<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:blogger='http://schemas.google.com/blogger/2008' xmlns:georss='http://www.georss.org/georss' xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-1257698238846045492</id><updated>2026-03-31T23:15:36.226+01:00</updated><category term="New_Order"/><category term="Joy_Division"/><category term="The_Durutti_Column"/><category term="Factory_Records"/><category term="A_Certain_Ratio"/><category term="Tony_Wilson"/><category term="Peter_Hook"/><category term="Happy_Mondays"/><category term="gigs"/><category term="Section_25"/><category term="FAC51_The_Hacienda"/><category term="events"/><category term="poster"/><category term="graphic_design"/><category term="books"/><category 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term="Northern_Quarter_Picture_Co"/><category term="Nova_Nova"/><category term="Nuits_Sonores"/><category term="Out_of_Order"/><category term="Outpost"/><category term="Palace_Hotel"/><category term="Palatine"/><category term="Paradise"/><category term="Paranoid_London"/><category term="Paris"/><category term="Paul_Hetherington"/><category term="Paul_Oakenfold"/><category term="Paul_Ryder"/><category term="Paul_Slattery"/><category term="Paul_Smith"/><category term="Paula_Greif"/><category term="Pauline_Murray"/><category term="Pete_Shelley"/><category term="Peter_Blake"/><category term="Philippe_Carly"/><category term="Pledge_Music"/><category term="Pop_Noir"/><category term="Quarry_Bank_Mill"/><category term="Ralph_Steadman"/><category term="Re:Order"/><category term="Real_World"/><category term="Red_Cellars"/><category term="Republic"/><category term="RetroMan_blog"/><category term="Retrosonic_Podcast"/><category term="Rhino"/><category term="Richard_Bellia"/><category term="Rob_Brydon"/><category term="Rochdale"/><category term="Rolf_Hind"/><category term="Russell_Club"/><category term="Ruth_Polsky"/><category term="SC_digital"/><category term="SXSW"/><category term="Saint_Etienne"/><category term="Salford_Music_Festival"/><category term="Sarah_Champion"/><category term="Scunthorpe"/><category term="Sean_Harris"/><category term="Sean_Vegezzi"/><category term="Section_26"/><category term="Sheffield"/><category term="Sisters_of_Transistors"/><category term="Situationism"/><category term="So_It_Goes"/><category term="Spitalfields"/><category term="Sprechen_Music"/><category term="Stephen_Horsfall"/><category term="Stephen_Stringer"/><category term="Stereo_MCs"/><category term="Stereograph"/><category term="Steve_Coogan"/><category term="Steve_Silk_Hurley"/><category term="Steve_Stringer"/><category term="StoryRooms"/><category term="Structure_Moderne"/><category term="Stuart_Maconie"/><category term="Styal"/><category term="Subterraneans"/><category term="Suddi_Raval"/><category term="Super_White_Assassin"/><category term="Swing"/><category term="T-Coy"/><category term="Tate_Britain"/><category term="Technique"/><category term="Terry_Christian"/><category term="The_Beat_Club"/><category term="The_Brooklyn_Foundation"/><category term="The_Delaplains"/><category term="The_Factory"/><category term="The_Family_Bizarre"/><category term="The_Invisible_Girls"/><category term="The_June_Brides"/><category term="The_Nightingales"/><category term="The_Occasional_Keepers"/><category term="The_Quietus"/><category term="The_Smiths"/><category term="The_Social"/><category term="Thomas_Dolby"/><category term="Tiger_Bay"/><category term="Tim_Walsh"/><category term="Todd_Terry"/><category term="Together"/><category term="Tokion"/><category term="Tony_Panas"/><category term="Tony_Quigley"/><category term="Toronto_Film_Festival"/><category term="Tracey_Donnelly"/><category term="Trevor_Key"/><category term="Tumblr"/><category term="Twenty_Four_Hours"/><category term="USSR"/><category term="Ultramarine"/><category term="Uncut_Funk"/><category term="Unfolk"/><category term="V_Thirteen"/><category term="Vee_VV"/><category term="Viggo_Mortensen"/><category term="Vince_Clarke"/><category