<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:blogger='http://schemas.google.com/blogger/2008' xmlns:georss='http://www.georss.org/georss' xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-7763186784406574401</id><updated>2026-04-08T14:11:32.592+05:30</updated><category term="India"/><category term="English"/><category term="Bijay Kant Dubey"/><category term="Critics and Books"/><category term="Essays"/><category term="American"/><category term="Modern"/><category term="Book"/><category term="Critical Essays"/><category term="Ages"/><category term="Interview"/><category term="Post Modern"/><category term="Victorian"/><category term="Augustan"/><category term="Elizabethan"/><category term="UGC-NET"/><category term="French"/><category term="Nobel Prize"/><category term="PWA"/><category term="Mahapatra"/><category term="Writers"/><category term="Russia"/><category term="Terms"/><category term="Poets"/><category term="Romantic"/><category term="Marxism"/><category term="Shakespeare"/><category term="Anand"/><category term="Eliot"/><category term="Naidu"/><category term="Rushdie"/><category term="Ezekiel"/><category term="Aurobindo Ghosh"/><category term="Chaucer Age"/><category term="Gilbert Adair"/><category term="Marx"/><category term="Present"/><category term="Tagore"/><category term="Yeats"/><category term="Anglo Saxon"/><category term="Poems"/><category term="Pope"/><category term="Post Feminism"/><category term="Stories"/><category term="Booker Prize"/><category term="Dostoevsky"/><category term="German"/><category term="Irish"/><category term="Milton"/><category term="News"/><category term="Puritan"/><category term="African"/><category term="Dalit Lliterature"/><category term="Darwin"/><category term="Dickens"/><category term="Feminism"/><category term="Greek"/><category term="Joyce"/><category term="Kamla Das"/><category term="Post Structuralism"/><category term="Pulitzer Prize"/><category term="Revival"/><category term="Arnold"/><category term="Bellow"/><category term="British"/><category term="Daruwalla"/><category term="Deridda"/><category term="Donne"/><category term="Fitzgerald"/><category term="Germany"/><category term="Kafka"/><category term="Keats"/><category term="Nissim Ezekiel"/><category term="Orientalism"/><category term="Pakistan"/><category term="Poetics"/><category term="Prize"/><category term="Rousseau"/><category term="Steinbeck"/><category term="Swift"/><category term="Absurd Drama"/><category term="Achebe"/><category term="Aristotle"/><category term="Browning"/><category term="Derrida"/><category term="Existentialism"/><category term="Fyre"/><category term="Gandhi"/><category term="Ghosh"/><category term="Hardy"/><category term="Hemingway"/><category term="Indian. Gadar"/><category term="Ireland"/><category term="JM Synge"/><category term="Johnson"/><category term="Jussawalla"/><category term="Larkin"/><category term="Rape of the Lock"/><category term="Restoration"/><category term="Socialism"/><category term="Subaltern"/><category term="Tamil Literature"/><category term="Theory"/><category term="Tolstoy"/><category term="Woolfe"/><category term="Wordsworth"/><category term="literary Criticism"/><category term="Albee"/><category term="Ambedkar"/><category term="Anglo Norman"/><category term="Auden"/><category term="Bacon"/><category term="Burke"/><category term="Camus"/><category term="Characters"/><category term="Chaucer"/><category term="China"/><category term="Dattani"/><category term="Death of the Author"/><category term="Dilip Chitre"/><category term="Emily Bronte"/><category term="Eugene Ionesco"/><category term="Feminist Criticism in the Wilderness"/><category term="Frost"/><category term="Harindranath Chattopadhyaya"/><category term="Heyse"/><category term="History"/><category term="Ibsen"/><category term="Karnard"/><category term="Language"/><category term="Lenin"/><category term="Levine"/><category term="Macaulay"/><category term="Manto"/><category term="Marlowe"/><category term="Maugham"/><category term="Media"/><category term="Movies"/><category term="Nabokov"/><category term="Naipaul"/><category term="Narayan"/><category term="Natyashastra"/><category term="Nietzsche"/><category term="Paradise Lost"/><category term="Pater"/><category term="Pinter"/><category term="Preface to Shakespeare"/><category term="Ramanujan"/><category term="Ramayana"/><category term="Renaissance"/><category term="Rohinton Mistry"/><category term="Roth"/><category term="Sartre"/><category term="Sashi Despandey"/><category term="Shaw"/><category term="Shelley"/><category term="Showalter"/><category term="Spenser"/><category term="The Satanic Verses"/><category term="The Waste Land"/><category term="Theatre of Absurd"/><category term="Two Uses of Language"/><category term="Ulysses"/><category term="Untouchable"/><category term="Vikram Seth"/><category term="Vivekananda"/><category term="WW-I"/><category term="WW-II"/><category term="Webster"/><category term="World Wars"/><category term="Zizek"/><category term="&quot; Indian"/><category term="&quot;Tomb of Sand"/><category term="A Fine Balance"/><category term="A House for Mr. Biswas"/><category term="Across the Black Waters"/><category term="Addison"/><category term="Adiga"/><category term="Alberuni"/><category term="Amrita Pritam"/><category term="Anatomy of Criticism"/><category term="Ariyar"/><category term="Ars Poetica"/><category term="Backett"/><category term="Badiou"/><category term="Bardsley"/><category term="Barthes"/><category term="Baudelaire"/><category term="Beckeley"/><category term="Bejnamin"/><category term="Belinda Webb"/><category term="Beowulf"/><category term="Bhabha"/><category term="Bharatmuni"/><category term="Bhatnagar"/><category term="Blake"/><category term="Bloomsbury"/><category term="Bookchin"/><category term="Braine"/><category term="Brooks"/><category term="Browne"/><category term="Buck"/><category term="CA Duffy"/><category term="Canada"/><category term="Chaos"/><category term="Charlotte Bronte"/><category term="Chomsky"/><category