You can already reserve the upcoming Insta360 Luna in Germany. Additional information on the new camera can be found here (check the Insta360 website for more information):

• 8K video with Leica image quality
• 1-inch sensor & Leica Summicron lens
• 3-axis gimbal stabilization
• 4K with up to 120 fps
• Triple AI chip with Deep Track
• 10-bit
• I-Log & Leica colour profiles

The latest Insta360 Luna camera rumors

Coming soon: Insta360 Luna pocket handheld gimbal camera

The post You can already reserve the upcoming Insta360 Luna camera in Germany appeared first on Photo Rumors.

Here are the latest photo deals in Germany

• Canon
• Nikon
• Sony (Sony a7RVI)
• Panasonic
• Fujifilm GFX
• Fujifilm X
• OM System
• Tamron
• Sigma
• Zeiss
• Godox/Nanlite
• Profoto
• Peak Design
• Nisi

The full list can be found here.

The post The latest photo deals in Germany appeared first on Photo Rumors.

Here are some of the Memorial Day photography deals and specials:

• B&H Photo
• WANDRD: up to 40% off
• Gura Gear: up to 20% off
• Peak Design: up to 50% off
• ThinkTank: 15% off DarkLight sale

The post Memorial Day photography deals appeared first on Photo Rumors.

Aiarty Image Enhancer Makes Old Photo Restoration Easier With More Natural-looking Results (49% OFF Anniversary Sale)

Restoring old photos is rarely as simple as increasing sharpness or removing visible damage. Many photographers and families are now digitizing decades-old prints, film negatives, and family albums to preserve them before physical deterioration becomes irreversible. However, scanned family photos and aging film prints often suffer from multiple issues simultaneously, including faded colors, scratches, dust, low-resolution scans, compression artifacts, and facial detail loss accumulated through years of storage, rescanning, and digital compression.

For photographers and archive enthusiasts, the challenge is restoring clarity without destroying the original texture and character of the image. Film grain is often mistaken for digital noise, facial details become overprocessed, and low-quality scans leave limited data for accurate restoration or upscaling.

Traditional workflows still rely heavily on manual Photoshop adjustments such as denoising, retouching, sharpening, scratch removal, and color correction, especially when processing larger photo archives or film scan collections.

AI-assisted restoration tools are increasingly being used to simplify repetitive cleanup tasks within a broader editing workflow. Designed around a restoration-oriented approach rather than one-click filters, Aiarty Image Enhancer combines denoising, deblurring, face recovery, scratch cleanup, upscaling, and color correction into a single workflow pipeline while maintaining more natural-looking results.

To celebrate its anniversary, the software is currently available at 49% OFF lifetime pricing, with the coupon code ANNIVERSARY providing an extra $5 off single products and $10 off bundles. The special offer runs through June 8.

The lifetime plan includes:

• Use on up to 3 Windows or Mac computers
• Unlimited access to all features
• Free lifetime upgrades and priority technical support
• 30-day money-back guarantee

How Aiarty Image Enhancer Fits Into Modern Photo Restoration Workflows

Rather than functioning as a one-click AI filter, Aiarty Image Enhancer is designed around a workflow-oriented approach for restoring old photos, film scans, and archived images while maintaining natural-looking detail.

A video demonstration showing real restoration results can be viewed below:

Its AI denoise and deblur tools help recover clarity from noisy or slightly soft scans without aggressively removing texture. A built-in Strength slider allows more controlled adjustments, which is particularly useful when working with film grain or older portraits where overprocessing can quickly create artificial-looking results.

The latest Face Restoration improvements focus on rebuilding blurred facial areas while preserving realistic skin texture and facial structure. For damaged prints, the integrated AI Eraser can remove dust spots, scratches, stains, fold marks, and other small distractions commonly found in archived photographs.

The software also supports AI upscaling for printing, digital archiving, and recovering low-resolution scans. Upgraded color controls help correct faded tones and yellow aging, while TIFF/DNG export support improves compatibility with Lightroom, Photoshop, and non-destructive editing workflows. Batch processing can further simplify repetitive cleanup work across multiple images or film scans.

