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Panasonic DMC-G3 In-depth Review

2011-07-20T00:56:00.001-07:00

Review based on a production DMC-G3, Firmware version 1.0

The G3 heralds the start of Panasonic's third generation of mirrorless cameras. In some respects it's a refinement of previous models; its electronic viewfinder and hinged rear display screen are identical to the G1 and G2, for example. However, behind the aluminium front panel of its slimmed-down, externally-simplified body lies a completely new 16.7MP sensor. This makes it the first mass-market Micro Four Thirds model to move beyond Panasonic's 12MP chip.

While some of the new features of the G3 suggest a move upmarket, many other changes point to an attempt on Panasonic's part to make the G-series more accessible. A number of features have been removed, presumably in order to make this model both less intimidating and less expensive (the recommended price is $100 lower than the launch price of the G2).

Mirrorless interchangeable lens cameras are still relatively new. As such, manufacturers are still trying to determine their target audience as well as the balance of features, capabilities and pricing that will have the widest appeal. Panasonic's Lumix DMC-G1, released back in 2008, was essentially a miniaturized version of the company's L10 DSLR, sharing similar features and appearance. More recently, however, mirrorless camera designs are looking to capitalize on the differences the technology can offer, such as compact size and seamless video integration, rather than trying to mimic conventional DSLRs.

The compact-camera-like hand grip is the first, most obvious evidence that the G3 fits into this philosophy. Gone is the prominent lump that has become standard for DSLRs, and instead we have a grip that more closely resembles that of the GF2 - a low profile rounded extension that encourages a very different hand position on the camera. In fact, the G3 is as close in size and appearance to a Panasonic Lumix DMC-GF2 (with a viewfinder) as it is to the Panasonic Lumix DMC-G2.

From the GF2, the G3 gains a touchscreen interface that is a vast improvement over that seen in the G2. It allows lots of control over camera settings as well as direct on-screen selection of the focus point - something that no DSLR can offer. Further distancing itself from previous G-series models, the G3 allows you to place the AF point anywhere throughout the entire frame, as opposed to just within a central portion.

The G3 also gains improved video capability, matching the GF2's ability to output either 1080i60 or 720p60 (both from 30fps sensor output). And, while this isn't up to the same specification as the video capability of the Panasonic Lumix DMC-GH2, the G3 does gain that camera's image processor and impressive autofocus speed.

Beyond this, the bulk of the G3's new features are incremental improvements - there's a picture-in-picture manual focus magnification option so that you can focus while still viewing the overall composition, and a Pinpoint AF mode that combines a small AF area with a zoomed preview for precise focusing. The G3 also features subject-tracking AF while shooting video.

Regrettably however, much has been removed from the new model, too. Unlike the G2, the G3 doesn't have an eye sensor for its viewfinder, so you'll have to manually switch between it and the rear display screen. It also loses the G2's focus point dial and focus mode lever, along with the option for connecting an external microphone (thus ensuring that it doesn't tread on the GH2's toes).

Taken as a whole, these changes lead us to suspect that the G3 might replace both the G2 and the lower-spec'd G10 in Panasonic's lineup. It's worth noting that its suggested price also sits exactly mid-way between those two models.

Panasonic G3 specification highlights:

16.7MP CMOS sensor (standard Micro Four Thirds size)
ISO 160-6400
4 fps continuous shooting (20fps at 4MP)
GF2-style touch screen interface
1080i60 AVCHD shooting (from 30p sensor output)
All-area AF point selection
Pinpoint AF mode (magnifies focus point to allow confirmation and fine-tune of AF position)
Tracking AF in video mode
Picture-in-picture manual focus magnification
460k dot articulated LCD
1.44M dot-equivalent electronic viewfinder (phase sequential type)

Size compared to a typical DSLR

Placed next to the Rebel T3i / 600D - fairly typical in size for an entry-level DLSR - the size difference of the G3 becomes immediately apparent.


A top-down view further emphasizes the distinction; the G3 is considerably smaller in every dimension. Even at this size, however, the G3 is not going to fit in a pocket.

Casio reveals Exilim EX-ZS15 touch-screen compact

2011-07-20T00:54:00.001-07:00

Casio Europe has released the Exilim EX-ZS15, a touch-screen compact with a 5x wide-angle zoom. The 14MP CCD-based camera features a 26-130mm equivalent lens and 3" touch-sensitive display. The touch-screen display not only includes a touch-shutter mode but also replaces virtually all the camera's buttons, leaving just a shutter, video record, Best Shot Selector and power buttons. Beyond this the camera can shoot 720p30 video.
Press release:

Casio Releases Compact and Stylish New EXILIM Touch-Screen Digital Camera with 26mm Wide-angle Lens and 5x Optical Zoom

With New "Touch Shutter", A Single Touch on the Screen Sets Auto Focus
on That Spot and Takes a Photo

TOKYO, July 18, 2011 – Casio Europe GmbH and its parent company, Casio Computer Co., Ltd., today announced the release of the new EXILIM® EX-ZS15 camera, the latest addition to the EXILIM family of digital cameras. This compact and stylish new EXILIM is more user-friendly than ever. The generous 3.0-inch touch-screen LCD with Casio’s new “Touch Shutter” function makes it a breeze even for beginners to take and view great photos. The EX-ZS15 also boasts an effective pixel resolution of 14.1-megapixels.
The new camera features a compact and stylish body and a 26mm wide-angle lens with a 5x optical zoom. Even beginning photographers will find the user interface effortless, thanks to smoothly scrolling menus and large touch buttons that are conveniently positioned. The user just touches the screen to select a shooting mode. The Touch Shutter function allows the user to focus on an area or subject on the screen and capture the photo just by touching the screen. Saved images can also be viewed by simply flipping through pages of images displayed intuitively on the screen.
The EX-ZS15 is packed with features including Best Shot Mode, which optimizes photo settings by just selecting for the type of scene the user wants to photograph. Other outstanding features include face detection, HD movie recording (1280 x 720) to shoot stunning clips, and USB charging. The EX-ZS15 is available in three colors: silver, red and black.

Nikon AF-S Nikkor 50mm f/1.8 samples gallery

2011-07-20T00:53:00.001-07:00

Nikon AF-S Nikkor 50mm f/1.8 samples gallery

Just Posted: Our AF-S Nikkor 50mm f/1.8 G sample gallery. We've had access to Nikon's latest inexpensive 50mm prime lens for a couple of weeks and have put together a 41-image sample gallery to show some of what it can do. The AF-S G version means there's finally an inexpensive Nikon 50mm lens that will autofocus on the company's entry-level bodies, such as the D40, D60, D3100 and D5100. Here we've shot it using both the DX D7000 and the FX D3S to show how it performs on both formats.
There are 41 images in the samples gallery (21 shot on APS-C and 20 on full-frame). Please do not reproduce any of these images on a website or any newsletter / magazine without prior permission (see our copyright page). We make the originals available for private users to download to their own machines for personal examination or printing (in conjunction with this review), we do so in good faith, please don't abuse it.
Unless otherwise noted images processed using Adobe Camera Raw using 'Camera Standard' color rendering. Because our review images are now hosted on the 'galleries' section of dpreview.com, you can enjoy all of the new galleries functionality when browsing these samples

Additional images

Nikon AF-S Nikkor 50mm f/1.8 G samples gallery

Pentax makes 645D Camera Grand Prix limited edition

2011-07-20T00:52:00.001-07:00

Pentax has announced a special edition of its 645D 40MP medium format camera to celebrate being named 'Camera of the Year' at the Camera Grand Prix Japan 2011. The built-to-order special comes with a red lacquer finish and special camera strap, arranged in a paulownia-wood box. The company has not announced how many it will produce. Pentax previously made a special edition of its K10D DSLR when it received the equivalent award in 2007.
Press Release:

PENTAX ANNOUNCES LIMITED EDITION 645D:

Model Honors 645D Camera Grand Prix Japan 2011 "Camera of the Year" Award

GOLDEN, CO. (July 14, 2011)…PENTAX Imaging Company has announced it will offer a limited edition 645D camera kit produced to celebrate the PENTAX 645D being named Camera Grand Prix Japan 2011 "Camera of the Year." This limited edition camera features an elegant, lacquer-finished body. The components of this unique kit that will be available on a very limited basis include:

• PENTAX 645D Japan camera body
• Leather Strap 645D japan O-ST123
• Body Mount Cap 645D Japan
• Center-Spot-Matte Focusing Screen DS-80
• Specially designed paulownia-wood packaging

PENTAX is planning built-to-order production of this model with a minimum four month delivery period from the date each order is placed.
First announced in June 2010, the PENTAX 645D is a high-performance medium-format digital SLR camera combining super-high-resolution digital images with approximately 40 effective megapixels that offers exceptional reliability and superb operability. The camera was selected Camera GP Japan 2011 "Camera of the Year" for its array of original, outstanding features including a large CCD sensor, and a dependable, dust-proof, weather-resistant body that operates in temperatures as low as –10°C.
Information about the camera, features, awards and product images is available at these links:
www.pentaximaging.com/news and PENTAX 645D
The new model kit will be available for pre-order on www.pentaxwebstore.com
--
From Pentax UK:

Major Features of the PENTAX 645D Japan

1. Using the innovative lacquer techniques developed by Sakamoto Urushi Manufacturing Co., Ltd. of Aizu-Wakamatsu, Fukushima Prefecture, Japan, PENTAX has made use of the traditional art of urushi (lacquer) for the exterior of the 645D Japan camera body. This exclusive lacquer finish not only gives the camera an elegant, exquisite appearance, but also enhances the camera’s durability. In order to create a sense of exclusiveness and a rich depth to the coating, the process requires a number of painstaking steps, such as pasting many different types of silver leaves on a black-lacquer base — as if creating a collage of torn paper — and applying an overcoat of paint in a rich Bordeaux-wine tone. This sophisticated, meticulously handcrafted lacquer technique using natural urushi and silver leaves means that each camera body will be slightly different, ensuring the camera will be a one-of-a-kind, unique possession for the photographer.

