Every month, we share opportunities for artists and designers, including open calls, grants, fellowships, and residencies. Make sure you never miss out by joining our monthly Opportunities Newsletter.

Arch Enemy Arts Call for ArtistsFeatured
Arch Enemy Arts is seeking submissions for an annual group exhibition in January 2027. This spotlight exhibition of new and emerging talent has no themes or direction in subject matter, although the gallery focuses on representational, dark surrealism, magical realism, post-graffiti, pop-surrealism, narrative, illustrative, and figurative work across a range of artistic mediums. The exhibition is open to artists worldwide, who are invited to submit up to three works for consideration.
Deadline: 11:59 p.m. EST on November 13, 2026.

$4,500 Artist GrantsFeatured
The Hopper Prize is now accepting entries for $4,500 and $1,000 artist grants from a total pool of $13,000. Two artists will each receive $4,500 and four artists will each receive $1,000. This is an international open call, and all visual media is eligible. The Hopper Prize provides a direct path to get your work in front of an international community of curators, artists, gallerists, and arts administrators. Additional exposure is available via a 30 artist shortlist, an online journal, and an Instagram account currently reaching over 175,000.
Deadline: 11:59 p.m. PST on November 17, 2026.

Open Calls

Black Public Media Open Call for Documentaries(U.S.)
Independent filmmakers are invited to submit feature-length nonfiction projects in a range of formats, styles, subject matters, and genres for the opportunity to participate in the 10th PitchBLACK Forum & Awards next spring. BPM is particularly interested in stories exploring critical issues, promoting cultural understanding, and engaging national audiences and/or local communities. All projects, which may be in pre-production, production, or early post-production, must be suitable for public media distribution.
Deadline: 11:59 p.m. PDT on October 1, 2026.

American Color Print Society 86th Annual Fall Exhibition(U.S.)
For 86 years, the American Color Print Society has been dedicated to the advancement of printmaking as a fine art medium. This opportunity is open both members and non-members, and all accepted artists are eligible for awards. There is a $45 application fee for non-members ($20 for members).
Deadline: October 1, 2026.

The Defiance Award(Australia)
This prize was founded to discover, support, and profile exceptional Australian painters. It offers both financial support and professional development opportunities to foster long-term careers in the arts, ensuring artists are equipped to thrive and grow within their practice. The overall winner will receive a solo exhibition at Defiance Gallery, a two-week residency at Giverny Artist Residency in Queenstown, New Zealand, sponsored by the Nock Art Foundation, return flights to Queenstown from an Australian capital city, and $5,000 cash.
Deadline: October 7, 2026.

Royal Institute of Oil Painters Annual Exhibition(International)
Artists are invited to submit work for the ROI Annual Exhibition 2026. Founded in 1882, ROI is the only major British art society that promotes and exhibits work of the highest standard exclusively in oil paint. The ROI welcomes submissions on all subjects and approaches to the medium, and this year’s optional theme is “winter rituals.” There’s a submission fee of £22 per work, or £14.50 per work for artists aged 35 or under.
Deadline: 12 p.m. BST on October 9, 2026.

MAKE Commercial Workshop(International)
MAKE’s Commercial Workshop gives junior and senior BFA/BA students an immersive, hands-on experience in creating animated commercial spots. Across two semesters, selected teams collaborate with MAKE mentors to conceptualize, design, and produce a 15-second, character-driven ad. The workshop mirrors the pace and challenges of MAKE’s studio projects, helping students sharpen their skills, build their portfolios, and gain real-world insight into commercial animation.
Deadline: 11:59 p.m. EDT on October 11, 2026.

YICCA Art Prize(International)
This competition is open to all media and techniques and geared toward emerging artists, with a total prize pool of €5,500. The application fee varies depending on the number of images submitted and starts at €50.
Deadline: October 8, 2026.

2027 ArtFields Festival(Southeastern U.S.)
Submit to the 2027 ArtFields Festival and be part of a unique celebration of art and community in Lake City, South Carolina. Selected artworks will be in one of the Southeast’s largest and most prestigious art events from April 9 to May 1, 2027, and will be in the running for over $100,000 in cash prizes. There is a $25 application fee.
Deadline: November 1, 2026.