A Practical Workflow for Restoring Old Photos

Step 1: Scan the Original Photo Properly

The quality of the restoration process still depends heavily on the original scan. For best results, scan photos at least 300dpi or higher, use TIFF when possible, avoid repeated JPEG compression, and clean the scanner surface before digitizing older prints.

Step 2: Reduce Noise and Upscale the Photo

The first stage of restoring old photos usually focuses on improving image clarity while preserving the original texture of the photo. In Aiarty Image Enhancer, denoising, detail enhancement, and AI upscaling are processed together within the same AI pipeline.

Choose a suitable AI model and upscale factor depending on your old/damaged photo restoration goal. Using x1 applies denoising and enhancement only, while higher upscale settings can help AI upscale photos from low-resolution scans and prepare restored photos for printing or digital archiving without heavily over-smoothing fine details.

Step 3: Restore Facial Details Carefully

Enable Face Restoration and choose the Fidelity mode to better preserve the original facial structure and maintain more realistic-looking results. Rather than aggressively sharpening every facial feature, Aiarty’s Face Restoration focuses on recovering eye clarity, hair detail, facial edges, and natural skin texture while avoiding an over-smoothed or artificial appearance.

Step 4: Remove Scratches, Dust, and Small Damage

Enable the AI Eraser and mask scratches, stains, fold marks, or other distracting elements. Working in smaller sections with a properly adjusted brush size generally produces more natural-looking results than masking large areas at once.

Step 5: Correct Faded Colors and Improve Contrast

With the Color option enabled, you can fine-tune temperature, tint, contrast, exposure, shadows, and other parameters to correct yellow tint, faded contrast, washed-out shadows, and uneven color fading commonly found in older photos, helping restore depth and readability without making the image look overly processed.

Step 6: Export the Restored Photo

Once restoration is complete, choose the output format, DPI, and quality settings before exporting the final image. TIFF and DNG formats are recommended for preserving image quality and maintaining compatibility with Lightroom and Photoshop workflows.

Notes for Getting Better Restoration Results

Old photo restoration results can vary depending on the condition of the original image, so small workflow adjustments often produce better outcomes.

Trying Different AI Models

Each AI model in Aiarty Image Enhancer is optimized for different enhancement scenarios.

• More-Detail GAN v3: Enhances detail and sharpness while reducing blur and noise
• AIGCsmooth v3: Optimized for AI-generated images and smoother surfaces
• Real-Photo v3: Designed for high-quality photos with more natural detail recovery

Experimenting with different AI models can help identify which one produces the most natural-looking old photo restoration for a specific image.

Adjusting the Strength Setting

If the restored image looks slightly waxy or overprocessed, lowering the Strength value can help preserve more natural texture and finer details.

Restoring Before Upscaling

For printing or digital archiving, it is generally recommended to complete denoising and face correction before applying upscaling, as cleaner base images usually produce more stable results.

In some cases, sequential upscaling (such as 2x + 2x) may also preserve detail better than applying a direct 4x upscale in a single pass.

Using Face Restoration Selectively

Face Restoration works best on photos where facial details are still partially visible but have become soft or faded over time. Fidelity mode keeps results closer to the original image, while Rebuild focuses more on reconstructing missing facial details.

Final Thoughts

The photo restoration workflow used in Aiarty Image Enhancer helps streamline the process while preserving more natural-looking detail compared to isolated manual adjustments. By combining cleanup and enhancement into a structured sequence, it reduces repetitive Photoshop work and improves consistency across different image types.

Beyond old photo recovery, the same workflow can also improve compressed social media uploads, AI-generated images, low-quality web photos, and images prepared for posters or large-format printing.

With the anniversary promotion, users can get the Aiarty Image Enhancer Lifetime License for only $74 (up to 52% OFF) with the code “ANNIVERSARY”, including lifetime access, lifetime free updates, and a 30-day money-back guarantee with no hidden fees.

The post Aiarty Image Enhancer Makes Old Photo Restoration Easier With More Natural-looking Results (49% OFF Anniversary Sale) appeared first on Photo Rumors.