term="Coetzee"/><category term="Coleridge"/><category term="Conard"/><category term="Contact"/><category term="Cornelia Sorabji"/><category term="Cultural Materialism"/><category term="Culture"/><category term="Deconstruction"/><category term="Desai"/><category term="Desani"/><category term="Doctorow"/><category term="Dryden"/><category term="Durkheim"/><category term="EB Browning"/><category term="Ecology"/><category term="Edmund Wilson"/><category term="Ellison"/><category term="Emerson"/><category term="Emile"/><category term="Epitaph"/><category term="Esslin"/><category term="Ethics"/><category term="Faiz"/><category term="Fanon"/><category term="Farrel"/><category term="Faulkner"/><category term="Ferber"/><category term="Foregrounding"/><category term="Formalist Approach"/><category term="Forster"/><category term="Foucault"/><category term="Frankfurt School"/><category term="Freud"/><category term="Frye"/><category term="Geetanjali Shree"/><category term="Gender"/><category term="Golding"/><category term="Gordimer"/><category term="Gulliver’s Travels"/><category term="Gunjar"/><category term="Halliday"/><category term="Hard Times"/><category term="Hawthorne"/><category term="Hazara"/><category term="Hindi Literature"/><category term="Historical Materialism"/><category term="Homer"/><category term="Horace"/><category term="Hulme"/><category term="Hunt"/><category term="Huxley"/><category term="In Memoriam"/><category term="Indra Sinha"/><category term="Jack London"/><category term="Jane Eyre"/><category term="Japan"/><category term="Joyce on Criticism"/><category term="Judith Wright"/><category term="Jumpa Lahiri"/><category term="Kalam"/><category term="Kalidasa"/><category term="Keki N. Daruwala"/><category term="Kipling"/><category term="Langston Hughes"/><category term="Language of Paradox"/><category term="Le Clezio"/><category term="Lessing"/><category term="Life of PI"/><category term="Luckas"/><category term="Lucretius"/><category term="Lyrical Ballads"/><category term="Magazines"/><category term="Mahima Nanda"/><category term="Malory"/><category term="Mamang Dai"/><category term="Mandeville"/><category term="Manusmrti"/><category term="Mao"/><category term="Martel"/><category term="Martin Amis"/><category term="Mary Shelley"/><category term="McCarry"/><category term="Medi"/><category term="Miller"/><category term="Moby Dick"/><category term="Mona Loy"/><category term="Morrison"/><category term="Mulk Raj Anand"/><category term="Mytth of Sisyphus"/><category term="NET"/><category term="Nahal"/><category term="Neo-Liberalism"/><category term="New Criticism"/><category term="Nikita Lalwani"/><category term="Niyati Pathak"/><category term="Niyati Pathank"/><category term="O Henry"/><category term="Of Studies"/><category term="Okara"/><category term="Ondaatje"/><category term="Orwell"/><category term="Pamela"/><category term="Poststructuralism"/><category term="Psycho Analysis"/><category term="Psychology and Form"/><category term="Publish"/><category term="RL Stevenson"/><category term="Radio"/><category term="Richardson"/><category term="Rime of Ancient Mariner"/><category term="Russian Formalism"/><category term="Satan"/><category term="Sati"/><category term="Savitri"/><category term="Seamus Heaney’"/><category term="Shiv K.Kumar"/><category term="Sibte Hasan"/><category term="Slavery"/><category term="Slow Man"/><category term="Spender"/><category term="Sri Lanka"/><category term="Stage of Development"/><category term="Sufis"/><category term="Surrealism"/><category term="Syed Amanuddin"/><category term="Ted Hughes"/><category term="Tennyson"/><category term="Tennyson. Victorian"/><category term="Tess of the D’Urbervilles"/><category term="The March"/><category term="The Metamorphsis"/><category term="The Order of Discourse"/><category term="The Outsider"/><category term="The Playboy of the Western World"/><category term="The Politics"/><category term="The Scarlet Letter"/><category term="The Transitional Poets"/><category term="The Work of Art In The Age of Mechanical Reproduction"/><category term="The Wuthering Heights"/><category term="Theory of Criticism"/><category term="Theory of Evolution"/><category term="Theory of Literature"/><category term="Thomas McEvilley"/><category term="Thoreau"/><category term="To the Lighthouse"/><category term="Touchstone Method"/><category term="Tughlaq"/><category term="Tulsi Badrinath"/><category term="Twain"/><category term="Ukraine"/><category term="Urdu"/><category term="Vijay Tendulkar"/><category term="Voltaire"/><category term="Voyage To Modernity"/><category term="WJ Long"/><category term="Walter Tevis"/><category term="War"/><category term="Wellek"/><category term="West Indies"/><category term="Wharton"/><category term="Williams"/><category term="Wycliff"/><category term="Xingjian"/><category term="Zadie Smith"/><category term="Zaheer"/><category term="Zoe Haller"/><category term="bowen"/><category term="essats"/><category term="new historicism"/><category term="post-Colonialism"/><title type='text'>English Literature</title><subtitle type='html'>Based on different sources from Magazines or Newspapers</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://literarism.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default?redirect=false'/><link rel='alternate' type='text/html' href='http://literarism.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default?start-index=26&amp;max-results=25&amp;redirect=false'/><author><name>Kashyap Deepak</name><uri>http://www.blogger.com/profile/05724719354478570994</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>784</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-7763186784406574401.post-6989513765104361926</id><published>2022-03-22T16:49:00.001+05:30</published><updated>2022-09-12T08:32:51.817+05:30</updated><title type='text'>Ecofeminism and Poscolonialism</title><summary type="text">&amp;nbsp;1. Postcolonial literature often addresses the problems and consequences of thedecolonization of a country, especially questions relating to the political and culturalindependence of formerly subjugated people, and themes such as racialism andcolonialism. A range of literary theories has evolved around the subject. It addresses therole of literature in perpetuating and challenging what </summary><link rel='replies' type='application/atom+xml' href='http://literarism.blogspot.com/feeds/6989513765104361926/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://literarism.blogspot.com/2022/03/ecofeminism-and-poscolonialism.