A quick update to my previous post: Panasonic now has one registered but not yet announced new camera under the code name P2503A:

• Panasonic P2409A: Wi-Fi 5 and Bluetooth. This could correspond to the new Lumix L10.
• Panasonic P2501A: Bluetooth only, no Wi-Fi. This could correspond to the Lumix ZS300/TZ300, which was announced on March 24th.
• Panasonic P2303A: Wi-Fi 5 and Bluetooth. It was registered on September 28th, 2023, so it may correspond to an abandoned project.
• Panasonic P2503A: Wi-Fi 5 and Bluetooth, not yet announced.

Panasonic still has four registered but not yet announced cameras

Thanks, Mistral75!

The post Update: Panasonic still has one registered but not yet announced new camera appeared first on Photo Rumors.

Meike officially released two new previously reported lenses:

Meike AF 85mm f/1.4 Ⅱ MIX full-frame lens

• Pre-orders: Meike store (coming soon to B&H Photo)
• Previously reported here
• Additional information
• For L/E/Z mount

Meike AF 56mm f/1.7 Air APS-C lens

• Pre-orders: B&H Photo | Meike store
• Previously reported here
• Additional information
• For X/E/Z mount – the E-mount version was already released in April:

Meike announced a new AF 56mm f/1.7 Air APS-C lens for Sony E-mount ($169)

The post Meike officially released two new AF lenses: 85mm f/1.4 Ⅱ (L/E/Z) & 56mm f/1.7 (X/E/Z) appeared first on Photo Rumors.

Several new cinema lenses were introduced recently:

New Cooke Anamorphic 35mm/50mm/85mm lenses with a 1.5x squeeze factor (additional information).

Thypoch releases a new Simera-C 16mm T1.9 cine lens and a six-lens kit (additional information).

Thypoch also released a new six-lens kit.

 
Blazar announced a new Talon 35mm T2.1 1.5X anamorphic lens.

Zeiss will announce new Panoptes 65 cinema lenses at the Cine Gear Expo Los Angeles (June 5-6, 2026).

Zeiss is teasing “The next major advancement in lens technology” coming on June 2nd

The post New Cooke, Thypoch, Blazar, and Zeiss cinema lenses appeared first on Photo Rumors.

Leica announced the previously rumored M11-P, D-Lux 8, Q3 cameras, and APO-Summicron-M 50 lens in Metal Gray finish. As already reported, the different models will be released a few weeks apart.

• Pre-orders: B&H Photo | WEX Photo | Foto Koch | Calumet
• New Leica accessories
• Additional information:

Officially announced: new Leica M11-P, D-Lux 8, Q3 cameras and APO-Summicron-M 50 lens in Metal Gray

Leica announced new accessories for the Metal Gray cameras

New: Leica M-mount body and lens caps with AirTag

Used Leica gear savings at WEX Photo UK

The post Leica announced new M11-P, D-Lux 8, Q3 cameras and APO-Summicron-M 50 lens in Metal Gray appeared first on Photo Rumors.

Sandisk and Lexar announced new memory cards:

Sandisk Extreme PRO CFexpress 4.0 Type B memory cards up to 4TB:

• Sequential read performance: up to 3700MB/s
• Sequential write performance: up to 3500MB/s

Lexar Silver Plus Series 2TB microSDXC UHS-I Card (coming to B&H soon):

• Up to 205MB/s read transfer, write speeds lower

Major 25% Lexar price increase coming on June 1st

LaCie just increased prices in the US by around 9-12%

OWC announced a memory card price increase, while B&H is running a sale on Lexar memory cards

ProGrade memory cards price increase coming on May 1st, others will follow

The post New: Sandisk Extreme PRO CFexpress 4.0 Type B and Lexar Silver Plus microSDXC UHS-I memory cards announced appeared first on Photo Rumors.

Here are the latest Pentax/Ricoh news and rumors

Kimio Tanaka confirms again that Pentax is developing a new DSLR camera

Ricoh: “We will not abandon SLRs”

Asahiman: new Pentax DSLR camera is coming in 2026

The Ricoh GR IV Monochrome camera is now in stock

October 2026 will mark the 30th anniversary of the Ricoh GR camera line

The Ricoh GR IV Monochrome camera won the 2026 Camera GP Editors’ Choice Technology Award

Ricoh GR IV wins “Best APS-C compact camera” at 2026 TIPA Photo & Imaging Awards

Photons to Photos published their Ricoh GR IV Monochrome camera’s photographic dynamic range sensor measurements

Pentax KF camera marked as discontinued in Japanese retailers

Ricoh FY2025 financial results (for the year ending May 12, 2026)

Pentax Spring Savings

The post The latest Pentax/Ricoh news and rumors appeared first on Photo Rumors.

