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	<title>Parterre Box</title>
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	<description>Opera from a certain point of view</description>
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	<title>Parterre Box</title>
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		<title>Seiji Ozawa was a great opera conductor</title>
		<link>https://parterre.com/2026/07/10/seiji-ozawa-was-a-great-opera-conductor/</link>
					<comments>https://parterre.com/2026/07/10/seiji-ozawa-was-a-great-opera-conductor/#comments</comments>
		
		<dc:creator><![CDATA[TildyDiva]]></dc:creator>
		<pubDate>Fri, 10 Jul 2026 10:00:08 +0000</pubDate>
				<category><![CDATA[The Talk of the Town]]></category>
		<category><![CDATA[great opera conductors]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=108228</guid>

					<description><![CDATA[I first experienced the magic of <strong>Seiji Ozawa</strong> in 1972 when I was 12 years old.]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/07/10/seiji-ozawa-was-a-great-opera-conductor/feed/</wfw:commentRss>
			<slash:comments>1</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">108228</post-id><enclosure length="32821" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/07/sakakeeny-njp-e1783018722252.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/07/sakakeeny-njp-e1783018722252.jpg"><media:description>&lt;a href="https://commons.wikimedia.org/wiki/File:Sakakeeny_NJP.jpg"&gt;WilhelmHeckel&lt;/a&gt;, &lt;a href="https://creativecommons.org/licenses/by-sa/4.0"&gt;CC BY-SA 4.0&lt;/a&gt;, via Wikimedia Commons</media:description></media:content>	</item>
		<item>
		<title>Box Braid</title>
		<link>https://parterre.com/2026/07/09/box-braid/</link>
					<comments>https://parterre.com/2026/07/09/box-braid/#comments</comments>
		
		<dc:creator><![CDATA[Parterre Box]]></dc:creator>
		<pubDate>Thu, 09 Jul 2026 13:00:00 +0000</pubDate>
				<category><![CDATA[Grand Tier Grab Bag]]></category>
		<category><![CDATA[grand tier grab bag]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=107950</guid>

					<description><![CDATA[<strong>Ambur Braid</strong>'s biggest dramatic soprano assignment yet — the Dyer's Wife in Aix — is occasion for <em>Parterre Box</em> to feature her in some of her old repertoire.]]></description>
		
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			<slash:comments>5</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">107950</post-id><enclosure length="378872" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/06/719771221-1523180662594762-2400169949770316525-n-e1781371028229-1200x676.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/06/719771221-1523180662594762-2400169949770316525-n-e1781371028229-1200x676.jpg"><media:description>Photo: Jean-Louis Fernandez</media:description></media:content>	</item>
		<item>
		<title>Fausto Cleva was a great opera conductor</title>
		<link>https://parterre.com/2026/07/09/fausto-cleva-was-a-great-opera-conductor/</link>
					<comments>https://parterre.com/2026/07/09/fausto-cleva-was-a-great-opera-conductor/#comments</comments>
		
		<dc:creator><![CDATA[Ben Miller]]></dc:creator>
		<pubDate>Thu, 09 Jul 2026 10:00:29 +0000</pubDate>
				<category><![CDATA[The Talk of the Town]]></category>
		<category><![CDATA[great opera conductors]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=108103</guid>

					<description><![CDATA[<strong>Fausto Cleva</strong>, in this glorious <em>Fanciulla</em> from the old Met, demonstrates all the great skills of opera conducting]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/07/09/fausto-cleva-was-a-great-opera-conductor/feed/</wfw:commentRss>
			<slash:comments>32</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">108103</post-id><enclosure length="70930" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/06/177667800-1490291481-e1782403400242.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/06/177667800-1490291481-e1782403400242.jpg"/>	</item>
		<item>
		<title>His mouth is always scandalous</title>
		<link>https://parterre.com/2026/07/08/his-mouth-is-always-scandalous/</link>
					<comments>https://parterre.com/2026/07/08/his-mouth-is-always-scandalous/#comments</comments>
		
		<dc:creator><![CDATA[Nigel Wilkinson]]></dc:creator>
		<pubDate>Wed, 08 Jul 2026 13:00:03 +0000</pubDate>
				<category><![CDATA[Performance Reviews]]></category>
		<category><![CDATA[puccini]]></category>
		<category><![CDATA[Review]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=108259</guid>