DJI currently holds a whopping 72.5% of the video camera market in Japan (Insta360 is at 12.5%):

DJI’s share of the video camera market has also risen, reaching an astonishing 72.5%, its highest ever. New products have also revitalized the entire video camera market. Sales in April increased significantly, with a 158.1% year-on-year increase in units and a 135.2% increase in sales value. This was revealed by the BCN ranking, which compiles actual sales data from 2,400 electronics retailers and online shops nationwide. (source)

Various DJI Osmo Pocket camera models currently hold the top 4 spots:

New DJI Osmo Pocket 4P camera teaser and additional information

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Here are pictures of the upcoming Sigma 85mm f/1.2 DG | Art lens for L/E mount (additional information):

Sigma 85mm f/1.2 DG | Art lens development announcement (L/E)

The post Pictures of the upcoming Sigma 85mm f/1.2 DG | Art lens (L/E) appeared first on Photo Rumors.

Comparing the new Canon EOS R6V ($2,499) with the Nikon ZR ($2,197):

Canon EOS R6V vs. Nikon ZR specifications comparison

The Canon EOS R6V and Nikon ZR are both compact, full-frame, video-focused mirrorless cameras without an EVF. They prioritize internal RAW recording, strong IBIS, and run-and-gun usability in a small “cinema-style” body rather than traditional stills photography.

The Canon EOS R6V is a higher-resolution hybrid that builds on the R6 III sensor/platform with creator-friendly upgrades like active cooling and open-gate recording. The Nikon ZR is Nikon’s first Z Cinema camera, incorporating RED Digital Cinema technology for RAW recording, color science, and a more cinema-oriented design.

Key specs comparison:

• Sensor & Resolution Canon: 32.5 MP full-frame CMOS (≈6960 × 4640). Nikon: 24.5 MP full-frame partially stacked CMOS (same family as Z6 III). Advantage: Canon for stills, cropping, and higher-resolution open-gate video; Nikon for potentially better readout speed/low light with its stacked design.
• Processor Canon: DIGIC X. Nikon: EXPEED 7.
• Video Capabilities Canon: Up to 7K 60p RAW (Cinema RAW Lite), 7K 30p open-gate (3:2 full sensor height), oversampled 4K 60p, 4K 120p, high-bitrate options, Canon Log 2/3. Active cooling fan for sustained recording without overheating. Nikon: Up to 6K 60p (R3D/NE RAW codec), ProRes RAW options, 4K 120p, 15+ stops dynamic range in Log3G10, N-Log, HLG. Dual base ISO (800/6400). Advantage: Canon for higher resolution and open-gate flexibility (great for vertical/social content); Nikon for industry-standard RED RAW workflow and color science.
• Image Stabilization Both: 7.5 stops IBIS (Canon may reach 8.5 with compatible RF lenses via coordinated control). Tie: Excellent for both.
• Autofocus Canon: Dual Pixel CMOS AF II with excellent subject detection (people, animals, vehicles). Nikon: Advanced subject detection (people, animals, vehicles, planes) with auto mode. Slight edge: Canon Dual Pixel is often praised for reliability in hybrid shooting, but Nikon is very capable.
• Screen & Monitoring Canon: 3″ vari-angle touchscreen (≈1.62M dots). Nikon: Larger 4″ vari-angle DCI-P3 LCD (≈3.07M dots, 1000 nits brightness) – much better for bright outdoor use. Advantage: Nikon (significantly larger and brighter).
• Viewfinder: Neither has a built-in EVF (both are video-first designs with optional external EVF support via hot shoe).
• Audio Canon: Standard high-quality inputs. Nikon: Internal 32-bit float recording (a standout feature for clean audio without clipping worries). Advantage: Nikon.
• Storage Canon: CFexpress Type B + SD UHS-II (full-size slots). Nikon: CFexpress Type B + microSD. Advantage: Canon for easier media handling.
• Build & Ergonomics Both are compact and lightweight (Canon ≈688g with battery; Nikon ≈630g or lighter). Canon has a more traditional hybrid grip; Nikon has a blockier cinema-style body. Both have weather sealing and full-size HDMI on Canon (Nikon uses micro variants).
• Stills Performance Canon: Stronger – up to 40 fps electronic burst, better resolution for prints/cropping. Nikon: Capable but more video-prioritized (electronic shutter only).
• Battery & Power Canon: LP-E6P. Nikon: Standard Z battery. Real-world runtime depends heavily on cooling, codec, and frame rate.

