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	<title>Parterre Box</title>
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	<description>Opera from a certain point of view</description>
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	<title>Parterre Box</title>
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		<title>A favorite Verdi performance from Ryan Ellerman</title>
		<link>https://parterre.com/2026/05/02/a-favorite-verdi-performance-from-ryan-ellerman/</link>
					<comments>https://parterre.com/2026/05/02/a-favorite-verdi-performance-from-ryan-ellerman/#comments</comments>
		
		<dc:creator><![CDATA[Ryan Ellerman]]></dc:creator>
		<pubDate>Sat, 02 May 2026 10:00:57 +0000</pubDate>
				<category><![CDATA[The Talk of the Town]]></category>
		<category><![CDATA[favorite Verdi performances]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=106956</guid>

					<description><![CDATA[Luminous <strong>Lucia Popp</strong>’s “Caro Nome” beams with Gilda’s youthful passion, displaying Popp’s signature bright, beautiful timbre and magnificent coloratura.]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/05/02/a-favorite-verdi-performance-from-ryan-ellerman/feed/</wfw:commentRss>
			<slash:comments>2</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">106956</post-id><enclosure length="19325" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/04/lucia-popp-640d1728-cbf5-4ff1-970c-fb4423b1072-resize-750-e1777030815621.jpeg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/04/lucia-popp-640d1728-cbf5-4ff1-970c-fb4423b1072-resize-750-e1777030815621.jpeg"/>	</item>
		<item>
		<title>A favorite Verdi performance from Marina Rebeka</title>
		<link>https://parterre.com/2026/05/01/a-favorite-verdi-performance-from-marina-rebeka/</link>
					<comments>https://parterre.com/2026/05/01/a-favorite-verdi-performance-from-marina-rebeka/#comments</comments>
		
		<dc:creator><![CDATA[Marina Rebeka]]></dc:creator>
		<pubDate>Fri, 01 May 2026 10:00:28 +0000</pubDate>
				<category><![CDATA[The Talk of the Town]]></category>
		<category><![CDATA[favorite Verdi performances]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=106953</guid>

					<description><![CDATA[While studying <em>Un ballo in maschera</em> for my Vienna role debut next January, I came across this beautiful ‘Ecco l’orrido campo’ amazingly performed by <strong>Montserrat Caballé</strong>.]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/05/01/a-favorite-verdi-performance-from-marina-rebeka/feed/</wfw:commentRss>
			<slash:comments>60</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">106953</post-id><enclosure length="12945" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/04/hqdefault-3-e1777030490370.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/04/hqdefault-3-e1777030490370.jpg"/>	</item>
		<item>
		<title>The poetry is in the pity</title>
		<link>https://parterre.com/2026/04/30/the-poetry-is-in-the-pity/</link>
					<comments>https://parterre.com/2026/04/30/the-poetry-is-in-the-pity/#comments</comments>
		
		<dc:creator><![CDATA[Cameron Kelsall]]></dc:creator>
		<pubDate>Thu, 30 Apr 2026 13:00:49 +0000</pubDate>
				<category><![CDATA[Performance Reviews]]></category>
		<category><![CDATA[concert]]></category>
		<category><![CDATA[Review]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=107013</guid>

					<description><![CDATA[<strong>Klaus Mäkelä </strong>unexpectedly joins the foray for <strong>The Cleveland Orchestra</strong>'s performances of<strong> Benjamin Britten</strong>’s <em>War Requiem.</em>]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/04/30/the-poetry-is-in-the-pity/feed/</wfw:commentRss>
			<slash:comments>5</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">107013</post-id><enclosure length="1185241" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/04/britten-cleveland-1200x728.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/04/britten-cleveland-1200x728.jpg"><media:description>Screenshot</media:description></media:content>	</item>
		<item>
		<title>Bloodless revolution</title>
		<link>https://parterre.com/2026/04/30/bloodless-revolution/</link>
					<comments>https://parterre.com/2026/04/30/bloodless-revolution/#comments</comments>
		
		<dc:creator><![CDATA[Brendan Latimer]]></dc:creator>
		<pubDate>Thu, 30 Apr 2026 13:00:04 +0000</pubDate>
				<category><![CDATA[Performance Reviews]]></category>
		<category><![CDATA[canadian opera company]]></category>
		<category><![CDATA[Review]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=107030</guid>