2027 Beam Camp Project Open Call(International)
Beam Center, located in Strafford, New Hampshire, seeks design proposals for an ambitious public artwork that will be brought to life through collaborations between youth, Beam Camp staff, and the selected proposer. Projects will be realized by a community of more than 100 young people at Beam Camp in July 2026. Selected project proposers receive a $5,000 award, and selected projects have approximately a $15,000 fabrication budget.
Deadline: 11:59 p.m. EST on November 30, 2026.

Material Works Art Award 2026(International)
Material Works supports artists through one-time $2,500 awards in exchange for original pieces added to its growing contemporary art collection. The award recognizes artistic excellence and aims to promote career advancement through increasing visibility and exposure. There is a €40 application fee.
Deadline: December 6, 2026, or when the first 300 artworks submitted, whichever comes first.

Grants

The Supporting Act Foundation Artist Grants(Europe)
The Supporting Act Foundation offers 10 unrestricted grants of €10,000 each, paid in monthly installments of €1,000. The program aims to improve living conditions for artists, enabling them to dedicate more time to developing their practices. To be eligible, artists must be based in Belgium, France, Germany, Greece, Ireland, Italy, the Netherlands, Portugal, Spain, or the U.K.
Deadline: October 1, 2026.

New York City Film Production Grant(New York City)
This grant supports eligible New York City-based early career film directors whose work takes creative risks in expanding, questioning, experimenting with, or re-imagining filmmaking with production grants of up to $30,000.
Deadline: 4 p.m. EDT on October 1, 2026.

Printed Matter Publisher Work Grant(International)
In its third year, Printed Matter’s Publisher Work Grant program offers funding to independent presses with a history of artists’ book publishing, acknowledging awardees’ accomplishments in past work and providing the capacity-building funds to enable future book projects and publisher sustainability. In 2026, three unrestricted grants of $10,000 will be awarded to three independent artists’ book publishers. Printed Matter will also extend a featured exhibitor presence at a forthcoming Printed Matter NY or LA Art Book Fair to selected presses.
Deadline: October 4, 2026.

The Meridian Award(International)
The Meridian Award is an independent international award granting a $1,000 unrestricted cash prize to one contemporary artist working in any medium. ​Founded independently in New York City, the award supports independent, self-directed contemporary practices and welcomes submissions from artists worldwide.​ There is a $25 application fee.
Deadline: October 15, 2026.

Oklahoma Visual Arts Coalition Grants for Artists (Oklahoma)
OVAC offers several opportunities, including the Grants for Artists program fostering Oklahoma’s visual artistic creative excellence and the Community/Artist Partnership grants, which provide up to $1,500 for initiating community-based projects that lead to artwork creation. Creative Projects grants provide up to $1,500 for creating new work that will culminate in a public event focused on artist’s own work. Two additional grants are available in Education Assistance and Professional Basics categories, amounting $500 each.
Deadline: October 15, 2026.

MAKE Animation Thesis Grants(International)
MAKE is proud to continue its annual grant program supporting senior animation students around the globe, championing and spotlighting emerging talent by directly funding original animated thesis projects (short films). First place is $2,000; second place is $1,000, and third place is $500.
Deadline: 11:59 p.m. EST on November 6, 2026.

Asian Cultural Counsel Grants(Asia)
ACC supports artists, scholars, arts professionals, and organizations through fellowships and grants that advance cultural exchange between the U.S. and Asia and within Asia. For individuals, the organization offers the six-month New York Fellowship, the one- to six-month Individual Fellowship, and the Graduate Fellowship for a student from Asia to study in the U.S.
Deadline: 9:59 a.m. EST on November 10, 2026.

The Adolf and Esther Gottlieb Emergency Grant (International)
This program provides one-time financial assistance to qualified painters, printmakers, and sculptors whose needs resulted from an unforeseen catastrophic incident and who lack the resources to meet that situation. Awardees typically receive $5,000 and up to $15,000.
Deadline: Rolling.

Pollock-Krasner Foundation Grant (International)
The foundation welcomes applications from painters, sculptors, and artists working on paper, including printmakers. Grants are intended for one year and range up to $50,000. The artist’s circumstances determine the size of the grant, and professional exhibition history will be considered.
Deadline: Rolling.

Residencies, Fellowships, & More

Art Omi Dance, Music, and Architecture Residencies(International)
Art Omi is currently offering residencies in three tracks: architecture, dance, and music. The program nurtures experimentation in environs that offer a singular blend of rural quiet and cultural stimulation, while tapping into the freedom to play through collaboration. There is a $15 application fee.
Deadline: October 1, 2026.

