<?xml version="1.0" encoding="UTF-8" standalone="no"?><!--Generated by Site-Server v@build.version@ (http://www.squarespace.com) on Fri, 10 Apr 2026 15:49:03 GMT
--><rss xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:media="http://www.rssboard.org/media-rss" xmlns:wfw="http://wellformedweb.org/CommentAPI/" version="2.0"><channel><title>The Laboratory</title><link>https://elixireditorial.com/the-laboratory/</link><lastBuildDate>Tue, 03 Jun 2025 15:59:00 +0000</lastBuildDate><language>en</language><generator>Site-Server v@build.version@ (http://www.squarespace.com)</generator><itunes:author>Mary Brydon-Kehoe</itunes:author><itunes:explicit>no</itunes:explicit><itunes:type>episodic</itunes:type><itunes:image href="https://images.squarespace-cdn.com/content/65b971a665199b72a996f5c4/1737671235506-VKN5583MYYTX3RESF0K9/The+Laboratory+Cover+Art+%282000+x+2000+px%29.png?content-type=image%2Fpng"/><description><![CDATA[<p>The written word holds a power both bewitching and dread. The right words can topple kingdoms, grant immortality—even change the course of the world. Writer and editor Mary Brydon-Kehoe will delve into the foundations and principles of writing, from developing ideas and crafting an authorial voice to caring for yourself and building your community as a writer. New episodes are released every other Wednesday. Pull up a chair and settle in amongst the bubbling brews and frothing phials of the writer’s craft.</p>]]></description><itunes:summary>The written word holds a power both bewitching and dread. The right words can topple kingdoms, grant immortality—even change the course of the world. Writer and editor Mary Brydon-Kehoe will delve into the foundations and principles of writing, from developing ideas and crafting an authorial voice to caring for yourself and building your community as a writer. New episodes are released every other Wednesday. Pull up a chair and settle in amongst the bubbling brews and frothing phials of the writer’s craft.</itunes:summary><itunes:subtitle>The written word holds a power both bewitching and dread. The right words can topple kingdoms, grant immortality—even change the course of the world. Writer and editor Mary Brydon-Kehoe will delve into the foundations and principles of writing, from devel</itunes:subtitle><itunes:category text="Education"/><itunes:owner><itunes:email>marykehoe@elixireditorial.ca</itunes:email><itunes:name>Mary Brydon-Kehoe</itunes:name></itunes:owner><item><title>Wrapping up Season One of the Laboratory</title><category>The Write Company</category><pubDate>Wed, 04 Jun 2025 12:30:00 +0000</pubDate><link>https://elixireditorial.com/the-laboratory/wrapping-up-season-one</link><guid isPermaLink="false">65b971a665199b72a996f5c4:66022cbe09d2ae59c7a40443:683f1b45e03a0744782daaf6</guid><description><![CDATA[Thank you for seeing me through the inaugural season of The Laboratory. 
After the hiatus we’ll be back with new and improved episodes for Season 2!]]></description><media:content height="500" isDefault="true" medium="image" type="image/png" url="https://images.squarespace-cdn.com/content/v1/65b971a665199b72a996f5c4/1748966364117-85JS0DSQDZ8TXGQF5HXQ/The+Laboratory+-+End+of+Season.png?format=1500w" width="500"><media:title type="plain">Wrapping up Season One of the Laboratory</media:title></media:content><dc:creator>marykehoe@elixireditorial.ca (Mary Brydon-Kehoe)</dc:creator></item><item><title>Say What? Writing Engaging Dialogue</title><category>Crafting Language</category><pubDate>Wed, 16 Apr 2025 21:40:10 +0000</pubDate><link>https://elixireditorial.com/the-laboratory/writing-engaging-dialogue</link><guid isPermaLink="false">65b971a665199b72a996f5c4:66022cbe09d2ae59c7a40443:67fe93b58c3f315f8d530457</guid><description><![CDATA[<p data-rte-preserve-empty="true" style="white-space:pre-wrap;">"Danse Macabre" Kevin MacLeod (<a href="http://incompetech.com">incompetech.com</a>)Licensed under Creative Commons: By Attribution 4.0 License<a href="http://creativecommons.org/licenses/by/4.0/">http://creativecommons.org/licenses/by/4.0/</a></p>]]></description><itunes:author>Mary Brydon-Kehoe</itunes:author><itunes:subtitle>Writing Engaging Dialogue</itunes:subtitle><itunes:summary>Scenes with dialogue provide an opportunity for readers to get outside of the character’s head and see how they present themselves. In this episode, we’ll talk about how characters talk, how you can make these moments engaging for your readers and how to give them weight in the broader narrative.