					<description><![CDATA[A Pasolini-inspired <em>Tosca </em>at <strong>La Monnaie </strong>does not quite find the pleasure in the pain.]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/07/08/his-mouth-is-always-scandalous/feed/</wfw:commentRss>
			<slash:comments>31</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">108259</post-id><enclosure length="90013" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/07/de-munt-mta3mzuwmdcwma-e1783474262485.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/07/de-munt-mta3mzuwmdcwma-e1783474262485.jpg"><media:description>Photo: Pieter Claes</media:description></media:content>	</item>
		<item>
		<title>Aix and you shall receive</title>
		<link>https://parterre.com/2026/07/07/aix-and-you-shall-receive/</link>
					<comments>https://parterre.com/2026/07/07/aix-and-you-shall-receive/#comments</comments>
		
		<dc:creator><![CDATA[Parterre Box]]></dc:creator>
		<pubDate>Tue, 07 Jul 2026 13:00:32 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Broadcast]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=108073</guid>

					<description><![CDATA[Mesdames et Messieurs, this summer's broadcasts from the Festival d'Aix-en-Provence begin this weekend!]]></description>
		
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			<slash:comments>37</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">108073</post-id><enclosure length="711619" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2025/06/PublicArcheveche-1200x674.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2025/06/PublicArcheveche-1200x674.jpg"><media:description>PC: Festival d'Aix-en-Provence</media:description></media:content>	</item>
		<item>
		<title>Giuseppe Patanè was a great opera conductor</title>
		<link>https://parterre.com/2026/07/07/giuseppe-patane-was-a-great-opera-conductor/</link>
					<comments>https://parterre.com/2026/07/07/giuseppe-patane-was-a-great-opera-conductor/#comments</comments>
		
		<dc:creator><![CDATA[Peter Russell]]></dc:creator>
		<pubDate>Tue, 07 Jul 2026 10:00:04 +0000</pubDate>
				<category><![CDATA[The Talk of the Town]]></category>
		<category><![CDATA[great opera conductors]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=108084</guid>

					<description><![CDATA[I think <strong>Patanè</strong> did far more than just hold it together: he did full honor to Verdi.]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/07/07/giuseppe-patane-was-a-great-opera-conductor/feed/</wfw:commentRss>
			<slash:comments>26</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">108084</post-id><enclosure length="23680" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/06/559998514-10161674581957470-6317853963576197454-n-e1782317154758.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/06/559998514-10161674581957470-6317853963576197454-n-e1782317154758.jpg"/>	</item>
		<item>
		<title>Rafael Kubelik was a great opera conductor</title>
		<link>https://parterre.com/2026/07/05/raphael-kubelik-was-a-great-opera-conductor/</link>
					<comments>https://parterre.com/2026/07/05/raphael-kubelik-was-a-great-opera-conductor/#comments</comments>
		
		<dc:creator><![CDATA[Michael Anthonio]]></dc:creator>
		<pubDate>Sun, 05 Jul 2026 10:00:38 +0000</pubDate>
				<category><![CDATA[The Talk of the Town]]></category>
		<category><![CDATA[great opera conductors]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=108081</guid>

					<description><![CDATA[Opera conductors … my favorite subject!]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/07/05/raphael-kubelik-was-a-great-opera-conductor/feed/</wfw:commentRss>
			<slash:comments>70</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">108081</post-id><enclosure length="26555" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/06/ap-9608110335-e1782316788862.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/06/ap-9608110335-e1782316788862.jpg"/>	</item>
		<item>
		<title>Herbert von Karajan was a great opera conductor</title>
		<link>https://parterre.com/2026/07/04/herbert-von-karajan-was-a-great-opera-conductor/</link>
					<comments>https://parterre.com/2026/07/04/herbert-von-karajan-was-a-great-opera-conductor/#comments</comments>
		
		<dc:creator><![CDATA[Mr. Portafiori]]></dc:creator>
		<pubDate>Sat, 04 Jul 2026 10:00:45 +0000</pubDate>
				<category><![CDATA[The Talk of the Town]]></category>
		<category><![CDATA[great opera conductors]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=108118</guid>