term="Vincent_Davies"/><category term="Vincent_Moon"/><category term="W_Festival"/><category term="WeStandTogether"/><category term="Weeds"/><category term="William_S_Burroughs"/><category term="Wolfgang_Flur"/><category term="Y-3"/><category term="Yohji_Yamamoto"/><category term="YouTube"/><category term="Yvette_Livesey"/><category term="Zoo"/><category term="advert"/><category term="advertising"/><category term="anniversary"/><category term="autoKratz"/><category term="bass_guitar"/><category term="benefit"/><category term="birthday"/><category term="cocktails"/><category term="concept"/><category term="copyright"/><category term="edifices"/><category term="electronica"/><category term="flying_start"/><category term="furniture"/><category term="gutted"/><category term="humour"/><category term="indie_pop"/><category term="itunes"/><category term="kickstarter"/><category term="lecture"/><category term="lyrics"/><category term="map"/><category term="mugs"/><category term="poetry"/><category term="politics"/><category term="poll"/><category term="post_punk"/><category term="promotion"/><category term="punk"/><category term="screening"/><category term="sponsorship"/><category term="style"/><category term="tape_archive"/><category term="theatre"/><title type='text'>Cerysmatic.Factory</title><subtitle type='html'>Cerysmatic Factory - a blog, history and archive about Factory Records, the independent record label from Manchester, England</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='https://cerysmatic.factoryrecords.org/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/1257698238846045492/posts/default/-/Miaow?max-results=20&amp;orderby=published'/><link rel='alternate' type='text/html' href='https://cerysmatic.factoryrecords.org/search/label/Miaow'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>7</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>20</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-1257698238846045492.post-7582002423167107614</id><published>2014-03-14T18:24:00.000+00:00</published><updated>2017-05-08T12:47:24.011+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Cherry_Red"/><category scheme="http://www.blogger.com/atom/ns#" term="compilation"/><category scheme="http://www.blogger.com/atom/ns#" term="Happy_Mondays"/><category scheme="http://www.blogger.com/atom/ns#" term="Miaow"/><category scheme="http://www.blogger.com/atom/ns#" term="NME"/><category scheme="http://www.blogger.com/atom/ns#" term="The_Railway_Children"/><title type='text'>NME C86 compilation 3CD edition</title><content type='html'>&lt;img src=&quot;http://factoryrecords.org/cerysmatic/images/nme_c86_022_compilation_311.jpg&quot; width=&quot;311&quot; border=&quot;0&quot; alt=&quot;NME C86 compilation 3CD edition&quot; /&gt;&lt;br /&gt;&lt;br /&gt;Cherry Red presents a new 3CD version of their excellent &lt;a href=&quot;https://www.facebook.com/C86Compilation&quot;&gt;NME C86&lt;/a&gt; compilation album and it features three ex-Factory Records bands.  Disc 1 has &lt;a href=&quot;http://factoryrecords.org/cerysmatic/miaow.php&quot;&gt;Miaow&#39;s&lt;/a&gt; &lt;i&gt;Sport Most Royal&lt;/i&gt; whilst Disc 2 has &lt;i&gt;Darkness and Colour&lt;/i&gt; by &lt;a href=&quot;http://factoryrecords.org/cerysmatic/the_railway_children.php&quot;&gt;The Railway Children&lt;/a&gt;. The ex-FAC fun is rounded off on Disc 3 by &lt;a href=&quot;http://factoryrecords.org/cerysmatic/happy_mondays.php&quot;&gt;Happy Mondays&lt;/a&gt;&#39; &lt;i&gt;Freaky Dancin&#39;&lt;/i&gt;.  Amongst the wider highlights are offerings from pretty much any indie band who was around in the mid- to late-Eighties including Primal Scream, The Soup Dragons, Shop Assistants, McCarthy, The Weather Prophets, That Petrol Emotion, King of the Slums!, Pop Will Eat Itself and many many more.&lt;br /&gt;&lt;br /&gt;It&#39;s released on 9 June 2014 and will come in a nice box with comprehensive illustrated sleevenotes by Neil Taylor.