Lighthouse Works Fellowship(International)
Located on Fishers Island, New York, Lighthouse Works offers a fellowship supporting a diverse range of cultural producers working in the vanguard of their creative fields. Fellowships are six weeks in length, occur year-round, and provide fellows with housing, food, studio space, and $1,750 in financial support. Fellows enjoy a private bedroom and share a kitchen, bathrooms, and living space in a three-story Victorian house. All dietary needs are accommodated, and on most nights, Lighthouse Works staff cook for and eat dinner with the fellows. Studios are located about 1.5 miles/a 30-minute walk from the fellowship house. The application fee is $25.
Deadline: October 1, 2026.

Woodson Art Museum Glass Box Studio Residency(International)
Located on the Leigh Yawkey Woodson Art Museum campus in Wausau, Wisconsin, the Glass Box Studio provides space and time for artists to experiment, explore, and produce individually developed or collaborative artwork in any medium. Participating artists will receive an honorarium in addition to reimbursement for travel, mileage, and meal expenses. Supplies and materials for workshops, classes, and outreach will be covered by the Woodson Art Museum. There is a $25 application fee.
Deadline: October 1, 2026.

Abrons Art Center Visual Artist AIRspace Residency(New York City)
Abrons Art Center supports a cohort of three visual artists for a 20-month residency. Each fellow will be paired with a professional artist mentor who is an alum of the program and will support the fellows’ creative and professional development. Artists receive a semi-private studio, an annual honorarium of $7,000, an annual materials stipend of $5,000, and more.
Deadline: 11:59 p.m. EDT on October 4, 2026.

Pedantic Summer and Fall 2027 Residencies(International)
Pedantic Arts is seeking applicants for creatives and researchers to participate in the Summer 2027 and Fall 2027 Terms. Entering its sixth year, Pedantic continues its mission of re-embracing the impact that education, study, and contemplation can have on artistic output by interconnecting creators, organizers, and critics. Residents will spend four weeks housed in a hybrid residential and commercial building in the bustling Pittsburgh’s Garfield neighborhood. Two Pedantic Research Grant opportunities, which encompass one- to two-week-long independent research stays in Pittsburgh, are also open through the same application process. There is a $20 application fee.
Deadline: 11:59 p.m. EDT on October 15, 2026.

Leighton Artist Studio Residencies at Banff Centre for Arts and Creativity(International)
For program dates between April 5, 2027, and March 31, 2028, Banff Centre of Arts and Creativity invites applications for three Leighton Artist Studio Residency opportunities: solo, group, and photography. Residencies run for a minimum of two weeks and up to six weeks long, and each resident has a meal plan, housing, studio space, and access to campus facilities, including the library. Scholarships may be available. There is a $65 application fee for individuals, or $35 for applicants who identify as Indigenous.
Deadline: October 14, 2026.

The Center for Art & Advocacy’s Center Fellowship(U.S.)
The Center Fellowship (formerly Right of Return) offers an annual award of $10,000 in unrestricted funds and $10,000 in project development funds to formerly incarcerated artists. Fellows are invited to an annual retreat to network with previous fellows, advocates, industry leaders, and funders. The Center Fellowship is open to any directly justice-impacted, U.S.-based artist working in visual art, film, music, creative writing, performance, design, or other multidisciplinary practice, regardless of citizenship status, felony convictions, or formal training in the arts.
Deadline: October 25, 2026.

The Paul & Daisy Soros Fellowship for Immigrant Artists(U.S.)
Each year, The Paul & Daisy Soros Fellowship selects 30 fellows based on their potential to make significant contributions to American society, culture, and their chosen fields. The program provides $90,000 over the course of two years to support graduate study. Fellows may be immigrants or the children of immigrants and receive funding along with mentorship, community, and lifelong connection to a network of nearly 900 Fellows across various disciplines including the arts.
Deadline: 2 p.m. EDT on October 29, 2026.

Vital Impacts Environmental Photography Fellowships and Mentorships(International)
Vital Impacts is dedicated to supporting visual storytellers who capture compelling, solutions-focused environmental stories at the local level. The organization is offering one $20,000 fellowship and six $5,000 fellowships to help bring these vital stories to life. Recipients will have twelve months to develop their projects with support from Vital Impacts to publish and showcase their work. Additionally, ten emerging photographers will be chosen to participate in an intensive mentorship program, designed to nurture their growth and enhance their craft.
Deadline: November 30, 2026.