					<description><![CDATA[He has conducted some of my favorite opera recordings.]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/07/04/herbert-von-karajan-was-a-great-opera-conductor/feed/</wfw:commentRss>
			<slash:comments>136</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">108118</post-id><enclosure length="34978" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2024/12/HvK-und-Oistrakh-1969-Tripel-e1736905766696.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2024/12/HvK-und-Oistrakh-1969-Tripel-e1736905766696.jpg"/>	</item>
		<item>
		<title>Ernest Ansermet was a great opera conductor</title>
		<link>https://parterre.com/2026/07/03/ernest-ansermet-was-a-great-opera-conductor/</link>
					<comments>https://parterre.com/2026/07/03/ernest-ansermet-was-a-great-opera-conductor/#comments</comments>
		
		<dc:creator><![CDATA[trevor]]></dc:creator>
		<pubDate>Fri, 03 Jul 2026 10:00:07 +0000</pubDate>
				<category><![CDATA[The Talk of the Town]]></category>
		<category><![CDATA[great opera conductors]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=108078</guid>

					<description><![CDATA[Although <strong>Ernest Ansermet</strong> is most often associated with orchestral music, his 1964 recording of Debussy’s <em>Pelléas et Mélisande</em> is still my favorite.]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/07/03/ernest-ansermet-was-a-great-opera-conductor/feed/</wfw:commentRss>
			<slash:comments>68</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">108078</post-id><enclosure length="19397" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/06/images-e1782316525911.jpeg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/06/images-e1782316525911.jpeg"/>	</item>
		<item>
		<title>Extravagant minimalism</title>
		<link>https://parterre.com/2026/07/02/extravagant-minimalism/</link>
					<comments>https://parterre.com/2026/07/02/extravagant-minimalism/#comments</comments>
		
		<dc:creator><![CDATA[Kevin Ng]]></dc:creator>
		<pubDate>Thu, 02 Jul 2026 13:00:50 +0000</pubDate>
				<category><![CDATA[Feature]]></category>
		<category><![CDATA[barrie kosky]]></category>
		<category><![CDATA[feature]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=108214</guid>

					<description><![CDATA[Ahead of his new production of <em>Die Frau ohne Schatten</em>, <strong>Barrie Kosky</strong> chats with Kevin Ng in Aix about pretty much everything — except the details of his new <em>Frau</em>.]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/07/02/extravagant-minimalism/feed/</wfw:commentRss>
			<slash:comments>34</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">108214</post-id><enclosure length="178524" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/07/credit-jan-windszus-2021-08-27-120302-oitn-e1782935690138.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/07/credit-jan-windszus-2021-08-27-120302-oitn-e1782935690138.jpg"><media:description>Director Barrie Kosky / Jan Windszus</media:description></media:content>	</item>
		<item>
		<title>Beyond the valley of the gods</title>
		<link>https://parterre.com/2026/07/02/beyond-the-valley-of-the-gods/</link>
					<comments>https://parterre.com/2026/07/02/beyond-the-valley-of-the-gods/#comments</comments>
		
		<dc:creator><![CDATA[Montagu James]]></dc:creator>
		<pubDate>Thu, 02 Jul 2026 13:00:03 +0000</pubDate>
				<category><![CDATA[Performance Reviews]]></category>
		<category><![CDATA[bayerische staatsoper]]></category>
		<category><![CDATA[Review]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=108199</guid>

					<description><![CDATA[The<strong> Bayerische Staatsoper</strong>’s <em>Ring </em>cycle scores another triumph with<strong> Tobias Kratzer</strong>’s take on <em>Die Walküre</em>.]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/07/02/beyond-the-valley-of-the-gods/feed/</wfw:commentRss>
			<slash:comments>8</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">108199</post-id><enclosure length="542317" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/07/die-walkuere-2026-m-l-vaerelae-n-brownlee-c-m-rittershaus-2-scaled-e1782955493929-1200x675.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/07/die-walkuere-2026-m-l-vaerelae-n-brownlee-c-m-rittershaus-2-scaled-e1782955493929-1200x675.jpg"><media:description>Photo: Monika Rittershaus
</media:description></media:content>	</item>
		<item>
		<title>Aegean in place</title>
		<link>https://parterre.com/2026/07/01/aegean-in-place/</link>
					<comments>https://parterre.com/2026/07/01/aegean-in-place/#comments</comments>
		
		<dc:creator><![CDATA[A.J. Goldmann]]></dc:creator>
		<pubDate>Wed, 01 Jul 2026 13:00:50 +0000</pubDate>
				<category><![CDATA[Performance Reviews]]></category>
		<category><![CDATA[anna pirozzi]]></category>
		<category><![CDATA[greek national opera]]></category>
		<category><![CDATA[maria callas]]></category>
		<category><![CDATA[Review]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=108200</guid>

