http://www.behance.net Sun, 26 Apr 2026 00:21:23 +0000 en-us
A series of illustrations created in collaboration with Amnesty International for their magazine Bref. Titled 'Sport: Double Jeu' (Double Game), the issue deciphers the complex link between sports and human rights. The project explores how states use major sporting events to polish their international image, while also highlighting the persistent discrimination that continues to plague the world of sports.]]>
A series of illustrations created in collaboration with Amnesty International for their magazine Bref. Titled 'Sport: Double Jeu' (Double Game), the issue deciphers the complex link between sports and human rights. The project explores how states use major sporting events to polish their international image, while also highlighting the persistent discrimination that continues to plague the world of sports.]]>
This series captures dynamic surface patterns shaped by organic matter and movement, revealing how fragile structures emerge, drift, and disappear in an ever-changing system.]]>
This series captures dynamic surface patterns shaped by organic matter and movement, revealing how fragile structures emerge, drift, and disappear in an ever-changing system.]]>
This self-initiated project started with a simple curiosity: what happens when something traditionally soft, ornamental, and fragile like lace is rebuilt from paper? By cutting, layering, and repeating shapes, I explored symmetry as a form of calm. The process became almost meditative. Each cut mirrored another, each decision asking for balance rather than perfection. Using bold color combinations, transparency, and shifting opacity, I wanted the work to feel graphic and contemporary while still carrying the quiet rhythm of lace. Paper allowed me to play with contrast. Hard edges creating softness. Structure creating delicacy. I mixed in photography to break the symmetry just enough, letting small disruptions breathe life into the pattern. For me, these pieces sit somewhere between control and intuition. They are about finding harmony through repetition, about how balance doesn't mean stillness, but thoughtful movement.]]>
This self-initiated project started with a simple curiosity: what happens when something traditionally soft, ornamental, and fragile like lace is rebuilt from paper? By cutting, layering, and repeating shapes, I explored symmetry as a form of calm. The process became almost meditative. Each cut mirrored another, each decision asking for balance rather than perfection. Using bold color combinations, transparency, and shifting opacity, I wanted the work to feel graphic and contemporary while still carrying the quiet rhythm of lace. Paper allowed me to play with contrast. Hard edges creating softness. Structure creating delicacy. I mixed in photography to break the symmetry just enough, letting small disruptions breathe life into the pattern. For me, these pieces sit somewhere between control and intuition. They are about finding harmony through repetition, about how balance doesn't mean stillness, but thoughtful movement.]]>
An Publishing & Education Rebrand by Studio Alt Client: An Publishing & Education Year: 2025 Studio Alt © 2026]]>
An Publishing & Education Rebrand by Studio Alt Client: An Publishing & Education Year: 2025 Studio Alt © 2026]]>
This project explores the creation of a vibrant visual universe built around fruits, illustration, and expressive character design. The concept transforms everyday fruits into playful personalities full of energy, humor, and attitude, creating a colorful graphic language that celebrates freshness, vitamins, and the joyful side of healthy food. Inspired by vintage packaging, pop graphics, and contemporary branding, the project combines bold illustration, dynamic compositions, and vibrant color palettes to develop a distinctive visual identity. Each fruit becomes a character, designed to communicate vitality, flavor, and fun while maintaining a cohesive and recognizable aesthetic. The project demonstrates how illustration and character design can expand into a flexible branding system designed for multiple applications such as packaging, apparel, posters, and digital graphics.]]>
This project explores the creation of a vibrant visual universe built around fruits, illustration, and expressive character design. The concept transforms everyday fruits into playful personalities full of energy, humor, and attitude, creating a colorful graphic language that celebrates freshness, vitamins, and the joyful side of healthy food. Inspired by vintage packaging, pop graphics, and contemporary branding, the project combines bold illustration, dynamic compositions, and vibrant color palettes to develop a distinctive visual identity. Each fruit becomes a character, designed to communicate vitality, flavor, and fun while maintaining a cohesive and recognizable aesthetic. The project demonstrates how illustration and character design can expand into a flexible branding system designed for multiple applications such as packaging, apparel, posters, and digital graphics.]]>
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Illustration inspired by retro-tech and fuelled by open web counterculture.]]>
Illustration inspired by retro-tech and fuelled by open web counterculture.]]>
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Kim Geum-won, Joseon's First Female Traveler Client: Cheongeoram Junior Written by: Kang Min-kyung Illustrated by: Pie Genre: Young Adult Fiction]]>