Roger Tory Peterson Institute Artist-in-Residence(International)
Residents spend a week at the Roger Tory Peterson Institute (RTPI) in Jamestown, New York, with facilitated access to the Peterson Collection, inclusive of Roger’s original field guide art, fine art, films, slides and personal papers. Each artist receives an honorarium of $1,000. Artists from out of town also receive housing, per diem, and reimbursement for travel. Following the residency, artists create a body of work inspired by their time spent at RTPI, which is featured in a solo exhibition the following year.
Deadline: Rolling.

Quarantine (International)
Dubbed “purgatory for artists,” Quarantine is a week-long intensive art program on an 18th-century quarantine island off the coast of Menorca, Spain. The program is open to beginners and professionals alike and offers three 45-minute private mentorships throughout the week, with activities lasting 12+ hours per day. Phones are banned.
Deadline: Rolling.

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Earlier this month, a monumental, metallic spiral appeared on the High Line to coincide with New York Fashion Week. The elevated, art-filled public park on the West Side of Manhattan runs from Gansevoort Street near the Whitney Museum of American Art to 34th Street near Hudson Yards. Commissioned by Bulgari as part of its Serpenti Infinito series, which celebrates its famous Serpenti collection through artistic partnerships, the temporary installation invited visitors to walk through an enormous coil titled “auroBOROS: Urban Memory and Collective Dream.”

The brainchild of artists Marco Canevacci and Yena Young, who helm the studio Plastique Fantastique, “auroBOROS” spent nearly two weeks wedged beneath a raised building. Its title is drawn from the ancient ouroboros motif of a snake eating its own tail as a metaphor for the continuous cycles of life—a nod to Bulgari’s snake-themed jewelry line—and the site added a playful tension to the piece, as it appeared to support the overhead structure.

“auroBOROS” marks the first time Plastique Fantastique has exhibited in the U.S. Earlier installations along a similar theme include iterations of an architectonic gold loop titled “RINGdeLUXE,” which has encircled bridges with the appearance of a kind of cosmic portal. See more on the studio’s Instagram.

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In the Buddhist tradition, mandalas are devotional images that represent the universe, their precise geometry and motifs depicting holy realms and a sense of order through symbolic references to the elements and astrology. Tibetan Buddhist monks painstakingly create colorful sand renditions as part of their mindfulness practice. Once complete, the pieces are ritualistically destroyed—the sand is customarily returned to moving water—to illustrate the impermanence and transience of life and the cosmos.

For artist Mu Pan, the mandala inspires the foundation of a series of vivid works on paper. In his current solo exhibition, Micro MUniverse at Hashimoto Contemporary, the Brooklyn-based artist composes explosive, eccentric, narrative scenes rendered at what the gallery describes as “a molecular level.”

The collection draws on a Chinese Buddhist adage that a single cup of water contains countless lifeforms, and for that reason, care must be taken in consuming it. Mu delves into a world of fantasy and symmetry, where animals, humans, and plants converge and hybridize in surreal configurations. Some become nearly abstract; others are uncanny, even slightly grotesque. The figures are at turns ecstatic, devious, and serene: black-winged skeletons meet sublime beings in “18 Angels,” and a dramatic scene of woodland creatures divinely erupts in “Burning Rabbit.”

Many of the works are less than a foot wide, with the exception of one painting on panel called “4 Brutes” that’s two feet across. Line, form, and expressions are therefore composed in incredible detail. The artist says, “I want to focus on the concept of being small, because whatever is small actually contains way more than it appears. Therefore, each small image is like a drop of blood, and each drop of blood contains multiple universes.”

Micro MUniverse continues through October 10 in New York City. See more on the artist’s Instagram.

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Built throughout the 1960s and ’70s, the Aylesbury Estate is an enormous public housing complex in South East London that at its peak, boasted 11,000 residents. Like other social projects of this kind, Aylesbury has struggled with violence and vandalism throughout its run, and in 2005, local officials decided to demolish the estate and rebuild in phases rather than rehabilitate the existing structures.

Living and working in South East London for nearly four decades, Harriet Mena Hill was familiar with the area, but it wasn’t until 2018 when she was commissioned to teach a summer program for young residents that she really engaged with the project. She made large portraits from wool, blending dyed roving to delineate windows, shape bowed electrical wires, and even mimic graffiti spray-painted on outdoor walls.