					<description><![CDATA[Greek National Opera's <em>Medea</em> in the ancient theater at Epidaurus is an intermittently rewarding exercise in nostalgia.]]></description>
		
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			<slash:comments>23</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">108200</post-id><enclosure length="329717" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/06/447022-scaled-e1782858753990-1200x676.jpeg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/06/447022-scaled-e1782858753990-1200x676.jpeg"><media:description>Anna Pirozzi in Medea at the ancient theater at Epidaurus AFP Photo</media:description></media:content>	</item>
		<item>
		<title>Ma queer immortelle</title>
		<link>https://parterre.com/2026/07/01/ma-queer-immortelle/</link>
					<comments>https://parterre.com/2026/07/01/ma-queer-immortelle/#comments</comments>
		
		<dc:creator><![CDATA[Matthew Travisano]]></dc:creator>
		<pubDate>Wed, 01 Jul 2026 13:00:21 +0000</pubDate>
				<category><![CDATA[Performance Reviews]]></category>
		<category><![CDATA[concert]]></category>
		<category><![CDATA[gay]]></category>
		<category><![CDATA[Review]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=108196</guid>

					<description><![CDATA[<strong>San Francisco Opera </strong>hosts an exuberant tribute to queerness past and present.]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/07/01/ma-queer-immortelle/feed/</wfw:commentRss>
			<slash:comments>14</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">108196</post-id><enclosure length="362224" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/06/6-26-26-kl-1741-1-scaled-e1782866783992-1200x676.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/06/6-26-26-kl-1741-1-scaled-e1782866783992-1200x676.jpg"><media:description>Photo: Cory Weaver </media:description></media:content>	</item>
		<item>
		<title>Yannick Nézet-Séguin is a great opera conductor</title>
		<link>https://parterre.com/2026/07/01/yannick-nezet-seguin-is-a-great-opera-conductor/</link>
					<comments>https://parterre.com/2026/07/01/yannick-nezet-seguin-is-a-great-opera-conductor/#comments</comments>
		
		<dc:creator><![CDATA[Leyla Gender-Bender]]></dc:creator>
		<pubDate>Wed, 01 Jul 2026 10:00:59 +0000</pubDate>
				<category><![CDATA[The Talk of the Town]]></category>
		<category><![CDATA[great opera conductors]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=108075</guid>

					<description><![CDATA[Historically, conductors were often viewed as rigid, authoritarian figures. <strong>Yannick Nézet-Séguin</strong> completely subverts this stereotype.]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/07/01/yannick-nezet-seguin-is-a-great-opera-conductor/feed/</wfw:commentRss>
			<slash:comments>154</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">108075</post-id><enclosure length="116223" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/06/395893-ch11498737-e1782316319276.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/06/395893-ch11498737-e1782316319276.jpg"><media:description>Photo: Chris Lee</media:description></media:content>	</item>
		<item>
		<title>Goodnight, Irene</title>
		<link>https://parterre.com/2026/06/30/goodnight-irene/</link>
					<comments>https://parterre.com/2026/06/30/goodnight-irene/#comments</comments>
		
		<dc:creator><![CDATA[Parterre Box]]></dc:creator>
		<pubDate>Tue, 30 Jun 2026 13:00:14 +0000</pubDate>
				<category><![CDATA[Grand Tier Grab Bag]]></category>
		<category><![CDATA[grand tier grab bag]]></category>
		<category><![CDATA[irene roberts]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=107934</guid>

					<description><![CDATA[Grand Tier Grab Bag features the American Zwischenfach mezzo <strong>Irene Roberts</strong> ahead of an eclectic season of Wagner.]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/06/30/goodnight-irene/feed/</wfw:commentRss>
			<slash:comments>8</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">107934</post-id><enclosure length="193996" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/06/480506515-1197129968444977-1469933973065139814-n-e1781028746872-1200x673.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/06/480506515-1197129968444977-1469933973065139814-n-e1781028746872-1200x673.jpg"><media:description>Irene Roberts as Kundry in PArsifal at the Bayerische Staatsoper, March 2024 / Photo: W. Hösl</media:description></media:content>	</item>
		<item>
		<title>Queening out</title>
		<link>https://parterre.com/2026/06/30/queening-out/</link>
					<comments>https://parterre.com/2026/06/30/queening-out/#comments</comments>
		