2. The PENTAX logo on the camera front panel and the mode-dial settings on its upper panel are gold-plated. The rubber portion of the grip has a semi-glossy black finish.

3. Made of a synthetic leather material, the exclusive strap carries a “Camera GP 2011 Camera of The Year” insignia and a PENTAX 645D logo, both in gold.
4. Each camera body is marked with its individual serial number, proof of its limited-edition status.

5. The camera mount cap has been exclusively designed for the kit, and features a glossy black coating.

6. The LCD panel on the camera’s upper panel comes with white backlight illumination, instead of the green-tinted illumination of the standard model.
7. The exclusive Centre-Spot-Matte Focusing Screen DS-80 is mounted on the camera.

8. The specially designed packaging is made of high-grade paulownia wood, with a “Camera GP Japan 2011 Camera of The Year” logo mark laser-engraved on its top cover.

9. The firmware installed in the camera body has been updated to the latest version (Ver.1.11), and is compatible with the optional O-GPS1 GPS unit.

Note: The camera body’s features and specifications are identical with those of the standard model, except for the firmware.

Nikon launches AF-S DX Micro Nikkor 40mm F2.8 macro lens

2011-07-20T00:51:00.001-07:00

Nikon has announced an inexpensive macro lens aimed at entry-level DSLR users. The AF-S DX Micro Nikkor 40mm f/2.8G offers true 1:1 macro in a compact, lightweight package. With its inbuilt silent wave motor it will autofocus on all Nikon DSLRs, including those that lack in-body AF motors such as the D3100 and D5100. It uses an internal focus system with close-range correction to attain a minimum focus distance of just 16cm / 6.4", equating to approximately 5cm / 2" from the front of the lens. It will be available from 25th August, at an MSRP $279.95.
Jump to:

Press Release:

GET CLOSER TO CLARITY: THE NEW NIKON AF-S DX MICRO NIKKOR 40mm f/2.8G BRINGS FAST MACRO ABILITY TO DX-FORMAT SHOOTERS

Images Packed with Stunning Detail and Amazing Sharpness Have Never Been So Near

MELVILLE, N.Y. (July 12, 2011) – Nikon Inc. today introduced the new lightweight and versatile AF-S DX Micro NIKKOR 40mm f/2.8G lens to provide Nikon DX-format shooters macro capabilities at an affordable price point. Ideal for intimate details or general portraiture, the new AF-S DX Micro NIKKOR 40mm f/2.8G lens has a minimum focusing distance of just 0.53 feet (6.4 inches) to allow users to capture extreme close-up photographs and High Definition (HD) video with a life-size 1:1 reproduction ratio.
“This new NIKKOR lens is an ideal accessory lens for those who are ready to explore a totally new perspective, whether it’s extreme close-up detail or general still images and movies with flattering out of focus elements,” said Lisa Osorio, general manager of marketing at Nikon Inc. The new Micro NIKKOR lens delivers new and added versatility to the Nikon DX-format digital SLR system and provides DX-format shooters with compact optics that deliver excellent color reproduction and stunning sharpness.”
Weighing in at approximately nine ounces, the extremely compact and lightweight lens is an ideal “next” lens to complement any DX-format shooter’s growing D-SLR kit. The natural focal length (60mm, FX equivalent) and large f/2.8 aperture are ideal for a wide variety of applications, whether capturing close-up details in flowers and insects or shooting flattering portraiture with a pleasing bokeh.
For fast and whisper quiet autofocus operation, the new Nikon 40mm Micro lens also features Nikon’s exclusive Silent Wave Motor technology, which allows photographers to get even closer without disturbing a subject. For complete control, the AF-S DX Micro NIKKOR 40mm offers users both manual-priority autofocus (M/A) and manual focus (M) modes to quickly and easily switch focus modes on the fly. To help ensure amazing lens performance at close distances, this new lens employs Nikon’s Close-Range Correction System. With this system, the lens elements are configured in a "floating” design wherein each lens group moves independently to help achieve critical focus. Additionally, Nikon’s Super Integrated Coatings are applied to help reduce instances of lens flare and ghosting. The seven blade diaphragm also helps to create a more natural out of focus component.
The versatile and compact nature of the AF-S DX Micro NIKKOR 40mm f/2.8G lens combined with its affordability make it a great travel companion for any DX-format D-SLR, including the new Nikon D5100 and popular D3100.

Price and Availability

The versatile AF-S DX Micro NIKKOR 40mm f/2.8G will be available in August for an estimated selling price* of $279.95. For more information, please visit www.nikonusa.com.

*Estimated selling price listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time

Panasonic DMC-G3 In-depth Review

2011-07-20T00:50:00.001-07:00

Review based on a production DMC-G3, Firmware version 1.0

Panasonic G3 specification highlights:

16.7MP CMOS sensor (standard Micro Four Thirds size)
ISO 160-6400
4 fps continuous shooting (20fps at 4MP)
GF2-style touch screen interface
1080i60 AVCHD shooting (from 30p sensor output)
All-area AF point selection
Pinpoint AF mode (magnifies focus point to allow confirmation and fine-tune of AF position)
Tracking AF in video mode
Picture-in-picture manual focus magnification
460k dot articulated LCD
1.44M dot-equivalent electronic viewfinder (phase sequential type)

Size compared to a typical DSLR

Placed next to the Rebel T3i / 600D - fairly typical in size for an entry-level DLSR - the size difference of the G3 becomes immediately apparent.


A top-down view further emphasizes the distinction; the G3 is considerably smaller in every dimension. Even at this size, however, the G3 is not going to fit in a pocket.

Olympus unveils 12mm F2.0 and 45mm F1.8 fast primes for Micro Four Thirds

2011-07-20T00:46:00.001-07:00

Alongside its three PEN bodies, Olympus has announced the M. Zuiko Digital ED 12mm F2.0 and M. Zuiko Digital ED 45mm F1.8 prime lenses for Micro Four Thirds. The 12mm F2.0 is a metal-bodied 24mm equivalent featuring a unique snap-focus manual focus mode. A snap-back focus ring reveals a traditional depth-of-field scale for 'zone' focusing and offers improved focus 'feel.' Later in the year it will be accompanied by the 45mm F1.8 portrait lens, making Olympus one of the only manufacturers to offer a fast prime at a roughly 100mm equivalent focal length, ideally suited to portraiture. There is also a relatively compact, bouncable and remotely commandable flash, the FL-300R, helping the PEN range look more like a complete system. More details of the 12mm F2.0 are included in our E-P3 preview, along with a gallery of sample images.

Click here to read more about the M. Zuiko Digital ED 12mm f2.0 lens

Click here to see our 12mm F2.0 samples gallery

Jump to:

Press Release:

NEW OLYMPUS® MICRO FOUR THIRDS® LENSES AND ACCESORIES UNLEASH CREATIVE POWER OF THE PEN FAMILY

High-Speed, Silent and Beautifully Designed, Two New Lenses Complement Latest Generation of PEN Cameras; New Flash and Grip Expand Creative Horizons

CENTER VALLEY, Pa., June 30, 2011 – Two powerful, fast new prime lenses and two new accessories maximize the performance of the Olympus PEN® E-P3, E-PL3 and E-PM1 compact system cameras, also announced today, to help photographers capture their unique visions of the world. The M. Zuiko Digital ED 12mm f2.0 lens (24mm equivalent) and M. Zuiko Digital ED 45mm f1.8 lens (90mm equivalent) are Movie & Still Compatible (MSC) and feature high-speed, near-silent autofocus during still shooting and high-definition (HD) video capture. Joining them is the sleek, versatile FL-300R Compact Flash and the MCG-2 interchangeable Camera Grip available exclusively for the PEN E-P3.
The powerfully simple and growing Olympus PEN MICRO Four Thirds family now features eight fully-compatible MICRO Four Thirds lenses. The legendary Olympus Zuiko® Digital Four Thirds range of 27 high-quality lenses, OM-series and other manufacturers’ lenses can be attached to Olympus PEN cameras with optional adapters.
New High-Speed and Near-Silent MICRO Four Thirds Lenses

M. Zuiko Digital ED 12mm f2.0 lens: This high-speed, single-focal-length, wide-angle lens is ideal for shooting high-quality, dramatic landscapes and street scenes in low-light conditions. It has a beautiful full-metal body and a snap ring that enables photographers to pan focus with a distance indicator.

M. Zuiko Digital ED 45mm f1.8 lens: This single-focal-length portrait lens has a beautiful shallow depth of field which allows for background blurring effects that are not possible with the 14-42mm kit zoom lens. The MSC mechanism is great for tracking a moving child or pet, and provides a quick and silent focus mechanism for movies and still photography.

These two lenses join the new movie & still compatible (MSC) ED m14-42mm II R f3.5/5.6 zoom lens (28mm-84mm equivalent) which comes standard with the new PEN kit as well as the M. Zuiko Digital ED 40-150mm II R f4.0-5.6 lens, an extremely light, wide-zoom range with a 35mm equivalent to 80-300mm lens that offers versatility and portability. Both have been designed to match the body design of the new generation of PEN cameras.
New Accessories for a Variety of Shooting Challenges

FL-300R Compact Flash: It functions as a bounce flash and wireless remote flash with enough power for snapshots. Photographers can use it in tandem with the camera’s built–in, pop-up flash, or as an alternative to it. It is designed in silver to match the new PEN lineup. Additionally, it has the ability to function wirelessly through a remote control function on the new E-P3, E-PL3 and E-PM1.