Forming the series Soft Concrete, the textile pieces cast a largely gray environment of stone and steel in soft fiber. The body of work, Hill says, was a “repositioning of how the estate is perceived. Historically, it has been widely portrayed in the media as violent and intimidating, as a place without hope.”

In contrast, Soft Concrete “presents the estate as a place of living and community. From a distance, the portraits look like photographs or realistic paintings, but on closer inspection, the material reveals itself to be wool, hand blended for subtle colour mixing used to depict small active details of domestic life,” the artist adds.

Hill is broadly interested in the ways that communities and the objects they interact with can become vessels for shared memories, so when the estate began to be razed in 2020, she started to collect fragments of concrete from the construction site. “It was a direct response to the situation of residents who were required to stay at home as the demolition of adjoining blocks, the homes of their former neighbours, continued throughout lockdown, in spite of wider restrictions,” she tells Colossal.

Before its destruction, several tenants had advocated for renovations rather than demolition, hoping to preserve the community and homes they’d built. In an interview with the BBC in 2023, long-time resident Aysen Dennis lamented being forced to leave the estate after 30 years. Local administrators found her new housing in central London, but it wasn’t the same. “The council gave me everything I asked for. It’s on a high floor. There’s lots of light. I can see the park,” Dennis said. “But it’s not my home.”

Intimate in scale, Hill’s paintings glimpse hallways and pockets of windows that are similarly sliced from their larger contexts, the ragged edges of concrete framing the largely domestic spaces. Part of the ongoing series titled The Aylesbury Fragments, the scenes capture the run-down infrastructure of buildings left standing during the phased reconstruction process.

Although regeneration began in 2013, it’s less than half complete, and Hill has completed more than 150 paintings to date. As demolition continues, she adds to her ever-changing collection of concrete remnants. “I live with the unpainted pieces for months, sometimes years, getting to know their shape before I begin working on them,” the artist says, noting that as long as there are buildings still under construction, she’ll continue painting these small tributes to the community once housed within their walls.

Hill has exhibitions slated for London and across the U.K. throughout 2027. Follow along on Instagram.

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Like the Argentinian writer Samanta Schweblin, the first time I found myself in front of a painting by the Spanish-Mexican artist Remedios Varo (1908-1963), I was stunned. Who was this elegant owl-figure with dainty fingers and feet? What was animating the creaturely machine at her side with tentacle-like brushes as hands? And, would I ever be able to look away?

Feeling mesmerized and awe-struck by Varo’s Surrealist visions isn’t an uncommon position to find oneself in. A new release from Louisiana Channel interviews three artists and two writers—Schweblin being one—about Varo’s influence, particularly her precise approach to alchemy and visualizing the thin veil between the physical and spiritual world. Interspersing artworks and commentary creates an insightful tapestry of a singular artist and her enduring legacy. Watch “Remedios Varo: The Painter of Magic” below, and learn more about the artist previously on Colossal.

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“I try to avoid playing it safe or going for the obvious. Instead, I look at plants from a different perspective and express them in my own way,” South Korean artist Taehyoung Maria Jeon says about a fantastical series of illustrations. “Ironically, having rules is what gives me the freedom to experiment with plant shape.”

Although she’s trained as a printmaker and continues to build compositions in layers, Jeon turns to digital methods as she reimagines the specimens cohabitating in her apartment, beginning with leaves and stems before venturing into surreal terrain. Purple veins, red outlines, and a smattering of stars appear on the imagined life forms, their vivid color palettes furthering their sense of the uncanny.

Titled Plant Series, the project “started as a personal challenge to fill a square canvas with plants, playing with shapes and composition to pack everything in as much as possible,” she says. “As the series continues, the drawings evolve and the nuances shift, but at its heart, it is always about composition, balance, colour, and shape—and hopefully sending out positive vibes, too.”

Dozens of illustrations from the series are compiled in Folium, Jeon’s first monograph from Volume. The publisher functions like Kickstarter and asks readers to back the project before printing. You can reserve your copy on Volume’s website, and find more from the artist on Instagram.

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Delicate waves, mysterious fissures, and diffused lightning set some of the scenes in Sarah Lee’s dreamy landscape paintings. Moons with strangely direct beams of light and supple mountains cradled by lakes and forests are tinged with magical realism. Most of the works seen here are part of Lee’s current solo exhibition titled Deeper at Albertz Benda, in which the artist highlights different ecosystems and the nature of clarity and concealment. She often titles her works in reference to the colors she employs, such as “Emerald Sky” and “Red Meadow in Mist.”