					<description><![CDATA[<em>Bluebeard's Castle</em> and <em>Erwartung</em> at Canadian Opera Company deliver on fine performances even if <strong>Robert Lepage</strong>'s production skimps on horror.]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/04/30/bloodless-revolution/feed/</wfw:commentRss>
			<slash:comments>14</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">107030</post-id><enclosure length="482450" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/04/25-26-05-MC-D-0118-scaled-e1777514759921-1200x676.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/04/25-26-05-MC-D-0118-scaled-e1777514759921-1200x676.jpg"><media:description>0118 – Christian Van Horn as Bluebeard and Karen Cargill as Judith in the Canadian Opera Company’s production of Bluebeard’s Castle, 2026. Conductor Johannes Debus, original director Robert Lepage, revival director François Racine, set and costume designer Michael Levine, lighting designer Robert Thomson, and media effects designer Laurie-Shawn Borzovoy. Photo: Michael Cooper</media:description></media:content>	</item>
		<item>
		<title>Thoughts on Lieder by Konstantin Krimmel</title>
		<link>https://parterre.com/2026/04/30/thoughts-on-lieder-by-konstantin-krimmel/</link>
					<comments>https://parterre.com/2026/04/30/thoughts-on-lieder-by-konstantin-krimmel/#comments</comments>
		
		<dc:creator><![CDATA[Parterre Box]]></dc:creator>
		<pubDate>Thu, 30 Apr 2026 10:00:04 +0000</pubDate>
				<category><![CDATA[The Talk of the Town]]></category>
		<category><![CDATA[Favorite art song performances]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=106914</guid>

					<description><![CDATA["You're your own boss."]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/04/30/thoughts-on-lieder-by-konstantin-krimmel/feed/</wfw:commentRss>
			<slash:comments>45</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">106914</post-id><enclosure length="420966" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2025/06/20250222_PAA_KonstantinKrimmel_Recital_092-scaled-e1749586619731-1200x676.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2025/06/20250222_PAA_KonstantinKrimmel_Recital_092-scaled-e1749586619731-1200x676.jpg"><media:description>(c) Da Ping Luo</media:description></media:content>	</item>
		<item>
		<title>When they go low</title>
		<link>https://parterre.com/2026/04/29/when-they-go-low/</link>
					<comments>https://parterre.com/2026/04/29/when-they-go-low/#comments</comments>
		
		<dc:creator><![CDATA[Parterre Box]]></dc:creator>
		<pubDate>Wed, 29 Apr 2026 13:00:07 +0000</pubDate>
				<category><![CDATA[Grand Tier Grab Bag]]></category>
		<category><![CDATA[grand tier grab bag]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=106888</guid>

					<description><![CDATA[Nostalgic for <a href="https://parterre.com/tag/great-bass-performances/">bass month</a>, <em>Parterre Box</em> offers excerpts from two young basses to watch: <strong>Giorgi Manoshvili</strong> and <strong>Patrick Guetti</strong>.]]></description>
		
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			<slash:comments>18</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">106888</post-id><enclosure length="67957" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/04/mini_attila_ph.luciano-romano-9548-e1776632296386.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/04/mini_attila_ph.luciano-romano-9548-e1776632296386.jpg"><media:description>Photo: © Luciano Romano / Teatro di San Carlo</media:description></media:content>	</item>
		<item>
		<title>A favorite art song performance from Niel Rishoi</title>
		<link>https://parterre.com/2026/04/29/a-favorite-art-song-performance-from-niel-rishoi/</link>
					<comments>https://parterre.com/2026/04/29/a-favorite-art-song-performance-from-niel-rishoi/#comments</comments>
		
		<dc:creator><![CDATA[Niel Rishoi]]></dc:creator>
		<pubDate>Wed, 29 Apr 2026 10:00:17 +0000</pubDate>
				<category><![CDATA[The Talk of the Town]]></category>
		<category><![CDATA[Favorite art song performances]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=106621</guid>

					<description><![CDATA[<strong>Hans Hotter</strong> masterfully captures the poignancy of this sublime <strong>Brahms</strong> Lied.]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/04/29/a-favorite-art-song-performance-from-niel-rishoi/feed/</wfw:commentRss>
			<slash:comments>51</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">106621</post-id><enclosure length="24263" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/03/Hans_Hotter-e1774283044411.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/03/Hans_Hotter-e1774283044411.jpg"/>	</item>
		<item>
		<title>La voix surhumaine</title>
		<link>https://parterre.com/2026/04/28/la-voix-surhumaine/</link>
					<comments>https://parterre.com/2026/04/28/la-voix-surhumaine/#comments</comments>
		