MCG-2 Exchangeable Camera Grip: Available exclusively for the PEN E-P3, this accessory easily and comfortably extends the camera’s grip area to fit any photographer’s hands perfectly. It is available in black and beige.

U.S. Pricing and Availability
M. Zuiko Digital ED 12mm f2.0 lens: Available Now
Estimated Street Price: $799.99
MCG-2 Exchangeable Camera Grip: Available Now
Estimated Street Price: $19.99
FL-300R Compact Flash: Available Now
Estimated Street Price: $169.99
M. Zuiko Digital ED 45mm f1.8 lens: Available in September 2011
Estimated Street Price: $399.99

Sigma 105mm F2.8 EX DG Macro now available

2011-07-20T00:45:00.000-07:00

Tuesday, 28 June 2011 15:42 GMT < Previous Next >

Sigma has announced pricing and availability for its 105mm F2.8 EX DG OS HSM Macro lens. The optically stabilized version of the lens, originally announced back in February, is available now with a recommended selling price of $1,400. The 105mm F2.8 EX DG OS HSM offers true 1:1 macro reproduction, and uses a floating focus system to maintain high optical performance at all distances.
Press Release:

Sigma Corporation of America’s 105mm F2.8 EX DG OS HSM Macro now available

Upgraded, large-aperture, medium-telephoto macro lens enables high-performance, close-up, handheld photography

Ronkonkoma, NY, June 28, 2011 – Sigma Corporation of America, a leading researcher, developer, manufacturer and service provider of some of the world's most impressive lines of lenses, cameras and flashes, is pleased to announce that its newly upgraded 105mm F2.8 EX DG OS HSM Macro lens is now available for the MSRP of $1,400.
The updated 105mm F2.8 EX DG OS HSM Macro lens now features Sigma’s own proprietary Optical Stabilizer (OS) technology, which allows for high-performance, handheld, close-up photography. The telephoto reach makes it a perfect lens for capturing images of insects and small creatures. Additionally, the wide maximum aperture combined with a short telephoto focal length make it very favorable for facial portraiture at lower magnification. A Special Low Dispersion (SLD) lens and one high refractive index SLD lens provide excellent corrections for all types of aberration and distortion.
“This lens is a fantastic addition to our extensive lineup of macro lenses,” said Mark Amir-Hamzeh, president of Sigma Corporation of America. “This is our fourth prime macro lens and the second of which that now includes our Optical Stabilization technology, which steadies the image for handheld use. This is yet another example of Sigma’s dedication to providing an array of unique lens that capture incredible imagery.”
Sigma’s Hyper Sonic Motor (HSM) feature ensures quiet and high-speed autofocus as well as full-time manual focus capability. This lens also has a rounded nine-blade diaphragm that creates an attractive blur to the out-of-focus areas of the image.
The 105mm F2.8 EX DG OS HSM Macro features a floating focusing system that moves two different lens groups in the optical path to different positions. This system compensates for astigmatic aberration and spherical aberration, and provides extremely high optical performance from infinity to 1:1 macro. The super multi-layer coating reduces flare and ghosting, providing high contrast images. It is also possible to use this lens with Sigma’s APO teleconverters.
This announcement comes as part of an ongoing celebration of the company’s 50th anniversary. Find out about special anniversary activities and features, including product videos, photo sharing, photography tips and monthly chances to win Sigma products by visiting the anniversary web page.
For information about Sigma Corporation of America, visit www.sigmaphoto.com. For more information about sigma’s lenses, visit http://www.sigmaphoto.com/shop/lenses.

Kenko-Tokina launches Tokina SD 17-35mm F4 AT-X PRO FX

2011-07-20T00:44:00.001-07:00

Kenko-Tokina launches Tokina SD 17-35mm F4 AT-X PRO FX

Newly merged Kenko-Tokina has quietly launched the Tokina SD 17-35mm F4 AT-X PRO FX, a semi-fast wideangle zoom for full frame cameras. The company says the F4 maximum aperture makes it easier to produce a smaller lens with fewer aberrations, to sit alongside its 16-28mm F2.8 PRO. The lens features 'SD' glass that the company says offers similar properties to fluorite elements as well as its 'silent drive module' AF motor and high-precision AF position sensor for fast, accurate focusing. No details of pricing

Pentax Q small-sensor mirrorless camera announced and previewed

2011-07-20T00:43:00.000-07:00

Pentax has announced the 'Q' mirrorless interchangeable lens camera. The camera is the first to use the company's Q mount and features a compact-camera-sized 1/2.3" image stabilized CMOS sensor. This is wrapped in a magnesium alloy body with a distinctly rangefinder-esque design but distinctly compact sizing. Its feature set ranges from the 1080p30 movie shooting (with H.264 compression), to a series of fun filters that can be applied to the Quick Dial on its front plate. We've had a chance to play with a pre-production Pentax Q and have prepared a quick preview.

PENTAX UNVEILS THE PENTAX Q:

The World’s Smallest, Lightest Interchangeable Lens Camera

GOLDEN, CO. (June 23, 2011)…PENTAX Imaging Company has announced the PENTAX Q – the world’s smallest and lightest interchangeable lens camera (ILC).* The Q offers the versatility and precision of an advanced DSLR in a body that is significantly smaller than every other digital ILC body available on the market today.
The camera’s tiny size, lightweight design, and superior image quality are made possible by an innovative PENTAX developed imaging system. With a high-resolution 12.4 megapixel, 1/2.3 inch CMOS image sensor, the Q carves out an entirely new camera category that extends beyond traditional digital compact, APS-C or 4/3 digital cameras. The backlit sensor is a highly efficient light-gathering instrument that produces very little noise at high sensitivity levels particularly in low light settings. Further, the new Q lens mount is a perfect match with the new sensor and every interchangeable Q lens is designed for more advanced image quality than may be found on traditional compact digital cameras. This innovative PENTAX design is the foundation of the Q’s position as the world’s smallest, lightest ILC system with superior image quality.

Several important features of the PENTAX Q include:

A newly designed PENTAX Q-mount lens system for convenient interchangeability with a variety of specialty Q lenses including prime, zoom, fisheye and more.
Exceptional image quality in 12.4 megapixels from the Q’s 1/2.3 inch backlit CMOS image sensor. Capable of producing 12 bit DNG RAW and JPG images, the backlit CMOS sensor is a highly efficient light-gathering instrument designed specifically to produce very low noise at high levels of sensitivity.
Extremely compact, durable, lightweight, scratch resistant magnesium alloy body.
The power and flexibility of traditional DSLR shooting modes such as Program, Aperture/Shutter Priority, and Metered Manual exposure control as well as highly convenient PENTAX Auto Picture and 21 scene modes for casual shooting, including new Forest and Stage Lighting options
A variety of creative modes, Smart Effect options, or camera settings that assign to the Q’s Quick Dial located on the front of the camera. Smart Effects modes enhance digital photography by applying a series of effects to images to achieve high quality finishing. Brilliant Color, Vintage Color, Warm Fade, Bold Monochrome, and Water Color are just some of the Smart Effects available and may be assigned on the Q’s Quick Dial.
In-camera HDR capture mode shoots 3 images of varying exposures, blending them to bring out the details in even the darkest shadows and brightest highlights of extreme contrast shots.
High quality motion video with stunning full 1080p HD clarity at 30 frames per second. The Q processes the full HD video using high quality h.264 compression for superior color and detail and offers creative video effects through custom image modes, digital video filters, and interval shooting.
A sensor-shift Shake Reduction system with integrated DRII Dust Reduction for blur and dust free images even in low lighting.
5 frames per second continuous shooting mode for any fast action setting.
Effortless bokeh control with the Q’s Bokeh Control filter. (Traditionally controlled through a DSLR lens’s aperture, bokeh is the out of focus part of the background that helps to emphasize the subject, drawing the viewer’s eyes to the most important part of the photo.) The Q offers a fine degree of extra control over image bokeh via an in-camera filter operation.
Powerful USER modes allow the creative photographer to save a series of favorite camera settings, filters, and custom image modes for instant reuse.
Shutter speeds range from 1/2000 to 30 seconds for freezing fast action or capturing long nighttime exposures. Bulb mode adds flexibility for low light photography and motion effects.
A built-in popup flash adds the perfect amount of extra light to an image with a high extension to naturally reduce the redeye effect common to compact cameras. The Q’s flash is effective to 23 feet at 200 ISO, and covers a wide angle 28 degree field of view.
Compatibility with the latest generation SD, SDHC, and SDXC memory cards for ultra-high capacity storage as well as outstanding image file portability.