These apparently “empty” landscapes nod to the romantic Western tradition of seascapes and broad, open expanses that pandered to a problematic colonialist mindset, such as that of Manifest Destiny. John O’Sullivan, who coined the term, wrote that Americans possessed the fundamental right to “to overspread and to possess the whole of the continent which Providence has given us…” In Lee’s oil paintings, a gallery statement says, “the landscape pushes back.”

In the misty, fuzzy edges of glaciers, glowing skies, and mountain peaks, the artist imbues a nuanced sense of the uncanny. “There is a distinct feeling that more is hidden in the scene than what meets the eye: in the recesses of the water, underneath the ice, obscured by an outcropping of coral,” the gallery says. The light perhaps shines a little too brightly or a gap opens up ominously in a field of ice. “Before Dark” draws our attention to the serene surface of a lake, and what we can see is beautiful, yet one wonders if we’re witnessing the calm before the storm.

Lee harnesses the power of the unknown, examining the way nature both nourishes us and is the ultimate authority. Humans need clean water, food, and fresh air, and we rely on these things even as our collective actions cause the environment harm along with, paradoxically, ourselves. The artist’s paintings provide a kind of filter through which to see this contradiction, as the land and water are elements we fundamentally rely on but cannot control.

Deeper continues through October 10 in New York. See more on the artist’s Instagram.

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In tender paper collages featuring woodland creatures in relief, Kanako Abe imagines dreamlike scenes reminiscent of childhood narratives and folk tales. Giant wolves, diminutive bunnies, and curious deer wander through a Narnia-like realm that we glimpse through foliage-filled portals. In her practice, “the paper becomes a canvas for stories untold, where every cut is a deliberate step into a world where imagination and reality intertwine,” a statement says.

Paper-cutting has long been a central tenet of Abe’s practice, which she recently applied to an ambitious forthcoming book project in collaboration with young adult novelist Caryl Lewis. The Paper Girl, published by Frances Lincoln Ltd., follows the adventures of a young protagonist who folds herself into different forms in response to others’ comments and directives only to learn how to stand up for herself by summoning the power of “no.”

The Paper Girl is slated for release on October 6. Pre-order your copy on Bookshop, and if you provide proof of purchase via a form on Quarto, you’ll receive a signed bookplate by Abe. The artist is currently working toward a curatorial endeavor at Giant Robot Gallery scheduled to open in January, which will also include her work. And next April, she’ll participate in a group exhibition at Childhood’s End Gallery in Olympia, Washington. Keep an eye on updates on Instagram.

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“Do you ever think about concrete?” opens the trailer for The History of Concrete, a documentary released in select theaters in the U.S. last Friday. If your answer is no, the quirky new feature by filmmaker John Wilson may mean you can’t get it out of your head.

Wilson is known for the cult-favorite, comedic HBO docuseries How To with John Wilson, which he described as being “kind of like that show Planet Earth, except if it was only in New York and David Attenborough was forced to film everything himself.” His movie debut is primed for absurdity, delving into something that’s immanently mundane yet fundamental to the way we live.

The film captures concrete’s ubiquity in urban sidewalks, buildings, and homes, not to mention the eccentric ways it appears on the streets and in the industries that have grown up around it. To most of us, it’s a kind of infrastructural building block, but through Wilson’s lens, it’s an unlikely medium through which to understand New York and its denizens.

See more on the movie’s website.

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In the winning video of Nikon’s Small World in Motion competition, Dr. Ning Xu captures the abnormal beating of airway cilia from a child with Primary Ciliary Dyskinesia (PCD)—a genetic disorder affecting respiratory function. “When people watch cilia beating, they immediately understand that something beautiful and important is happening inside us,” says the Beijing-based researcher. “I think this competition turns microscopy into a shared language.”

The marvelous sight is just one of the notable videos from the annual competition, which just celebrated its 16th cycle. This year’s panel welcomed esteemed scientists, researchers, and science communicators who evaluated more than 340 video entries from 40 different countries. Watch more winning videos on the contest’s website and stay posted for winners of the Nikon Small World photo competition, which will be announced on October 21.

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article Microscopic Universes Come Alive in Nikon’s Small World in Motion Contest appeared first on Colossal.