</itunes:summary><itunes:explicit>false</itunes:explicit><itunes:duration>14:58</itunes:duration><itunes:image href="https://images.squarespace-cdn.com/content/v1/65b971a665199b72a996f5c4/1737671235506-VKN5583MYYTX3RESF0K9/The+Laboratory+Cover+Art+%282000+x+2000+px%29.png?format=1500w"/><itunes:season>1</itunes:season><itunes:episode>7</itunes:episode><itunes:title>Say What?</itunes:title><itunes:episodeType>full</itunes:episodeType><enclosure length="14627667" type="audio/mpeg" url="https://static1.squarespace.com/static/65b971a665199b72a996f5c4/t/680022fa867d1261d3834259/1744839440109/04-16+Writing+Engaging+Dialogue+FINAL.mp3"/><media:content isDefault="true" length="14627667" medium="audio" type="audio/mpeg" url="https://static1.squarespace.com/static/65b971a665199b72a996f5c4/t/680022fa867d1261d3834259/1744839440109/04-16+Writing+Engaging+Dialogue+FINAL.mp3"><media:title type="plain">Say What?</media:title></media:content><dc:creator>marykehoe@elixireditorial.ca (Mary Brydon-Kehoe)</dc:creator><itunes:keywords>Crafting Language</itunes:keywords></item><item><title>Is that My Voice? How to Tell if Your Writing Is Flat</title><category>Crafting Language</category><pubDate>Fri, 04 Apr 2025 00:15:02 +0000</pubDate><link>https://elixireditorial.com/the-laboratory/spotting-and-fixing-flat-writing</link><guid isPermaLink="false">65b971a665199b72a996f5c4:66022cbe09d2ae59c7a40443:67ef21d2c2e64f04271c807a</guid><description><![CDATA[<p data-rte-preserve-empty="true" style="white-space:pre-wrap;">"Danse Macabre" Kevin MacLeod (<a href="http://incompetech.com">incompetech.com</a>)Licensed under Creative Commons: By Attribution 4.0 License<a href="http://creativecommons.org/licenses/by/4.0/">http://creativecommons.org/licenses/by/4.0/</a></p>]]></description><itunes:author>Mary Brydon-Kehoe</itunes:author><itunes:subtitle>How to Tell if Your Writing Is Flat</itunes:subtitle><itunes:summary>Is a piece of writing interesting? Does it have depth? These are issues that can be especially tricky for writers to spot in their own work, but there are tools to rely on.
In this episode, I’ll go over how to put your writing to the test, exercises to start understanding your own unique style, common features of unengaging writing and the importance of clarity in a narrative. Tune in to learn more!</itunes:summary><itunes:explicit>false</itunes:explicit><itunes:duration>00:16:12</itunes:duration><itunes:image href="https://images.squarespace-cdn.com/content/v1/65b971a665199b72a996f5c4/1737671235506-VKN5583MYYTX3RESF0K9/The+Laboratory+Cover+Art+%282000+x+2000+px%29.png?format=1500w"/><itunes:season>1</itunes:season><itunes:episode>6</itunes:episode><itunes:title>Is That My Voice?</itunes:title><itunes:episodeType>full</itunes:episodeType><enclosure length="16122154" type="audio/mpeg" url="https://static1.squarespace.com/static/65b971a665199b72a996f5c4/t/67ef23d97cf422443f62aff7/1743725556845/04-02+Flat+Writing+FINAL.mp3"/><media:content isDefault="true" length="16122154" medium="audio" type="audio/mpeg" url="https://static1.squarespace.com/static/65b971a665199b72a996f5c4/t/67ef23d97cf422443f62aff7/1743725556845/04-02+Flat+Writing+FINAL.mp3"><media:title type="plain">Is That My Voice?</media:title></media:content><dc:creator>marykehoe@elixireditorial.ca (Mary Brydon-Kehoe)</dc:creator><itunes:keywords>Crafting Language</itunes:keywords></item><item><title>A Storied Conversation: Derivative Works in the Literary Canon</title><category>The Write Company</category><pubDate>Fri, 21 Mar 2025 01:48:00 +0000</pubDate><link>https://elixireditorial.com/the-laboratory/derivative-works-in-the-literary-canon</link><guid isPermaLink="false">65b971a665199b72a996f5c4:66022cbe09d2ae59c7a40443:67dcc572831a726495a5adaa</guid><description><![CDATA[<p data-rte-preserve-empty="true" style="white-space:pre-wrap;">"Danse Macabre" Kevin MacLeod (<a href="http://incompetech.com">incompetech.com</a>)Licensed under Creative Commons: By Attribution 4.0 License<a href="http://creativecommons.org/licenses/by/4.0/">http://creativecommons.org/licenses/by/4.0/</a></p>]]></description><itunes:author>Mary Brydon-Kehoe</itunes:author><itunes:subtitle>Derivative Works in the Literary Canon</itunes:subtitle><itunes:summary>Concerns about a dearth of originality abound in writing communities. What’s helpful to remember is that, like their authors, stories have vast and varied roots. One concept could have a thousand different interpretations under a thousand different pens. Even responding to another person’s work more directly—provided it’s done responsibly—can be of benefit to writers the world over.