Who Should Buy Which?

Choose the Canon EOS R6V if:

• You want higher resolution stills + video hybrid capabilities.
• Open-gate 7K recording and active cooling for long takes are priorities.

Choose the Nikon ZR if:

• You value RED RAW workflow, color science, and 32-bit float audio for professional post-production.
• A larger, brighter 4″ screen and compact cinema form factor matter more.

Overall: These are very close competitors aimed at similar users (creators who want full-frame RAW in a small body). The Canon edges out in resolution, cooling, and hybrid versatility; the Nikon stands out with its screen, audio innovation, and RED-backed RAW/color pipeline.

https://photorumors.com/2026/05/13/announced-canon-eos-r6-v-rf-20-50mm-f-4-l-is-usm-pz-lens-pre-orders-now-open/

The post Comparing the new Canon EOS R6V with the Nikon ZR appeared first on Photo Rumors.

Here is what else is new:

New DJ-Optical 35mm f/3.5 lens for Leica M-mount displayed at the 2026 China P&E Imaging Show

Rock n Roll released two new versions of the Bauhaus II camera bag

Some of the latest, newly released Leica M lenses are currently in stock for the first time at Leica Store Miami

Sony a7V Firmware 2.00 Released

Sony HVL-F28RM and Sony HVL-F28RMA Firmware Updates Released

Canon EF70-200mm f/2.8L IS III USM Discontinued Abroad

Fujifilm X-H2 Grip Discontinued: An Indication The Fujifilm X-H3 Is Coming Soon

PP: Interview With Fujifilm Manager Yuji Igarashi – 40 Lens Ideas, The Future of X-Mount, and More

The post What else is new? appeared first on Photo Rumors.

Brightin Star officially announced the previously reported AF 12mm f/2.8 full-frame autofocus ultra-wide lens. Only the E-mount was released today, other versions will follow.

Orders are now open at the official Brightin Star online store and at B&H Photo.

Here are the lens’s key features:

• Refined Optical Excellence: 15 elements in 11 groups, featuring HRI, ED (HOYA), and ASPH lenses, with advanced IMC coating for vivid, high-contrast rendering.
• 2.12mm Ultra-Wide: 122.5° field of view for landscapes, architecture, interiors, and astrophotography.
• Fast STM Autofocus: Next-gen STM motor delivers fast, precise, near-silent autofocus in milliseconds.
• Near-Zero Distortion: Aspherical elements ensure accurate geometry and edge-to-edge sharpness.
• Intuitive Controls: AF/MF switch and customizable FN button for seamless operation.
• Durable Construction: Integrated petal hood reduces flare, with rear sealing for dust and moisture resistance.
• Introductory Price: $609.99 (regular price: $659.99)

Brightin Star to announce a new 12mm f/2.8 full-frame autofocus ultra-wide lens next

Brightin Star recently announced three new lenses:

New Brightin Star 10mm f/5.6Ⅱ APS-C fisheye lens announced for $66 (E/Z/M+RF/X/MFT)

New Brightin Star 7.5mm f/2.8 IV APS-C ultra-wide fisheye lens announced, intro price: $140

Brightin Star 11mm f/2.8 II full-frame fisheye lens announced (Z/E/L/RF)

The post Brightin Star AF 12mm f/2.8 full-frame autofocus ultra-wide lens appeared first on Photo Rumors.

Zeiss is teasing “The next major advancement in lens technology”. The announcement will happen on June 2nd and will be “New horizon in Zeiss lens technology.”

Here are a few enhanced versions of the teaser:

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The previously reported Venus Optics Laowa 4.5-10mm f/2.8 CF APS-C fisheye zoom lens for E/Z/RF/L/X/EF-M/MFT mounts has now been officially released. The price is $399:

• US: B&H Photo
• Worldwide: Laowa online store

Additional information:

Venus Optics announced a new Laowa 4.5-10mm f/2.8 CF APS-C fisheye zoom lens for Nikon Z-mount

Thypoch officially announced the previously reported Ksana 35mm f/2 ASPH lens for Leica M-mount. Orders are now open at the official Thypoch online store and at B&H Photo.