		<dc:creator><![CDATA[Montagu James]]></dc:creator>
		<pubDate>Tue, 30 Jun 2026 13:00:00 +0000</pubDate>
				<category><![CDATA[Performance Reviews]]></category>
		<category><![CDATA[contemporary opera]]></category>
		<category><![CDATA[premiere]]></category>
		<category><![CDATA[Review]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=108177</guid>

					<description><![CDATA[<strong>Brett Dean</strong>'s <em>Of One Blood </em>casts a well-trodden Tudor tale in a poignant, new light.]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/06/30/queening-out/feed/</wfw:commentRss>
			<slash:comments>7</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">108177</post-id><enclosure length="294950" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/06/05-of-one-blood-c-m-rittershaus-scaled-e1782782870909-1200x676.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/06/05-of-one-blood-c-m-rittershaus-scaled-e1782782870909-1200x676.jpg"><media:description>Photo: Monica Rittershaus</media:description></media:content>	</item>
		<item>
		<title>Patrizia Ciofi should have made it to the Met</title>
		<link>https://parterre.com/2026/06/30/patrizia-ciofi-should-have-made-it-to-the-met/</link>
					<comments>https://parterre.com/2026/06/30/patrizia-ciofi-should-have-made-it-to-the-met/#comments</comments>
		
		<dc:creator><![CDATA[Mr. Portafiori]]></dc:creator>
		<pubDate>Tue, 30 Jun 2026 10:00:37 +0000</pubDate>
				<category><![CDATA[The Talk of the Town]]></category>
		<category><![CDATA[never made it to the met]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=107923</guid>

					<description><![CDATA[The artist who I feel should have made it to the Met is <strong>Patrizia Ciofi</strong>.]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/06/30/patrizia-ciofi-should-have-made-it-to-the-met/feed/</wfw:commentRss>
			<slash:comments>101</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">107923</post-id><enclosure length="60304" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2025/02/xxl_huguenot-berlin-patrizia-ciofi-2016-e1740685136356.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2025/02/xxl_huguenot-berlin-patrizia-ciofi-2016-e1740685136356.jpg"><media:description>Deutsche Oper Berlin</media:description></media:content>	</item>
		<item>
		<title>Giannina Arangi-Lombardi never made it to the Met</title>
		<link>https://parterre.com/2026/06/29/giannina-arangi-lombardi-never-made-it-to-the-met/</link>
					<comments>https://parterre.com/2026/06/29/giannina-arangi-lombardi-never-made-it-to-the-met/#comments</comments>
		
		<dc:creator><![CDATA[Ivy Lin]]></dc:creator>
		<pubDate>Mon, 29 Jun 2026 10:00:41 +0000</pubDate>
				<category><![CDATA[The Talk of the Town]]></category>
		<category><![CDATA[never made it to the met]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=107797</guid>

					<description><![CDATA[<strong>Giannina Arangi-Lombardi</strong> never sang at the Met.]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/06/29/giannina-arangi-lombardi-never-made-it-to-the-met/feed/</wfw:commentRss>
			<slash:comments>47</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">107797</post-id><enclosure length="34795" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/06/35-e1780324137922.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/06/35-e1780324137922.jpg"/>	</item>
		<item>
		<title>Et O ces voix d’enfants</title>
		<link>https://parterre.com/2026/06/27/et-o-ces-voix-denfants/</link>
					<comments>https://parterre.com/2026/06/27/et-o-ces-voix-denfants/#comments</comments>
		
		<dc:creator><![CDATA[Nigel Wilkinson]]></dc:creator>
		<pubDate>Sat, 27 Jun 2026 13:00:36 +0000</pubDate>
				<category><![CDATA[Performance Reviews]]></category>
		<category><![CDATA[opera comique]]></category>
		<category><![CDATA[Review]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=108061</guid>