Kim Geum-won, Joseon's First Female Traveler Client: Cheongeoram Junior Written by: Kang Min-kyung Illustrated by: Pie Genre: Young Adult Fiction]]>
Most recent collection of hand drawn logotypes, monograms and wordmarks.]]>
Most recent collection of hand drawn logotypes, monograms and wordmarks.]]>
A collection of digital portraits (Nick Cave, Vivienne Westwood), personal sketches, and nostalgic objects brought to life with hyper?saturated colors.]]>
A collection of digital portraits (Nick Cave, Vivienne Westwood), personal sketches, and nostalgic objects brought to life with hyper?saturated colors.]]>
This project explores a new direction for Polish Radio Bia?ystok - not just as a broadcaster, but as a brand that lives in the streets, in culture, and in everyday moments. What started as a strategic redesign evolved into something more expressive. The goal was no longer just to modernize the identity, but to reconnect it with a younger audience without losing the trust and legacy built over the years. Despite the shift, the project does not abandon its roots. The blue tones, structured typography, and clarity of communication remain as a foundation. They ensure accessibility, recognizability, and trust - especially for long-time listeners. This balance is intentional: new energy layered on top of familiar structure. The identity is built as a flexible system rather than a fixed set of rules. It works across: broadcast digital outdoor merchandise The same elements adapt depending on context, scale, and audience.]]>
This project explores a new direction for Polish Radio Bia?ystok - not just as a broadcaster, but as a brand that lives in the streets, in culture, and in everyday moments. What started as a strategic redesign evolved into something more expressive. The goal was no longer just to modernize the identity, but to reconnect it with a younger audience without losing the trust and legacy built over the years. Despite the shift, the project does not abandon its roots. The blue tones, structured typography, and clarity of communication remain as a foundation. They ensure accessibility, recognizability, and trust - especially for long-time listeners. This balance is intentional: new energy layered on top of familiar structure. The identity is built as a flexible system rather than a fixed set of rules. It works across: broadcast digital outdoor merchandise The same elements adapt depending on context, scale, and audience.]]>
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High-end CGI and post-production by Recom Farmhouse NYC, for a high-impact poster campaign for Ford Bronco. Michael Hanisch photographed vast desert landscapes, building a cinematic world full of off-road energy - heat and dust on the road less paved. The vehicles were integrated through CGI using high-resolution plates captured with custom-built equipment for maximal realism.??Project: Ford Bronco Photographer: Michael Hanisch @michaelhanisch_?Post Production @recomfarmhouse NYC CGI artists: Robert Russ, Luke Burke Post Artists: Robert Russ, Andrew Coleman, Steven Orts, Jong Yoo]]>
High-end CGI and post-production by Recom Farmhouse NYC, for a high-impact poster campaign for Ford Bronco. Michael Hanisch photographed vast desert landscapes, building a cinematic world full of off-road energy - heat and dust on the road less paved. The vehicles were integrated through CGI using high-resolution plates captured with custom-built equipment for maximal realism.??Project: Ford Bronco Photographer: Michael Hanisch @michaelhanisch_?Post Production @recomfarmhouse NYC CGI artists: Robert Russ, Luke Burke Post Artists: Robert Russ, Andrew Coleman, Steven Orts, Jong Yoo]]>
"Other Universe" is a gamified learning experience built into Bank of Georgia's children's app, sCoolApp, turning financial education, cybersecurity, logical thinking, and general knowledge into an engaging journey through storytelling, illustration, and mission-based play.]]>
"Other Universe" is a gamified learning experience built into Bank of Georgia's children's app, sCoolApp, turning financial education, cybersecurity, logical thinking, and general knowledge into an engaging journey through storytelling, illustration, and mission-based play.]]>
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Unearthing the giants. A deep dive into the visual camouflage, fluid simulations, and cinematic 3D animation used to build the world of Netflix's The Dinosaurs.]]>
Unearthing the giants. A deep dive into the visual camouflage, fluid simulations, and cinematic 3D animation used to build the world of Netflix's The Dinosaurs.]]>
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A Study in Shape & Color This project is a visual exploration of automotive design through a vibrant and contemporary lens. By deconstructing iconic silhouettes and reimagining them through bold color palettes, the collection seeks a balance between nostalgia and modern illustration. Each piece is defined by a high-contrast chromatic approach and the use of grainy textures to add depth and an organic feel to the digital strokes. It's a celebration of cars not just as machines, but as sculptural forms that inhabit colorful, minimalist worlds.]]>
