Working on this remix was an incredibly inspiring experience for both me and Tomek Grochola. While we’ve both been involved in the intersection of various musical genres for years, this project allowed us to dig deeper and create something that blends elements of industrial, rock, and synth-wave.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Maciek Frett’s work is a source of incredible emotion and reflection, and having the opportunity to reinterpret his piece was both a challenge and a great honor.&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;iframe allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;363&quot; referrerpolicy=&quot;strict-origin-when-cross-origin&quot; src=&quot;https://www.youtube.com/embed/hQSVO0fm8SI?si=iqXev0SBKKp0oiSH&quot; title=&quot;YouTube video player&quot; width=&quot;640&quot;&gt;&lt;/iframe&gt;&lt;div&gt;&lt;h3&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Listen and Discover&lt;/span&gt;&lt;/h3&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;If you haven’t had the chance yet, I encourage you to watch the original &lt;em&gt;Dreams&lt;/em&gt; music video and listen to our remix. I hope this sonic journey, where loneliness, technology, and hope meet, will move you just as much as it moved us during its creation.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;We highly recommend checking out &lt;em&gt;Music from Poland&lt;/em&gt;—it’s a must-listen for those who appreciate innovative and diverse sounds from Poland’s electronic and experimental music scene.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Looking forward to your thoughts and impressions! 🎵&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.kromp-room-records.com/feeds/5759948065357907945/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.kromp-room-records.com/2024/11/frett-dreams-kings-in-white-remix-fresh.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/5759948065357907945'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/5759948065357907945'/><link rel='alternate' type='text/html' href='http://www.kromp-room-records.com/2024/11/frett-dreams-kings-in-white-remix-fresh.html' title='Frett - Dreams (Kings in White Remix): A Fresh Take on Sonic Illusion'/><author><name>Kromproom</name><uri>http://www.blogger.com/profile/15227962973692929544</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVcCcR33DmX7aIvy-5Pb28IbtwnCjiMEwZZwLTgePAIH0HtH4mHmTgTJFDp4CI3cS0MuuHFACzxY0DPFnarB6EuQbJHmYRGRd7HeQKQT_ApaDFRbCKS2kUOeM06oSlTCVYYStrx_mydWYUR8_dnDaxs3DVfXsXy3CQ7rXk_QBqoeGu2n3Hq1z2b1pyhsRk/s72-w640-h640-c/Dreams%20by%20Leonardo%20AI.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2135890044969294381.post-2261715266827472603</id><published>2024-08-19T20:56:00.002+02:00</published><updated>2024-08-19T21:02:56.284+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Aggressive Driver 2"/><category scheme="http://www.blogger.com/atom/ns#" term="EKS-port"/><category scheme="http://www.blogger.com/atom/ns#" term="electronic music"/><category scheme="http://www.blogger.com/atom/ns#" term="Flormen"/><category scheme="http://www.blogger.com/atom/ns#" term="KrompRoom"/><category scheme="http://www.blogger.com/atom/ns#" term="music video premiere"/><category scheme="http://www.blogger.com/atom/ns#" term="Remix"/><category scheme="http://www.blogger.com/atom/ns#" term="techno trance"/><title type='text'>Kromproom feat. Flormen – &quot;Aggressive Driver 2&quot;: Electrifying Music Video Premiere</title><content type='html'>&lt;p&gt;&amp;nbsp;&lt;b&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;On July 31, 2024, the highly anticipated music video for &quot;Aggressive Driver 2&quot; was released, captivating fans of electronic music and rock. This track is a reimagined version of the original &quot;Aggressive Driver,&quot; which first appeared on the album &quot;7788 km/h&quot; by the duo EKS-port, composed of Kromproom and MC Else. The original track gained widespread recognition, particularly catching the attention of Flormen. Inspired by its intensity, Flormen wrote powerful new lyrics and recorded a compelling vocal line in his home studio.