Editorial & Legal Disclaimer: This article is Part 3 of a seven-part investigative and historical commentary series examining public records, archival media, witness statements, and historical accounts surrounding the life and 1996 murder of Tupac Shakur. All individuals mentioned are discussed in historical and artistic contexts based on verified public records and broadcast archives.

Before coastal battle lines were drawn, before subwoofers blared regional diss tracks, and before studio lobbies turned into scenes of violence, the emerging architects of 1990s hip-hop shared a period of mutual respect and artistic solidarity.

In the early 1990s, the hip-hop ecosystem was far more fluid. Artists from New York, Baltimore, Oakland, and Los Angeles frequently shared stages, studio sessions, and industry showcases. During this formative era, Tupac Shakur—then rising as a charismatic solo artist following his stint with Digital Underground—and Sean “Puff Daddy” Combs—then an ambitious young A&R executive at Uptown Records—were operating in the same creative orbits.

Theory 3: The Fractured Brotherhood

A prominent visual document of this early unity sits archived in television history: a November 1992 broadcast of the hit sketch comedy series In Living Color.

During Season 4, episode 10, hip-hop icon Heavy D & The Boyz took the stage to perform their hit single “You Can’t See What I Can’t See.” Flanking Heavy D in the background was an energetic entourage of rising stars sharing the spotlight. Among them was a 21-year-old Tupac Shakur hype-manning with electric passion, alongside a young Sean Combs dancing and hyping the crowd in his signature style.

Watch the full broadcast performance of Heavy D & The Boyz featuring Tupac Shakur and Sean Combs on In Living Color (Season 4, Episode 10) to see the early synergy between these two hip-hop figures before their relationship deteriorated.

At that moment, there were no coastal factions or corporate disputes. Tupac, proud of his New York roots while establishing his artistic footprint in California, celebrated the East Coast sound. Combs, building his reputation as an executive powerhouse, recognized Tupac’s undeniable star power. Their early interactions were rooted in mutual admiration and shared ambition to elevate the genre to mainstream dominance.

The Shifts That Severed the Bond

The camaraderie captured on national television in 1992 would not survive the rapid evolution of the music business over the next two years.

As Combs departed Uptown Records to establish Bad Boy Entertainment in 1993, he brought a polished, commercially aggressive aesthetic to East Coast hip-hop. Meanwhile, Tupac’s solo career exploded with raw, socially conscious, and increasingly gritty anthems like “Holler If Ya Hear Me” and “Papa’z Song”.

As both men accrued power, wealth, and influence, the personal space between them tightened. Executive rivalries, territorial street politics, and competing artist rosters slowly replaced the uninhibited energy of that 1992 television stage.

Understanding this early era of brotherhood makes the tragic fallout that followed all the more poignant. The feud that eventually consumed the industry did not stem from ancient hatred, but from a broken connection between peers who once shared the same stage.

Part 4 of “30 Years Later: The Don Killuminati and 7 Theories to His Death” continues tomorrow, focusing on the deep brotherhood and creative synergy between Tupac Shakur and Christopher “The Notorious B.I.G.” Wallace before Quad Studios changed hip-hop history.

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WASHINGTON – In the latest chapter of his ongoing effort to rebrand geographic entities around the globe, Trump has set his sights on a new target: the state of New Mexico.

In a flurry of social media posts, Trump posted several images showing state signs, maps, and official documents with the words “New Mexico” crossed out in bold red lines and replaced with handwritten text reading “New America.” Sharing the series of edited graphics – which were quickly amplified by official White House accounts – Trump proclaimed that the proposed moniker would be “so much more prestigious and beautiful for the people of that potentially incredible State.”

The viral image campaign comes amid a broader series of geographic rebranding pushes during Trump’s second term. Earlier executive actions directed federal agencies to adopt the name “Gulf of America” for the Gulf of Mexico, as well as rechristening Lake Ontario as “Lake America” following trade disputes with Canada. The president has also floated ideas ranging from renaming the Strait of Hormuz to “Trump Strait” to half-jokingly pondering name changes for the Atlantic and Pacific oceans.

However, despite the heavy social media push and multi-image campaign, legal scholars emphasize that renaming an established U.S. state falls well outside the boundaries of presidential executive power.