		<dc:creator><![CDATA[Dan Johnson]]></dc:creator>
		<pubDate>Tue, 28 Apr 2026 13:00:57 +0000</pubDate>
				<category><![CDATA[Performance Reviews]]></category>
		<category><![CDATA[barbara hannigan]]></category>
		<category><![CDATA[new york philharmoic]]></category>
		<category><![CDATA[Review]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=107019</guid>

					<description><![CDATA[<strong>Barbara Hannigan</strong> mesmerizes as both a brilliant vocalist and a proficient opera conductor in a double bill of Strauss and <em>La voix humaine</em> with the <strong>New York Philharmonic</strong>.]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/04/28/la-voix-surhumaine/feed/</wfw:commentRss>
			<slash:comments>17</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">107019</post-id><enclosure length="539628" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/04/NYP20260423ChrisLee-8193-scaled-e1777307017141-1200x676.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/04/NYP20260423ChrisLee-8193-scaled-e1777307017141-1200x676.jpg"><media:description>Barbara Hannigan conducts the New York Philharmonic performing R. Strauss "Metamorphosen" and Poulenc "La Voix humanine" at David Geffen Hall /  Photo by Chris Lee</media:description></media:content>	</item>
		<item>
		<title>A favorite art song performance from Arrigo</title>
		<link>https://parterre.com/2026/04/28/a-favorite-art-song-performance-from-arrigo/</link>
					<comments>https://parterre.com/2026/04/28/a-favorite-art-song-performance-from-arrigo/#comments</comments>
		
		<dc:creator><![CDATA[Arrigo]]></dc:creator>
		<pubDate>Tue, 28 Apr 2026 10:00:07 +0000</pubDate>
				<category><![CDATA[The Talk of the Town]]></category>
		<category><![CDATA[Favorite art song performances]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=106624</guid>

					<description><![CDATA[While refined, <strong>Lisa della Casa</strong> sings "Four Last Songs" deeply alert to the text and with effortless vocalization that sounds fresh and spontaneous.]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/04/28/a-favorite-art-song-performance-from-arrigo/feed/</wfw:commentRss>
			<slash:comments>29</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">106624</post-id><enclosure length="37924" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/03/xl_avatar-e1774283230168.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/03/xl_avatar-e1774283230168.jpg"/>	</item>
		<item>
		<title>The night is dark and full of terrors</title>
		<link>https://parterre.com/2026/04/27/the-night-is-dark-and-full-of-terrors/</link>
					<comments>https://parterre.com/2026/04/27/the-night-is-dark-and-full-of-terrors/#comments</comments>
		
		<dc:creator><![CDATA[Brendan Latimer]]></dc:creator>
		<pubDate>Mon, 27 Apr 2026 13:00:05 +0000</pubDate>
				<category><![CDATA[Performance Reviews]]></category>
		<category><![CDATA[Review]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=106976</guid>

					<description><![CDATA[<strong>Opera Baltimore</strong> concludes its season with a piercing semi-staged production of <em>Pelléas et Mélisande.</em>]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/04/27/the-night-is-dark-and-full-of-terrors/feed/</wfw:commentRss>
			<slash:comments>8</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">106976</post-id><enclosure length="409120" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/04/DSC01835-scaled-e1777249172671-1200x676.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/04/DSC01835-scaled-e1777249172671-1200x676.jpg"><media:description>Photo by Bart Debicki</media:description></media:content>	</item>
		<item>
		<title>A favorite art song performance from Belfagor</title>
		<link>https://parterre.com/2026/04/27/a-favorite-art-song-performance-from-belfagor/</link>
					<comments>https://parterre.com/2026/04/27/a-favorite-art-song-performance-from-belfagor/#comments</comments>
		
		<dc:creator><![CDATA[Belfagor]]></dc:creator>
		<pubDate>Mon, 27 Apr 2026 10:00:56 +0000</pubDate>
				<category><![CDATA[The Talk of the Town]]></category>
		<category><![CDATA[Favorite art song performances]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=106618</guid>

					<description><![CDATA[Funnily enough, I’m not remotely a <strong>Rachmaninov</strong> fan, but this performance by <strong>Galina Vishnevskaya</strong> in her considerable prime always gives me the chills.]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/04/27/a-favorite-art-song-performance-from-belfagor/feed/</wfw:commentRss>
			<slash:comments>26</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">106618</post-id><enclosure length="62032" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/03/90-e1774282915939.jpeg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/03/90-e1774282915939.jpeg"/>	</item>
		<item>
		<title>Hustle your bustle</title>
		<link>https://parterre.com/2026/04/26/hustle-your-bustle/</link>
					<comments>https://parterre.com/2026/04/26/hustle-your-bustle/#comments</comments>
		