Godox announced a new MF-T76 macro twin flash for Nikon, Canon, and Sony cameras:

A list of the latest Godox products can be found here.

Several Godox flashes are currently on sale.

The post Godox announced a new MF-T76 macro twin flash for Nikon, Canon, and Sony cameras appeared first on Photo Rumors.

Viltrox announced a new Z1 Pro vintage/retro-inspired compact flash for Canon, Nikon, Sony, and Fujifilm cameras (the pro version of the existing Z1)

• Pre-orders: B&H Photo | Amazon US | Amazon DE | Viltrox
• Modern functionality with signature vintage styling
• Great for beginners, versatile enough for professionals
• First Vintage-series flash with High-Speed Sync (HSS)
• TTL Automatic Flash Metering with S1/S2 modes
• Circular color touchscreen control simplifies workflows
• 24W output with 1 second recycle time
• High-capacity battery supports 350 full-power flashes
• Additional information:

• Up to 1/8000s High-Speed Sync for Greater Shooting Flexibility.
• TTL & Manual Flash Modes for Versatile Creative Control.
• Retro-Inspired Design with Timeless Mechanical Styling.
• Touchscreen Interface with Dial Control for Intuitive Operation.
• 24Ws Flash Power with Fast 1s Recycle Time.
• S1/S2 Optical Trigger Modes for Multi-Flash Setups.
• Multi-System Hot Shoe Compatibility for Broad Camera Support.
• Up to 350 Full-Power Flashes for Extended Shooting Sessions.

TTL Automatic Flash Metering and New High-Speed Sync

The Vintage Z1 Pro is the first in the series to include High-Speed Sync (HSS) functionality up to 1/8000s, enabling photographers to shoot in bright daylight with wider apertures and capture fast-moving subjects in natural ambient conditions.

TTL flash metering automatically adjusts flash output based on ambient lighting conditions. The Vintage Z1 Pro supports two optical trigger modes: S1 mode, which triggers simultaneously when another flash burst is detected, and S2 mode, which ignores TTL pre-flashes and triggers on the primary flash burst, enabling flexible multi-light arrangements and off-camera flash setups.

Intuitive Circular Color Touchscreen

The Vintage Z1 Pro features a newly integrated circular color touchscreen UI designed to simplify workflows. The display provides clear access to flash output levels, shooting modes, battery status, and sync settings, while touch-based controls enable faster and more intuitive adjustments compared to traditional button-operated interfaces.

High-Speed, High-Performance Flash

The Vintage Z1 Pro delivers 24Ws flash output with a 1-second recycle time. The high-capacity battery supports up to 350 full-power flashes per charge, helping creators maintain a smooth shooting rhythm. Integrated USB-C charging allows the flash to fit conveniently into modern loadouts, with a full recharge taking just 70 minutes.

Broad Camera Compatibility

The Vintage Z1 Pro supports Sony, Nikon, Canon, and Fujifilm camera systems (hot shoe versions) across a wide range of mainstream cameras.

The Diversity of Style in Viltrox’s Flash Series

With the launch of the Vintage Z1 Pro, Viltrox continues to expand its flash lineup, offering creators a broader range of lighting solutions across different shooting styles, creative preferences, and performance needs.

Additional pictures:

The post Viltrox launches the Z1 Pro vintage/retro-inspired compact flash for Canon, Nikon, Sony, and Fujifilm cameras appeared first on Photo Rumors.

Lensbaby recently announced a new Petzval-inspired Twist 28mm f/3.5 full-frame manual-focus pancake lens with a classic swirling character:

• Pre-orders: B&H Photo | Amazon
• Petzval-Inspired Swirl
• Fixed f/3.5 Aperture
• Lens design: 4 elements in 3 groups
• Antireflective Multicoated Lens Element
• Weight: 140g
• Minimum focusing distance: 200mm (8 inches)
• For Canon RF, Fuji X, Nikon Z, Sony E, and MFT mounts
• Price: $190
• Additional information:

The Twist 28 draws on 19th-century Petzval optical design, which produces a sharp center of focus with a swirling blur effect in the outer portions of the frame. At 28mm, this optical characteristic applies across a wider field of view than prior Twist lenses, which photographers have used to create layered, motion-influenced images in tighter focal lengths.