Additional information:

Thypoch Ksana 35mm f/2 ASPH lens for Leica M-mount officially launched, available for order

The post Just announced: Venus Optics Laowa 4.5-10mm f/2.8 (E/Z/RF/L/X/EF-M/MFT) & Thypoch Ksana 35mm f/2 (M) lenses appeared first on Photo Rumors.

DxO released new modules for the latest Nikon, Sigma, Tamron, and Zeiss lenses. A total of 1,085 new DxO Modules were released, including support for the latest Nikon Z 70–200mm f/2.8 VR S II, Tamron 35–100mm f/2.8 Di III VXD, Zeiss Otus ML 35mm f/1.4 – here is the complete list:

Cameras

• Panasonic Lumix TZ300

Lenses

• Laowa 180mm F4.5 1.5X Ultra Macro APO
• Nikon Z 70–200mm F2.8 VR S II
• Samyang AF 50mm F1.4 FE II
• Sigma 135mm F1.4 DG A
• Sigma 15mm F1.4 DC C
• Sigma 200mm F2 DG S
• Sigma 35mm F1.4 DG II Art
• Sigma 500mm F5.6 DG DN OS S
• Tamron 35–100mm F2.8 Di III VXD
• Viltrox AF 25mm F1.7 Air X
• Zeiss Otus ML 35mm F1.4

The new DxO Modules can be found in:

• DxO PhotoLab versions 9.7, 8.15, 7.23
• DxO PureRAW versions 6.1, 5.9
• DxO FilmPack 8.5, 7.22
• DxO ViewPoint 5.12, 4.32
• DxO NikCollection 9

You can get 15% off DxO products with code RUMORS (for new customers only).

The post DxO released new modules for the latest lenses from Nikon, Sigma, Tamron, Zeiss, and more appeared first on Photo Rumors.

 
After the new 10mm f/5.6 Ⅱ and 7.5mm f/2.8 IV lenses, Brightin Star will announce a new 12mm f/2.8 full-frame autofocus ultra-wide lens on May 22nd (previously reported here):

Brightin Star announced a new 12mm f/2.8 full-frame autofocus ultra-wide lens for Nikon Z-mount

Brightin Star to announce four new lenses

Brightin Star already has a manual-focus 12mm f/2.8 lens:

New Brightin Star 12mm f/2.8 full-frame lens announced (E/Z/RF/L)

Additional information on the upcoming lens:

• Refined Optical Excellence: 15 elements in 11 groups, featuring HRI, ED (HOYA), and ASPH lenses, with advanced IMC coating for vivid, high-contrast rendering.
• 12mm Ultra-Wide: 122.5° field of view for landscapes, architecture, interiors, and astrophotography.
• Fast STM Autofocus: Next-gen STM motor delivers fast, precise, near-silent autofocus in milliseconds.
• Near-Zero Distortion: Aspherical elements ensure accurate geometry and edge-to-edge sharpness.
• Intuitive Controls: AF/MF switch and customizable FN button for seamless operation.
• Durable Construction: Integrated petal hood reduces flare, with rear sealing for dust and moisture resistance.

All new lenses from the 2026 China P&E Imaging Show (update #3)

Via NikonRumors

The post Brightin Star to announce a new 12mm f/2.8 full-frame autofocus ultra-wide lens next appeared first on Photo Rumors.

The rumors about GoPro being up for sale are not new and have been going around at least since 2018:

The Chinese company Xiaomi is considering to purchase GoPro

GoPro is again exploring a potential sale (or merger). On May 11, 2026, GoPro announced that its Board of Directors has authorized a formal review of strategic alternatives, including a possible sale of the company or a merger, to maximize shareholder value, following multiple unsolicited inquiries:

“The Board expects to evaluate a range of strategic alternatives that could include a sale of the company or merger.”

The company has engaged a financial advisor and stated that no decisions have been made and no timetable exists. The move follows years of declining revenue, widening losses, layoffs, and competition from DJI and Insta360.