Along with the Q, PENTAX introduced the PENTAX 01 Standard Prime kit lens and an optional optical viewfinder. The unifocal standard lens has a focal length equivalent to 47mm in the 35mm format. The lens offers a natural perspective similar to that of the human eye and is ideal as a multipurpose, everyday standard lens for various subjects including landscape and portraiture. With a maximum aperture of F1.9, it performs superbly in dim lighting and may be easily adjusted for bokeh. Incorporating two high grade aspherical optical elements, this lens compensates various aberrations to a minimum .
Featuring the state-of-the-art optics incorporating special optical glass elements and PENTAX exclusive lens coating technology, this lens delivers beautifully defined, high quality images that are sharp and high contrast even at the edges. The AF motor installed in the lens assures smooth, quiet focusing operation. The lens shutter mechanism allows the PENTAX Q’s built-in auto flash to be synchronized to the camera’s top shutter speed of 1/2000 second (or 1/250 second when using an accessory flash unit). This lens is also equipped with a built-in ND (neutral density) filter, which comes in handy when shooting with open aperture at bright locations or when using slower shutter speeds.
The shoe-mounted viewfinder attachment is an optional accessory. This External Viewfinder O-VF1 offers outstanding compositional framing, even in the brightest sunlight where viewing an LCD screen is traditionally a challenge. (Note: The Viewfinder offers framing marks for the Standard lens.)
Available in white or black body models, the PENTAX Q and Standard Prime lens (available in silver) kit will be around $800. Initially, the PENTAX Q system will ship in Japan. Anticipated shipping time to the United States is early Fall 2011.
The optional shoe-mounted viewfinder will be available at the same time for $249.95 USD. Each may be pre-ordered now on www.pentaxwebstore.com The PENTAX 01 Standard Prime kit lens will not be sold separately. More information is available here: www.pentaximaging.com/news

Pentax announces four additional Q mount lenses

2011-07-20T00:27:00.001-07:00

Pentax has announced four additional lenses for its new Q mount. As well as the kit 47mm equivalent F1.9 '01 Standard Prime' lens that will come with the camera, the company has also announced the '02 Standard Zoom' that will offer 28-83mm equivalent focal lengths. Alongside these will be three more affordable, fun lenses. The 03 Fisheye, 04 Toy Lens Wide and 05 Toy Lens Telephoto are designed to make accessible the creativity that interchangeable lenses can bring. The latter three lenses are all manual focus and fixed aperture to keep costs down.

PENTAX ADDS FOUR LENSES TO Q SYSTEM:

Zoom, Fish-Eye, Toy Telephoto Among Selection

GOLDEN, CO. (June 23, 2011)…In addition to the standard lens announced today, PENTAX Imaging Company has announced four accessory Q-mount lenses designed for exclusive use with the PENTAX Q – the world’s smallest, lightest interchangeable lens system camera (ILC).* Each new lens is highly compact and lightweight with an optimized image circle to match the size of the Q’s CMOS image sensor. This new Q-mount lens series offers PENTAX Q users a comprehensive lens selection.

PENTAX 02 Standard Zoom
With a focal length equivalent to a 27.5-83.0mm zoom lens in the 35mm format, this standard zoom lens is ideal for wide angle to medium telephoto range. With four extra-low-dispersion and low-refractive aspherical optical elements, the lens offers exceptional image rendition while effectively reducing chromatic aberration to a minimum over the entire zoom range. The Standard Zoom features a minimum focusing distance of 11.8 inches (30 centimeters) at all focal lengths for close-up photography. Featuring a high-grade finish, this lens incorporates the special optical glass elements and PENTAX exclusive lens coating technology for beautifully defined, high quality images that are sharp and high contrast even to the edges. The AF motor installed in the lens assures smooth, quiet focusing operation. The lens shutter mechanism allows the PENTAX Q’s built-in auto flash to be synchronized to the camera’s top shutter speed of 1/2000 second (or 1/250 second when using an accessory flash unit). This lens is also equipped with a built-in ND (neutral density) filter for open aperture shooting at bright locations or when using slower shutter speeds. The lens price $299.95 USD.
Three additional lenses also are announced. Each offers outstanding value at an affordable price so users may produce a variety of distinctive, dramatic images. Each features manual focus operation, fixed aperture and lightweight lens mount minus a lens shutter unit to reduce size and weight.
PENTAX 03 Fish-Eye
This ultra wide angle lens offers an extra wide 160 degree angle of view allowing photographers to create a fish eye visual effect. The distinctive ultra wide angle characteristics produce unique, eye-catching images with an exaggerated, distorted perspective and a pan-focus effect that captures every element in the image field in sharp focus. The lens price is $129.95.
PENTAX 04 Toy Lens Wide and PENTAX 05 Toy Lens Telephoto
With optics designed specifically to retain various lens aberrations, these lenses produce subdued, nostalgic images like photos taken with a traditional toy camera. The Toy Lens Wide is a unifocal wide angle field of view with a focal length equivalent to 35mm in the 35mm format. The PENTAX 05 Toy Lens Telephoto is a unifocal medium telephoto lens with a focal length equivalent to 100mm in the 35mm format. The PENTAX 04 Toy Lens Wide price is $79.95 and the PENTAX 05 Toy Lens Telephoto is $79.95.
Additional accessories for the PENTAX Q system lenses will include the following (prices and availability to be announced):
PENTAX-100 PL Filter
Attached to the PENTAX 01 Standard Prime or PENTAX02 Standard Zoom, the 40.5mm polarizing filter minimizes reflections on the water or glass surface, which are difficult to remove during digital processing, to assure crisp, high contrast images.
MH-RA 40.5mm
A metallic, dome-shaped lens hood for exclusive use with the PENTAX 01 Standard Prime lens.
PH-SBA 40.5mm Lens
A plastic, square-shaped lens hood for exclusive use with the PENTAX 02 Standard Zoom lens.
Initially, the PENTAX Q system will ship in Japan. Anticipated shipping time to the United States is early Fall 2011.

Leica announces Super-Elmar-M 21mm f/3.4 ASPH

2011-07-20T00:26:00.001-07:00

Leica has announced the Super-Elmar-M 21mm f/3.4, a wideangle prime for its M-series rangefinder cameras. Weighing in at less than 10 ounces, it's extremely compact at just under 2 inches in length. It has a minimum focus distance of 0.7m, and uses a dual-sided aspheric element and 4 anomalous partial dispersion elements in its optical construction. On the M8 camera it offers an angle of view equivalent to a 28mm lens. It will be available from June 2011 at a price of £2025.
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Press Release:

Leica announces Super-Elmar-M 21mm f/3.4 ASPH.

Compact M lens with improved imaging performance sets new standards in wide-angle
photography

21 June 2011, 18.00 GMT: Leica has today added a new, high-performance wide-angle lens to its portfolio of short focal length lenses for Leica M cameras. The Leica Super-Elmar-M 21 mm f/3.4 ASPH. sets new standards in imaging performance and is characterised by its particularly compact size and suitability for a wide range of photographic situations. Whether used for photojournalism, architecture or landscape photography, the Leica Super-Elmar-M 21 mm f/3.4 ASPH. provides photographers with an extremely small, light and versatile wide-angle lens, particularly suitable for travelling.
The performance of the Leica Super-Elmar-M 21 mm f/3.4 ASPH. is reminiscent of one of the all-time favourite classics amongst M lenses, the Leica Super-Angulon-M 21 mm f/3.4. This much-praised lens was an integral part of the Leica M lens portfolio from 1963 to 1980, and made its name and reputation as an ideal tool for available light photography and photojournalism. Even today, the Super-Angulon-M 21mm f/3.4 is extremely popular and one of the most sought-after M lenses amongst connoisseurs of fine optics.
The new Leica Super-Elmar-M 21 mm f/3.4 ASPH. is a worthy successor, with further improvements over the already outstanding performance of its predecessor. The lens reveals its excellent reproduction of detail and superior contrast at maximum aperture. Of particular note are the extremely effective flare characteristics of the Leica Super-Elmar-M 21 mm f/3.4 ASPH., which allow the capture of fascinating 'contre-jour' images with absolute clarity and contrast.
The intricate optical design and construction of the lens are responsible for its outstanding sharpness and imaging qualities. The Leica Super-Elmar-M 21 mm f/3.4 ASPH. is constructed with eight lenses in seven groups. At the same time, the use of one lens element with two aspherical surfaces and four lenses with anomalous partial dispersion ensure that aberrations are reduced to an absolute minimum.
As with all Leica lenses, the Super-Elmar-M 21 mm f/3.4 ASPH. was designed and developed by Leica specialists in Solms, Germany, and represents the perfect combination of optical and technical expertise. Particularly reliable and with enduring value, every Leica lens is manufactured from only the highest quality materials and is assembled with meticulous precision, completely by hand. The combination of cutting-edge technologies and extremely thorough manufacturing processes guarantees consistently excellent quality.
The Leica Super-Elmar-M 21 mm f/3.4 ASPH. is supplied with a high-quality, all-metal lens hood, which should be mounted at all times. The hood not only protects the lens effectively against reduction of contrast by extraneous light, but also against damage and the accumulation of dirt on the front lens element.

Leica Super-Elmar-M 21mm f/3.4 ASPH specifications

Focal length	• 21mm
Maximum aperture	• F3.4
Minimum aperture	• F16
Aperture settings	• Click-stops with half-stop detents
Angle of view (diagonal, horizontal, vertical)	• For 35mm format (24 x 36mm): 91°, 80°, 59° • For Leica M8 models (18 x 27mm): 74°, 64°, 46° (approx 28mm equiv)
Optical design	• 8 elements / 7 groups • 2 aspherical surfaces • Position of entrance pupil: 15.6 mm (to the apex of the first lens surface)
Minimum focus	• 0.7m (2.3 ft)
Maximum magnification	• 0.03x
Distance scales:	• Combined metre/feet graduation
Filter thread	• 46mm, non-rotating
Dimensions	• 43mm length x 53mm diameter (1.7" x 2.1") • 55mm length including hood (2.2")
Weight	• 279g (9.8 oz)
Lens hood	• bayonet-type, supplied
Mount	• Leica M quick-change bayonet with 6-bit bar-coding
Supplied accessories	• Metal lens hood • Front cap for lens hood • Rear cap • Leather case • Instruction manual

Leica launches M9-P professionally targeted rangefinder

2011-07-19T23:49:00.001-07:00

Leica has announced the M9-P, a variant of its 18MP full-frame M9 rangefinder camera. The P version gains the sapphire crystal LCD glass previously seen on the Leica M8.2 but now featuring improved anti-reflective coatings for improved visibility in difficult lighting conditions. In order to give an understated appearance, the M9-P omits the traditional Leica red dot and M9 designation from the front of the camera, instead the Leica name is engaved in the metal top-plate in the company's traditional script.
Jump to:

Press Release:

Leica announces the Leica M9-P: the essence of discretion

Designed particularly for professional photographers, new ultra-discreet version of
the Leica M9 added to Leica rangefinder portfolio

Leica today presents a new version of the world's smallest, full-frame digital system camera: the Leica M9-P. This new model will sit alongside the Leica M9 in the company's rangefinder portfolio, providing an alternative, even more discreet and resilient design that further reinforces the quintessential nature of the M9 – and particularly meets the needs of professional photographers. The new model will be available in a classic silver chrome or subtle black paint finish.
Offering the same technical specifications as the highly successfully Leica M9, the M9-P combines all the benefits of the original: compact size, full-frame, 18 megapixel 24 x 36mm sensor (35mm format), sophisticated image processing and robust construction, with features designed for the professional user or photographers who prefer a pure, even more unobtrusive styling.
The Leica M9-P includes a scratch-resistant, sapphire crystal covering on the LCD screen. This material is so tough that the screen can only be produced using special diamond cutting tools and is one of the world's hardest materials. As a result, the sapphire glass LCD cover is extremely resistant to wear and almost unbreakable, meaning many years of reliable use. In addition, thanks to an anti-reflective coating on both sides of the cover, reviewing images on the display during composition and after capture is further improved, particularly in unfavourable lighting conditions.
The external covering of the body of the M9-P, finished in vulcanite leatherette, features a more coarselytextured finish that ensures a steady grip when shooting, making the M9-P feel particularly safe and secure in the hand.
A further understated feature of the Leica M9-P is its minimalist styling, which is focused on the most essential features. Many professional photographers using Leica cameras have been known to tape over the Leica 'red dot' logo to make their equipment as inconspicuous and discreet as possible. For this reason, the Leica red dot logo and the M9 lettering on the front have been omitted. Instead, the top plate is engraved with the Leica name in classic script form.
Since 1954, the Leica M system has represented an unmistakable, individual kind of photography and a very conscious photographic style. With a Leica M, the photographer becomes a 'part of the action' in the process of capturing challenging, authentic and creative images.
The rangefinder frames precisely the shot the photographer envisages, while allowing a clear view of the scene outside the viewfinder frame. This allows the photographer to predict the decisive moment and capture it discreetly and reliably at the right moment – in all fields of photography, from photojournalism, reportage and 'available light' to the capture of portraits and aesthetic, fine-art images.
Another significant advantage for unobtrusive photography is the almost silent shutter, a feature of both the M9 and M9-P. Moreover, when longer exposure times requiring an extremely steady camera stance are essential, only a slight pressure on the shutter release button in 'soft release' mode is required. Photographers can also select the most appropriate moment for re-cocking the shutter.
The functions of the Leica M are consistently constructed for extreme durability and a long working life. The highest quality materials, intricate manufacturing processes and meticulous manual assembly at Leica's facility in Germany guarantee functional reliability for years to come.
In line with Leica's commitment to system compatibility, almost all Leica M lenses built since 1954 can be used with the M9 and M9-P – an important factor in the enduring value of the M series. The 18 megapixel image sensor, specifically designed and developed for the M9, enables capture of the full 35mm film format without any compromise. All M lenses mounted on the M9 and M9-P therefore offer the same focal length as originally intended, and the enormous potential performance of the extensive M lens portfolio, with focal lengths from 16 to 135mm, can be fully exploited by both cameras.

Pricing and availability in the UK

The Leica M9-P (available in black paint or silver chrome) is scheduled to be available in the UK from June
2011 from authorised Leica dealers including the Leica Store Mayfair: www.leica-storemayfair.co.uk, tel:
020 7629 1351. A full list of authorised UK Leica dealers is available at www.leica-camera.co.uk. The UK
suggested retail price of the Leica M9-P is £5,395 including VAT.

Pricing and availability in the USA

The MSRP for the M9-P will be $7,995.00.
The Leica M9-P comes with a two-year warranty and a one-year Leica UK 'Passport' (complimentary
accidental damage cover), both of which commence from date of purchase. UK customers are also
welcome to visit the Leica Store and Akademie in Mayfair, London, for a complimentary training workshop
on the features of the camera. Technical support by telephone is available via Leica's London-based Client
Care department.

Canon EOS 600D EOS Digital SLR Camera

2011-07-19T23:47:00.000-07:00

With class-leading 18-megapixel resolution, user-friendly design, and the entire EOS family of lenses and accessories at your disposal, the EOS 600D lets nothing stand in the way of your photography.

Features

18-megapixel CMOS sensor
Scene Intelligent Auto mode
Full-HD EOS Movie
On-screen Feature Guide
Up to 3.7fps continuous shooting
Wide-area 9-point AF
1,040k-dot vari-angle 7.7cm (3.0”) screen
Basic+ and Creative Filters
Built-in wireless flash control

Your EOS adventure starts here

18 MP APS-C CMOS sensor
An APS-C sized, 18-megapixel CMOS sensor captures images that are packed with detail and clarity. Such high-resolution allows large print sizes and the flexibility to crop pictures for alternative compositions.

ISO 100-6400 sensitivity
An ISO range of 100-6400, extendable to ISO 12,800, enables high-quality hand-held shooting in low-light conditions, without the need for flash.

14-bit image processing
At the heart of the Canon EOS 600D is a 14-bit DIGIC 4 image processor that provides exceptional colour reproduction, smooth tonal gradation and tight control over noise.

Scene Intelligent Auto mode
Scene Intelligent Auto analyzes each scene in detail and picks the right camera settings each and every time, leaving you free to concentrate on what’s important – your photography.

On-screen Feature Guide
The EOS 600D’s on-screen Feature Guide provides descriptions of many of the camera’s functions, as well as advice on how to use them.

Full-HD EOS Movie
Shoot Full-HD video with manual control over frame rate, exposure and sound. Video Snapshot technology allows short clips of 2, 4 or 8 sec to be merged into a single movie file, for footage that looks like it was edited professionally, while Movie Digital Zoom permits 3-10x magnification.

9-point wide-area AF and iFCL metering
Nine AF points, including one central cross-type sensor, spread out across the frame for swift, accurate focusing, even with off-centre subjects. 63-zone iFCL metering ensures accurate exposures time after time.

1,040k-dot vari-angle 7.7cm (3.0”) screen
Shoot from unique angles with a 7.7cm (3.0”) 3:2 Clear View LCD screen, containing 1,040,000 dots for increased clarity.

Basic+
Basic+ technology allows photographers to customize basic auto settings according to lighting conditions or ambience.

Creative Filter Effects
Creative Filter Effects can be applied to Raw and JPEG files post capture, including Toy Camera, Soft Focus, Miniature, Grainy Black & White and Fish Eye simulations.

Built-in wireless flash control
An integrated wireless Speedlite flash controller and Easy Wireless technology allow off-camera TTL flash without the need for extra accessories.

Use with all EF and EF-S lenses
The EOS 600D is supported by the complete system: flashguns, remote releases and over 60 lenses trusted by professional photographers the world over.

Canon EOS 1100D EOS Digital SLR Camera

2011-07-19T23:31:00.001-07:00

Advanced, compact and affordable: your first steps into the world of DSLR photography, made simple with Canon EOS 1100D.

Features

Superior 12-megapixel image quality
On-screen Feature Guide
Creative Auto and Basic+
HD video capture
ISO 100-6400 sensitivity
Wide-area 9-point AF system
63-zone iFCL exposure metering
6.8cm (2.7”), 230,000-dot screen
Use with all EF and EF-S lenses

Take the first step

12-megapixel resolution
Step up to DSLR image quality with a 12-megapixel APS-C-sized sensor. A 14-bit DIGIC 4 image processor provides up to 3.2fps continuous shooting and images that are packed with detail and tonal range.

Intuitive, on-screen feature guide
The EOS 1100D’s Feature Guide provides descriptions of many of the camera’s functions, as well as advice on how to use them in your own photography.

Easy to use Scene modes and Basic+
Theme-based Scene modes automatically pick the most suitable exposure, focus and drive-mode settings for the subject being photographed, while Creative Auto mode portrays adjustable functions in an easy to understand way. With Canon’s Basic + technology, the look and feel of these basic auto modes can be fine-tuned according to ambience and lighting type.

HD EOS Movie mode
Shoot stunning HD video at 25 or 30fps, with automatic exposure control leaving you free to concentrate on the action. Footage can be edited on your PC or Mac, or played directly on an HD TV via the camera’s HDMI connection.

ISO 100-6400 sensitivity
Low-light shooting without flash is possible thanks to the EOS 1100D’s ISO 100-6400 sensitivity range. The camera’s 14-bit DIGIC 4 processor helps to control noise and maintain image quality.

Wide-area 9-point AF system
The EOS 1100D focuses quickly and accurately on static and moving subjects, thanks to nine AF points, spread out across the frame. A central cross-type AF point is sensitive to both horizontal and vertical lines.

63-zone iFCL exposure metering
Advanced iFCL exposure metering dissects a scene into 63-zones before analyzing it to find the perfect combination of shutter speed, aperture and ISO.

6.8cm (2.7”), 230,000-dot LCD screen
Compose and review images on a large 230,000-dot LCD screen, which also provides access to the camera’s menu system and Quick Control Screen.

Use with all EF and EF-S lenses
The EOS 1100D is supported by the complete range of EOS lenses and accessories: flashguns, remote releases and a system of more than 60 lenses trusted by professional photographers the world over.