&lt;br /&gt;&lt;br /&gt;More info including the full tracklisting on &lt;a href=&quot;https://www.facebook.com/C86Compilation/photos/a.712073682154354.1073741828.711695275525528/801477813213940/?type=1&amp;stream_ref=10&quot; target=&quot;_blank&quot;&gt;Facebook&lt;/a&gt;</content><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/1257698238846045492/posts/default/7582002423167107614'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/1257698238846045492/posts/default/7582002423167107614'/><link rel='alternate' type='text/html' href='https://cerysmatic.factoryrecords.org/2014/03/nme-c86-compilation-3cd-edition.html' title='NME C86 compilation 3CD edition'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-1257698238846045492.post-2314966742952416392</id><published>2010-05-07T13:13:00.000+01:00</published><updated>2017-05-08T12:48:05.266+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="A_Certain_Ratio"/><category scheme="http://www.blogger.com/atom/ns#" term="Auteur_Labels"/><category scheme="http://www.blogger.com/atom/ns#" term="Biting_Tongues"/><category scheme="http://www.blogger.com/atom/ns#" term="Fadela"/><category scheme="http://www.blogger.com/atom/ns#" term="Happy_Mondays"/><category scheme="http://www.blogger.com/atom/ns#" term="LTM"/><category scheme="http://www.blogger.com/atom/ns#" term="Meat_Mouth"/><category scheme="http://www.blogger.com/atom/ns#" term="Miaow"/><category scheme="http://www.blogger.com/atom/ns#" term="Pleasure_Crew"/><category scheme="http://www.blogger.com/atom/ns#" term="Quando_Quango"/><category scheme="http://www.blogger.com/atom/ns#" term="Section_25"/><category scheme="http://www.blogger.com/atom/ns#" term="The_Durutti_Column"/><category scheme="http://www.blogger.com/atom/ns#" term="The_Hood"/><category scheme="http://www.blogger.com/atom/ns#" term="The_Wake"/><title type='text'>Auteur Labels - Factory Records 1987</title><content type='html'>News just in from &lt;a href=&quot;http://factoryrecords.org/cerysmatic/ltm.html&quot;&gt;LTM&lt;/a&gt; of a new instalment in the Auteur Labels series and the second in the Factory Records year. Auteur Labels - Factory Records 1987 includes choice cuts from &lt;a href=&quot;http://factoryrecords.org/cerysmatic/new_order.html&quot;&gt;New Order&lt;/a&gt;, &lt;a href=&quot;http://factoryrecords.org/cerysmatic/acr.html&quot;&gt;ACR&lt;/a&gt;, &lt;a href=&quot;http://factoryrecords.org/cerysmatic/happy_mondays.html&quot;&gt;Happy Mondays&lt;/a&gt;, &lt;a href=&quot;http://factoryrecords.org/cerysmatic/the_durutti_column.html&quot;&gt;The Durutti Column&lt;/a&gt;, &lt;a href=&quot;http://factoryrecords.org/cerysmatic/the_wake.html&quot;&gt;The Wake&lt;/a&gt;, &lt;a href=&quot;http://factoryrecords.org/cerysmatic/section25.html&quot;&gt;Section 25&lt;/a&gt; and many more. It is released on 12 July 2010 via LTM.&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Tracklisting&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;New Order - True Faith&lt;br /&gt;A Certain Ratio – Bootsy (Racic Remix)&lt;br /&gt;Happy Mondays – 24 Hour Party People&lt;br /&gt;Quando Quango – Bad Blood&lt;br /&gt;Biting Tongues – Compressor&lt;br /&gt;The Durutti Column – Catos Con Guantes&lt;br /&gt;Fadela – N&#39;Sel Fik&lt;br /&gt;Arthur Baker – Come On&lt;br /&gt;The Hood – Salvation! (Nitro Dub)&lt;br /&gt;Pleasure Crew – So Good&lt;br /&gt;Meat Mouth – Meat Mouth Is Murder&lt;br /&gt;Miaow – When It All Comes Down&lt;br /&gt;The Wake – Furious Sea&lt;br /&gt;Section 25 – Bad News Week (The Cough Mix)&lt;br /&gt;&lt;br /&gt;--&lt;br /&gt;&lt;br /&gt;Title: Auteur Labels - Factory Records 1987&lt;br /&gt;Label: LTM&lt;br /&gt;Catalogue number: LTMCD 2555&lt;br /&gt;Format: CD&lt;br /&gt;Release date: 12 July 2010&lt;br /&gt;&lt;br /&gt;Also available: &lt;a href=&quot;http://factoryrecords.org/cerysmatic/ltmcd2534_auteur_labels_factory_records_1984.html&quot;&gt;Auteur Labels - Factory Records 1984&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Available from &lt;a href=&quot;http://www.ltmrecordings.com/mailordr.html&quot;&gt;LTM Mail Order&lt;/a&gt;.