		<dc:creator><![CDATA[Matthew Travisano]]></dc:creator>
		<pubDate>Sun, 26 Apr 2026 13:00:53 +0000</pubDate>
				<category><![CDATA[Performance Reviews]]></category>
		<category><![CDATA[Review]]></category>
		<category><![CDATA[verdi]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=106931</guid>

					<description><![CDATA[<strong>Opera San José</strong>'s <em>La Traviata</em> has all the buzz and energy of a world premiere.]]></description>
		
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			<slash:comments>12</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">106931</post-id><enclosure length="511006" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/04/La-traviata-2-e1777083102876-1200x676.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/04/La-traviata-2-e1777083102876-1200x676.jpg"><media:description>Photo by Dave Lepori</media:description></media:content>	</item>
		<item>
		<title>A favorite art song performance from Rowna Sutin</title>
		<link>https://parterre.com/2026/04/26/a-favorite-art-song-performance-from-rowna-sutin/</link>
					<comments>https://parterre.com/2026/04/26/a-favorite-art-song-performance-from-rowna-sutin/#comments</comments>
		
		<dc:creator><![CDATA[Rowna Sutin]]></dc:creator>
		<pubDate>Sun, 26 Apr 2026 10:00:23 +0000</pubDate>
				<category><![CDATA[The Talk of the Town]]></category>
		<category><![CDATA[Favorite art song performances]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=106615</guid>

					<description><![CDATA[With youthful abandon, Ms. <strong>Feola</strong> interprets an old chestnut.]]></description>
		
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			<slash:comments>13</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">106615</post-id><enclosure length="41048" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/03/2387_photo_hires-e1774282655562.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/03/2387_photo_hires-e1774282655562.jpg"/>	</item>
		<item>
		<title>Big man in town</title>
		<link>https://parterre.com/2026/04/25/big-man-in-town/</link>
					<comments>https://parterre.com/2026/04/25/big-man-in-town/#comments</comments>
		
		<dc:creator><![CDATA[Michael Anthonio]]></dc:creator>
		<pubDate>Sat, 25 Apr 2026 13:00:28 +0000</pubDate>
				<category><![CDATA[Performance Reviews]]></category>
		<category><![CDATA[Review]]></category>
		<category><![CDATA[verdi]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=106932</guid>

					<description><![CDATA[A strong revival of<em> Falstaff </em>at the <strong>Los Angeles Opera </strong>proves a fitting farewell vehicle for Music Director <strong>James Conlon</strong>.]]></description>
		
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			<slash:comments>12</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">106932</post-id><enclosure length="541349" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/04/falstaff_2026_la_opera_credit_cory_weaver_c0a6395_pr-scaled-e1776994303522-1200x676.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/04/falstaff_2026_la_opera_credit_cory_weaver_c0a6395_pr-scaled-e1776994303522-1200x676.jpg"><media:description>Photo by Cory Weaver</media:description></media:content>	</item>
		<item>
		<title>A favorite art song performance from Andrew Lokay</title>
		<link>https://parterre.com/2026/04/25/a-favorite-art-song-performance-from-andrew-lokay/</link>
					<comments>https://parterre.com/2026/04/25/a-favorite-art-song-performance-from-andrew-lokay/#comments</comments>
		
		<dc:creator><![CDATA[Harry Rose]]></dc:creator>
		<pubDate>Sat, 25 Apr 2026 10:00:09 +0000</pubDate>
				<category><![CDATA[The Talk of the Town]]></category>
		<category><![CDATA[Favorite art song performances]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=106858</guid>

					<description><![CDATA[Mezzo-soprano <strong>Jamie Barton</strong>’s rendition of <strong>Jake Heggie</strong>'s “Winged Victory: We’re Through,” vividly captures the song’s humor and energy.]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/04/25/a-favorite-art-song-performance-from-andrew-lokay/feed/</wfw:commentRss>
			<slash:comments>20</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">106858</post-id><enclosure length="2114991" type="image/png" url="https://parterre.com/wp-content/uploads/2026/04/Barton20Heggie20Barbican20051221200001.jpg.png"/><media:content type="image/png" url="https://parterre.com/wp-content/uploads/2026/04/Barton20Heggie20Barbican20051221200001.jpg.png"/>	</item>
		<item>
		<title>Now sleeps the crimson petal</title>
		<link>https://parterre.com/2026/04/24/now-sleeps-the-crimson-petal/</link>
					<comments>https://parterre.com/2026/04/24/now-sleeps-the-crimson-petal/#comments</comments>
		