Panasonic DMC-GF3 Hands-on Preview

2011-07-19T23:30:00.005-07:00

Preview based on a pre-production DMC-GF3

Panasonic has made it pretty clear that it believes the big market opportunity for mirrorless cameras lies in attracting compact camera users who are keen to upgrade, but don't want the bulk and complexity of a DSLR. The move from the enthusiast-friendly GF1 to the simpler, more beginner-focused GF2 was something of a disappointment for those enthusiasts, but made a lot of sense in terms of broadening the appeal of the Micro Four Thirds system. And, in the light of Sony's NEX-C3, it's pretty clear Panasonic is not alone in this line of thinking.

With the GF3, Panasonic continues to court the mass market, with a camera that furthers its trend of simplification and new-user befriending. It's a gentle refresh of the GF2 but one from which even more features and controls (as well as size and weight) have been removed. It's still a 12MP camera but the addition of the latest three-core Venus Engine FHD processor gives it the impressive speed of its G3 and GH2 siblings.

Building on the simple touchscreen design of the GF2, the GF3 loses Panasonic's signature rear click-dial, instead making do with a compact camera-style dial around the four-way controller. This and the loss of both the flash hot shoe and rear accessory port underline Panasonic's determination to keep things small, simple, unthreatening and inexpensive. The stereo mics of its predecessor have also gone, further casualties of the downsizing process.

Despite being based around the same 12MP sensor as the GF2, the GF3's new processor allows it to analyze autofocus information 120 times per second, as in the most recent G-series models. This considerably improves AF speed and, in turn, makes the camera feel extremely responsive. This in itself is likely to be a revelation for many compact camera users, as the speed of focus acquisition is at least as good as most entry-level DSLRs when used with their respective kit zooms.

The faster processor also helps the continuous shooting rate edge up to 3.8 frames per second - a 20% improvement - or 2.8 frames per second while maintaining live view. Interestingly, the camera's ISO range has been restated as starting at 160, rather than 100. We have been led to believe this represents a recalibration to make the most of the sensor response, rather than a simple renaming of the existing setting.

Beyond the external changes, the GF3 gains all of the features introduced with the G3, including iA+, a variant of the Intelligent Auto mode that allows additional user control. The GF3 also gets the G3's 4x magnified picture-in-picture manual focus, pinpoint AF and tracking AF. The more flexible 'Photo Styles' color presets also migrate across from the G3, along with the 'Creative Control' processing filters.

Naturally the GF3 also gets a couple of brand-new features all of its own. There's an additional creative filter called 'Miniature', a variant on the currently-fashionable faux-tilt lens look that employs a touchscreen interface to allow the user an unusual amount of control over the final effect. It's also now possible to extract a frame from a movie during playback and save it as a (small) still image.

The GF3 will initially only be available with the fixed 28mm-equivalent wide-angle 'pancake' lens (the 14mm F2.5) - making an appealingly small package, but hardly an ideal option for the point-and-shoot upgraders the company is targeting. A considerably larger, but more flexible, bundle with the stabilized 14-42mm F3.5-5.6 lens will follow in August.

Panasonic GF3 specification highlights:

12MP CMOS sensor (standard Four Thirds size)
ISO 160-6400
3.8 fps continuous shooting (2.8 fps with live view)
GF2-style touch screen interface
1080i60 AVCHD shooting (from 25p sensor output)
All-area AF point selection
'Pinpoint' AF mode (magnifies focus point to allow confirmation and fine-tune of AF position)
Tracking AF in video mode
Picture-in-picture manual focus magnification
460k dot LCD

Key differences (compared to GF2)

iA+ automatic mode with more user control
Smaller, lighter, body
No rear click control dial (combined dial / 4-way controller instead)
Smaller battery
Picture-in-picture magnified manual focus mode
'Pinpoint' AF mode
Tracking AF in video mode
Photo Styles (color response presets as used in G3, offering better control than GF2)
Creative Filters (including new Miniature mode)
ISO 160 base ISO (rather than ISO 100)
3.8 fps maximum continuous shooting rate, rather than 3.2 fps
Mono microphone, rather than stereo
No flash hot shoe
No EVF port

Compared to the Sony NEX-C3

Here's the GF3 alongside its most obvious direct competitor - Sony's hot-off-the-press NEX-C3. The two are very similar in size: the GF3 is a little bit taller, with a circular bulge on the top plate to accommodate its built-in pop-up flash (the Sony requires an additional bolt-on unit). Meanwhile the C3 is fractionally wider but squeezes in a larger APS-C sensor.


This comparison illustrates the two cameras' similarly compact camera-like, simplified rear layouts. Like Sony, Panasonic has clearly decided to make a camera that won't put off potential buyers by appearing overly-complex or intimidatingly difficult to use. The inevitable corollary of this, though, is that there's nothing much to excite enthusiasts here. Of course the difference you can't see here is that the Panasonic has a touch-screen interface so doesn't have to rely entirely on its modest button count. This interface is well enough designed that it makes the camera quicker and easier to use, however much control you're trying to take.

Viewed from the top down, the simplicity of the two cameras is again evident. Both have shutter and movie buttons on the top plate alongside the power switch, but precious little else. They're also essentially the same in terms of body thickness and (non)pocketability with their respective kit zooms attached.

Canon EF 600mm f/4L IS II USM Telephoto

2011-07-19T23:28:00.001-07:00

Canon EF 600mm f/4L IS II USM
Telephoto

The EF 600mm f/4L IS II USM is a high-magnification, super-telephoto lens featuring integrated Image Stabilizer technology and a fast f/4 maximum aperture. Perfect for wildlife, nature and sports photographers working in the field.

Features

High-performance 600mm lens
Fluorite and UD elements
Fast f/4 max aperture
Ring-type USM for fast AF
4-stop Image Stabilizer
Protective fluorine coating on front and rear elements
4.5m min focus
9 blade aperture
Power focus for video
Dust and moisture resistant

Get close to the action

Compact lightweight super-telephoto
The EF 600mm f/4L IS II USM features a lightweight magnesium alloy and titanium construction, which reduces weight without compromising on strength and build quality.

Sophisticated optical design
A complex optical design that features fluorite and UD lens elements to tackle aberrations and distortions. A fast f/4 maximum aperture enables use of the Canon Extender EF 2.0x III while retaining AF on EOS-1 series cameras.

Fast, quiet auto focus
A ring USM (Ultrasonic motor) uses ultrasonic frequency vibrations to drive extremely rapid auto focus with near-silent operation. A high-speed CPU and optimised AF algorithms contribute further to AF speed. Full time electronic manual focus override is available without having to switch out of AF.

Image Stabilizer
Built-in Image Stabilizer (IS) technology enables hand-held shooting with shutter speeds up to four stops slower than normal without incurring camera shake. Multiple IS modes improve image quality when panning.

IS Mode 3
Ideally suited for all types of action photography especially those disciplines that require the utilisation of panning, the new IS mode 3 only activates the Image Stabilizer element during exposure.

Enhanced image quality with SWC coating
Designed for use in digital photography, Canon’s patented Subwavelength structure coating helps minimise the ghosting and flare caused by internal reflections. By eliminating the cause, the coating reduces reflections and helps to deliver crisp, clear images.

Power focusing
The EF 600mm f/4L IS II USM’s two-speed Power Focus mode allows focus to be adjusted at a smooth constant speed – perfect when shooting video.

L-series quality
The L-series is Canon's flagship professional lens range, representing the best in precision-designed EF optics. L-series lenses combine superior performance with superlative handling, and are resistant to dust and moisture.

Accessories
The EF 600mm f/4L IS II USM is supplied with Lens Hood (ET-160 WII), Lens Cap (E-185B) and Lens case 600B.

Panasonic DMC-GF3 Hands-on Preview

2011-07-19T23:26:00.000-07:00

Preview based on a pre-production DMC-GF3

Panasonic GF3 specification highlights:

12MP CMOS sensor (standard Four Thirds size)
ISO 160-6400
3.8 fps continuous shooting (2.8 fps with live view)
GF2-style touch screen interface
1080i60 AVCHD shooting (from 25p sensor output)
All-area AF point selection
'Pinpoint' AF mode (magnifies focus point to allow confirmation and fine-tune of AF position)
Tracking AF in video mode
Picture-in-picture manual focus magnification
460k dot LCD

Key differences (compared to GF2)

iA+ automatic mode with more user control
Smaller, lighter, body
No rear click control dial (combined dial / 4-way controller instead)
Smaller battery
Picture-in-picture magnified manual focus mode
'Pinpoint' AF mode
Tracking AF in video mode
Photo Styles (color response presets as used in G3, offering better control than GF2)
Creative Filters (including new Miniature mode)
ISO 160 base ISO (rather than ISO 100)
3.8 fps maximum continuous shooting rate, rather than 3.2 fps
Mono microphone, rather than stereo
No flash hot shoe
No EVF port

Compared to the Sony NEX-C3

Here's the GF3 alongside its most obvious direct competitor - Sony's hot-off-the-press NEX-C3. The two are very similar in size: the GF3 is a little bit taller, with a circular bulge on the top plate to accommodate its built-in pop-up flash (the Sony requires an additional bolt-on unit). Meanwhile the C3 is fractionally wider but squeezes in a larger APS-C sensor.


This comparison illustrates the two cameras' similarly compact camera-like, simplified rear layouts. Like Sony, Panasonic has clearly decided to make a camera that won't put off potential buyers by appearing overly-complex or intimidatingly difficult to use. The inevitable corollary of this, though, is that there's nothing much to excite enthusiasts here. Of course the difference you can't see here is that the Panasonic has a touch-screen interface so doesn't have to rely entirely on its modest button count. This interface is well enough designed that it makes the camera quicker and easier to use, however much control you're trying to take.