</content><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/1257698238846045492/posts/default/2314966742952416392'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/1257698238846045492/posts/default/2314966742952416392'/><link rel='alternate' type='text/html' href='https://cerysmatic.factoryrecords.org/2010/05/auteur-labels-factory-records-1987.html' title='Auteur Labels - Factory Records 1987'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-1257698238846045492.post-553584274740814347</id><published>2010-02-06T21:44:00.000+00:00</published><updated>2017-05-08T12:48:06.653+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Factory_Records"/><category scheme="http://www.blogger.com/atom/ns#" term="Miaow"/><title type='text'>Priceless Restoration</title><content type='html'>&lt;a href=&quot;http://factoryrecords.org/cerysmatic/cath_carroll.html&quot;&gt;Cath Carroll&lt;/a&gt; discusses the long-lost Factory Records album by &lt;a href=&quot;http://factoryrecords.org/cerysmatic/miaow.html&quot;&gt;Miaow&lt;/a&gt; in the &lt;a href=&quot;http://blog.lilypadrecords.com/2010/02/05/padcast-18-miaows-priceless-restoration-with-cath-carroll-part-1.aspx&quot; target=&quot;_blank&quot;&gt;Padcast #18&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Cath talks about Miaow and the release of Priceless Restoration, a cassette containing the 1987 demos of  &quot;Priceless Innuendo&quot; in 1987, on &lt;a href=&quot;http://www.audiolife.com/store/lilypadrecords/browseartists.aspx&quot; target=&quot;_blank&quot;&gt;Lilypad Records&lt;/a&gt; this Valentine&#39;s Day.&lt;br /&gt;&lt;br /&gt;Miaow released two singles on Factory, &lt;a href=&quot;http://factoryrecords.org/cerysmatic/fac179.html&quot;&gt;FAC 179 When It All Comes Down&lt;/a&gt; and &lt;a href=&quot;http://factoryrecords.org/cerysmatic/fac189.html&quot;&gt;FAC 189 Break The Code&lt;/a&gt;, but split before they could record the album which had got to the stage of being assigned a FAC number (210) and the working title &lt;i&gt;Priceless Innuendos&lt;/i&gt;. A further single, Marry Me Dusty (Springfield) was also slated to come out as FAC 209. Cath explains that this track dates from an even earlier session than the bulk of the Priceless tracks. Of course, FACT 210 eventually came out as the Cath Carroll solo album, &lt;a href=&quot;http://factoryrecords.org/cerysmatic/facd210.html&quot;&gt;England Made Me&lt;/a&gt;.</content><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/1257698238846045492/posts/default/553584274740814347'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/1257698238846045492/posts/default/553584274740814347'/><link rel='alternate' type='text/html' href='https://cerysmatic.factoryrecords.org/2010/02/priceless-restoration.html' title='Priceless Restoration'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-1257698238846045492.post-479829455817015860</id><published>2008-11-10T21:33:00.000+00:00</published><updated>2017-05-08T12:48:30.460+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="A_Certain_Ratio"/><category scheme="http://www.blogger.com/atom/ns#" term="Biting_Tongues"/><category scheme="http://www.blogger.com/atom/ns#" term="Cabaret_Voltaire"/><category scheme="http://www.blogger.com/atom/ns#" term="Crispy_Ambulance"/><category scheme="http://www.blogger.com/atom/ns#" term="Happy_Mondays"/><category scheme="http://www.blogger.com/atom/ns#" term="Joy_Division"/><category scheme="http://www.blogger.com/atom/ns#" term="Miaow"/><category scheme="http://www.blogger.com/atom/ns#" term="New_Order"/><category scheme="http://www.blogger.com/atom/ns#" term="Northside"/><category scheme="http://www.blogger.com/atom/ns#" term="Quando_Quango"/><category scheme="http://www.blogger.com/atom/ns#" term="Section_25"/><category scheme="http://www.blogger.com/atom/ns#" term="The_Durutti_Column"/><category scheme="http://www.blogger.com/atom/ns#" term="The_Names"/><category scheme="http://www.blogger.com/atom/ns#" term="The_Railway_Children"/><category