		<dc:creator><![CDATA[David Fox]]></dc:creator>
		<pubDate>Fri, 24 Apr 2026 14:00:21 +0000</pubDate>
				<category><![CDATA[Performance Reviews]]></category>
		<category><![CDATA[Review]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=106935</guid>

					<description><![CDATA[<strong>Gregory Spears</strong>’s <em>Sleepers Awake </em>mystifies and delights at <strong>Opera Philadelphia.</strong>]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/04/24/now-sleeps-the-crimson-petal/feed/</wfw:commentRss>
			<slash:comments>3</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">106935</post-id><enclosure length="590956" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/04/11-Sleepers-Awake_photo-by-Steven-Pisano-scaled-e1776991944915-1200x676.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/04/11-Sleepers-Awake_photo-by-Steven-Pisano-scaled-e1776991944915-1200x676.jpg"><media:description>Photo by Jason Ardizzone-West</media:description></media:content>	</item>
		<item>
		<title>Come and Gandhi</title>
		<link>https://parterre.com/2026/04/24/come-and-gandhi/</link>
					<comments>https://parterre.com/2026/04/24/come-and-gandhi/#comments</comments>
		
		<dc:creator><![CDATA[Nigel Wilkinson]]></dc:creator>
		<pubDate>Fri, 24 Apr 2026 13:00:36 +0000</pubDate>
				<category><![CDATA[Performance Reviews]]></category>
		<category><![CDATA[Review]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=106904</guid>

					<description><![CDATA[Led by a mesmerizing <strong>Anthony Roth Costanzo</strong>, <em>Satyagraha</em> at the <strong>Paris Opera </strong>dispenses with historical particularities for something for more elusive.]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/04/24/come-and-gandhi/feed/</wfw:commentRss>
			<slash:comments>7</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">106904</post-id><enclosure length="28233" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/04/Sat01-e1776910680634.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/04/Sat01-e1776910680634.jpg"><media:description>Photo by Yonathan Kellerman</media:description></media:content>	</item>
		<item>
		<title>Kuda, woulda, shoulda</title>
		<link>https://parterre.com/2026/04/24/kuda-woulda-shoulda/</link>
					<comments>https://parterre.com/2026/04/24/kuda-woulda-shoulda/#comments</comments>
		
		<dc:creator><![CDATA[Christopher Corwin]]></dc:creator>
		<pubDate>Fri, 24 Apr 2026 13:00:10 +0000</pubDate>
				<category><![CDATA[Performance Reviews]]></category>
		<category><![CDATA[alice tully hall]]></category>
		<category><![CDATA[Metropolitan Opera]]></category>
		<category><![CDATA[Review]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=106947</guid>

					<description><![CDATA[A strong revival of <em>Eugene Onegin</em> at the Metropolitan Opera and a recital by <strong>Benjamin Bernheim</strong> offered the chance to hear "Kuda, kuda" twice in two days.]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/04/24/kuda-woulda-shoulda/feed/</wfw:commentRss>
			<slash:comments>20</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">106947</post-id><enclosure length="525640" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/04/EUGENE_ONEGIN_EVAN_ZIMMERMAN_6735-scaled-e1777028833335-1200x676.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/04/EUGENE_ONEGIN_EVAN_ZIMMERMAN_6735-scaled-e1777028833335-1200x676.jpg"><media:description>Asmik Grigorian as Tatiana and Iurii Samoilov in the title role of Tchaikovsky's "Eugene Onegin." Photo: Evan Zimmerman / Met Opera</media:description></media:content>	</item>
		<item>
		<title>A favorite art song performance from Jamie Barton</title>
		<link>https://parterre.com/2026/04/24/a-favorite-art-song-performance-from-jamie-barton/</link>
					<comments>https://parterre.com/2026/04/24/a-favorite-art-song-performance-from-jamie-barton/#comments</comments>
		
		<dc:creator><![CDATA[Jamie Barton]]></dc:creator>
		<pubDate>Fri, 24 Apr 2026 10:00:33 +0000</pubDate>
				<category><![CDATA[The Talk of the Town]]></category>
		<category><![CDATA[Favorite art song performances]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=106829</guid>