Viewed from the top down, the simplicity of the two cameras is again evident. Both have shutter and movie buttons on the top plate alongside the power switch, but precious little else. They're also essentially the same in terms of body thickness and (non)pocketability with their respective kit zooms attached.

Canon EF-S 18-55mm f/3.5-5.6 IS II EF-S

2011-07-19T23:24:00.002-07:00

Canon EF-S 18-55mm f/3.5-5.6 IS II
EF-S

Compact and affordable, the EF-S 18-55mm f/3.5-5.6 IS II is an ideal general-purpose standard zoom. Its four-stop Image Stabilizer provides great performance in low-light conditions.

Features

Lightweight, compact design
Wide-angle to short telephoto range
Four-stop Image Stabilizer
Aspherical lens elements for control over distortion
0.25m close-focusing distance
Super Spectra coatings
Circular aperture diaphragm
High-speed AF

Versatile, compact zoom lens

Affordable, high-quality zoom
The EF-S 18-55mm f/3.5-5.6 IS II is a high-quality, standard zoom lens that will appeal to photographers who prefer to travel light. With a focal length equivalent of 29-88mm in 35mm format, the lens’ wide zoom range is suitable for most general photography. For close-up work, the working distance is just 0.25m (25cm) throughout the zoom range.

Image Stabilizer
To minimise risk of image blur, the EF-S 18-55mm f/3.5-5.6 IS II incorporates Canon’s four-stop Image Stabilizer technology. This allows photographers to use shutter speeds up to four times slower than normal with no perceptible increase in image blur - ideal for shooting in low light.

Aspherical lens element with Super Spectra coating
As well as ensuring true colour balance and sharp, high contrast images, Super Spectra coatings combat ghosting and flare by absorbing light reflecting off digital camera sensors or internal lens elements. An aspherical lens element delivers crisp, high contrast images - even with the aperture fully open.

Circular aperture
For shots taken at wide apertures, a circular aperture diaphragm gives a smooth, even blur to your background, helping to emphasise foreground subjects and remove distractions.

Lead-free glass
Only environmentally-friendly, lead-free glass is used in the construction of the EF-S 18-55mm f/3.5-5.6 IS II.

Accessories
The EF-S 18-55mm f/3.5-5.6 IS II is supplied with a lens cap and dust cap. A lens hood (EW-60C) and lens soft case (LP814) are available as optional accessories.

Canon creates EF-S 55-250mm f/4-5.6 IS II updated tele zoom

2011-07-19T23:24:00.000-07:00

Canon creates EF-S 55-250mm f/4-5.6 IS II updated tele zoom

Canon has announced an updated version of its 55-250mm image stabilized telephoto zoom. The EF-S 55-250mm f/4-5.6 IS II is a cosmetically refreshed version of the existing 55-250mm IS, launched in 2008. A consumer-grade tele zoom, it will be available on its own or alongside the recently updated 18-55mm f/3.5-5.6 IS II as a two lens kit with the EOS 550D (Rebel T2i), EOS 600D (Rebel T3i) or EOS 60D.
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Press Release:

Canon unveils the EF-S 55-250mm f/4-5.6 IS II – the ideal telephoto lens for aspiring photographers

London, UK, 13th June 2011 – Canon today announces the launch of its latest high quality telephoto zoom lens. The new EF-S 55-250mm f/4-5.6 IS II is a compact and affordable lens, offering powerful telephoto performance combined with high image quality, making it ideal for photographers wanting to get closer to the action.
The versatile new lens enables photographers to shoot a variety of subjects due to its variable focal range. It's ideal for shooting anything from portraits to longer-distance subjects, such as wildlife, sports, or even features within a landscape – ensuring the moment is always captured in impressive detail.
The EF-S 55-250mm f/4-5.6 IS II will be available separately and also as part of a double lens kit, bundled alongside the recently-announced EF-S 18-55mm f/3.5-5.6 IS II with EOS 550D, EOS 600D and EOS 60D bodies, providing beginners with a fantastic start to their photography system, all in one box.
Designed and manufactured to exacting standards, the EF-S 55-250mm f/4-5.6 IS II reflects Canon's premium design philosophy, with an enhanced exterior design and a number of premium technologies to ensure leading image quality. Canon's four-stop Image Stabilizer (IS) counters image blur during low light and handheld shooting, and the inclusion of an Ultra-low Dispersion (UD) lens element and Canon's Super Spectra Coatings also ensure beautifully crisp, high contrast and glare-free images. The latest EF-S lens to be added to Canon's range is ideal for photographers seeking an affordable and versatile lens for general-purpose telephoto photography.
The new EF-S 55-250mm f/4-5.6 IS II will be available from July 2011.

Canon EF-S 55-250mm f/4-5.6 IS II specifications

Image size	APS-C
35mm film equivalent focal length	88-400mm
Angle of view	• Horiz: 23º 20' - 5º 20' • Vert:15º 40'- 3º 30', • Diag:27º 50' - 6º 15'
Lens construction (elements/groups)	12/10
No. of diaphragm blades	7
Minimum aperture	22-32
Closest focusing distance (m)	1.1
Maximum magnification (x)	0.31 (at 250mm)
Distance information	Yes
Image stabilizer	4-stops
AF actuator	Micro Motor
Filter diameter (mm)	58
Max. diameter x length (mm)	70 x 108
Weight (g)	390
Magnification (With Extension Tube EF12 II)	0.6-0.05
Magnification (With Extension Tube EF25 II)	0.47-0.11
Options:	ET-60 Lens Hood, LP1019 Soft Case

Lensbaby Composer Pro / Sweet 35 Review

2011-07-19T23:22:00.001-07:00

Lensbaby is a company that's been steadily pursuing its own unique course for the past seven years or so, making what it calls 'selective focus' lenses for SLRs that exhibit a distinctive low-fi aesthetic. The basic principle is to utilise optically simple lenses which are deliberately uncorrected for many aberrations, and therefore produce a sharp zone of focus (or 'sweet spot') in the center of the image field with ever-increasing blur outside it. This is combined with a flexible barrel, such that the lens can be tilted and the sweet spot moved around the frame, to focus on off-center subjects. The size of the sweep spot can be increased by using a smaller aperture.
The original Lensbaby was little more than a flexible plastic tube, with a mount at one end and an uncoated single-element 50mm F2.8 glass lens at the other; the aperture was set using drop-in plastic discs held in place by a rubber ring. The sweet spot was manipulated and the lens focused simply by squeezing on a collar around the lens (in its modern incarnation, this design is known as the 'Muse'). It was an endearingly low-tech concept, but in practice could be was rather frustrating to use - the non-locking design meant that there was essentially no way of taking the same picture at different apertures, for example. And the single-element glass lens was a little too low-fi for many tastes.
Over the years, though, Lensbaby has refined its designs to address these problems and make its products more 'serious'. The Lensbaby 2 introduced a higher-quality 2-element lens and easier-to-use, drop-in magnetic aperture discs, and the '3G' a mechanism to lock the flexible barrel the desired position. Then a couple of years ago the company totally overhauled its range, bringing in the entirely different 'Composer' barrel design based upon a ball-and-socket joint for tilt, and conventional helicoid ring to set focus. At the same time it came up with an 'optic swap' system that allowed lenses to be interchanged, plus a choice of lenses including single element glass, dual element glass and plastic (all still at about 50mm focal length). The company also sells fisheye and pinhole optics, plus a range of screw-on wide/teleconverters and close-up lenses.

The Composer Pro can be used with a range of different lens modules including single element glass, dual-element glass and plastic.	Lens modules for the Composer Pro are removed and installed using the lens swap tool. One of the benefits of the Sweet 35 is that no tools are necessary for installation.

We rather like the Composer; it allows reasonably consistent shot-to-shot results, which means you can experiment more easily with apertures and different exposures for creative effect. But with the best will in the world it's still slightly rough around the edges, with a somewhat loose focusing action and imprecise movements. Likewise the drop-in magnetic aperture discs still aren't especially user-friendly, and the temptation is to pick one for a shooting session and stick with it, hoping things work out in the end - especially when using any of the screw-on lens accessories.

This is where Lensbaby's latest products come in - the Composer Pro and Sweet 35 optic, which are the subject of this quick review. The Composer Pro maintains the same basic ball-and-socket design as the original, but promises improved construction and refined operation. Meanwhile the Sweet 35 becomes Lensbaby's first lens to incorporate a built-in aperture mechanism. It also, as its name hints, has a different focal length to previous optics, at about 35mm, offering a more 'normal' perspective on APS-C cameras and a moderate wideangle look on full frame.
By their very nature Lensbaby's products aren't for everyone, with their emphasis on the aesthetic 'look' of the image rather than any conventional concept of image quality. This review will therefore be rather more subjective than usual, and since the lensbaby lends itself poorly to analysis using our normal tools, we have decided not to give it a score.

Selective Focus - what does it mean?

For those who haven't come across Lensbaby's product before, the idea of selective focus may be difficult to visualize at first. The example below illustrates the concept - when the lens is centred only an area in the middle of the frame is sharp, and the edges are blurred. By tilting the lens it's possible to move this sharpness 'sweet spot' freely around the frame, focusing selectively on your area of interest.


Left Tilt	Centred	Right Tilt

In this scene, we tilted the Sweet 35's 'sweet spot' from the centre of the image, to the left, and then to the right. Be aware that tilting the lens can dramatically alter the composition of the image as well, and you'll often need to rotate the camera to compensate. This is especially pronounced when working at short focus distances, as the front of the lens will also move relative to the subject.