Legal experts point out that the state’s designation is explicitly codified under Article I of the New Mexico Constitution. Altering it would require a formal state constitutional amendment—demanding a majority vote in both chambers of the state legislature – followed by federal congressional approval.

New Mexico state officials were swift to shut down the idea and mock the modified images.

“New Mexico’s name isn’t up for debate—it’s been ours since before the United States existed,” said Governor Michelle Lujan Grisham, highlighting that the name Nuevo México was established by Spanish explorers in the 16th century, centuries prior to U.S. statehood. State representatives echoed the sentiment, dismissing the social media barrage as a distraction from pressing economic and diplomatic matters.

For now, federal agencies have not issued formal directives regarding state-level mapping references, leaving the crossed-out state logos as the latest rhetorical entry in the president’s high-profile geographic campaign.

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Editorial & Legal Disclaimer: This article is Part 2 of a seven-part investigative and historical commentary series examining public records, police filings, witness statements, and court transcripts surrounding the September 1996 shooting of Tupac Shakur. All individuals mentioned in connection with uncharged criminal activity or ongoing legal proceedings are presumed innocent unless proven guilty in a court of law. Allegations referenced regarding uncharged parties are sourced directly from law enforcement affidavits, grand jury indictments, and recorded police proffer sessions.

Long before his September 2023 arrest and murder indictment by Clark County authorities, Duane “Keefe D” Davis occupied a unique and influential position at the intersection of Southern California street culture and the emerging commercial empire of hip-hop.

A high-ranking leader of the South Side Compton Crips, Davis operated in circles that connected neighborhood street networks with the high-stakes entertainment industry. As East Coast hip-hop labels expanded their footprint into Los Angeles during the early 1990s, local figures like Davis provided the vital infrastructure required for corporate artists navigating the West Coast: physical security, venue access, vehicle fleets, and street-level protection.

It was within this context that Keefe D built a working relationship with Sean “Diddy” Combs, the founder of Bad Boy Entertainment.

Theory 2: The Bad Boy Logistics & Security Connection

The relationship between Duane “Keefe D” Davis and Sean Combs traces back to the early 1990s, when Bad Boy Entertainment was establishing its presence as a powerhouse label.

According to investigative reports, LAPD homicide records, and Keefe D’s own recorded statements under federal proffer agreements, Bad Boy executives regularly utilized Davis and his associates for logistical support whenever their roster traveled to Southern California.

When Bad Boy artists, including a young Usher during his early development, flew to Los Angeles for music video shoots, media appearances, or promotional tours, Keefe D provided rental vehicles and executive security services. Davis’s crew ensured safe passage through territorial neighborhoods, handled transportation fleets, and managed venue security during high-profile industry gatherings.

Usher’s 1994 video, “Can U Get Wit It,” directed by Lionel C. Martin was shot in either Las Vegas or Los Angeles using Keefe D’s convertible vehicle.

As tension mounted between Death Row Records, heavily affiliated with the Mob Piru Bloods, and Bad Boy Entertainment throughout 1995, Bad Boy’s reliance on the South Side Compton Crips for security deepened. What began as a standard corporate security arrangement gradually evolved into a factional alliance inside a volatile bi-coastal rivalry.

The Proffer Tapes and Law Enforcement Records

For years, law enforcement agencies in Los Angeles and Las Vegas tracked the overlap between rival record labels and local gang factions. The nature of the relationship between Bad Boy and the South Side Crips became a focal point of investigative scrutiny following the deaths of both Tupac Shakur in 1996 and Christopher “The Notorious B.I.G.” Wallace in 1997.

In December 2008, under a joint federal and local proffer agreement, a legal arrangement providing limited immunity for truthful information, Keefe D sat down with task force investigators. During these recorded sessions, Davis detailed his decades-long history with Bad Boy Entertainment, alleging that the dynamic shifted from routine security services to conversations regarding active conflict with Death Row Records.

Sean Combs has repeatedly, categorically, and publicly denied any involvement in the shooting of Tupac Shakur or any illegal activity involving gang factions, dismissing all such claims as completely false, uncorroborated, and fabricated by individuals seeking legal leniency or media attention.

The Intersection of Street Networks and Corporate Rap

Understanding the role of Keefe D and the South Side Compton Crips in the mid-1990s provides vital context to the events of September 7, 1996. The altercation in the MGM Grand lobby between Tupac Shakur and Orlando Anderson was not an isolated incident; it was an explosive point of contact between two deeply entrenched, opposing ecosystems.