The post New: Lensbaby Twist 28mm f/3.5 full-frame manual-focus pancake lens for $190 appeared first on Photo Rumors.

Panasonic Japan issued a notice that the new Lumix L10 camera “received significantly more pre-orders than anticipated” and customers who pre-order in the future may experience delays in delivery after the release date of June 18th (pre-orders: B&H Photo | WEX Photo | Foto Erhardt):

Notice Regarding Delivery of Digital Camera DC-L10

Thank you for your continued patronage of Panasonic products.

Regarding the LUMIX “DC-L10” digital camera, scheduled for release on June 18th, we have received significantly more pre-orders than anticipated. Therefore, some customers who have already pre-ordered may not receive their product on the release date. Furthermore, customers who pre-order in the future may experience delays in delivery after the release date.

We sincerely apologize for the considerable inconvenience caused to our customers who are eagerly awaiting the product, as well as to all those involved.

We will do our utmost to meet customer expectations and deliver the product as quickly as possible, and we appreciate your understanding.

Affected Products:

• DC-L10-K/S
• DC-L10-N (Panasonic Store Plus Model)

New Panasonic L10 camera announced for the 25th anniversary of LUMIX

Comparing the new Panasonic Lumix L10 camera with the LX100 II

Panasonic announced a new L10 camera today, is the Leica D-Lux 9 coming next?

The post Panasonic Lumix L10 camera “received significantly more pre-orders than anticipated” appeared first on Photo Rumors.

7Artisans will soon announce three new lenses:

• 7Artisans AF 18mm f/2 pancake lens
• 7Artisans AF 10mm f/4 pancake lens
• 7Artisans AF 10mm f/2.5 full-frame fisheye lens

Here are the first pictures:

All new lenses from the 2026 China P&E Imaging Show (update #3)

7Artisans is teasing a new 10mm wide-angle lens

The post First pictures of the upcoming 7Artisans AF 18mm f/2, 10mm f/2.5, and 10mm f/4 lenses appeared first on Photo Rumors.

    
You can already reserve the upcoming Insta360 Luna in Germany. Additional information on the new camera can be found here (check the Insta360 website for more information):

• 8K video with Leica image quality
• 1-inch sensor & Leica Summicron lens
• 3-axis gimbal stabilization
• 4K with up to 120 fps
• Triple AI chip with Deep Track
• 10-bit
• I-Log & Leica colour profiles

The latest Insta360 Luna camera rumors

Coming soon: Insta360 Luna pocket handheld gimbal camera

The post You can already reserve the upcoming Insta360 Luna camera in Germany appeared first on Photo Rumors.

Here are the latest photo deals in Germany

• Canon
• Nikon
• Sony (Sony a7RVI)
• Panasonic
• Fujifilm GFX
• Fujifilm X
• OM System
• Tamron
• Sigma
• Zeiss
• Godox/Nanlite
• Profoto
• Peak Design
• Nisi

The full list can be found here.

The post The latest photo deals in Germany appeared first on Photo Rumors.

Aiarty Image Enhancer: Restore Old Photos and Recover Blurry Faces with AI (49% Lifetime License)

Restoring old photos is rarely as simple as increasing sharpness or removing visible damage. Many photographers and families are now digitizing decades-old prints, film negatives, and family albums to preserve them before physical deterioration becomes irreversible. However, scanned family photos and aging film prints often suffer from multiple issues simultaneously, including faded colors, scratches, dust, low-resolution scans, compression artifacts, and facial detail loss accumulated through years of storage, rescanning, and digital compression.

For photographers and archive enthusiasts, the challenge is restoring clarity without destroying the original texture and character of the image. Film grain is often mistaken for digital noise, facial details become overprocessed, and low-quality scans leave limited data for accurate restoration or upscaling.

Traditional workflows still rely heavily on manual Photoshop adjustments such as denoising, retouching, sharpening, scratch removal, and color correction, especially when processing larger photo archives or film scan collections.

AI-assisted restoration tools are increasingly being used to simplify repetitive cleanup tasks within a broader editing workflow. Designed around a restoration-oriented approach rather than one-click filters, Aiarty Image Enhancer combines denoising, deblurring, face recovery, scratch cleanup, upscaling, and color correction into a single workflow pipeline while maintaining more natural-looking results.

To celebrate its anniversary, the software is currently available at 49% OFF lifetime pricing, with the coupon code ANNIVERSARY providing an extra $5 off single products and $10 off bundles. The special offer runs through June 8.