Canon Speedlite 270EX II Speedlite Flash

2011-07-19T23:21:00.001-07:00

Canon Speedlite 270EX II
Speedlite Flash

Explore the creative side of lighting with the Canon Speedlite 270EX II – a compact flashgun that is as easy to use off-camera as it is in your camera’s hotshoe.

Features

Lightweight compact design
Guide Number 27 (m, ISO100)
Bounce flash head
Wireless slave function for off-camera flash
Trigger your EOS camera with Remote Release button
Variable angle of coverage
Fast, silent recycling

A powerful and versatile flashgun that you can take anywhere

Lightweight compact design
The Canon Speedlite 270EX II weighs just 155g (without batteries) and its compact design means it will find a space even in the smallest of kit bags.

High power output
Despite its diminutive size, the Speedlite 270EX II has plenty of power, with a guide number of 27 (m, ISO100) allowing long-range flash photography. E-TTL II metering with compatible cameras gives accurate flash exposure in all situations, even when bouncing light from a wall or ceiling.

Bounce flash head
A bounce head allows the Speedlite 270EX II’s flash output to be bounced off the ceiling for soft, shadowless lighting.

Easy to use off-camera flash
The Speedlite 270EX II can be triggered remotely by a compatible camera or Speedlite flash and is as easy to use in off-camera mode as it is in the hotshoe, opening up countless creative lighting opportunities.

Remote shooting
Experiment with different lighting positions quickly and easily by using the Remote Release button to trigger the camera remotely from up to 5m away, whilst you adjust the lighting.

Zoom head
Match the coverage of the Speedlite 270EX II’s output to a lens’ angle of view by adjusting its zoom head to either the 28mm or 50mm setting.

Fast silent recycling
Two AA/LR6 batteries power the Speedlite 270EX II enabling it to recharge silently from a full-power discharge in 3.9sec.

Canon Speedlite 320EX Speedlite Flash

2011-07-19T22:26:00.000-07:00

Canon Speedlite 320EX
Speedlite Flash

Featuring Wireless Slave technology, a bounce/swivel head and a constant LED light source for video work, the Canon Speedlite 320EX opens up new creative possibilities for EOS photographers.

Features

Guide Number 32 (m, ISO100)
Compact lightweight design
Bounce-and-swivel flash head, with 24mm and 50mm zoom settings
Integrated LED video light
Wireless slave for off-camera TTL flash
Remote Release button
Fast, silent recycling

Your route into creative flash photography

High power, compact design
Despite being lightweight and portable, the Speedlite 320EX has a Guide Number of 32 (m, ISO 100) giving it enough has enough power to illuminate large areas and distant subjects.

Bounce, swivel and zoom flash head
The Speedlite 320EX’s flash head can be raised by 90 degrees and rotated left and right allowing flash to be bounced off walls and ceilings for a softer, shadow-free look. The angle of illumination may be zoomed to match the angle of view of a 24 or 50mm lens.

Integrated LED video light
With a built-in continuous LED light source, the Speedlite 320EX is as useful for low-light video shooting as it is in still photography.

Easy to use off-camera flash
Canon’s Wireless Slave functionality makes ensures the Speedlite 320EX is as easy to use in off-camera as it is in the hotshoe, opening up countless creative lighting opportunities.

Remote shooting
Experiment with different lighting positions quickly and easily by using the Remote Release button to trigger the camera remotely from up to 5m away, whilst you adjust the lighting.

Fast silent operation
Four AA/LR6 batteries power the Speedlite 320EX, enabling it to recycle silently after a full-power discharge in just 2.3 seconds.

Sony SLT-A35 Hands-on Preview

2011-07-19T22:24:00.000-07:00

Preview based on a pre-production SLT-A35 with firmware 1.00

The Sony SLT-A35 marks the second wave of Sony's radical SLT design, and does so in a way that offers to put the technology into more people's hands. This entry-level model incorporates almost all the features of the original A33 and A55, but includes what Sony promises is an improved 16MP sensor and handful of extra processing options. The only real losses are the articulated rear screen and $50 from the MSRP of the 18-55mm lens kit, compared to the A33, taking it down to $699.

Almost from the moment it bought Konica Minolta's DSLR division, Sony has been working on offering DSLRs with truly usable live view. Rather than clumsily adding live view to a conventional DSLR design, Sony has tried to offer live view while retaining one of the key features that make DSLRs so desirable - their fast AF system. Its first attempts, using a secondary live view sensor built into the viewfinder prism, were promising but often resulted in cameras with distinctly different behavior depending on whether you were shooting in live view or optical viewfinder mode.

The SLT design has an electronic viewfinder, rather than an optical one, and as a result it doesn't need a movable mirror to direct light up to the viewfinder. Instead it used a fixed, semi-transparent mirror to provide light to a focusing sensor, allowing the rest through to the imaging sensor. The result is a full-time live view camera that can offer fast, DSLR-style phase-detection autofocus and complete consistency of behavior regardless of whether you're using the eye-level viewfinder or the rear screen for viewing. The fact that this is all available in a small, relatively inexpensive enthusiast camera made the A55 one of our favorites in its class.

The A35 represents a gentle refresh and reshuffle compared to the existing models, rather than any radical redesign. The A35 gets a redesigned version of the 16MP CMOS chip featured in the A55, with Sony promising improved power consumption. This improvement should not only improve the camera's battery life compared to its predecessors, but also offer improved heat characteristics - extending the duration of video clips the camera can capture before any risk of overheating occurs. It can now shoot for 29 minutes per shot, rather than the 9 that the A55 can manage with SteadyShot switched on (most DSLRs are limited to 29 minutes or fewer for reasons of heat build-up or to avoid attracting duty at the higher rate applied to camcorders).

Beyond that, the changes are subtle - the main difference being that the A35 gains a series of image processing filters (such as the de rigueur 'Toy Camera' option), that are becoming a standard feature at this level of camera. The high-speed shooting speed is the same as the A33's 7 frames per second, but no longer gives full-resolution images. Instead, to reduce the amount of data being processed (this slower rate and the lack of GPS emphasizing that this is an A3X camera, rather than an A55 replacement), the A35 takes a 8.4MP chunk from the middle of the frame, giving a 1.4x crop. This has the effect of giving the long end of the kit zoom a field of view equivalent to a 116mm lens in film terms, rather than the usual 83mm.

Sony A35 specification highlights

Revised 16.2MP CMOS sensor
ISO 100-12800
ISO 100-25600 in multi-frame NR mode
15-point AF sensor (3 cross-type)
SLT design offering full-time live view with phase-detection autofocus
1080i60 HD video in AVCHD format (from 30fps sensor output)
Auto+ mode giving easy access to the appropriate multi-shot shooting modes
Picture Effects processing options

In the hand

The A35 resembles a traditional DSLR (it's only the EVF protruding so far from the back of the camera that gives the game away), and its handling very much follows that tradition. The hand grip is perhaps a touch small for people with larger hands but in general it's a comfortable camera to hold.

Canon XA10

2011-07-19T22:23:00.000-07:00

Professional Camcorders

The innovative XA10 AVCHD camcorder packs Canon professional technology into an ultra-compact body. Exceptional functionality and versatility ensures outstanding video and audio performance.

Features

Canon HD Video Lens (10x zoom, 30.4mm, F1.8)
Canon HD CMOS Pro sensor
Professional audio
AVCHD video to 64GB memory or 2x SDXC slots
IR shooting mode
Full manual control
8.8cm LCD; 0.6cm EVF
Dynamic OIS, Powered IS, Instant AF
Versatile and expandable

Professional HD video in the palm of your hand

Canon HD Video Lens
A fast, wide-angle, Canon HD Video lens (30.4mm, F1.8) brings professional image quality to a compact camcorder. Features a shockless, variable speed 10x optical zoom and 8-blade iris for more attractive bokeh effect.

1/3 type HD CMOS Pro sensor
An HD CMOS Pro sensor – originally designed and manufactured by Canon for its professional camcorders - captures Full HD at native 1920x1080 resolution. With a pixel size 2.6x bigger than conventional CMOS sensors, it delivers a wider dynamic range and higher sensitivity.

Professional audio
Professional audio options include 2x XLR inputs, a 3.5mm microphone input jack and a built-in, low-noise microphone. Audio is recorded in 2ch Dolby Digital format using any combination of inputs.

64GB memory plus 2x SDXC slots
The XA10 records Full HD AVCHD video at up to 24Mbps to 64GB of built-in flash memory. Relay Recording across 2x SDXC memory card slots allows for continuous filming. Double slot recording allows the same footage to be stored simultaneously on two cards.

Infrared shooting mode
The XA10 offers infrared (IR) recording in Full HD resolution, for night or low light shooting. Green and white colour options are available to suit the style of your project. Unique Canon lens coatings and a built-in diffuser ensure clear, sharp pictures throughout the frame. An IR lamp is built into the camcorder handle.

Full manual control
A manual lens ring allows intuitive control of focus. Full manual control of exposure, aperture, shutter speed and gain is possible via the Touch-screen LCD. A custom key and control dial put you in complete control of your creativity.

8.8cm LCD; 0.6cm EVF
A large side-mounted 8.8cm (3.5”) Touch-screen LCD with a sharp, 920K dot resolution provides excellent monitoring capability. A waveform monitor and Focus Assist functions make it easy to frame your shot. A 0.61cm (0.24”) 260K dot EVF is also included.

Dynamic OIS, Powered IS, Instant AF
Canon’s advanced Dynamic Optical Image Stabilisation system with Powered IS mode ensures shake-free video. Instant AF means pin-sharp focus for every shot.

Versatile and expandable
The ultra compact XA10 is a versatile and expandable camera system – adaptable for use in any situation. The handle is detachable for use in tight spaces and has a stop/start button and zoom level control. A lens filter thread and accessory shoe are also included.