					<description><![CDATA[This prompt of "favorite art song performance" seems just about as broad — and almost silly — a question as asking a painter what their favorite color is.]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/04/24/a-favorite-art-song-performance-from-jamie-barton/feed/</wfw:commentRss>
			<slash:comments>18</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">106829</post-id><enclosure length="19978" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/04/lorraine_hunt_lieberson_handel-e1776014998907.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/04/lorraine_hunt_lieberson_handel-e1776014998907.jpg"/>	</item>
		<item>
		<title>Breaking up is hard to do</title>
		<link>https://parterre.com/2026/04/23/breaking-up-is-hard-to-do/</link>
					<comments>https://parterre.com/2026/04/23/breaking-up-is-hard-to-do/#comments</comments>
		
		<dc:creator><![CDATA[Kevin Ng]]></dc:creator>
		<pubDate>Thu, 23 Apr 2026 13:00:21 +0000</pubDate>
				<category><![CDATA[Feature]]></category>
		<category><![CDATA[barbara hannigan]]></category>
		<category><![CDATA[feature]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=106905</guid>

					<description><![CDATA[Before her one-woman <em>La voix humaine</em> with the New York Philharmonic, <strong>Barbara Hannigan</strong> talks to Kevin Ng about her career, her artistry, and whether or not there's a voice on the other line.]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/04/23/breaking-up-is-hard-to-do/feed/</wfw:commentRss>
			<slash:comments>9</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">106905</post-id><enclosure length="337407" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/04/675044750_1560602175442009_6038001881866843260_n-e1776875722850-1200x676.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/04/675044750_1560602175442009_6038001881866843260_n-e1776875722850-1200x676.jpg"><media:description>FILARMONICA
Barbara Hannigan
Teatro alla Scala
Milano 26 ottobre 2025

© Andrea Veroni</media:description></media:content>	</item>
		<item>
		<title>Trouble in paradise</title>
		<link>https://parterre.com/2026/04/23/trouble-in-paradise-2/</link>
					<comments>https://parterre.com/2026/04/23/trouble-in-paradise-2/#comments</comments>
		
		<dc:creator><![CDATA[Eli Jacobson]]></dc:creator>
		<pubDate>Thu, 23 Apr 2026 13:00:14 +0000</pubDate>
				<category><![CDATA[Performance Reviews]]></category>
		<category><![CDATA[Glibert & Sullivan]]></category>
		<category><![CDATA[operetta]]></category>
		<category><![CDATA[Review]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=106919</guid>

					<description><![CDATA[<div><strong>The New York Gilbert and Sullivan Players</strong>'s vivacious music making compensates for uninspired storytelling in their staging of <em>Utopia, Limited.</em></div>]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/04/23/trouble-in-paradise-2/feed/</wfw:commentRss>
			<slash:comments>6</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">106919</post-id><enclosure length="559090" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/04/Matthew-Wages-Cameron-Smith-Sophie-Thompson-Danny-Bristoll-scaled-e1776905788335-1200x676.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/04/Matthew-Wages-Cameron-Smith-Sophie-Thompson-Danny-Bristoll-scaled-e1776905788335-1200x676.jpg"><media:description>Photo by Danny Bristoll</media:description></media:content>	</item>
		<item>
		<title>A favorite art song performance from Leyla Gender-Bender</title>
		<link>https://parterre.com/2026/04/23/a-favorite-art-song-performance-from-leyla-gender-bender/</link>
					<comments>https://parterre.com/2026/04/23/a-favorite-art-song-performance-from-leyla-gender-bender/#comments</comments>
		
		<dc:creator><![CDATA[Leyla Gender-Bender]]></dc:creator>
		<pubDate>Thu, 23 Apr 2026 10:00:00 +0000</pubDate>
				<category><![CDATA[The Talk of the Town]]></category>
		<category><![CDATA[Favorite art song performances]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=106612</guid>

					<description><![CDATA[While I like both <strong>Erna Berger</strong> and Maria Stader's versions, Erna Berger brings more drama to the rendition.]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/04/23/a-favorite-art-song-performance-from-leyla-gender-bender/feed/</wfw:commentRss>
			<slash:comments>51</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">106612</post-id><enclosure length="60959" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/03/566239189_18098825221664513_8775728756395345643_n-e1774282490417.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/03/566239189_18098825221664513_8775728756395345643_n-e1774282490417.jpg"/>	</item>
		<item>
		<title>Nailin’ the coughin’</title>
		<link>https://parterre.com/2026/04/22/nailin-the-coughin/</link>
					<comments>https://parterre.com/2026/04/22/nailin-the-coughin/#comments</comments>
		