					<description><![CDATA[<em>Brundibár </em>at the <strong>Opéra Comique </strong>combines whimsy with historicity to sobering effect.]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/06/27/et-o-ces-voix-denfants/feed/</wfw:commentRss>
			<slash:comments>2</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">108061</post-id><enclosure length="1040076" type="image/png" url="https://parterre.com/wp-content/uploads/2026/06/br04-1200x778.png"/><media:content type="image/png" url="https://parterre.com/wp-content/uploads/2026/06/br04-1200x778.png"><media:description>Photo: Stefan Brion</media:description></media:content>	</item>
		<item>
		<title>Andrée Esposito and Alain Vanzo should have made it to the Met</title>
		<link>https://parterre.com/2026/06/27/andree-esposito-and-alain-vanzo-should-have-made-it-to-the-met/</link>
					<comments>https://parterre.com/2026/06/27/andree-esposito-and-alain-vanzo-should-have-made-it-to-the-met/#comments</comments>
		
		<dc:creator><![CDATA[Krunoslav]]></dc:creator>
		<pubDate>Sat, 27 Jun 2026 10:00:42 +0000</pubDate>
				<category><![CDATA[The Talk of the Town]]></category>
		<category><![CDATA[never made it to the met]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=107794</guid>

					<description><![CDATA[This <em>Mireille</em> duet unites </span><strong>Andrée Esposito</strong> and <strong>Alain Vanzo</strong> and shows the timbral and stylistic qualities that made them exemplary.]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/06/27/andree-esposito-and-alain-vanzo-should-have-made-it-to-the-met/feed/</wfw:commentRss>
			<slash:comments>153</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">107794</post-id><enclosure length="19306" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/06/hqdefault-e1780323897366.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/06/hqdefault-e1780323897366.jpg"/>	</item>
		<item>
		<title>A little tenderness</title>
		<link>https://parterre.com/2026/06/26/a-little-tenderness/</link>
					<comments>https://parterre.com/2026/06/26/a-little-tenderness/#comments</comments>
		
		<dc:creator><![CDATA[Dawn Fatale]]></dc:creator>
		<pubDate>Fri, 26 Jun 2026 13:00:27 +0000</pubDate>
				<category><![CDATA[Recording Reviews]]></category>
		<category><![CDATA[new opera]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[Review]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=108050</guid>

					<description><![CDATA[The premiere recording of David T. Little's <em>What Belongs to You </em>reveals a work of both tenderness and artistic tenacity.]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/06/26/a-little-tenderness/feed/</wfw:commentRss>
			<slash:comments>1</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">108050</post-id><enclosure length="110791" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/06/performance-e1782347940613.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/06/performance-e1782347940613.jpg"><media:description>Photo: Jay Mather</media:description></media:content>	</item>
		<item>
		<title>There are no dead</title>
		<link>https://parterre.com/2026/06/25/there-are-no-dead/</link>
					<comments>https://parterre.com/2026/06/25/there-are-no-dead/#comments</comments>
		
		<dc:creator><![CDATA[John Danaher]]></dc:creator>
		<pubDate>Thu, 25 Jun 2026 13:00:45 +0000</pubDate>
				<category><![CDATA[Feature]]></category>
		<category><![CDATA[book review]]></category>
		<category><![CDATA[feature]]></category>
		<category><![CDATA[james mccourt]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=108056</guid>

					<description><![CDATA[John Danaher pays an operatic tribute to the writings of <strong>James McCourt</strong>, an author who captured the spirit of opera as queer <em>and dangerous</em> like no other.]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/06/25/there-are-no-dead/feed/</wfw:commentRss>
			<slash:comments>16</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">108056</post-id><enclosure length="359742" type="image/png" url="https://parterre.com/wp-content/uploads/2026/06/screenshot-2026-06-23-at-11-44-58-am-e1782229520835.png"/><media:content type="image/png" url="https://parterre.com/wp-content/uploads/2026/06/screenshot-2026-06-23-at-11-44-58-am-e1782229520835.png"><media:description>A portion of the cover of Mawrdew Czgowchwz by James McCourt</media:description></media:content>	</item>
		<item>
		<title>Mahler if ya hear me</title>
		<link>https://parterre.com/2026/06/25/mahler-if-ya-hear-me/</link>
					<comments>https://parterre.com/2026/06/25/mahler-if-ya-hear-me/#comments</comments>
		
		<dc:creator><![CDATA[Christopher Corwin]]></dc:creator>
		<pubDate>Thu, 25 Jun 2026 13:00:40 +0000</pubDate>
				<category><![CDATA[Performance Reviews]]></category>
		<category><![CDATA[mahler]]></category>
		<category><![CDATA[Review]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=108062</guid>