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/6989513765104361926'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/6989513765104361926'/><link rel='alternate' type='text/html' href='http://literarism.blogspot.com/2022/03/ecofeminism-and-poscolonialism.html' title='Ecofeminism and Poscolonialism'/><author><name>Kashyap Deepak</name><uri>http://www.blogger.com/profile/05724719354478570994</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7763186784406574401.post-6622582641115038763</id><published>2022-03-21T15:16:00.001+05:30</published><updated>2022-03-21T15:16:08.634+05:30</updated><title type='text'>Anglo Normans</title><summary type="text">&amp;nbsp;Anglo Normans is the age that laid the foundation of literature that is used by the later writers. The Bible was translated during this period and several reforming movements also started in the era of Anglo Normans.Here is a video about the period.https://www.youtube.com/watch?v=T_pOGUgjWSkRegardsDeepak</summary><link rel='replies' type='application/atom+xml' href='http://literarism.blogspot.com/feeds/6622582641115038763/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://literarism.blogspot.com/2022/03/anglo-normans.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/6622582641115038763'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/6622582641115038763'/><link rel='alternate' type='text/html' href='http://literarism.blogspot.com/2022/03/anglo-normans.html' title='Anglo Normans'/><author><name>Kashyap Deepak</name><uri>http://www.blogger.com/profile/05724719354478570994</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7763186784406574401.post-6039584941794262055</id><published>2022-03-17T17:06:00.009+05:30</published><updated>2022-03-17T17:08:41.466+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="&quot; Indian"/><category scheme="http://www.blogger.com/atom/ns#" term="&quot;Tomb of Sand"/><category scheme="http://www.blogger.com/atom/ns#" term="Geetanjali Shree"/><title type='text'>Geetanjali Shree&#39;s &quot;Tomb of Sand&quot;</title><summary type="text">Geetanjali Shree&#39;s Tomb of Sand&amp;nbsp;is one of that historical and groundbreaking novel that is nomnated for the Booker Prize for the year 2022. It is first of its type: a novel first published in Hindi and then translated into English.&amp;nbsp;Thus it is one of those rare and also the first Hindi novel to achieve this fame.&amp;nbsp;My review of the novel is as followshttps://www.youtube.com/watch?v=</summary><link rel='replies' type='application/atom+xml' href='http://literarism.blogspot.com/feeds/6039584941794262055/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://literarism.blogspot.com/2022/03/geetanjali-shrees-tomb-of-sand.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/6039584941794262055'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/6039584941794262055'/><link rel='alternate' type='text/html' href='http://literarism.blogspot.com/2022/03/geetanjali-shrees-tomb-of-sand.html' title='Geetanjali Shree&#39;s &quot;Tomb of Sand&quot;'/><author><name>Kashyap Deepak</name><uri>http://www.blogger.com/profile/05724719354478570994</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7763186784406574401.post-4704129923132720545</id><published>2022-03-13T21:06:00.006+05:30</published><updated>2022-03-13T21:06:55.637+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Bijay Kant Dubey"/><category scheme="http://www.blogger.com/atom/ns#" term="Mahapatra"/><title type='text'>Rains and Rites: Mahapatra</title><summary type="text">By Bijay Kant Dubey&amp;nbsp;&amp;nbsp;A Rain of Rites by Jayanta Mahapatra opening with the first poem named Dawn and continues on with the poems, as thus, Village, Old Places, These Women, A Missing Person, Samsara, Five Indian Songs, A Rain of Rites, A Rain, The Exile, Listening, Summer, Ceremony, Main Temple Street, Puri, The Whorehouse in a Calcutta Street, The Sentence, A Twilight Poem, Appearances</summary><link rel='replies' type='application/atom+xml' href='http://literarism.blogspot.com/feeds/4704129923132720545/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://literarism.blogspot.com/2022/03/rains-and-rites-mahapatra.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/4704129923132720545'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/4704129923132720545'/><link rel='alternate' type='text/html' href='http://literarism.blogspot.com/2022/03/rains-and-rites-mahapatra.html' title='Rains and Rites: Mahapatra'/><author><name>Kashyap Deepak</name><uri>http://www.blogger.com/profile/05724719354478570994</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7763186784406574401.post-8584817491777833870</id><published>2022-03-09T10:09:00.005+05:30</published><updated>2022-03-09T10:09:37.456+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Bijay Kant Dubey"/><category scheme="http://www.blogger.com/atom/ns#" term="Russia"/><category scheme="http://www.blogger.com/atom/ns#" term="Ukraine"/><category scheme="http://www.blogger.com/atom/ns#" term="War"/><title type='text'> World History (Going After Ukraine)</title><summary type="text">By Bijay Kant DubeyThe pages of world historyAre smeared and smudged with bloodstainsAnd it is but a study in warfare and invasion,Bloodshed, violence and annexationAnd Ukraine can be no exception to that.&amp;nbsp;They Will Finish It Ukraine&amp;nbsp;&amp;nbsp;I am but sure of,They will not let it liveIf this could be the bombardment and hostility towards,Can they not discern it warmongering tendency?Can </summary><link rel='replies' type='application/atom+xml' href='http://literarism.blogspot.com/feeds/8584817491777833870/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://literarism.blogspot.com/2022/03/world-history-going-after-ukraine.