When Death Row affiliates aligned with the Mob Piru Bloods and Bad Boy relied on the South Side Compton Crips for West Coast security, the corporate rivalry between two record labels became inextricably bound to active gang rivalries in Southern California.

When Orlando Anderson returned to his uncle Keefe D after the lobby beating, he wasn’t just seeking family support—he was reporting an assault to the leadership of a faction that was already positioned on the front lines of rap’s most dangerous conflict.

Part 3 of “30 Years Later: The Don Killuminati and 7 Theories to His Death” continues tomorrow, stepping back to the early 1990s to examine the early brotherhood between Tupac Shakur and Sean Combs—before studio ambushes and coastal rivalries severed their ties.

Part 2 of “30 Years Later: The Don Killuminati and 7 Theories to His Death” continues tomorrow, stepping back to the early 1990s to examine the early brotherhood between Tupac Shakur and Sean Combs—before studio ambushes and coastal rivalries severed their ties.

Catch up on the series:

Read Part 1: The Icon, the MGM Grand Beatdown, and the Heat at Flamingo & Koval

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Editorial & Legal Disclaimer: This article is Part 1 of a seven-part investigative and historical commentary series examining the public records, police filings, witness statements, and trial testimonies surrounding the September 7, 1996, shooting of Tupac Shakur. All individuals mentioned in connection with uncharged criminal activity or ongoing legal proceedings are presumed innocent unless proven guilty in a court of law. Allegations referenced are sourced directly from law enforcement affidavits, grand jury indictments, and recorded police proffer sessions.

Today marks 30 years since the shooting that led to one of the music industry’s greatest losses: Tupac Amaru Shakur. The James Dean of Hip Hop, Tupac was a recognizable force with raw talent that expanded beyond music into television and film as well.

Born Lesane Parish Crooks on June 16, 1971, in New York City to his mother Afeni Shakur, a former Black Panther who spent time in prison while pregnant with him for her alleged involvement in the Panther 21 case, his early life was shaped by political activism, art, and relentless movement across urban landscapes, from East Harlem to Baltimore, and ultimately to the Bay Area. He was renamed Tupac Amaru Shakur at age one, after the 18th-century Peruvian revolutionary who led an indigenous uprising against Spanish rule.

Afeni raised Tupac exposing him to music, literature, art, and history… Black History. He was well versed and appreciative of where he came from. As a great admirer of Rakim, Tupac developed his style and tried emulating Rakim’s. He was proud to be a product of New York and thrived to be a part of the legacy of the home of the Hip Hop community.

In Tupac’s track “Old School,” from his third studio album Me Against the World, he sends a poetic shoutout to the very community that raised him during his early childhood years, honoring the foundational New York City pioneers, from Grandmaster Flash and Rakim to Melle Mel and Slick Rick, who paved the way for his generation.

Yet that deep-seated reverence for his hometown would eventually curdle into bitter disillusionment. Following the traumatic 1994 ambush at Manhattan’s Quad Studios, his subsequent incarceration at Clinton Correctional Facility, and what he perceived as cold betrayal by former friends and peers within the New York hip-hop establishment, Tupac’s affection for the city hardened into deep-seated resentment. Aligning himself with Suge Knight’s West Coast titan, Death Row Records, he turned his razor-sharp pen against the very ecosystem he once revered.

It was with this intense emotional armor, fueled by paranoia and an uncompromising ride-or-die allegiance to Death Row, that Tupac arrived in Nevada on the hot desert night of September 7, 1996. Las Vegas was an arena of pure sensory overload—the high-roller suites, the neon glow of the Boulevard, and the heavy atmosphere setting the backdrop for one of the most anticipated sporting events of the year: Mike Tyson defending his WBA heavyweight title against Bruce Seldon at the MGM Grand Garden Arena.

In attendance was 25-year-old Tupac Shakur, riding the massive commercial high of his multi-platinum double album All Eyez on Me, alongside Marion “Suge” Knight. Tupac was at the peak of his cultural dominance, an artist whose raw intensity and charismatic swagger commanded every room he entered.

Inside the MGM, Tyson dispatched Seldon in just 109 seconds. But as the crowd trickled out into the casino’s tiled promenades, the atmosphere shifted from celebration to immediate danger.