					<description><![CDATA[Yannick Nézet-Séguin, leading the Met Orchestra, and Joyce DiDonato continue their exploration of Mahler at Carnegie Hall.]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/06/25/mahler-if-ya-hear-me/feed/</wfw:commentRss>
			<slash:comments>10</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">108062</post-id><enclosure length="212910" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/06/ch11696444-e1782345823877-1200x676.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/06/ch11696444-e1782345823877-1200x676.jpg"><media:description>The Met Orchestra with Yannick Nezet Seguin and Joyce DiDonato. Photo: Jennifer Taylor</media:description></media:content>	</item>
		<item>
		<title>Ebe Stignani and Anita Cerquetti should have made it to the Met</title>
		<link>https://parterre.com/2026/06/25/ebe-stignani-and-anita-cerquetti-should-have-made-it-to-the-met/</link>
					<comments>https://parterre.com/2026/06/25/ebe-stignani-and-anita-cerquetti-should-have-made-it-to-the-met/#comments</comments>
		
		<dc:creator><![CDATA[Ben Miller]]></dc:creator>
		<pubDate>Thu, 25 Jun 2026 10:00:15 +0000</pubDate>
				<category><![CDATA[The Talk of the Town]]></category>
		<category><![CDATA[never made it to the met]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=107791</guid>

					<description><![CDATA[Subtlety is for cowards, say the blazing <strong>Anita Cerquetti</strong> and the blaring <strong>Ebe Stignani</strong>.]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/06/25/ebe-stignani-and-anita-cerquetti-should-have-made-it-to-the-met/feed/</wfw:commentRss>
			<slash:comments>165</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">107791</post-id><enclosure length="23124" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/06/ebe-stignani-in-cavalleria-gb0773-wm-6f8cc239-5e1a-4388-bfa5-2d2e5eaa24c2-e1780323677478.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/06/ebe-stignani-in-cavalleria-gb0773-wm-6f8cc239-5e1a-4388-bfa5-2d2e5eaa24c2-e1780323677478.jpg"/>	</item>
		<item>
		<title>Poetic license</title>
		<link>https://parterre.com/2026/06/24/poetic-license/</link>
					<comments>https://parterre.com/2026/06/24/poetic-license/#comments</comments>
		
		<dc:creator><![CDATA[Parterre Box]]></dc:creator>
		<pubDate>Wed, 24 Jun 2026 13:00:18 +0000</pubDate>
				<category><![CDATA[Grand Tier Grab Bag]]></category>
		<category><![CDATA[grand tier grab bag]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=107800</guid>

					<description><![CDATA[<em>Parterre Box</em> shines a light on <strong>Liparit Avetisyan</strong>, who made his Met debut as Alfredo earlier this spring.]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/06/24/poetic-license/feed/</wfw:commentRss>
			<slash:comments>7</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">107800</post-id><enclosure length="243006" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/06/481295860-1224618072355802-2137264608650444357-n-e1780352348845-1200x676.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/06/481295860-1224618072355802-2137264608650444357-n-e1780352348845-1200x676.jpg"><media:description>Liparit Avetisyan in Eugene Onegin at the Royal Ballet and Opera, 2024 / Photo: Tristram Kenton/RBO</media:description></media:content>	</item>
		<item>
		<title>Fifty percent illusion</title>
		<link>https://parterre.com/2026/06/23/fifty-percent-illusion/</link>
					<comments>https://parterre.com/2026/06/23/fifty-percent-illusion/#comments</comments>
		
		<dc:creator><![CDATA[Elaine Yao]]></dc:creator>
		<pubDate>Tue, 23 Jun 2026 13:00:28 +0000</pubDate>
				<category><![CDATA[Performance Reviews]]></category>
		<category><![CDATA[festival]]></category>
		<category><![CDATA[Review]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=108043</guid>

					<description><![CDATA[<strong>Opera Theatre of Saint Louis </strong>does its best to give magic in its summer productions of <em>Roméo et Juliette</em> and <em>A Streetcar Named Desired. </em>]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/06/23/fifty-percent-illusion/feed/</wfw:commentRss>
			<slash:comments>37</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">108043</post-id><enclosure length="123613" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/06/otsl-2026-streetcar-pressfinal-4k-004-blanche2-e1782175249982.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/06/otsl-2026-streetcar-pressfinal-4k-004-blanche2-e1782175249982.jpg"><media:description>Photo: Eric Woolsey</media:description></media:content>	</item>
		<item>
		<title>Sena Jurinac should have made it to the Met</title>
		<link>https://parterre.com/2026/06/23/sena-jurinac-should-have-made-it-to-the-met/</link>
					<comments>https://parterre.com/2026/06/23/sena-jurinac-should-have-made-it-to-the-met/#comments</comments>
		