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/8584817491777833870'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/8584817491777833870'/><link rel='alternate' type='text/html' href='http://literarism.blogspot.com/2022/03/world-history-going-after-ukraine.html' title=' World History (Going After Ukraine)'/><author><name>Kashyap Deepak</name><uri>http://www.blogger.com/profile/05724719354478570994</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7763186784406574401.post-4375580538049224672</id><published>2022-02-28T17:38:00.004+05:30</published><updated>2022-02-28T17:38:21.631+05:30</updated><title type='text'>Dayachand Mayna</title><summary type="text">Dayachand&amp;nbsp;Mayna&amp;nbsp;is&amp;nbsp;one&amp;nbsp;of&amp;nbsp;the&amp;nbsp;most&amp;nbsp;robbed&amp;nbsp;poet&amp;nbsp;of&amp;nbsp;Haryana.&amp;nbsp;Several&amp;nbsp;of&amp;nbsp;his&amp;nbsp;poems&amp;nbsp;are&amp;nbsp;stolen&amp;nbsp;by&amp;nbsp;several&amp;nbsp;editors&amp;nbsp;and&amp;nbsp;later&amp;nbsp;published&amp;nbsp;in&amp;nbsp;the&amp;nbsp;books&amp;nbsp;of&amp;nbsp;other&amp;nbsp;poets,&amp;nbsp;i.e.,&amp;nbsp;Meharsingh.The&amp;nbsp;below&amp;nbsp;article&amp;nbsp;is&amp;nbsp;perhaps&amp;nbsp;first&amp;nbsp;attempt&amp;</summary><link rel='replies' type='application/atom+xml' href='http://literarism.blogspot.com/feeds/4375580538049224672/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://literarism.blogspot.com/2022/02/dayachand-mayna.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/4375580538049224672'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/4375580538049224672'/><link rel='alternate' type='text/html' href='http://literarism.blogspot.com/2022/02/dayachand-mayna.html' title='Dayachand Mayna'/><author><name>Kashyap Deepak</name><uri>http://www.blogger.com/profile/05724719354478570994</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7763186784406574401.post-7457889067765447560</id><published>2022-02-10T21:24:00.002+05:30</published><updated>2022-02-10T21:24:24.070+05:30</updated><title type='text'>Poetry of Humanity: How To Write It?</title><summary type="text">By: Bijay Kant DubeyIn a world today, where a lot has taken place, a lot has changed, how to write poetry of humanity sometimes engages us as and when we think about or sit to write, taking poetry as world matter, humanistic concern, ecological issue, existential search, age-wise zeitgist, holistic healing, meditational solace, sensational stuff, text messaging, photographic reflection, </summary><link rel='replies' type='application/atom+xml' href='http://literarism.blogspot.com/feeds/7457889067765447560/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://literarism.blogspot.com/2022/02/poetry-of-humanity-how-to-write-it.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/7457889067765447560'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/7457889067765447560'/><link rel='alternate' type='text/html' href='http://literarism.blogspot.com/2022/02/poetry-of-humanity-how-to-write-it.html' title='Poetry of Humanity: How To Write It?'/><author><name>Kashyap Deepak</name><uri>http://www.blogger.com/profile/05724719354478570994</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7763186784406574401.post-3634318805789636984</id><published>2022-02-07T17:15:00.006+05:30</published><updated>2022-02-07T17:18:59.654+05:30</updated><title type='text'>Most Ignored Facts Between 1879 to 1837</title><summary type="text">&amp;nbsp;The period between&amp;nbsp;1879 to 1837 is most crucial for the students of English Literature.&amp;nbsp;The value of this period can be judged by the fact that at least 5 questions are expected from section, if examined from UGC-NET perspective.While preparing for exam, students ignored several of important points. They focus more on popular facts and left some less popular topic untouched.in the</summary><link rel='replies' type='application/atom+xml' href='http://literarism.blogspot.com/feeds/3634318805789636984/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://literarism.blogspot.com/2022/02/most-ignored-facts-between-1879-to-1837.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/3634318805789636984'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/3634318805789636984'/><link rel='alternate' type='text/html' href='http://literarism.blogspot.com/2022/02/most-ignored-facts-between-1879-to-1837.html' title='Most Ignored Facts Between 1879 to 1837'/><author><name>Kashyap Deepak</name><uri>http://www.blogger.com/profile/05724719354478570994</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7763186784406574401.post-8110474082659022715</id><published>2022-02-04T20:26:00.000+05:30</published><updated>2022-02-04T20:26:00.199+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Bijay Kant Dubey"/><category scheme="http://www.blogger.com/atom/ns#" term="Ezekiel"/><category scheme="http://www.blogger.com/atom/ns#" term="India"/><category scheme="http://www.blogger.com/atom/ns#" term="Nissim Ezekiel"/><title type='text'>Nissim Ezekiel: Bijay Kant Dubey </title><summary type="text">&amp;nbsp;I took her to a cinema, we sawThe lovers kiss, we saw the jealous manWith subtle comradeship upset their planAnd how their love compelled him to withdraw.----Nissim Ezekiel in the poem ‘An Affair’ from A Time To Change collection(Nissim Ezekiel, Collected Poems, Oxford University Press, New Delhi, Third impression, 2007, p. 11)Between the acts of wedded loveA quieter passion flows,Which </summary><link rel='replies' type='application/atom+xml' href='http://literarism.blogspot.com/feeds/8110474082659022715/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://literarism.blogspot.com/2022/02/nissim-ezekiel-bijay-kant-dubey.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/8110474082659022715'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/8110474082659022715'/><link rel='alternate' type='text/html' href='http://literarism.blogspot.com/2022/02/nissim-ezekiel-bijay-kant-dubey.html' title='Nissim Ezekiel: Bijay Kant Dubey '/><author><name>Kashyap Deepak</name><uri>http://www.blogger.com/profile/05724719354478570994</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7763186784406574401.post-8268232136152939829</id><published>2022-01-28T20:19:00.002+05:30</published><updated>2022-01-28T20:21:24.813+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Bijay Kant Dubey"/><category scheme="http://www.blogger.com/atom/ns#" term="Irish"/><category scheme="http://www.blogger.com/atom/ns#" term="Yeats"/><title type='text'>Meru: WB Yeats</title><summary type="text">By: Bijay Kant Dubey