		<dc:creator><![CDATA[Parterre Box]]></dc:creator>
		<pubDate>Wed, 22 Apr 2026 13:00:34 +0000</pubDate>
				<category><![CDATA[Grand Tier Grab Bag]]></category>
		<category><![CDATA[grand tier grab bag]]></category>
		<category><![CDATA[rosa feola]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=106841</guid>

					<description><![CDATA[<strong>Rosa Feola</strong>, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week's Grand Tier Grab Bag.]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/04/22/nailin-the-coughin/feed/</wfw:commentRss>
			<slash:comments>12</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">106841</post-id><enclosure length="657188" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/04/LaTraviata_250725_EnneviFoto_061-scaled-e1776087738358-1200x676.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/04/LaTraviata_250725_EnneviFoto_061-scaled-e1776087738358-1200x676.jpg"><media:description>Photo: Arena di Verona/Ennevifoto</media:description></media:content>	</item>
		<item>
		<title>A favorite art song performance from Erika Baikoff</title>
		<link>https://parterre.com/2026/04/22/a-favorite-art-song-performance-from-erika-baikoff/</link>
					<comments>https://parterre.com/2026/04/22/a-favorite-art-song-performance-from-erika-baikoff/#comments</comments>
		
		<dc:creator><![CDATA[Erika Baikoff]]></dc:creator>
		<pubDate>Wed, 22 Apr 2026 10:00:49 +0000</pubDate>
				<category><![CDATA[The Talk of the Town]]></category>
		<category><![CDATA[Favorite art song performances]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=106821</guid>

					<description><![CDATA[What I love most about <strong>Sergei Rachmaninoff</strong>'s "Lilacs" is how beautifully it captures the quiet intimacy at the heart of art song.]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/04/22/a-favorite-art-song-performance-from-erika-baikoff/feed/</wfw:commentRss>
			<slash:comments>26</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">106821</post-id><enclosure length="159024" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/04/f64577f0a2c9fca5e559ab96afc65e74_landscape.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/04/f64577f0a2c9fca5e559ab96afc65e74_landscape.jpg"/>	</item>
		<item>
		<title>Dodging a bullet</title>
		<link>https://parterre.com/2026/04/21/dodging-a-bullet/</link>
					<comments>https://parterre.com/2026/04/21/dodging-a-bullet/#comments</comments>
		
		<dc:creator><![CDATA[Dawn Fatale]]></dc:creator>
		<pubDate>Tue, 21 Apr 2026 13:00:29 +0000</pubDate>
				<category><![CDATA[Performance Reviews]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=106895</guid>

					<description><![CDATA[Dull conducting makes <em>Der Freischütz </em>miss its mark at <strong>Carnegie Hall</strong>.]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/04/21/dodging-a-bullet/feed/</wfw:commentRss>
			<slash:comments>47</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">106895</post-id><enclosure length="141309" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/04/main-Leon-Botstein-the-American-Symphony-Orchestraon-stage-at-Carnegie-Hall.jpg-Photo-by-Matt-Dine-1280x640-1-1200x600.jpeg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/04/main-Leon-Botstein-the-American-Symphony-Orchestraon-stage-at-Carnegie-Hall.jpg-Photo-by-Matt-Dine-1280x640-1-1200x600.jpeg"><media:description>Photo by Matt Dine</media:description></media:content>	</item>
		<item>
		<title>A favorite art song performance from Last Castrato</title>
		<link>https://parterre.com/2026/04/21/a-favorite-art-song-performance-from-last-castrato/</link>
					<comments>https://parterre.com/2026/04/21/a-favorite-art-song-performance-from-last-castrato/#comments</comments>
		
		<dc:creator><![CDATA[Last Castrato]]></dc:creator>
		<pubDate>Tue, 21 Apr 2026 10:00:37 +0000</pubDate>
				<category><![CDATA[The Talk of the Town]]></category>
		<category><![CDATA[Favorite art song performances]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=106609</guid>

					<description><![CDATA[<strong>Rosa Ponselle</strong> is the singer who had it all. ]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/04/21/a-favorite-art-song-performance-from-last-castrato/feed/</wfw:commentRss>
			<slash:comments>26</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">106609</post-id><enclosure length="51275" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/03/Romano-Romani-and-Rosa-Ponselle-Wikimedia-Commons-Library-of-Congress-e1774282244871.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/03/Romano-Romani-and-Rosa-Ponselle-Wikimedia-Commons-Library-of-Congress-e1774282244871.jpg"/>	</item>
		<item>
		<title>In the garden of Eden</title>
		<link>https://parterre.com/2026/04/20/in-the-garden-of-eden/</link>
					<comments>https://parterre.com/2026/04/20/in-the-garden-of-eden/#comments</comments>
		