scheme="http://www.blogger.com/atom/ns#" term="The_Wake"/><category scheme="http://www.blogger.com/atom/ns#" term="Tunnelvision"/><title type='text'>Box Set Go-Going</title><content type='html'>Latest news (from &lt;a href=&quot;http://www.amazon.co.uk/Factory-Box-Set-Various-Artists/dp/B001E1GXP0/ref=sr_1_1?ie=UTF8&amp;amp;s=music&amp;amp;qid=1224195994&amp;amp;sr=1-1&quot; target=&quot;_blank&quot;&gt;Amazon UK&lt;/a&gt; and &lt;a href=&quot;http://www.towerrecords.co.jp/sitemap/CSfCardMain.jsp?GOODS_NO=1886111&amp;amp;GOODS_SORT_CD=101&quot; target=&quot;_blank&quot;&gt;Tower JP&lt;/a&gt;) sees the new 4-disc Rhino &#39;&lt;i&gt;The Factory Box Set&lt;/i&gt;&#39; released on 8 December. As noted before, it is compiled by Jon Savage, includes an essay by Paul Morley, and the artwork is by Peter Saville.&lt;br /&gt;&lt;br /&gt;Tracklist is as follows:&lt;br /&gt;&lt;br /&gt;DISC 1&lt;br /&gt;1. Joy Division: &lt;i&gt;Digital&lt;/i&gt;&lt;br /&gt;2. A Certain Ratio: &lt;i&gt;All Night Party&lt;/i&gt;&lt;br /&gt;3. OMD: &lt;i&gt;Electricity&lt;/i&gt; (Original version)&lt;br /&gt;4. Joy Division: &lt;i&gt;She&#39;s Lost Control&lt;/i&gt;&lt;br /&gt;5. The Distractions: &lt;i&gt;Time Goes By So Slow&lt;/i&gt;&lt;br /&gt;6. Joy Division: &lt;i&gt;Transmission&lt;/i&gt;&lt;br /&gt;7. The Durutti Column: &lt;i&gt;Sketch For Summer&lt;/i&gt;&lt;br /&gt;8. X-O-Dus: &lt;i&gt;English Black Boys&lt;/i&gt;&lt;br /&gt;9. Joy Division: &lt;i&gt;Love Will Tear Us Apart&lt;/i&gt;&lt;br /&gt;10. A Certain Ratio: &lt;i&gt;Shack Up&lt;/i&gt;&lt;br /&gt;11.  Section 25: &lt;i&gt;Girls Don&#39;t Count&lt;/i&gt;&lt;br /&gt;12. Crawling Chaos: &lt;i&gt;Sex Machine&lt;/i&gt;&lt;br /&gt;13. A Certain Ratio: &lt;i&gt;Flight&lt;/i&gt;&lt;br /&gt;14. The Names: &lt;i&gt;Night Shift&lt;/i&gt;&lt;br /&gt;15. New Order: &lt;i&gt;Ceremony&lt;/i&gt; (Original 7&quot; version)&lt;br /&gt;16. Minny Pops: &lt;i&gt;Dolphin&#39;s Spurt&lt;/i&gt;&lt;br /&gt;17. John Dowie: &lt;i&gt;It&#39;s Hard To Be An Egg&lt;/i&gt;&lt;br /&gt;18. Crispy Ambulance: &lt;i&gt;Deaf&lt;/i&gt;&lt;br /&gt;19. Section 25: &lt;i&gt;Dirty Disco&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;DISC 2&lt;br /&gt;1. New Order: &lt;i&gt;Everything&#39;s Gone Green&lt;/i&gt;&lt;br /&gt;2. ESG: &lt;i&gt;Moody&lt;/i&gt;&lt;br /&gt;3. Tunnelvision: &lt;i&gt;Watching the Hydroplanes&lt;/i&gt;&lt;br /&gt;4. The Durutti Column: &lt;i&gt;Messidor&lt;/i&gt;&lt;br /&gt;5. A Certain Ratio: &lt;i&gt;Knife Slits Water&lt;/i&gt; (LP version)&lt;br /&gt;6. Royal Family and the Poor: &lt;i&gt;Art on 45&lt;/i&gt;&lt;br /&gt;7. Swamp Children: &lt;i&gt;Taste What&#39;s Rhythm&lt;/i&gt;&lt;br /&gt;8. New Order: &lt;i&gt;Temptation&lt;/i&gt;&lt;br /&gt;9. 52nd Street: &lt;i&gt;Cool As Ice&lt;/i&gt;&lt;br /&gt;10. New Order: &lt;i&gt;Blue Monday&lt;/i&gt;&lt;br /&gt;11. Cabaret Voltaire: &lt;i&gt;Yashar&lt;/i&gt; (John Robie Remix)&lt;br /&gt;12. Quando Quango: &lt;i&gt;Love Tempo&lt;/i&gt;&lt;br /&gt;13. The Wake: &lt;i&gt;Talk About The Past&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;DISC 3&lt;br /&gt;1. New Order: &lt;i&gt;Confusion&lt;/i&gt;&lt;br /&gt;2. Marcel King: &lt;i&gt;Reach For Love&lt;/i&gt;&lt;br /&gt;3. Section 25: &lt;i&gt;Looking from A Hillto&lt;/i&gt;p (12&quot; Restructure)&lt;br /&gt;4. Stockholm Monsters: &lt;i&gt;All At Once&lt;/i&gt;&lt;br /&gt;5. Life: &lt;i&gt;Tell Me&lt;/i&gt;&lt;br /&gt;6. The Durutti Column: &lt;i&gt;A Little Mercy (Duet)&lt;/i&gt;&lt;br /&gt;7. James: &lt;i&gt;Hymn From A Village&lt;/i&gt;&lt;br /&gt;8. Kalima: &lt;i&gt;Trickery&lt;/i&gt;&lt;br /&gt;9. A Certain Ratio: &lt;i&gt;Sounds Like Something Dirty&lt;/i&gt;&lt;br /&gt;10. Quando Quango: &lt;i&gt;Genius&lt;/i&gt;&lt;br /&gt;11. Happy Mondays: &lt;i&gt;Freaky Dancin&#39;&lt;/i&gt;&lt;br /&gt;12. Miaow: &lt;i&gt;When It All Comes Down&lt;/i&gt;&lt;br /&gt;13. The Railway Children: &lt;i&gt;Brighter&lt;/i&gt;&lt;br /&gt;14. Biting Tongues: &lt;i&gt;Compressor&lt;/i&gt;&lt;br /&gt;15. New Order: &lt;i&gt;True Faith&lt;/i&gt;&lt;br /&gt;16. Happy Mondays: &lt;i&gt;24 Hour Party People&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;DISC 4&lt;br /&gt;1. New Order: &lt;i&gt;Fine Time&lt;/i&gt;&lt;br /&gt;2. Happy Mondays: &lt;i&gt;WFL&lt;/i&gt; (Think About the Future)&lt;br /&gt;3. Revenge: &lt;i&gt;Seven Reasons&lt;/i&gt;&lt;br /&gt;4. Happy Mondays: &lt;i&gt;Hallelujah&lt;/i&gt; (Club Mix)&lt;br /&gt;5. Electronic: &lt;i&gt;Getting Away With It&lt;/i&gt;&lt;br /&gt;6. Happy Mondays: &lt;i&gt;Step On&lt;/i&gt;&lt;br /&gt;7. Northside: &lt;i&gt;Shall We Take A Trip&lt;/i&gt;&lt;br /&gt;8. England New Order: &lt;i&gt;World In Motion&lt;/i&gt;&lt;br /&gt;9. Happy Mondays: &lt;i&gt;Kinky Afro&lt;/i&gt;&lt;br /&gt;10. The Durutti Column: &lt;i&gt;Home&lt;/i&gt;&lt;br /&gt;11. Electronic: &lt;i&gt;Get The Message&lt;/i&gt; (DNA remix)&lt;br /&gt;12. Northside: &lt;i&gt;Take 5&lt;/i&gt;&lt;br /&gt;13. Cath Carroll: &lt;i&gt;Moves Like You&lt;/i&gt; (Remix)&lt;br /&gt;14. The Other Two: &lt;i&gt;Tasty Fish&lt;/i&gt; (12&quot; mix)&lt;br /&gt;15. Happy Mondays: &lt;i&gt;Sunshine and Love&lt;/i&gt; (Lionrock Remix)</content><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/1257698238846045492/posts/default/479829455817015860'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/1257698238846045492/posts/default/479829455817015860'/><link rel='alternate' type='text/html' href='https://cerysmatic.factoryrecords.org/2008/11/box-set-go-going.html' title='Box Set Go-Going'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-1257698238846045492.post-4158154828538917447</id><published>2008-04-14T08:05:00.000+01:00</published><updated>2017-05-08T12:48:51.266+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Miaow"/><title type='text'>When it all comes down</title><content type='html'>A restored &lt;a href=&quot;http://factoryrecords.org/cerysmatic/miaow.html&quot;&gt;Miaow&lt;/a&gt; E.P. is in the pipeline according to Cath Carroll&#39;s &lt;a href=&quot;http://tinyurl.com/4pdocz&quot; target=&quot;_blank&quot;&gt;MySpace&lt;/a&gt;. You can preview the tracks on &lt;a href=&quot;http://www.myspace.com/cathsmiaow&quot; target=&quot;_blank&quot;&gt;MiaowSpace&lt;/a&gt; before they turn up as digital downloads via &lt;a href=&quot;http://www.lilypadrecords.com&quot; target=&quot;_blank&quot;&gt;Lilypad Records&lt;/a&gt; &quot;in the near future&quot;.</content><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/1257698238846045492/posts/default/4158154828538917447'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/1257698238846045492/posts/default/4158154828538917447'/><link rel='alternate' type='text/html' href='https://cerysmatic.factoryrecords.org/2008/04/when-it-all-comes-down.html' title='When it all comes down'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-1257698238846045492.post-2710030280222013550</id><published>2004-07-15T14:17:00.000+01:00</published><updated>2017-05-08T12:50:29.806+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="8vo"/><category scheme="http://www.blogger.com/atom/ns#" term="Joy_Division"/><category scheme="http://www.blogger.com/atom/ns#" term="Little_Big_Band"/><category scheme="http://www.blogger.com/atom/ns#" term="Miaow"/><category scheme="http://www.blogger.com/atom/ns#" term="New_Order"/><category scheme="http://www.blogger.com/atom/ns#" term="Quando_Quango"/><category scheme="http://www.blogger.com/atom/ns#" term="The_Royal_Family_And_The_Poor"/><category scheme="http://www.blogger.com/atom/ns#" term="The_Wendys"/><category scheme="http://www.blogger.com/atom/ns#" term="Tony_Wilson"/><title type='text'>Double good</title><content type='html'>There is a long and fine history of Factory allocating the same catalogue number to different projects, intentionally or otherwise. Unrealised concepts abound in the Factory canon and sometimes the unused number was freed up for use on something else. Sometimes though a simple cock-up occurred and Factory forgot a number had already been used.