Civilisation is hooped together, broughtUnder a rule, under the semblance of
peaceBy manifold illusion; but man’s life is
thought,And he, despite his terror, cannot ceaseRavening through century after century,Ravening, raging, and uprooting that he
may comeInto the desolation of reality:Egypt and Greece, good-bye, and
good-bye, Rome!&amp;nbsp;

Hermits upon Mount Meru or Everest</summary><link rel='replies' type='application/atom+xml' href='http://literarism.blogspot.com/feeds/8268232136152939829/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://literarism.blogspot.com/2022/01/meru-wb-yeats.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/8268232136152939829'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/8268232136152939829'/><link rel='alternate' type='text/html' href='http://literarism.blogspot.com/2022/01/meru-wb-yeats.html' title='Meru: WB Yeats'/><author><name>Kashyap Deepak</name><uri>http://www.blogger.com/profile/05724719354478570994</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7763186784406574401.post-7897312187064863214</id><published>2022-01-20T17:23:00.004+05:30</published><updated>2022-01-28T20:22:25.078+05:30</updated><title type='text'>Romantic Age for UGC-NET</title><summary type="text">Subscribe to our YOUTUBE Channel&amp;nbsp;[LINK]Romantic Age is most important age from the UGC NET prespective. At least, five questions are expected from it.&amp;nbsp;&amp;nbsp;The period which start with the French Revolution (1789) or the publication of Lyrical Ballads (1798) is known as the romantic movement—which Victor Hugo calls “liberalism in literature”—is simply the expression of life as seen by </summary><link rel='replies' type='application/atom+xml' href='http://literarism.blogspot.com/feeds/7897312187064863214/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://literarism.blogspot.com/2022/01/romantic-age-for-ugc-net.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/7897312187064863214'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/7897312187064863214'/><link rel='alternate' type='text/html' href='http://literarism.blogspot.com/2022/01/romantic-age-for-ugc-net.html' title='Romantic Age for UGC-NET'/><author><name>Kashyap Deepak</name><uri>http://www.blogger.com/profile/05724719354478570994</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7763186784406574401.post-8890958989605583699</id><published>2022-01-19T16:08:00.008+05:30</published><updated>2022-01-28T20:22:55.055+05:30</updated><title type='text'>AM Klien&#39;s &quot;Indian Reservation: Caughnawaga&quot; </title><summary type="text">AM Klien&#39;s &quot;Indian Reservation Caughnawaga&quot; is a poem that criticised the modernity and colonial mindset of White.&amp;nbsp; It emphasis on losing culture of tribles.&amp;nbsp;There are several things which this poem has to critise the colonial power.Click on the video below [LINK]https://youtu.be/m86LOwJumgc</summary><link rel='replies' type='application/atom+xml' href='http://literarism.blogspot.com/feeds/8890958989605583699/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://literarism.blogspot.com/2022/01/indian-reservation-caughnawaga-am-klien.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/8890958989605583699'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/8890958989605583699'/><link rel='alternate' type='text/html' href='http://literarism.blogspot.com/2022/01/indian-reservation-caughnawaga-am-klien.html' title='AM Klien&#39;s &quot;Indian Reservation: Caughnawaga&quot; '/><author><name>Kashyap Deepak</name><uri>http://www.blogger.com/profile/05724719354478570994</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7763186784406574401.post-7729956731922288779</id><published>2022-01-18T23:26:00.004+05:30</published><updated>2022-01-28T20:23:37.108+05:30</updated><title type='text'>YouTube Channel</title><summary type="text">YouTubeI have started a YouTube Channel for the lovers of English Literature.The aim of channel is prepare students for UGC-NET English and also for the PhD English entrance exam(s).Kindly join by clicking the link [LINK] or click&amp;nbsp;belowhttps://youtube.com/channel/UCLascoKCr3QVMop5_T07LhAThere are some Vidoes on UGC-NET, English LiteratureBasic Books for UGC-NET English, Part 1 [LINK]How to </summary><link rel='replies' type='application/atom+xml' href='http://literarism.blogspot.com/feeds/7729956731922288779/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://literarism.blogspot.com/2022/01/youtube-channel.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/7729956731922288779'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/7729956731922288779'/><link rel='alternate' type='text/html' href='http://literarism.blogspot.com/2022/01/youtube-channel.html' title='YouTube Channel'/><author><name>Kashyap Deepak</name><uri>http://www.blogger.com/profile/05724719354478570994</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7763186784406574401.post-2871191121721662214</id><published>2022-01-17T19:11:00.002+05:30</published><updated>2022-01-28T20:25:58.216+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Bijay Kant Dubey"/><title type='text'>Bijay Kant Dubey: The Poet as a Faded Romantic and his poetry</title><summary type="text">The Poet as a Faded Romantic and his poetry − A Study in Faded Romanticism“But residues of meaning still remain,As darkest myths meander through the painTowards a final formula of light.I, too, reject that clarity of sight:What cannot be explained, do not explain.The mundane language of the senses singsIts own interpretations. Common thingsBecome, by virtue of their commonness,An argument against</summary><link rel='replies' type='application/atom+xml' href='http://literarism.blogspot.com/feeds/2871191121721662214/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://literarism.blogspot.com/2022/01/bijay-kant-dubey-poet-as-faded-romantic.