The Incident in the MGM Promenade

As Tupac, Suge Knight, and their Death Row entourage traversed the casino lobby, Travon “Tray” Lane, a Death Row affiliate and Mob Piru Blood, spotted a familiar face standing near the elevator bank. It was 22-year-old Orlando “Baby Lane” Anderson, a known member of the South Side Compton Crips.

Months earlier, in May 1996, Anderson and a group of South Side Crips had allegedly jumped Tray Lane at a Foot Locker store inside the Lakewood Mall, stealing a gold Death Row Records medallion chain, a prized symbol of status within Knight’s inner circle.

Upon learning Anderson was in the lobby, Tupac marched across the concourse. Surveillance cameras mounted in the MGM Grand captured what happened next: Tupac confronted Anderson directly, asking, “You from the South?” before throwing a right hook that knocked Anderson to the floor. Members of the Death Row entourage immediately swarmed, delivering a flurry of kicks and punches before security personnel broke up the chaos.

Anderson was briefly detained by hotel security, but he declined to press charges and was released from the premises. Tupac and Knight exited the MGM Grand, returning to the Luxor Hotel to change clothes before heading toward Knight’s rented mansion and, ultimately, Club 662 on East Harmon Avenue for a scheduled charity benefit performance.

The Official Legal Record: The Retaliation at Flamingo & Koval

What unfolded next is not a matter of mere street speculation, but an established sequence of events documented across sworn grand jury testimony, police affidavits, and forensic evidence presented in court.

According to Clark County grand jury records and law enforcement filings, the altercation at the MGM Grand set into motion a swift, gang-related retaliation. Following the lobby beatdown, Orlando Anderson sought out his uncle, Duane “Keefe D” Davis, a high-ranking figure within the South Side Compton Crips. Enraged by the public beating, members of the crew orchestrated a response, acquiring a white 1996 Cadillac sedan and searching for Knight’s convoy across the Las Vegas Strip.

Around 11:15 PM, Suge Knight was driving his black 1996 BMW 750iL with Tupac sitting in the front passenger seat. As they idled at a red light at the intersection of Flamingo Road and Koval Lane, surrounded by a multi-car Death Row caravan, the white Cadillac pulled up alongside the BMW’s right flank.

An arm extended from the rear window of the Cadillac holding a .40-caliber Glock pistol. In a matter of seconds, fourteen rounds were fired into the passenger side of the BMW.

Tupac was struck four times: twice in the chest, once in the arm, and once in the thigh. One of the rounds perforated his right lung. Suge Knight suffered a shrapnel wound to the head but managed to U-turn the heavily damaged BMW onto the Strip before being pulled over and assisted by emergency responders near Las Vegas Boulevard.

The Physical Aftermath and the Unanswered Questions

Tupac was rushed to the University Medical Center of Southern Nevada, where trauma surgeons performed emergency surgery, removing his damaged right lung in an effort to halt severe internal bleeding. He was placed in a medically induced coma on life support.

While street rumors immediately identified Orlando Anderson as the shooter in the right rear seat of the Cadillac, Anderson repeatedly denied any involvement in the shooting during police interviews prior to his death in an unrelated gang shootout in May 1998.

For nearly three decades, the investigation into the shooting remained unsolved, giving rise to competing theories regarding the true orchestrators of the ambush, the origin of the firearm, and whether external corporate or rival rap factions had fueled the violent exchange.

It would take twenty-seven years, and the September 2023 arrest and murder indictment of Duane “Keefe D” Davis by Clark County authorities—for the events of September 7, 1996, to be formally presented before a criminal court.

Part 2 of “30 Years Later: The Don Killuminati and 7 Theories to His Death” continues tomorrow, examining the decades-long history between Keefe D, Bad Boy Entertainment, and how West Coast security contracts placed gang leadership inside rap’s biggest corporate rivalries.

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AUSTIN, Texas — Tesla officially deployed its first commercial fleet of purpose-built autonomous vehicles to public streets on September 3, 2026, introducing its steering-wheel-free Cybercab to ride-hailing passengers in Austin.

The launch marks a pivotal shift for the electric automaker, moving the Cybercab from a futuristic concept into a functional, revenue-generating service.