Source: GoPro’s official press release.

The new GoPro Mission 1 cameras are now available for pre-order

The post GoPro is up for sale again appeared first on Photo Rumors.

Brightin Star announced a new 10mm f/5.6Ⅱ APS-C fisheye lens for $66, available for Sony E, Nikon Z, Canon EOS M+RF, Fuji X, and MFT mounts. Pre-orders are now open at the official online store (coming soon to B&H Photo).

The key upgrades are:

• Pre-orders are now open at the official online store (coming soon to B&H Photo)
• Refined Exterior Design: Updated appearance with a uniquely designed aperture ring and added hyperfocal distance markings.
• Upgraded Optical Design: Minimum focusing distance improved from 0.2m to 0.12m, and the field of view expanded from 172° to 173°.
• Enhanced Coating Technology: IMC special coating effectively reduces flare and ghosting for clearer image quality.
• Introductory price: $65.99, regular price: $74.99 (introductory period: May 15 – May 25)

Additional information is available here.

All new lenses from the 2026 China P&E Imaging Show (update #3)

The post New Brightin Star 10mm f/5.6Ⅱ APS-C fisheye lens announced for $66 (E/Z/M+RF/X/MFT) appeared first on Photo Rumors.

Here is another updated recap of all new lenses that were on display at the 2026 China P&E Imaging Show in Beijing:

Viltrox

Viltrox is teasing several new lenses:

• Viltrox 28mm f/4.5 Chip for L-mount
• Viltrox 26mm f/2.8 EVO pancake
• Viltrox 28mm f/2.8
• Viltrox 90mm f/2.2 EVO APS-C
• Viltrox 75mm f/1.8 EVO APS-C
• Viltrox AF 18mm f/1.2 Pro APS-C
• Viltrox AF 35mm f/1.2 Pro APS-C
• Viltrox AF 35mm f/1.4 Pro
• Viltrox AF 25mm f/1.7 MFT
• Viltrox HSS flash
• Viltrox tilt or shift or both lens

New Viltrox AF 35mm f/1.4 Pro lens (E/Z) coming next week

Viltrox to announce a new line of Micro Four Thirds lenses, the first model will be 25mm f/1.7

Additional pictures of the upcoming Viltrox AF 26mm f/2.8, 75mm f/1.8, and 90mm f/2.2 EVO lenses

Meike

Here are the expected new Meike lenses:

• Meike 85mm f/1.4 II MIX full-frame flagship second-generation lens (E/Z/L) featuring APO-level achromatic design
• Meike AF 85mm f/1.8 for Fujifilm GFX Lens
• New Meike MIX APS-C f/1.2 autofocus lenses for E/Z/X (58mm and two other focal lengths)
• New medium format autofocus lens debut

Meike is teasing a new lens for Fujifilm GFX medium format cameras

Venus Optics (Laowa)

Laowa will announce several new lenses on May 13th:

• Laowa 15-35mm
• Laowa 8-15mm f/2.8 fisheye
• Laowa 4.5-10mm f/2.8 APS-C zoom fisheye
• Laowa 15-24mm T8 / 15-35mm T12 probe zoom
• Laowa 35mm f/2.8 APO 1:1 macro
• Laowa 7.5mm f/2.8 Zero-D (APS-C, MFT)
• Laowa Axon AF 1-5x 5-10x macro

Is Venus Optics is working on a new Laowa wide-angle zoom autofocus mirrorless lens?

New LAOWA CF 7.5mm f/2.8 C&D-Dreamer AF Coming Soon

New LAOWA 180mm f/4.5 1.5X Ultra Macro APO AF Coming Soon

ZY Optics (Zhongyi)

ZY Optics (Zhongyi) will release new 30mm f/2.4 and 45mm f/1.4 lenses:

ZY Optics (Zhongyi) to release two new lenses: 30mm f/2.4 and 45mm f/1.4 at the Beijing P&E Imaging Show

Yongnuo

Yongnuo will have two new lenses – 35mm f/1.4 and 85mm f/1.4 with new VCM tech and an LCD screen on the lens:

Yongnuo is teasing a lens with a newly developed VCM motor

7Artisans

New 7Artisans 135mm f/1.8 MAX lens is coming on May 14th:

The new 7Artisans 135mm f/1.8 MAX lens (E/Z/L) will be released in May

TTartisan

TTartisan will release a new AF 24mm f/3.8 lens with VCM focusing motor and a minimum focusing distance of 0.3 meters (for E/Z/L mounts).  This lens was already on display at the 2026 CP+ show:

2026 CP+ show recap

TTartisan also displayed a new 85mm f/1.8 NEO full-frame lens for E/Z/L mounts:

Brightin Star

Brightin Star officially announced the previously reported 7.5mm f/2.8 IV APS-C ultra-wide fisheye lens for E/Z/RF-S/EF-M/X/MFT cameras:

New Brightin Star 7.5mm f/2.8 IV APS-C ultra-wide fisheye lens announced, intro price: $140

Brightin Star to announce four new lenses

Thypoch

The previously reported Thypoch Voyager 24-50mm f/2.8 lens is now officially announced and available for pre-order: B&H Photo | Thypoch store.

SG-Image

SG-Image displayed four new lenses (check website for updates):

• SG-Image AF EZICARI 18mm f/2.2 APS-C lens for X/E/Z/MFT
• SG-Image AF 25mm f/1.8 lens for MFT
• SG-Image AF 35mm f/2.2 CE full-frame lens for X/E/Z/L
• SG-Image AF 35mm f/1.4 APS-C lens for X/E/Z

Songraw

Update on the new Songraw Moonlit 50mm and 85mm f/1.2 lenses:

Songraw to release new 50mm & 85mm f/1.2 full-frame autofocus lenses for Nikon Z and Sony E mount

Megadap

Megadap will release a cinema version of their ETZ21 lens adapter.

DJOptical

New DJOptical 35mm f/3.5 lens for Leica M-mount:

New DJ-Optical 35mm f/3.5 lens for Leica M-mount displayed at the 2026 China P&E Imaging Show

JC Optics

JC Optics will release a new 400mm f/8 full-frame telephoto manual focus lens with adjustable focus damping, featuring a 3-element, 2-group optical design and a minimum focusing distance of 100cm, and designed for E/Z/F/RF/EF/EF-M/X/MFT mounts (all-metal mount).

Vistlen

New Vistlen AF 85mm f/1.4 full-frame lens.

The post All new lenses from the 2026 China P&E Imaging Show (update #3) appeared first on Photo Rumors.

Here is the list of the main 2026 Camera Grand Prix (Camera GP) awards, organized by Japan’s Camera Journal Press Club (CJPC) –  they include products released in the Japanese market from April 1, 2025, to March 31, 2026. A committee of 57 members (including media, experts, and TIPA representatives) selected the winners:

Grand Prix Awards

• Camera of the year: Sony A7 V
• Lens of the year: Sony FE 50-150mm f/2 GM

Readers’ Awards (voted by general users)

• Readers’ award camera: Canon EOS R6 Mark III
• Readers’ award lens: Canon RF 45mm f/1.2 STM

Editors’ Choice Awards (Journalists Club Award)

• Fujifilm X-Half
• Sigma BF
• Ricoh GR IV Monochrome:

The Ricoh GR IV Monochrome camera won the 2026 Camera GP Editors’ Choice Technology Award

The post The 2026 Camera Grand Prix 2026 awards are out appeared first on Photo Rumors.

Canon is actively reviving and expanding its PowerShot compact camera lineup in response to renewed market demand, particularly from younger users and social media creators. This shift is driven by easing smartphone dominance, with compacts seen as creative tools and fashion statements rather than just point-and-shoots. Here is a recap from Canon’s report:

Key Insights from Canon’s 2026 Integrated Report

Canon’s official 2026 report (covering 2025 performance) highlights that the camera market contraction due to smartphones has eased. New user segments, especially young people focused on video and social media photography, are driving growth. Compact digital cameras are expanding again as tools that offer capabilities beyond smartphones, with ownership viewed as a cultural/fashion statement among younger generations.