A Study in Shape & Color This project is a visual exploration of automotive design through a vibrant and contemporary lens. By deconstructing iconic silhouettes and reimagining them through bold color palettes, the collection seeks a balance between nostalgia and modern illustration. Each piece is defined by a high-contrast chromatic approach and the use of grainy textures to add depth and an organic feel to the digital strokes. It's a celebration of cars not just as machines, but as sculptural forms that inhabit colorful, minimalist worlds.]]>
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Blooming colourful design]]>
Blooming colourful design]]>
In 2024, we were invited to develop a brand identity concept for the Budapest Festival Orchestra (BFZ) as part of a design competition. Our concept builds on the orchestra's existing logo, transforming it into a cohesive visual identity system. The original mark is expanded with a motif representing the audience, forming a dynamic, generative system. The identity is built on a custom pattern generator, which visually expresses the close relationship between the orchestra and its listeners, capturing the distinctive atmosphere of BFZ concerts. The identity balances tradition and innovation: it is flexible and adaptable, yet grounded in strong, recognizable foundations. The color palette and typography are designed to be contemporary yet timeless, supporting the orchestra's international presence. The typography also functions independently, ensuring a clear and consistent visual voice across all applications.]]>
In 2024, we were invited to develop a brand identity concept for the Budapest Festival Orchestra (BFZ) as part of a design competition. Our concept builds on the orchestra's existing logo, transforming it into a cohesive visual identity system. The original mark is expanded with a motif representing the audience, forming a dynamic, generative system. The identity is built on a custom pattern generator, which visually expresses the close relationship between the orchestra and its listeners, capturing the distinctive atmosphere of BFZ concerts. The identity balances tradition and innovation: it is flexible and adaptable, yet grounded in strong, recognizable foundations. The color palette and typography are designed to be contemporary yet timeless, supporting the orchestra's international presence. The typography also functions independently, ensuring a clear and consistent visual voice across all applications.]]>
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Onsene is a boutique architectural visualization studio built on authorship, curation, and atmosphere. The work puts life at the center of the frame, translating space into scenes that feel inhabited, credible, and unforgettable. "Life on scene" is the brand's point of view: every image is directed with intention, shaping light, shadow, texture, and composition to surface what's already there in potential and bring it into presence. For architects, developers, and investors, this becomes a clear visual narrative that elevates perceived value and supports confident decisions. SENSORY AND ORGANIC. CINEMATIC. BREATH AND CONTEMPLATION. Onsene starts from a simple concept: sensory and organic, cinematic in language, shaped by flow, haze, negative space, and quiet contemplation. The scene guides the eye. The detail holds the whole. The atmosphere carries the memory. In digital environments, that idea becomes a system. Precise compositions, considered negative space, and a clear hierar]]>
Onsene is a boutique architectural visualization studio built on authorship, curation, and atmosphere. The work puts life at the center of the frame, translating space into scenes that feel inhabited, credible, and unforgettable. "Life on scene" is the brand's point of view: every image is directed with intention, shaping light, shadow, texture, and composition to surface what's already there in potential and bring it into presence. For architects, developers, and investors, this becomes a clear visual narrative that elevates perceived value and supports confident decisions. SENSORY AND ORGANIC. CINEMATIC. BREATH AND CONTEMPLATION. Onsene starts from a simple concept: sensory and organic, cinematic in language, shaped by flow, haze, negative space, and quiet contemplation. The scene guides the eye. The detail holds the whole. The atmosphere carries the memory. In digital environments, that idea becomes a system. Precise compositions, considered negative space, and a clear hierar]]>
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Horizonfilms is a video and sound production company based in Graz, Austria. I developed a strong wordmark that literally stretches across the horizon, paired with a symbol that amplifies this effect. A dark, atmospheric color palette leaves space for Horizonfilms work to shine, creating a bold and confident identity guided by a distinctive logo system.]]>
Horizonfilms is a video and sound production company based in Graz, Austria. I developed a strong wordmark that literally stretches across the horizon, paired with a symbol that amplifies this effect. A dark, atmospheric color palette leaves space for Horizonfilms work to shine, creating a bold and confident identity guided by a distinctive logo system.]]>
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A series of digital 3D type works created in the style of the Japanese ceramic colour mixing technique, Nerikomi.]]>
A series of digital 3D type works created in the style of the Japanese ceramic colour mixing technique, Nerikomi.]]>
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