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	<title>The Classical Review</title>
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	<description>The Classical Review was founded in March 2010 by music critic Lawrence A. Johnson to establish a single, one-stop online source for classical music coverage.</description>
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		<title>Mäkelä talks Mahler; Also Sibelius, Shostakovich, Walton, and his growing bond with the CSO</title>
		<link>https://theclassicalreview.com/2026/10/makela-talks-mahler-also-sibelius-shostakovich-walton-and-his-growing-bond-with-the-cso/</link>
					<comments>https://theclassicalreview.com/2026/10/makela-talks-mahler-also-sibelius-shostakovich-walton-and-his-growing-bond-with-the-cso/#respond</comments>
		
		<dc:creator><![CDATA[Lawrence A. Johnson]]></dc:creator>
		<pubDate>Thu, 01 Oct 2026 14:18:45 +0000</pubDate>
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					<description><![CDATA[Klaus Mäkelä is the un-maestro. No imperious attitude or ego-driven power [&#8230;]]]></description>
		
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		<title>When symphonies collide: Mäkelä returns to CSO with sterling Sibelius and discordant Shostakovich </title>
		<link>https://theclassicalreview.com/2026/09/when-symphonies-collide-makela-returns-to-cso-with-sterling-sibelius-and-discordant-shostakovich/</link>
					<comments>https://theclassicalreview.com/2026/09/when-symphonies-collide-makela-returns-to-cso-with-sterling-sibelius-and-discordant-shostakovich/#respond</comments>
		
		<dc:creator><![CDATA[Lawrence A. Johnson]]></dc:creator>
		<pubDate>Sat, 26 Sep 2026 18:15:09 +0000</pubDate>
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					<description><![CDATA[For the first program of his three-week fall residency with the [&#8230;]]]></description>
		
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		<title>Met opens season with impassioned vocalism in an atmospheric &#8220;Macbeth&#8221;</title>
		<link>https://theclassicalreview.com/2026/09/met-opens-season-with-impassioned-vocalism-in-an-atmospheric-macbeth/</link>
					<comments>https://theclassicalreview.com/2026/09/met-opens-season-with-impassioned-vocalism-in-an-atmospheric-macbeth/#respond</comments>
		
		<dc:creator><![CDATA[Lawrence A. Johnson]]></dc:creator>
		<pubDate>Thu, 24 Sep 2026 14:47:42 +0000</pubDate>
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					<description><![CDATA[The Metropolitan Opera’s “The Voice Matters” slogan appears on a banner [&#8230;]]]></description>
		
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		<title>Dudamel opens new Philharmonic era with a 9/11 remembrance and a raucous premiere</title>
		<link>https://theclassicalreview.com/2026/09/dudamel-opens-new-philharmonic-era-with-a-9-11-remembrance-and-a-raucous-premiere/</link>
					<comments>https://theclassicalreview.com/2026/09/dudamel-opens-new-philharmonic-era-with-a-9-11-remembrance-and-a-raucous-premiere/#respond</comments>
		
		<dc:creator><![CDATA[Lawrence A. Johnson]]></dc:creator>
		<pubDate>Fri, 18 Sep 2026 12:34:13 +0000</pubDate>
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		<guid isPermaLink="false">https://theclassicalreview.com/?p=8060</guid>

					<description><![CDATA[It might seem odd to celebrate the arrival of a long-awaited [&#8230;]]]></description>
		
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		<title>A noble and timely tribute to American soldiers and their families</title>
		<link>https://theclassicalreview.com/2026/09/a-noble-and-timely-tribute-to-american-soldiers-and-their-families/</link>
					<comments>https://theclassicalreview.com/2026/09/a-noble-and-timely-tribute-to-american-soldiers-and-their-families/#respond</comments>
		
		<dc:creator><![CDATA[Lawrence A. Johnson]]></dc:creator>
		<pubDate>Thu, 10 Sep 2026 14:24:23 +0000</pubDate>
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					<description><![CDATA[Zimmerli: Letters From The Front. Ian Gindes, pianist. John Riesen, Angela [&#8230;]]]></description>
		
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		<title>Emiko Edwards provides eloquent advocacy for Copland&#8217;s piano music</title>
		<link>https://theclassicalreview.com/2026/08/emiko-edwards-provides-eloquent-advocacy-for-coplands-piano-music/</link>
					<comments>https://theclassicalreview.com/2026/08/emiko-edwards-provides-eloquent-advocacy-for-coplands-piano-music/#respond</comments>
		
		<dc:creator><![CDATA[Lawrence A. Johnson]]></dc:creator>
		<pubDate>Sun, 23 Aug 2026 12:53:03 +0000</pubDate>
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					<description><![CDATA[&#8220;Rodeo&#8221;: Piano music of Aaron Copland. Emiko Edwards. (Lexicon Classics). In [&#8230;]]]></description>
		
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		<title>Mäkelä’s revisited “Firebird” takes memorable flight at Ravinia</title>
		<link>https://theclassicalreview.com/2026/08/makelas-revisited-firebird-takes-memorable-flight-at-ravinia/</link>
					<comments>https://theclassicalreview.com/2026/08/makelas-revisited-firebird-takes-memorable-flight-at-ravinia/#respond</comments>
		
		<dc:creator><![CDATA[Lawrence A. Johnson]]></dc:creator>
		<pubDate>Sun, 09 Aug 2026 16:54:44 +0000</pubDate>
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					<description><![CDATA[The second and final program of Klaus Mäkelä’s brief Ravinia residency [&#8230;]]]></description>
		
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		<title>Hrůša, Bamberg Symphony give supreme advocacy to Martinů</title>
		<link>https://theclassicalreview.com/2026/07/hrusa-bamberg-symphony-give-supreme-advocacy-to-martinu/</link>
		
		<dc:creator><![CDATA[Lawrence A. Johnson]]></dc:creator>
		<pubDate>Wed, 29 Jul 2026 11:50:10 +0000</pubDate>
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					<description><![CDATA[Martinů: Symphonies Nos. 1-6. Jakub Hrůša / Bamberg Symphony (Deutsche Grammophon, [&#8230;]]]></description>
		
		
		
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		<title>20th-century works highlight a weekend at the Marlboro Festival</title>
		<link>https://theclassicalreview.com/2026/07/20th-century-works-highlight-a-weekend-at-the-marlboro-festival/</link>
		
		<dc:creator><![CDATA[Lawrence A. Johnson]]></dc:creator>
		<pubDate>Mon, 27 Jul 2026 16:29:18 +0000</pubDate>
				<category><![CDATA[Performances]]></category>
		<guid isPermaLink="false">https://theclassicalreview.com/?p=8041</guid>

					<description><![CDATA[For seven weeks each summer, the Marlboro Music Festival hosts a [&#8230;]]]></description>
		
		
		
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		<title>Powerful singing, filmic visuals make for a probing &#8220;Helena&#8221; at Bard SummerScape</title>
		<link>https://theclassicalreview.com/2026/07/powerful-singing-filmic-visuals-make-for-a-probing-helena-at-bard-summerscape/</link>
		
		<dc:creator><![CDATA[Lawrence A. Johnson]]></dc:creator>
		<pubDate>Sat, 25 Jul 2026 16:26:38 +0000</pubDate>
				<category><![CDATA[Performances]]></category>
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					<description><![CDATA[Since its establishment in 2003, Bard SummerScape has become a destination [&#8230;]]]></description>
		
		
		
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