• The PowerShot V1 (a 2025 video-focused model) is highlighted as a key example of this direction, positioned alongside existing models like the PowerShot G7 X Mark III, SX740 HS, and IXY 650.
• Canon increased compact camera production in 2025 and plans further expansion. The Imaging Group saw strong sales growth (up 12.5% to over 1 trillion yen), with compacts contributing alongside entry-level mirrorless cameras.
• Broader strategy: Strengthen products across categories (including compacts) with a focus on video, while maintaining leadership in interchangeable-lens cameras.
• This aligns with executives noting that current compact buyers are often new customers (not traditional Canon users), so future models will introduce “new technologies or use cases.”

Up to three new Canon PowerShot models are rumored for 2026, including two high-end models and one more mass-market option. These are expected to launch around Q3–Q4 (potentially tied to holiday shopping).

Canon compact camera rumors for 2026

Canon is reviving its compact camera line and has taken the #1 spot in Japan

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Here are the latest financial reports from Nikon, Ricoh, Fujifilm, and Tamron:

Nikon FY financial results:

• Revenue: ¥290.00 billion (approx.$2 billion). Projection as of 2/8/26: ¥290.00.  -1.79% compared to fiscal ’25 actual.
• Earnings:  ¥16.7 billion (approx. $115.17 million). Projection as of 2/8/26: ¥21.00 billion. -49.15% compared to fiscal ’25 actual.  -20.48% compared to 2/8/26 estimate.
• Unit sales bodies: 910,000.    Projection as of 2/8/26: 900,000.   +5.88% compared to fiscal ’25 actual.    +1.11% compared to 2/8/26 estimate.
• Unit sales lenses: 1.3 million.   Projection as of 2/8/26: 1.3 million.   -0.76% compared to fiscal ’25 actual.

Ricoh FY2025 financial results:

• Cameras performed well and increased earnings, primarily driven by the Ricoh GR series.
• The segment overall reduced its operating loss through cost controls and robust camera sales, despite upfront investments in new businesses and a goodwill impairment in the drug discovery support business.

Ricoh FY2025 financial results (for the year ending May 12, 2026)

Fujifilm FY2025 financial reports:

• Revenue was JPY3,357.0 billion and increased 5.0% year-over-year.
• Operating income was JPY350.2 billion and increased 6.1% year‑over‑year.
• Net income attributable to FUJIFILM Holdings was JPY276.7 billion and increased 6.0% year‑over‑year.
• The annual dividend for FY2025 is expected to be JPY70 per share, marking the 16th consecutive annual increase.

Fujifilm Announces Financial Results for the Fiscal Year Ended March 31, 2026

Tamron’s 1st Quarter FY2025 financial results (Photographic Products)

• Before FY23: Approx. 5 new models per year
• Initial Medium-Term Management Plan: Target of 6-7 launches per year
• FY24: 7 launches achieved; FY25: 6 launches achieved
• New Medium-Term Management Plan: Targeting 10+ new model launches per year by FY26
• Net Sales: ¥11,305 million (-16.7% YoY): Significant decline driven primarily by weak OEM performance; other segments offset some impact at consolidated level.
• Operating Income: ¥2,390 million (-37.2% YoY)
• Operating Margin: 21.1% (-6.9 pts YoY): Profit hit by lower gross profit (sales decline + unfavorable product mix), plus higher material/utility costs, increased R&D, and personnel expenses.

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Here is what else is new:

Rumors: Leica killed the development of a new mirrorless medium format camera

Many Voigtlander lenses for Leica M-mount are now on sale

Leica Q3/Q3M/Q343 firmware update version 4.1 released

The rumored Leica M11-P, Q3, D-Lux 8, and APO-M 50 f/2 “Metal Gray” models may not be announced together, but a few weeks apart

Additional information on Gpixel – the Chinese company Leica has chosen for its next-generation sensors

Fujifilm Germany Merges Digital Camera and Instax Divisions, Reshuffles Leadership

Kolari Vision FUJIFILM X-T5 Full-Spectrum UV/IR Camera Listed

MAP Camera 2026 April Rankings – Fujifilm Takes 1st, 9th, and 10th

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