		<dc:creator><![CDATA[Peter]]></dc:creator>
		<pubDate>Tue, 23 Jun 2026 10:00:53 +0000</pubDate>
				<category><![CDATA[The Talk of the Town]]></category>
		<category><![CDATA[never made it to the met]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=107788</guid>

					<description><![CDATA[<strong>Sena Jurinac</strong>, a celebrated Mozart and Strauss singer here as the Composer, a signature role.]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/06/23/sena-jurinac-should-have-made-it-to-the-met/feed/</wfw:commentRss>
			<slash:comments>123</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">107788</post-id><enclosure length="30512" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/06/hq720-e1780323286426.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/06/hq720-e1780323286426.jpg"/>	</item>
		<item>
		<title>Janet Baker should have made it to the Met</title>
		<link>https://parterre.com/2026/06/22/janet-baker-should-have-made-it-to-the-met/</link>
					<comments>https://parterre.com/2026/06/22/janet-baker-should-have-made-it-to-the-met/#comments</comments>
		
		<dc:creator><![CDATA[Darby Fegan]]></dc:creator>
		<pubDate>Mon, 22 Jun 2026 10:00:19 +0000</pubDate>
				<category><![CDATA[The Talk of the Town]]></category>
		<category><![CDATA[never made it to the met]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=107785</guid>

					<description><![CDATA[The divine Dame <strong>Janet Baker</strong> never sang at the Metropolitan, sadly for American audiences.]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/06/22/janet-baker-should-have-made-it-to-the-met/feed/</wfw:commentRss>
			<slash:comments>87</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">107785</post-id><enclosure length="24557" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/06/sddefault-e1780323075720.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/06/sddefault-e1780323075720.jpg"/>	</item>
		<item>
		<title>Super rich kids</title>
		<link>https://parterre.com/2026/06/21/super-rich-kids/</link>
					<comments>https://parterre.com/2026/06/21/super-rich-kids/#comments</comments>
		
		<dc:creator><![CDATA[Brendan Latimer]]></dc:creator>
		<pubDate>Sun, 21 Jun 2026 13:00:08 +0000</pubDate>
				<category><![CDATA[Performance Reviews]]></category>
		<category><![CDATA["reviews"]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=108004</guid>

					<description><![CDATA[<strong>Wolf Trap Opera</strong> triumphs in a fizzy, fun <em>Cenerentola.</em>]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/06/21/super-rich-kids/feed/</wfw:commentRss>
			<slash:comments>7</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">108004</post-id><enclosure length="185560" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/06/53-large-e1781990577124-1200x675.jpeg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/06/53-large-e1781990577124-1200x675.jpeg"/>	</item>
		<item>
		<title>Dorothy Maynor should have made it to the Met</title>
		<link>https://parterre.com/2026/06/21/dorothy-maynor-should-have-made-it-to-the-met/</link>
					<comments>https://parterre.com/2026/06/21/dorothy-maynor-should-have-made-it-to-the-met/#comments</comments>
		
		<dc:creator><![CDATA[Rowna Sutin]]></dc:creator>
		<pubDate>Sun, 21 Jun 2026 10:00:57 +0000</pubDate>
				<category><![CDATA[The Talk of the Town]]></category>
		<category><![CDATA[never made it to the met]]></category>
		<guid isPermaLink="false">https://parterre.com/?p=107783</guid>

					<description><![CDATA[We had to wait for Marian Anderson to break the color barrier at the Met and many great Black opera singers never had a chance there.]]></description>
		
					<wfw:commentRss>https://parterre.com/2026/06/21/dorothy-maynor-should-have-made-it-to-the-met/feed/</wfw:commentRss>
			<slash:comments>29</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">107783</post-id><enclosure length="46409" type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/04/66bfd299c165b9111bd6aac7_66b1d0780ca5dd11cb2398e6_Dorothy-Maynor.jpg"/><media:content type="image/jpeg" url="https://parterre.com/wp-content/uploads/2026/04/66bfd299c165b9111bd6aac7_66b1d0780ca5dd11cb2398e6_Dorothy-Maynor.jpg"/>	</item>
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