&lt;br /&gt;&lt;br /&gt;Fact 95 - The first instance of number duplication occurred when the Royal Family and The Poor&#39;s album &#39;&lt;a href=&quot;http://factoryrecords.org/cerysmatic/fact95.html&quot;&gt;The Project - Phase 1 (The Temple of the 13th Tribe&lt;/a&gt;&#39; was given the number originally reserved for a 12” single by (Ha&amp;ccedil;ienda DJ) Greg Wilson. The single never appeared so the number was recycled. &lt;br /&gt;&lt;br /&gt;Fac 137 - Fact 137 was the &lt;a href=&quot;fact137.html&quot;&gt;Shorts&lt;/a&gt; compilation video but was also allocated to the 12&quot; single &#39;&lt;a href=&quot;http://factoryrecords.org/cerysmatic/fac137.html&quot;&gt;Genius&lt;/a&gt;&#39; by Quando Quango.&lt;br /&gt;&lt;br /&gt;Fact 150 - A strange one here because whilst &lt;a href=&quot;http://factoryrecords.org/cerysmatic/fact150.html&quot;&gt;Fact 150&lt;/a&gt; was the &lt;a href=&quot;http://factoryrecords.org/cerysmatic/new_order.html&quot;&gt;New Order&lt;/a&gt; album &#39;Brotherhood&#39;, Fac 150 was assigned to the Japanese version of the PFD video (which has the regular Factory catalogue number Fac 177).&lt;br /&gt;&lt;br /&gt;Facd 207 - Rob Gray&#39;s &lt;a href=&quot;http://factoryrecords.org/cerysmatic/the_little_big_band.html&quot;&gt;Little Big Band&lt;/a&gt; mini lp was assigned the number Facd 207 but 207 was at one time going to be his &#39;Digital Buskingomo&#39; video. Sadly the video never materialised.&lt;br /&gt;&lt;br /&gt;Fact 210 - By the time Fact 210 &#39;&lt;a href=&quot;http://factoryrecords.org/cerysmatic/facd210.html&quot;&gt;England Made Me&lt;/a&gt;&#39; by &lt;a href=&quot;http://factoryrecords.org/cerysmatic/cath_carroll.html&quot;&gt;Cath Carroll&lt;/a&gt; was released, Cath&#39;s band &lt;a href=&quot;http://factoryrecords.org/cerysmatic/miaow.html&quot;&gt;Miaow&lt;/a&gt; were a distant memory but originally this number was reserved for their unreleased album &#39;Priceless Innuendos&#39;.&lt;br /&gt;&lt;br /&gt;Fac 211 - The excellent Joy Division documentary aired on Channel 4&#39;s Wired programme (of which officially packaged and numbered tapes exist) about Joy Division (and specifically the release of Fac 213 Atmosphere and Fact 250 Substance had this number but it was also attached to the &#39;Book of Ideas&#39; concept detailed in the &lt;a href=&quot;http://factoryrecords.org/cerysmatic/fact400.html&quot;&gt;Fact 400&lt;/a&gt; Palatine booklet.&lt;br /&gt;&lt;br /&gt;Fac 221 - Tony Wilson&#39;s trip to Hollywood to raise interest in and money for the Mad Fuckers film (Fac 181) resulted in the allocation of the 221 number and &lt;a href=&quot;http://factoryrecords.org/cerysmatic/fac221.html&quot;&gt;badges&lt;/a&gt; bearing it but in a classic piece of number duplication it reappeared as the number for the 8vo Factory Contract. These contract binders date from mid-1990 starting with Cath Carroll (who allegedly signed an 8-LP deal). Two 12&quot; x 12&quot; clear perspex plates with screenprinted signal green, silver and signal orange design, hold with 4 metal bolts. The bolts are positioned so as to hold A4 sheets in place and to allow the number of pages to vary from contract to contract.&lt;br /&gt;&lt;br /&gt;Fac 289 - Factory produced special &lt;a href=&quot;http://factoryrecords.org/cerysmatic/fac289.html&quot;&gt;notepaper&lt;/a&gt; to promote the release of &lt;a href=&quot;http://factoryrecords.org/cerysmatic/facd275.html&quot;&gt;Fact 275&lt;/a&gt; &#39;Technique&#39; by New Order. It was given the number 289 because the campaign was launched in February 1989. Later on, Factory forgot about this and reallocated the number to &lt;a href=&quot;http://factoryrecords.org/cerysmatic/the_wendys.html&quot;&gt;The Wendys&lt;/a&gt;&#39; single &#39;The Sun&#39;s Going To Shine For Me Soon&#39;. &lt;br /&gt;&lt;br /&gt;Fac 301 - This was a Factory &lt;a href=&quot;http://factoryrecords.org/cerysmatic/fac301.html&quot;&gt;conference&lt;/a&gt; held at Mottram Hall, Cheshire, 5 July 1990 for which special white notepads, flyers and white serviettes / napkins were made. The number was also allocated to a book to be written by Tim Chambers (who worked for Ikon) about the first 50 numbers in the Factory catalogue.