A Vehicle Built Without Human Controls

Unlike previous autonomous vehicles modified from standard production models, the Cybercab is built entirely around an unsupervised ride-hailing experience:

• No Manual Overrides: The gold-colored, two-seater vehicle features no steering wheel, brake pedals, accelerator, or traditional side-view mirrors.
• Passenger-Centric Cabin: Passengers enter through automated scissor doors into a lounge-like interior dominated by a large central display for entertainment, navigation, and trip tracking.
• Vision-Based Navigation: Relying strictly on Tesla’s camera-based Full Self-Driving (FSD) architecture rather than expensive LiDAR or radar arrays, the vehicle navigates urban intersections, lane merges, and pedestrian crossings through end-to-end neural networks.

Select riders in the Austin area can now select the Cybercab option alongside existing autonomous Model Y units through the Tesla Robotaxi mobile app. Initial passenger reports indicate that per-mile fares for the Cybercab are priced significantly lower than traditional ride-hailing services, aligning with Tesla’s target operating cost of under $0.30 per mile.

Seeking Partners for Global Deployment

As part of its commercial rollout, Tesla is actively soliciting deployment recommendations and partnerships through a dedicated portal at tesla.com/robotaxi/interest.

The automaker is inviting municipal leaders, commercial property owners, and transportation entities to submit regional interest across several critical expansion categories:

• Fleet Operations & Purchasing: Allowing third-party operators and commercial enterprises to express interest in purchasing and managing Cybercab fleets.
• Mobility Hubs & Infrastructure: Partnering with property managers and parking network operators to build out dedicated charging, staging, and cleaning infrastructure.
• Event Collaboration & Regional Feasibility: Gathering data on local regulatory landscapes, event staging, and demand patterns to prioritize the next wave of launch cities.

Regulatory Scrutiny and Self-Certification Audit

While the public rollout sent Tesla shares higher initially, it was immediately met with close government oversight.

The National Highway Traffic Safety Administration (NHTSA) opened an Audit Query (AQ) shortly after the deployment. Rather than auditing the lack of a physical steering wheel itself, the inquiry focuses on the certification path Tesla utilized under Federal Motor Vehicle Safety Standards (FMVSS).

Under U.S. regulations, automakers self-certify compliance before entering the market. Regulators are evaluating the technical data and process Tesla used to self-certify up to 1,000 Cybercabs without applying for a formal exemption, specifically examining whether Tesla’s compliance framework improperly relied on treating standard rules for human controls as inapplicable.

Tesla currently operates roughly 45 Cybercabs in Texas as part of a phased initial fleet. Company executives signaled that 24-hour daily service is scheduled to expand in the coming months as software updates rolled out across its autonomous network continue to log unsupervised testing miles.

*** Correction (September 7, 2026): An earlier version of this article overstated the scope of the NHTSA inquiry regarding the Cybercab’s physical design. The investigation is an Audit Query focused on Tesla’s self-certification process under Federal Motor Vehicle Safety Standards (FMVSS), rather than an audit of the absence of a steering wheel.

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Metro Atlanta has reached another historic national milestone, officially rising to become the sixth-largest metropolitan area in the United States, according to the latest figures from the U.S. Census Bureau. Spanning a vast 29-county footprint, the region now trails only legacy powerhouses like New York, Los Angeles, Chicago, Dallas, and Houston. Driven by steady corporate relocations, film and technology sector growth, and a continued influx of new residents, Atlanta’s climb past major regions like Miami and Washington, D.C. highlights its cemented position as the economic heart of the American South.

However, rapid regional expansion comes with pressing growing pains. As core corridors like the Atlanta BeltLine experience unprecedented density and foot traffic, community leaders and urban planners are grappling with critical questions surrounding public safety, housing affordability, and transit infrastructure. This landmark Census milestone proves that while Metro Atlanta’s momentum is undeniable, managing the balance between rapid growth and local identity remains the region’s greatest challenge ahead.

READ MORE: Metro Atlanta Ascends to 6th Largest Metropolitan Area in the U.S.

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Conceived in 1999 by Ryan Gravel as a Georgia Tech master’s thesis, the Atlanta BeltLine was designed to repurpose disused rail corridors into a 22-mile loop of transit, trails, and urban green space.

Over two decades later, the multi-use trail has evolved far beyond an activity path, transforming into a vibrant cultural hub lined with restaurants, breweries, and public art. However, a recent fatal stabbing outside the Eastside BeltLine Kroger,the second high-profile homicide along the corridor in just three months, has raised serious public safety concerns.