The lifetime plan includes:

• Use on up to 3 Windows or Mac computers
• Unlimited access to all features
• Free lifetime upgrades and priority technical support
• 30-day money-back guarantee

How Aiarty Image Enhancer Fits Into Modern Photo Restoration Workflows

Rather than functioning as a one-click AI filter, Aiarty Image Enhancer is designed around a workflow-oriented approach for restoring old photos, film scans, and archived images while maintaining natural-looking detail.

A video demonstration showing real restoration results can be viewed below:

Its AI denoise and deblur tools help recover clarity from noisy or slightly soft scans without aggressively removing texture. A built-in Strength slider allows more controlled adjustments, which is particularly useful when working with film grain or older portraits where overprocessing can quickly create artificial-looking results.

The latest Face Restoration improvements focus on rebuilding blurred facial areas while preserving realistic skin texture and facial structure. For damaged prints, the integrated AI Eraser can remove dust spots, scratches, stains, fold marks, and other small distractions commonly found in archived photographs.

The software also supports AI upscaling for printing, digital archiving, and recovering low-resolution scans. Upgraded color controls help correct faded tones and yellow aging, while TIFF/DNG export support improves compatibility with Lightroom, Photoshop, and non-destructive editing workflows. Batch processing can further simplify repetitive cleanup work across multiple images or film scans.

A Practical Workflow for Restoring Old Photos

Step 1: Scan the Original Photo Properly

The quality of the restoration process still depends heavily on the original scan. For best results, scan photos at least 300dpi or higher, use TIFF when possible, avoid repeated JPEG compression, and clean the scanner surface before digitizing older prints.

Step 2: Reduce Noise and Upscale the Photo

The first stage of restoring old photos usually focuses on improving image clarity while preserving the original texture of the photo. In Aiarty Image Enhancer, denoising, detail enhancement, and AI upscaling are processed together within the same AI pipeline.

Choose a suitable AI model and upscale factor depending on your old/damaged photo restoration goal. Using x1 applies denoising and enhancement only, while higher upscale settings can help AI upscale photos from low-resolution scans and prepare restored photos for printing or digital archiving without heavily over-smoothing fine details.

Step 3: Restore Facial Details Carefully

Enable Face Restoration and choose the Fidelity mode to better preserve the original facial structure and maintain more realistic-looking results. Rather than aggressively sharpening every facial feature, Aiarty’s Face Restoration focuses on recovering eye clarity, hair detail, facial edges, and natural skin texture while avoiding an over-smoothed or artificial appearance.

Step 4: Remove Scratches, Dust, and Small Damage

Enable the AI Eraser and mask scratches, stains, fold marks, or other distracting elements. Working in smaller sections with a properly adjusted brush size generally produces more natural-looking results than masking large areas at once.

Step 5: Correct Faded Colors and Improve Contrast

With the Color option enabled, you can fine-tune temperature, tint, contrast, exposure, shadows, and other parameters to correct yellow tint, faded contrast, washed-out shadows, and uneven color fading commonly found in older photos, helping restore depth and readability without making the image look overly processed.

Step 6: Export the Restored Photo

Once restoration is complete, choose the output format, DPI, and quality settings before exporting the final image. TIFF and DNG formats are recommended for preserving image quality and maintaining compatibility with Lightroom and Photoshop workflows.

Notes for Getting Better Restoration Results

Old photo restoration results can vary depending on the condition of the original image, so small workflow adjustments often produce better outcomes.

Trying Different AI Models

Each AI model in Aiarty Image Enhancer is optimized for different enhancement scenarios.

• More-Detail GAN v3: Enhances detail and sharpness while reducing blur and noise
• AIGCsmooth v3: Optimized for AI-generated images and smoother surfaces
• Real-Photo v3: Designed for high-quality photos with more natural detail recovery

Experimenting with different AI models can help identify which one produces the most natural-looking old photo restoration for a specific image.

Adjusting the Strength Setting

If the restored image looks slightly waxy or overprocessed, lowering the Strength value can help preserve more natural texture and finer details.

Restoring Before Upscaling

For printing or digital archiving, it is generally recommended to complete denoising and face correction before applying upscaling, as cleaner base images usually produce more stable results.

In some cases, sequential upscaling (such as 2x + 2x) may also preserve detail better than applying a direct 4x upscale in a single pass.

Using Face Restoration Selectively

Face Restoration works best on photos where facial details are still partially visible but have become soft or faded over time. Fidelity mode keeps results closer to the original image, while Rebuild focuses more on reconstructing missing facial details.