&lt;br /&gt;&lt;br /&gt;Fac 451 - Jane Stanton&#39;s loving documentary about &lt;a href=&quot;http://factoryrecords.org/cerysmatic/fac51.html&quot;&gt;Fac 51 The Ha&amp;ccedil;ienda&lt;/a&gt; which aired on Granada Television entitled &#39;Love Will Tear Us Apart&#39; was given this number (currently the second highest number issued) was the same as the number given to the &#39;rebuilding&#39; of the Ha&amp;ccedil;ienda for the movie &lt;a href=&quot;http://factoryrecords.org/cerysmatic/fac401.html&quot;&gt;24 Hour Party People&lt;/a&gt;, itself the recipient of Fac 401.&lt;br /&gt;&lt;br /&gt;Many thanks to OMNY.</content><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/1257698238846045492/posts/default/2710030280222013550'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/1257698238846045492/posts/default/2710030280222013550'/><link rel='alternate' type='text/html' href='https://cerysmatic.factoryrecords.org/2004/07/double-good.html' title='Double good'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-1257698238846045492.post-6298068790695215963</id><published>2003-10-06T13:28:00.000+01:00</published><updated>2017-05-08T12:50:53.054+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Factory_Records"/><category scheme="http://www.blogger.com/atom/ns#" term="Joy_Division"/><category scheme="http://www.blogger.com/atom/ns#" term="Miaow"/><category scheme="http://www.blogger.com/atom/ns#" term="Quando_Quango"/><category scheme="http://www.blogger.com/atom/ns#" term="Stockholm_Monsters"/><title type='text'>They came from Palatine Road</title><content type='html'>I&#39;d like to introduce the start of a new page on the classic &lt;a href=&quot;http://factoryrecords.org/cerysmatic/fact400.html&quot;&gt;Palatine&lt;/a&gt; 4CD/4LP/4CASS (what no DAT?) Factory box set retrospective, kicking off with the full page HMV advertisement complete with offer of free video.&lt;br /&gt;&lt;br /&gt;Palatine comprised 4 individual albums detailing different aspects of the Factory catalogue. It is named after the long time home of Factory Records, &lt;a href=&quot;http://factoryrecords.org/cerysmatic/86palatine.html&quot;&gt;86 Palatine Road&lt;/a&gt; which is in West Didsbury, Manchester. &lt;br /&gt;&lt;br /&gt;Fact 314 Tears In Their Eyes chronicles the early days with &lt;a href=&quot;http://factoryrecords.org/cerysmatic/joy_division.html&quot;&gt;Joy Division&lt;/a&gt; and &lt;a href=&quot;http://factoryrecords.org/cerysmatic/omd.html&quot;&gt;Orchestral Manoeuvres In The Dark&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Fact 344 Selling Out, the commercial singles days. &lt;br /&gt;&lt;br /&gt;And inbetween, &#39;Fact 324 Life&#39;s A Beach&#39; the influential dance acts like &lt;a href=&quot;http://factoryrecords.org/cerysmatic/quando_quango.html&quot;&gt;Quando Quango&lt;/a&gt; and &#39;Fact 334 The Beat Groups&#39; the pop combos like &lt;a href=&quot;http://factoryrecords.org/cerysmatic/stockholm_monsters.html&quot;&gt;Stockholm Monsters&lt;/a&gt;, &lt;a href=&quot;http://factoryrecords.org/cerysmatic/miaow.html&quot;&gt;Miaow&lt;/a&gt;, &lt;a href=&quot;http://factoryrecords.org/cerysmatic/james.html&quot;&gt;James&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;This page will expand and forms part of the ongoing &lt;a href=&quot;http://factoryrecords.org/cerysmatic/history.html&quot;&gt;Factory History&lt;/a&gt;.</content><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/1257698238846045492/posts/default/6298068790695215963'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/1257698238846045492/posts/default/6298068790695215963'/><link rel='alternate' type='text/html' href='https://cerysmatic.factoryrecords.org/2003/10/they-came-from-palatine-road.html' title='They came from Palatine Road'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author></entry></feed>