		<dc:creator><![CDATA[Patrick Clement James]]></dc:creator>
		<pubDate>Mon, 20 Apr 2026 13:00:30 +0000</pubDate>
				<category><![CDATA[Feature]]></category>
		<category><![CDATA[feature]]></category>
		<category><![CDATA[greg spears]]></category>
		<category><![CDATA[opera philadelphia]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=106863</guid>

					<description><![CDATA[<strong>Gregory Spears</strong>, whose newest opera <em>Sleepers Awake</em> opens this week at Opera Philadelphia, is reviving Romanticism</p>]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/04/20/in-the-garden-of-eden/feed/</wfw:commentRss>
			<slash:comments>8</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">106863</post-id><enclosure length="652416" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/04/GREGORY_SPEARS-credit-Dario_Acosta-2-scaled-e1776301303158-1200x676.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/04/GREGORY_SPEARS-credit-Dario_Acosta-2-scaled-e1776301303158-1200x676.jpg"><media:description>Photo: Dario Acosta</media:description></media:content>	</item>
		<item>
		<title>A favorite art song performance from Armerjacquino</title>
		<link>https://parterre.com/2026/04/20/a-favorite-art-song-performance-from-armerjacquino/</link>
					<comments>https://parterre.com/2026/04/20/a-favorite-art-song-performance-from-armerjacquino/#comments</comments>
		
		<dc:creator><![CDATA[Armerjacquino]]></dc:creator>
		<pubDate>Mon, 20 Apr 2026 10:00:51 +0000</pubDate>
				<category><![CDATA[The Talk of the Town]]></category>
		<category><![CDATA[Favorite art song performances]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=106719</guid>

					<description><![CDATA["Du bist die ruh" was one of the first art songs I ever knew.]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/04/20/a-favorite-art-song-performance-from-armerjacquino/feed/</wfw:commentRss>
			<slash:comments>27</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">106719</post-id><enclosure length="116817" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/03/Janowitz-in-Recording-Studio-1024x919-1-e1774279052275.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/03/Janowitz-in-Recording-Studio-1024x919-1-e1774279052275.jpg"/>	</item>
		<item>
		<title>A favorite art song performance from Emma Hoffman</title>
		<link>https://parterre.com/2026/04/19/a-favorite-art-song-performance-from-emma-hoffman/</link>
					<comments>https://parterre.com/2026/04/19/a-favorite-art-song-performance-from-emma-hoffman/#comments</comments>
		
		<dc:creator><![CDATA[Emma Hoffman]]></dc:creator>
		<pubDate>Sun, 19 Apr 2026 10:00:22 +0000</pubDate>
				<category><![CDATA[The Talk of the Town]]></category>
		<category><![CDATA[Favorite art song performances]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=106661</guid>

					<description><![CDATA[<span data-sheets-root="1"><strong>Respighi</strong>'s <em>liriche</em> can be as colorful, poetic, and downright lovely as any selection from other art song traditions. Case in point: <strong>Rosa Feola</strong>'s recording of the first song from <em>Quattro rispetti toscani.</em></span>]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/04/19/a-favorite-art-song-performance-from-emma-hoffman/feed/</wfw:commentRss>
			<slash:comments>7</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">106661</post-id><enclosure length="24257" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/03/480x480-e1774451236278.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/03/480x480-e1774451236278.jpg"/>	</item>
		<item>
		<title>Music to heal the hurt</title>
		<link>https://parterre.com/2026/04/18/music-to-heal-the-hurt/</link>
					<comments>https://parterre.com/2026/04/18/music-to-heal-the-hurt/#comments</comments>
		
		<dc:creator><![CDATA[Charles Stanton]]></dc:creator>
		<pubDate>Sat, 18 Apr 2026 13:00:55 +0000</pubDate>
				<category><![CDATA[Sad]]></category>
		<category><![CDATA[brian asawa]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=106844</guid>

					<description><![CDATA[Ten years since the death of countertenor <strong>Brian Asawa</strong>, Charles Stanton remembers his friend and corrects the record on his untimely passing.]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/04/18/music-to-heal-the-hurt/feed/</wfw:commentRss>
			<slash:comments>11</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">106844</post-id><enclosure length="275717" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/04/brian-asawa-e1776107086783-1200x676.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/04/brian-asawa-e1776107086783-1200x676.jpg"><media:description>Countertenor Brian Asawa / Photo: Marco Boggreve</media:description></media:content>	</item>
	</channel>
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