Final Thoughts

The photo restoration workflow used in Aiarty Image Enhancer helps streamline the process while preserving more natural-looking detail compared to isolated manual adjustments. By combining cleanup and enhancement into a structured sequence, it reduces repetitive Photoshop work and improves consistency across different image types.

Beyond old photo recovery, the same workflow can also improve compressed social media uploads, AI-generated images, low-quality web photos, and images prepared for posters or large-format printing.

With the anniversary promotion, users can get the Aiarty Image Enhancer Lifetime License for only $74 (up to 52% OFF) with the code “ANNIVERSARY”, including lifetime access, lifetime free updates, and a 30-day money-back guarantee with no hidden fees.

The post Aiarty Image Enhancer: Restore Old Photos and Recover Blurry Faces with AI (49% Lifetime License) appeared first on Photo Rumors.

Here are some of the Memorial Day photography deals and specials:

• B&H Photo
• WANDRD: up to 40% off
• Gura Gear: up to 20% off
• Peak Design: up to 50% off
• ThinkTank: 15% off DarkLight sale

The post Memorial Day photography deals appeared first on Photo Rumors.

DJI currently holds a whopping 72.5% of the video camera market in Japan (Insta360 is at 12.5%):

DJI’s share of the video camera market has also risen, reaching an astonishing 72.5%, its highest ever. New products have also revitalized the entire video camera market. Sales in April increased significantly, with a 158.1% year-on-year increase in units and a 135.2% increase in sales value. This was revealed by the BCN ranking, which compiles actual sales data from 2,400 electronics retailers and online shops nationwide. (source)

Various DJI Osmo Pocket camera models currently hold the top 4 spots:

New DJI Osmo Pocket 4P camera teaser and additional information

The post DJI currently holds a whopping 72.5% of the video camera market in Japan appeared first on Photo Rumors.

Here are pictures of the upcoming Sigma 85mm f/1.2 DG | Art lens for L/E mount (additional information):

Sigma 85mm f/1.2 DG | Art lens development announcement (L/E)

The post Pictures of the upcoming Sigma 85mm f/1.2 DG | Art lens (L/E) appeared first on Photo Rumors.

Comparing the new Canon EOS R6V ($2,499) with the Nikon ZR ($2,197):

Canon EOS R6V vs. Nikon ZR specifications comparison

The Canon EOS R6V and Nikon ZR are both compact, full-frame, video-focused mirrorless cameras without an EVF. They prioritize internal RAW recording, strong IBIS, and run-and-gun usability in a small “cinema-style” body rather than traditional stills photography.

The Canon EOS R6V is a higher-resolution hybrid that builds on the R6 III sensor/platform with creator-friendly upgrades like active cooling and open-gate recording. The Nikon ZR is Nikon’s first Z Cinema camera, incorporating RED Digital Cinema technology for RAW recording, color science, and a more cinema-oriented design.

Key specs comparison:

• Sensor & Resolution Canon: 32.5 MP full-frame CMOS (≈6960 × 4640). Nikon: 24.5 MP full-frame partially stacked CMOS (same family as Z6 III). Advantage: Canon for stills, cropping, and higher-resolution open-gate video; Nikon for potentially better readout speed/low light with its stacked design.
• Processor Canon: DIGIC X. Nikon: EXPEED 7.
• Video Capabilities Canon: Up to 7K 60p RAW (Cinema RAW Lite), 7K 30p open-gate (3:2 full sensor height), oversampled 4K 60p, 4K 120p, high-bitrate options, Canon Log 2/3. Active cooling fan for sustained recording without overheating. Nikon: Up to 6K 60p (R3D/NE RAW codec), ProRes RAW options, 4K 120p, 15+ stops dynamic range in Log3G10, N-Log, HLG. Dual base ISO (800/6400). Advantage: Canon for higher resolution and open-gate flexibility (great for vertical/social content); Nikon for industry-standard RED RAW workflow and color science.
• Image Stabilization Both: 7.5 stops IBIS (Canon may reach 8.5 with compatible RF lenses via coordinated control). Tie: Excellent for both.
• Autofocus Canon: Dual Pixel CMOS AF II with excellent subject detection (people, animals, vehicles). Nikon: Advanced subject detection (people, animals, vehicles, planes) with auto mode. Slight edge: Canon Dual Pixel is often praised for reliability in hybrid shooting, but Nikon is very capable.
• Screen & Monitoring Canon: 3″ vari-angle touchscreen (≈1.62M dots). Nikon: Larger 4″ vari-angle DCI-P3 LCD (≈3.07M dots, 1000 nits brightness) – much better for bright outdoor use. Advantage: Nikon (significantly larger and brighter).
• Viewfinder: Neither has a built-in EVF (both are video-first designs with optional external EVF support via hot shoe).
• Audio Canon: Standard high-quality inputs. Nikon: Internal 32-bit float recording (a standout feature for clean audio without clipping worries). Advantage: Nikon.
• Storage Canon: CFexpress Type B + SD UHS-II (full-size slots). Nikon: CFexpress Type B + microSD. Advantage: Canon for easier media handling.
• Build & Ergonomics Both are compact and lightweight (Canon ≈688g with battery; Nikon ≈630g or lighter). Canon has a more traditional hybrid grip; Nikon has a blockier cinema-style body. Both have weather sealing and full-size HDMI on Canon (Nikon uses micro variants).
• Stills Performance Canon: Stronger – up to 40 fps electronic burst, better resolution for prints/cropping. Nikon: Capable but more video-prioritized (electronic shutter only).
• Battery & Power Canon: LP-E6P. Nikon: Standard Z battery. Real-world runtime depends heavily on cooling, codec, and frame rate.