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/2871191121721662214'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/2871191121721662214'/><link rel='alternate' type='text/html' href='http://literarism.blogspot.com/2022/01/bijay-kant-dubey-poet-as-faded-romantic.html' title='Bijay Kant Dubey: The Poet as a Faded Romantic and his poetry'/><author><name>Kashyap Deepak</name><uri>http://www.blogger.com/profile/05724719354478570994</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7763186784406574401.post-8353330470585979226</id><published>2021-08-11T22:01:00.009+05:30</published><updated>2021-08-11T22:01:57.708+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Bijay Kant Dubey"/><category scheme="http://www.blogger.com/atom/ns#" term="India"/><title type='text'>Creative Poetry, How To be Poetical? How To Write Poetry And Contribute To?</title><summary type="text">&amp;nbsp;By Bijay Kant Dubey

It is a fact that one cannot discern and
dislodge the cultural stuff, so is the case, as because even if we want to be
impersonal, it is bound to reflect the racial, archetypal and territorial
stuffs. Myths and motifs are a part of our life. One cannot so easily the
legacy of thought and idea, the historical past and the hinge of the cultural
heritage. The psyche is </summary><link rel='replies' type='application/atom+xml' href='http://literarism.blogspot.com/feeds/8353330470585979226/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://literarism.blogspot.com/2021/08/creative-poetry-how-to-be-poetical-how.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/8353330470585979226'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/8353330470585979226'/><link rel='alternate' type='text/html' href='http://literarism.blogspot.com/2021/08/creative-poetry-how-to-be-poetical-how.html' title='Creative Poetry, How To be Poetical? How To Write Poetry And Contribute To?'/><author><name>Kashyap Deepak</name><uri>http://www.blogger.com/profile/05724719354478570994</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7763186784406574401.post-3964016215248161869</id><published>2021-08-05T17:35:00.007+05:30</published><updated>2021-08-12T17:31:46.795+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Bijay Kant Dubey"/><category scheme="http://www.blogger.com/atom/ns#" term="India"/><category scheme="http://www.blogger.com/atom/ns#" term="Mahapatra"/><title type='text'>Freedom by Jayanta Mahapatra</title><summary type="text">&amp;nbsp;By: Bijay Kant DubeyWhat the others have left he seems to be describing, taking up for an evaluation, a re-evaluation&amp;nbsp; as for what did we promise at the time of the attainment of freedom and what we got, how have we stood up to the promises made and pledged? Now the time for realization has come, the time for re-assessment. The tales of freedom, who to tell it? The situation is just </summary><link rel='replies' type='application/atom+xml' href='http://literarism.blogspot.com/feeds/3964016215248161869/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://literarism.blogspot.com/2021/08/freedom-by-jayanta-mahapatra.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/3964016215248161869'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/3964016215248161869'/><link rel='alternate' type='text/html' href='http://literarism.blogspot.com/2021/08/freedom-by-jayanta-mahapatra.html' title='Freedom by Jayanta Mahapatra'/><author><name>Kashyap Deepak</name><uri>http://www.blogger.com/profile/05724719354478570994</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7763186784406574401.post-4303841756808372722</id><published>2021-08-01T22:19:00.001+05:30</published><updated>2021-08-01T22:19:00.199+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="India"/><category scheme="http://www.blogger.com/atom/ns#" term="Mamang Dai"/><category scheme="http://www.blogger.com/atom/ns#" term="Modern"/><title type='text'>Small Towns and the River: Mamang Dai</title><summary type="text">By: Bijay Kant Dubey&amp;nbsp;

Small Towns And The River by
Mamang Dai is a poem of Arunchal pradesh where she was born, of Shillong,
Meghalaya where she read it, did her schooloing from, of Assam where her
graduation with English Honours from Gauhati Universty and it all telling of
the cartography and topgraphy of the Northeast of India indirectly, how it was
in the past, how it is now, how the </summary><link rel='replies' type='application/atom+xml' href='http://literarism.blogspot.com/feeds/4303841756808372722/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://literarism.blogspot.com/2021/08/small-towns-and-river-mamang-dai.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/4303841756808372722'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/4303841756808372722'/><link rel='alternate' type='text/html' href='http://literarism.blogspot.com/2021/08/small-towns-and-river-mamang-dai.html' title='Small Towns and the River: Mamang Dai'/><author><name>Kashyap Deepak</name><uri>http://www.blogger.com/profile/05724719354478570994</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7763186784406574401.post-8099232916326081369</id><published>2021-07-27T22:15:00.001+05:30</published><updated>2021-08-12T17:31:49.231+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Bijay Kant Dubey"/><category scheme="http://www.blogger.com/atom/ns#" term="India"/><category scheme="http://www.blogger.com/atom/ns#" term="Mahapatra"/><category scheme="http://www.blogger.com/atom/ns#" term="Post Modern"/><title type='text'>Relationship: Jayanta Mahapatra</title><summary type="text">&amp;nbsp;By: Bijay Kant DubeyRelationship,