In today’s episode of The Laboratory, I speak with my good friend, Nowreen Haque—a connoisseur of literary histories, pop culture and fan fiction—about the role that derivative works serve in the broader literary dialogue. We’ll discuss the concept of derivative literature, examples in both the literary canon and in fan fiction, what constitutes a “rip off” of a work and, lastly, how writers can use derivative work to explore important concepts and strengthen their own skills with consideration to those creators that came before.</itunes:summary><itunes:explicit>false</itunes:explicit><itunes:duration>00:33:24</itunes:duration><itunes:image href="https://images.squarespace-cdn.com/content/v1/65b971a665199b72a996f5c4/1737671235506-VKN5583MYYTX3RESF0K9/The+Laboratory+Cover+Art+%282000+x+2000+px%29.png?format=1500w"/><itunes:season>1</itunes:season><itunes:episode>5</itunes:episode><itunes:title>A Storied Conversation</itunes:title><itunes:episodeType>full</itunes:episodeType><enclosure length="null" type="application/octet-stream" url="https://static1.squarespace.com/static/65b971a665199b72a996f5c4/t/67dcc572831a726495a5ada8/1742519462592/03-20+Derivative+Works.mp3"/><media:content isDefault="true" length="null" medium="audio" type="application/octet-stream" url="https://static1.squarespace.com/static/65b971a665199b72a996f5c4/t/67dcc572831a726495a5ada8/1742519462592/03-20+Derivative+Works.mp3"><media:title type="plain">A Storied Conversation</media:title></media:content><dc:creator>marykehoe@elixireditorial.ca (Mary Brydon-Kehoe)</dc:creator><itunes:keywords>The Write Company</itunes:keywords></item><item><title>Can I Ask for That? How to Negotiate with an Editor</title><category>The Write Company</category><pubDate>Wed, 05 Mar 2025 15:39:14 +0000</pubDate><link>https://elixireditorial.com/the-laboratory/negotiating-with-an-editor</link><guid isPermaLink="false">65b971a665199b72a996f5c4:66022cbe09d2ae59c7a40443:67c7cc8a2337bc1ae58a97f3</guid><description><![CDATA[<p data-rte-preserve-empty="true" style="white-space:pre-wrap;">"Danse Macabre" Kevin MacLeod (<a href="http://incompetech.com">incompetech.com</a>)</p><p data-rte-preserve-empty="true" style="white-space:pre-wrap;">Licensed under Creative Commons: By Attribution 4.0 License</p><p data-rte-preserve-empty="true" style="white-space:pre-wrap;"><a href="http://creativecommons.org/licenses/by/4.0/">http://creativecommons.org/licenses/by/4.0/</a></p>]]></description><itunes:author>Mary Brydon-Kehoe</itunes:author><itunes:subtitle>How to Negotiate with an Editor</itunes:subtitle><itunes:summary>Approaching an editor with your writing can seem pretty daunting to begin with. Then there’s the discussion about the cost of the service. While it’s important for authors to understand how and why editors charge certain rates to avoid sticker shock, this knowledge may also give authors the opportunity to customize the process for their specific project needs, and, in doing so, save on the overall cost.