Who Should Buy Which?

Choose the Canon EOS R6V if:

• You want higher resolution stills + video hybrid capabilities.
• Open-gate 7K recording and active cooling for long takes are priorities.

Choose the Nikon ZR if:

• You value RED RAW workflow, color science, and 32-bit float audio for professional post-production.
• A larger, brighter 4″ screen and compact cinema form factor matter more.

Overall: These are very close competitors aimed at similar users (creators who want full-frame RAW in a small body). The Canon edges out in resolution, cooling, and hybrid versatility; the Nikon stands out with its screen, audio innovation, and RED-backed RAW/color pipeline.

https://photorumors.com/2026/05/13/announced-canon-eos-r6-v-rf-20-50mm-f-4-l-is-usm-pz-lens-pre-orders-now-open/

The post Comparing the new Canon EOS R6V with the Nikon ZR appeared first on Photo Rumors.

Here is what else is new:

New DJ-Optical 35mm f/3.5 lens for Leica M-mount displayed at the 2026 China P&E Imaging Show

Rock n Roll released two new versions of the Bauhaus II camera bag

Some of the latest, newly released Leica M lenses are currently in stock for the first time at Leica Store Miami

Sony a7V Firmware 2.00 Released

Sony HVL-F28RM and Sony HVL-F28RMA Firmware Updates Released

Canon EF70-200mm f/2.8L IS III USM Discontinued Abroad

Fujifilm X-H2 Grip Discontinued: An Indication The Fujifilm X-H3 Is Coming Soon

PP: Interview With Fujifilm Manager Yuji Igarashi – 40 Lens Ideas, The Future of X-Mount, and More

The post What else is new? appeared first on Photo Rumors.

Brightin Star officially announced the previously reported AF 12mm f/2.8 full-frame autofocus ultra-wide lens. Only the E-mount was released today, other versions will follow.

Orders are now open at the official Brightin Star online store and at B&H Photo.

Here are the lens’s key features:

• Refined Optical Excellence: 15 elements in 11 groups, featuring HRI, ED (HOYA), and ASPH lenses, with advanced IMC coating for vivid, high-contrast rendering.
• 2.12mm Ultra-Wide: 122.5° field of view for landscapes, architecture, interiors, and astrophotography.
• Fast STM Autofocus: Next-gen STM motor delivers fast, precise, near-silent autofocus in milliseconds.
• Near-Zero Distortion: Aspherical elements ensure accurate geometry and edge-to-edge sharpness.
• Intuitive Controls: AF/MF switch and customizable FN button for seamless operation.
• Durable Construction: Integrated petal hood reduces flare, with rear sealing for dust and moisture resistance.
• Introductory Price: $609.99 (regular price: $659.99)

Brightin Star to announce a new 12mm f/2.8 full-frame autofocus ultra-wide lens next

Brightin Star recently announced three new lenses:

New Brightin Star 10mm f/5.6Ⅱ APS-C fisheye lens announced for $66 (E/Z/M+RF/X/MFT)

New Brightin Star 7.5mm f/2.8 IV APS-C ultra-wide fisheye lens announced, intro price: $140

Brightin Star 11mm f/2.8 II full-frame fisheye lens announced (Z/E/L/RF)

The post Brightin Star AF 12mm f/2.8 full-frame autofocus ultra-wide lens appeared first on Photo Rumors.