&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/a/AVvXsEhHFUM2VoCz1ASDwFhdyasIkZmDV0K-hkCv1ho3V1Zmgd2Cy-5r4Y4Q-KjR4hBRPaG7L7yFUC3pEyQa4IZ0seEZPERdzTH0Y6ksHTYdel2cAW_OPn9WORB_h9b4VsNO24DBJG6WyDo8B9ELWPVPWai8eb-Irf0SCA-1_Ml5HlMiNCfbA-yHVWEiYLHbbT26&quot; style=&quot;clear: left; float: none; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img data-original-height=&quot;628&quot; data-original-width=&quot;1200&quot; height=&quot;334&quot; src=&quot;https://blogger.googleusercontent.com/img/a/AVvXsEhHFUM2VoCz1ASDwFhdyasIkZmDV0K-hkCv1ho3V1Zmgd2Cy-5r4Y4Q-KjR4hBRPaG7L7yFUC3pEyQa4IZ0seEZPERdzTH0Y6ksHTYdel2cAW_OPn9WORB_h9b4VsNO24DBJG6WyDo8B9ELWPVPWai8eb-Irf0SCA-1_Ml5HlMiNCfbA-yHVWEiYLHbbT26=w640-h334&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;b&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Kromproom and Flormen share roots in Krosno Odrzańskie, a small town in western Poland, where their lifelong friendship laid the groundwork for this collaboration. &quot;Aggressive Driver 2&quot; is a natural evolution of their shared history.&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;iframe allow=&quot;autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;352&quot; loading=&quot;lazy&quot; src=&quot;https://open.spotify.com/embed/album/42n7ohooSxRFiX59PH5L03?utm_source=generator&quot; style=&quot;border-radius: 12px;&quot; width=&quot;100%&quot;&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;Kromproom titled this version &quot;Aggressive Driver 2&quot; and crafted two additional remixes to complement the original track. The first, &quot;Rolling Rhythm Mix,&quot; features melodic electronic elements intertwined with a dynamic rhythmic section. The second, &quot;Trance Rock Motor Mix,&quot; highlights Kromproom&#39;s signature blend of powerful techno trance sounds with a rock edge.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;
&lt;iframe allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;363&quot; referrerpolicy=&quot;strict-origin-when-cross-origin&quot; src=&quot;https://www.youtube.com/embed/3RPOxd7mAp4?si=X7MmKgRaI1QEl4A5&quot; title=&quot;YouTube video player&quot; width=&quot;640&quot;&gt;&lt;/iframe&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;&quot;Aggressive Driver 2&quot; retains the essence of the original composition while infusing it with new energy through enhanced percussion and Flormen&#39;s impactful vocals, delivering a message that resonates deeply. The lyrics remind us that in today&#39;s fast-paced, often aggressive world, love remains a beautiful gift, while anger can be a destructive force.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;iframe allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;363&quot; referrerpolicy=&quot;strict-origin-when-cross-origin&quot; src=&quot;https://www.youtube.com/embed/Hc8zJOuVTD8?si=mUHcRQd85kPqaAXu&quot; title=&quot;YouTube video player&quot; width=&quot;640&quot;&gt;&lt;/iframe&gt;&lt;div&gt;&lt;div class=&quot;flex max-w-full flex-col flex-grow&quot;&gt;&lt;div class=&quot;min-h-[20px] text-message flex w-full flex-col items-end gap-2 whitespace-pre-wrap break-words [.text-message+&amp;amp;]:mt-5 overflow-x-auto&quot; data-message-author-role=&quot;assistant&quot; data-message-id=&quot;32c5981b-277c-4af2-9117-b0cc48eb1d23&quot; dir=&quot;auto&quot;&gt;&lt;div class=&quot;flex w-full flex-col gap-1 empty:hidden first:pt-[3px]&quot;&gt;&lt;div class=&quot;markdown prose w-full break-words dark:prose-invert light&quot;&gt;&lt;p&gt;&lt;span style=&quot;font-family: arial;&quot;&gt;The premiere of the music video offers more than just a visual experience; it&#39;s an invitation to explore the deeper emotions and reflections behind this exceptional production, as Kromproom, Flormen, and MIPS have created a truly memorable audiovisual experience.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.kromp-room-records.com/feeds/2261715266827472603/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.kromp-room-records.com/2024/08/kromproom-feat-flormen-aggressive.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/2261715266827472603'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2135890044969294381/posts/default/2261715266827472603'/><link rel='alternate' type='text/html' href='http://www.kromp-room-records.com/2024/08/kromproom-feat-flormen-aggressive.html' title='Kromproom feat. Flormen – &quot;Aggressive Driver 2&quot;: Electrifying Music Video Premiere'/><author><name>Kromproom</name><uri>http://www.blogger.com/profile/15227962973692929544</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/a/AVvXsEhHFUM2VoCz1ASDwFhdyasIkZmDV0K-hkCv1ho3V1Zmgd2Cy-5r4Y4Q-KjR4hBRPaG7L7yFUC3pEyQa4IZ0seEZPERdzTH0Y6ksHTYdel2cAW_OPn9WORB_h9b4VsNO24DBJG6WyDo8B9ELWPVPWai8eb-Irf0SCA-1_Ml5HlMiNCfbA-yHVWEiYLHbbT26=s72-w640-h334-c" height="72" width="72"/><thr:total>0</thr:total><georss:featurename>Polska</georss:featurename><georss:point>51.919438 19.145136</georss:point><georss:box>23.609204163821154 -16.011114 80.229671836178852 54.301386</georss:box></entry></feed>