As city officials face calls for enhanced security overhauls and systemic solutions for repeat offenders, Atlanta is forced to confront a critical question: Where is the BeltLine taking us?

READ MORE: Where Is The BeltLine Taking Us?

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For fanatical followers of the red-and-white logo, the wait for an iconic sweet-and-savory crossover is officially over. Chick-fil-A has introduced its fresh take on a classic comfort pairing: the Chicken & Waffles Sandwich. Breaking away from traditional breakfast time limits, this latest menu addition is available to satisfy cravings straight through lunch and dinner.

At the heart of the creation is a unique spin on waffle craft. The culinary team presses fluffy, Belgian Liège-style waffle biscuits to golden-brown perfection, creating a caramelized outer crust with a soft, rich interior. Loaded with pockets of melted pearl sugar, these waffle biscuits serve as a sweet frame designed to hold up against the chain’s heavy-hitting savory classics.

Between the caramelized waffles sits a signature hand-breaded, pressure-cooked Chick-fil-A® Filet stacked with strips of crispy bacon. Served alongside warm Classic Syrup for custom dipping or drizzling, the sandwich balances the rich, buttery texture of a brioche waffle with the crisp crunch of fried chicken.

The Details

• The Build: Two caramelized Liège waffle biscuits, a signature hand-breaded filet, and crispy bacon.
• The Finish: Served with warm Classic Syrup on the side.
• Availability: Breakfast, lunch, and dinner (all day long).
• Nutrition: 690 Calories | 32g Protein
• Price: Varies by location ($8.49 base)

Whether you prefer a sweet start to your morning or an indulgent dinner upgrade, the Chicken & Waffles Sandwich is rolling out nationwide. Guests can pick one up at local drive-thrus or order ahead on the Chick-fil-A® App while seasonal supplies last.

Have you had it yet… What are your thoughts? Let us know something.

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Growing up in the South, it was virtually impossible not to know the name Dolly Parton. She was a constant, radiant presence on our television screens, always flashing that trademark smile to promote Dollywood, her beloved theme park nestled in the Great Smoky Mountains of Pigeon Forge, Tennessee. To us, she wasn’t just a celebrity; she was a beloved neighbor who had made good but never forgot exactly where she came from.

For over half a century, she reigned as a titan of country music and a quiet but mighty force for philanthropy. Her influence spanned a vast spectrum, from gifting millions of books to children through her Imagination Library to bridging deeply entrenched cultural divides with nothing but a guitar, a rhinestone-studded gown, and an unrelenting plea for empathy. But my fondest memories of her will always be etched in the glow of the silver screen. In 9 to 5, she was the brilliant, underestimated secretary who outsmarted her boss with Southern charm and sharp wit. In Steel Magnolias , she was Truvy, the big-haired beautician who captured the essence of resilience by reminding us that “laughter through tears is my favorite emotion.” She had an unparalleled gift for making everyone feel like they were in on the joke, and more importantly, that they belonged.

On Tuesday, that vibrant light came to a dimming sight. Parton passed away after a short, private battle with cancer, and the loss is currently gripping the country in a profound, collective grief. It feels as though a foundational pillar of American goodness has been removed. Tributes are pouring in from quiet country roads to bustling cities, a testament to a woman who refused to be boxed into a single genre, political party, or demographic.

The air feels a little less sparkly today, the radio a little more hollow. Yet, the beauty of Dolly Parton is that she spent her entire life leaving pieces of her heart behind for us to find. Through her timeless songwriting, her infectious laughter preserved on film, and the generations of children reading the books she sent them, her legacy remains entirely bulletproof. We have lost the woman, but we will never lose the warmth she brought to the world.

Dolly Rebecca Parton Dean
January 19, 1946 – August 25, 2026

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Decades ago, the Kroger on Ponce earned the infamous moniker “Murder Kroger” following a series of tragic deaths. Rebuilt and rebranded as BeltLine Kroger to leave its past behind, the area now faces a grim reality: violence has moved onto the trail itself. Following a fatal stabbing outside the store on Sunday—the second high-profile homicide along the corridor in just three months—Atlanta leaders face growing outrage and urgent calls to overhaul public safety. Is the city’s signature multi-use trail becoming an increasingly unpredictable environment?

READ MORE: Murder On the BeltLine

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