The First Volume of Indian English Poetry To Fetch Jayanta Mahapatra The
Sahitya Akademi Award For 1981

Relationship is the first volume of Indian English poetry
writing to fetch Jayanta Mahapatra the award for creative writing in poetry and
he is the first Indian English poet to be awarded with it. But to discuss it is
to know about the institution of the</summary><link rel='replies' type='application/atom+xml' href='http://literarism.blogspot.com/feeds/8099232916326081369/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://literarism.blogspot.com/2021/07/relationship-jayanta-mahapatra.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/8099232916326081369'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/8099232916326081369'/><link rel='alternate' type='text/html' href='http://literarism.blogspot.com/2021/07/relationship-jayanta-mahapatra.html' title='Relationship: Jayanta Mahapatra'/><author><name>Kashyap Deepak</name><uri>http://www.blogger.com/profile/05724719354478570994</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7763186784406574401.post-8582240218702980405</id><published>2021-07-23T22:11:00.001+05:30</published><updated>2021-07-23T22:11:00.232+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Bijay Kant Dubey"/><category scheme="http://www.blogger.com/atom/ns#" term="Irish"/><category scheme="http://www.blogger.com/atom/ns#" term="Modern"/><category scheme="http://www.blogger.com/atom/ns#" term="Yeats"/><title type='text'>The Indian Upon God:  WB Yeats</title><summary type="text">&amp;nbsp;BY: Bijay Kant Dubey

I passed along the
water’s edge below the humid trees,
My spirit rocked in evening light, the rushes
round my knees,
My spirit rocked in sleep and sighs; and saw the
moorfowl pace
All dripping on a grassy slope, and saw them
cease to chase
Each other round in circles, and heard the
eldest speak:
Who holds the world between His bill and made
us strong or weak
Is an </summary><link rel='replies' type='application/atom+xml' href='http://literarism.blogspot.com/feeds/8582240218702980405/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://literarism.blogspot.com/2021/07/the-indian-upon-god-wb-yeats.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/8582240218702980405'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/8582240218702980405'/><link rel='alternate' type='text/html' href='http://literarism.blogspot.com/2021/07/the-indian-upon-god-wb-yeats.html' title='The Indian Upon God:  WB Yeats'/><author><name>Kashyap Deepak</name><uri>http://www.blogger.com/profile/05724719354478570994</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7763186784406574401.post-8043281414973841663</id><published>2021-07-19T22:09:00.001+05:30</published><updated>2021-07-19T22:09:00.234+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Bijay Kant Dubey"/><category scheme="http://www.blogger.com/atom/ns#" term="India"/><category scheme="http://www.blogger.com/atom/ns#" term="Modern"/><category scheme="http://www.blogger.com/atom/ns#" term="Naidu"/><title type='text'>Indian Weavers: Sarojini Naidu</title><summary type="text">By: Bijay Kant DubeyWeavers, weaving at break of day,Why do you weave a garment so gay? . . .Blue as the wing of a halcyon wild,We weave the robes of a new-born child.Weavers, weaving at fall of night,Why do you weave a garment so bright? . . .Like the plumes of a peacock, purple and green,We weave the marriage-veils of a queen.Weavers, weaving solemn and still,What do you weave in the moonlight </summary><link rel='replies' type='application/atom+xml' href='http://literarism.blogspot.com/feeds/8043281414973841663/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://literarism.blogspot.com/2021/07/indian-weavers-sarojini-naidu.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/8043281414973841663'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/8043281414973841663'/><link rel='alternate' type='text/html' href='http://literarism.blogspot.com/2021/07/indian-weavers-sarojini-naidu.html' title='Indian Weavers: Sarojini Naidu'/><author><name>Kashyap Deepak</name><uri>http://www.blogger.com/profile/05724719354478570994</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7763186784406574401.post-3779301123985517165</id><published>2021-07-15T22:04:00.001+05:30</published><updated>2021-07-15T22:04:00.245+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="American"/><category scheme="http://www.blogger.com/atom/ns#" term="Frost"/><category scheme="http://www.blogger.com/atom/ns#" term="Modern"/><title type='text'> Stopping  By Woods On A Snowy Evening: Robert Frost</title><summary type="text">By: Bijay Kant DubeyWhose woods these are I think I know.&amp;nbsp; &amp;nbsp;His house is in the village though;&amp;nbsp; &amp;nbsp;He will not see me stopping here&amp;nbsp; &amp;nbsp;To watch his woods fill up with snow.&amp;nbsp; &amp;nbsp;My little horse must think it queer&amp;nbsp; &amp;nbsp;To stop without a farmhouse near&amp;nbsp; &amp;nbsp;Between the woods and frozen lake&amp;nbsp; &amp;nbsp;The darkest evening of the year.&amp;nbsp; &amp;nbsp;He</summary><link rel='replies' type='application/atom+xml' href='http://literarism.blogspot.com/feeds/3779301123985517165/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://literarism.blogspot.com/2021/07/stopping-by-woods-on-snowy-evening.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/3779301123985517165'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/3779301123985517165'/><link rel='alternate' type='text/html' href='http://literarism.blogspot.com/2021/07/stopping-by-woods-on-snowy-evening.html' title=' Stopping  By Woods On A Snowy Evening: Robert Frost'/><author><name>Kashyap Deepak</name><uri>http://www.blogger.com/profile/05724719354478570994</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7763186784406574401.post-4903568413335026514</id><published>2021-07-11T22:04:00.003+05:30</published><updated>2021-07-11T22:07:59.533+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Aurobindo Ghosh"/><category scheme="http://www.blogger.com/atom/ns#" term="Bijay Kant Dubey"/><category scheme="http://www.blogger.com/atom/ns#" term="India"/><category scheme="http://www.blogger.com/atom/ns#" term="Modern"/><title type='text'>Light: Aurobindo</title><summary type="text">By: Bijay Kant DubeyLight, endless Light! darkness has room no more,Life’s ignorant gulfs give up their secrecy:The huge inconscient depths unplumbed beforeLie glimmering in vast expectancy.Light, timeless Light immutable and apart!The holy sealed mysterious doors unclose.Light, burning Light from the Infinite’s diamond heartQuivers in my heart where blooms the deathless rose.Light in its rapture</summary><link rel='replies' type='application/atom+xml' href='http://literarism.blogspot.com/feeds/4903568413335026514/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://literarism.blogspot.com/2021/07/light-aurobindo.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/4903568413335026514'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/4903568413335026514'/><link rel='alternate' type='text/html' href='http://literarism.blogspot.com/2021/07/light-aurobindo.html' title='Light: Aurobindo'/><author><name>Kashyap Deepak</name><uri>http://www.blogger.com/profile/05724719354478570994</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7763186784406574401.post-8898481058935567061</id><published>2021-06-30T12:50:00.010+05:30</published><updated>2021-06-30T12:51:37.355+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Bijay Kant Dubey"/><category scheme="http://www.blogger.com/atom/ns#" term="India"/><category scheme="http://www.blogger.com/atom/ns#" term="Naidu"/><title type='text'>Song of Radha: Naidu</title><summary type="text">By: Bijay Kant Dubey&amp;nbsp;

Songs of Radha puts it, how the states of
the heart pulsating with, how the manna, inner mind, mood and heart of Radha at
variance with from time to time; how the heartbeat, the heartthrob of a beloved
waiting for a lover which but happens it in love? How loverly, divine and
mundane is this feeling of love! How this drama of love? How this burning in
love! What in it </summary><link rel='replies' type='application/atom+xml' href='http://literarism.blogspot.com/feeds/8898481058935567061/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://literarism.blogspot.com/2021/06/song-of-radha-naidu.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/8898481058935567061'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/8898481058935567061'/><link rel='alternate' type='text/html' href='http://literarism.blogspot.com/2021/06/song-of-radha-naidu.html' title='Song of Radha: Naidu'/><author><name>Kashyap Deepak</name><uri>http://www.blogger.com/profile/05724719354478570994</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7763186784406574401.post-7995277480695887929</id><published>2021-06-16T10:02:00.001+05:30</published><updated>2021-06-16T10:02:00.269+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Bijay Kant Dubey"/><category scheme="http://www.blogger.com/atom/ns#" term="India"/><category scheme="http://www.blogger.com/atom/ns#" term="Naidu"/><title type='text'>Song of Radha, the Milkmaid: Sarojini Naidu</title><summary type="text">By: Bijay Kant Dubey

&amp;nbsp;

I carried my curds to the Mathura
fair …How softly the heifers were
lowing …I wanted to cry, “Who will buyThese curds that are white as the
clouds in the skyWhen the breezes of shrawan are
blowing?”But my heart was so full of your
beauty, Beloved,They laughed as I cried without
knowing:Govinda! Govinda!Govinda! Govinda!How softly the river was flowing! I carried my </summary><link rel='replies' type='application/atom+xml' href='http://literarism.blogspot.com/feeds/7995277480695887929/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://literarism.blogspot.com/2021/06/song-of-radha-milkmaid-sarojini-naidu.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/7995277480695887929'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/7995277480695887929'/><link rel='alternate' type='text/html' href='http://literarism.blogspot.com/2021/06/song-of-radha-milkmaid-sarojini-naidu.html' title='Song of Radha, the Milkmaid: Sarojini Naidu'/><author><name>Kashyap Deepak</name><uri>http://www.blogger.com/profile/05724719354478570994</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7763186784406574401.post-7686321840757452351</id><published>2021-06-12T09:19:00.001+05:30</published><updated>2021-06-12T09:19:00.233+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Bijay Kant Dubey"/><category scheme="http://www.blogger.com/atom/ns#" term="Irish"/><category scheme="http://www.blogger.com/atom/ns#" term="Modern"/><category scheme="http://www.blogger.com/atom/ns#" term="Yeats"/><title type='text'>Anashuya And Vijaya: W.B.Yeats</title><summary type="text">By: Bijay Kant Dubey

I do not know it nor can say to if anybody in English wrote such a poem
of a mythical debate and discussion centring round human psyche and its
chastity, feminine sensibility and its thinking, the notion of keeping of heart
and soul dedicated and devoted with full loyalty banishing infidelity and
toeing along the classical lines. The purity of heart, thought and idea how did</summary><link rel='replies' type='application/atom+xml' href='http://literarism.blogspot.com/feeds/7686321840757452351/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://literarism.blogspot.com/2021/06/anashuya-and-vijaya-wbyeats.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/7686321840757452351'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7763186784406574401/posts/default/7686321840757452351'/><link rel='alternate' type='text/html' href='http://literarism.blogspot.com/2021/06/anashuya-and-vijaya-wbyeats.html' title='Anashuya And Vijaya: W.B.Yeats'/><author><name>Kashyap Deepak</name><uri>http://www.blogger.com/profile/05724719354478570994</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry></feed>