In today’s podcast episode, I’ll give you an overview of how editors establish their rates and how you as a client can approach negotiating the cost of a project with an editor you’re looking to hire.</itunes:summary><itunes:explicit>false</itunes:explicit><itunes:duration>00:27:04</itunes:duration><itunes:image href="https://images.squarespace-cdn.com/content/v1/65b971a665199b72a996f5c4/1737671235506-VKN5583MYYTX3RESF0K9/The+Laboratory+Cover+Art+%282000+x+2000+px%29.png?format=1500w"/><itunes:season>1</itunes:season><itunes:episode>4</itunes:episode><itunes:title>Can I Ask for That?</itunes:title><itunes:episodeType>full</itunes:episodeType><enclosure length="26763210" type="audio/mpeg" url="https://static1.squarespace.com/static/65b971a665199b72a996f5c4/t/67c870497b09f67e04a701fd/1741189229882/03-04+Can+I+ask+for+That+How+to+Negotiate+with+an+Editor.mp3"/><media:content isDefault="true" length="26763210" medium="audio" type="audio/mpeg" url="https://static1.squarespace.com/static/65b971a665199b72a996f5c4/t/67c870497b09f67e04a701fd/1741189229882/03-04+Can+I+ask+for+That+How+to+Negotiate+with+an+Editor.mp3"><media:title type="plain">Can I Ask for That?</media:title></media:content><dc:creator>marykehoe@elixireditorial.ca (Mary Brydon-Kehoe)</dc:creator><itunes:keywords>The Write Company</itunes:keywords></item><item><title>I Can’t Look: Plotting Killer Scenes</title><category>The Ingredients</category><pubDate>Wed, 19 Feb 2025 13:30:00 +0000</pubDate><link>https://elixireditorial.com/the-laboratory/plotting-killer-scenes</link><guid isPermaLink="false">65b971a665199b72a996f5c4:66022cbe09d2ae59c7a40443:67aad99c39b37d71e30b8aaf</guid><description><![CDATA[<p data-rte-preserve-empty="true" style="white-space:pre-wrap;"><strong>"Danse Macabre" Kevin MacLeod (</strong><a href="http://incompetech.com"><strong>incompetech.com</strong></a><strong>)<br>Licensed under Creative Commons: By Attribution 4.0 License<br></strong><a href="http://creativecommons.org/licenses/by/4.0/"><strong>http://creativecommons.org/licenses/by/4.0/</strong></a></p>]]></description><itunes:author>Mary Brydon-Kehoe</itunes:author><itunes:subtitle>Plotting Killer Scenes</itunes:subtitle><itunes:summary>What keeps a reader turning the page and hungering to find out what happens next? Killer scenes. No, they don’t always need to feature an actual murderer (though some might), but all great scenes feature at least one major element of effective storytelling: tension.

Tension comes from knowing your characters well. Writers must understand a character’s motivations, their moral compass and how they tend to interact with the world around them to craft layers of tension in scenes that then build up until they reach a crescendo.

Tension and a great sense of underlying conflict are some of the greatest tools in the writer’s arsenal. Join us in today’s episode to learn more about wielding these weapons with accuracy and finesse.</itunes:summary><itunes:explicit>false</itunes:explicit><itunes:duration>00:13:12</itunes:duration><itunes:image href="https://images.squarespace-cdn.com/content/v1/65b971a665199b72a996f5c4/1737671235506-VKN5583MYYTX3RESF0K9/The+Laboratory+Cover+Art+%282000+x+2000+px%29.png?format=1500w"/><itunes:season>1</itunes:season><itunes:episode>3</itunes:episode><itunes:title>I Can't Look</itunes:title><itunes:episodeType>full</itunes:episodeType><enclosure length="11874106" type="audio/mpeg" url="https://static1.squarespace.com/static/65b971a665199b72a996f5c4/t/67b4cddc62e6c55272a376ff/1739902439528/02-19+Plotting+Killer+Scenes.mp3"/><media:content isDefault="true" length="11874106" medium="audio" type="audio/mpeg" url="https://static1.squarespace.com/static/65b971a665199b72a996f5c4/t/67b4cddc62e6c55272a376ff/1739902439528/02-19+Plotting+Killer+Scenes.mp3"><media:title type="plain">I Can't Look</media:title></media:content><dc:creator>marykehoe@elixireditorial.ca (Mary Brydon-Kehoe)</dc:creator><itunes:keywords>The Ingredients</itunes:keywords></item><item><title>The Great Juggling Writer: How to Manage Multiple Writing Projects</title><category>The Write Company</category><pubDate>Wed, 05 Feb 2025 23:25:00 +0000</pubDate><link>https://elixireditorial.com/the-laboratory/how-to-manage-multiple-projects</link><guid isPermaLink="false">65b971a665199b72a996f5c4:66022cbe09d2ae59c7a40443:67a3f2b25fb5603a767e6e0b</guid><description><![CDATA[<p data-rte-preserve-empty="true" style="white-space:pre-wrap;"><strong>"Danse Macabre" Kevin MacLeod (</strong><a href="http://incompetech.com"><strong>incompetech.com</strong></a><strong>)<br></strong></p><p data-rte-preserve-empty="true" style="white-space:pre-wrap;"><strong>Licensed under Creative Commons: By Attribution 4.0 License<br></strong></p><p data-rte-preserve-empty="true" style="white-space:pre-wrap;"><a href="http://creativecommons.org/licenses/by/4.0/"><strong>http://creativecommons.org/licenses/by/4.0/</strong></a></p>]]></description><itunes:author>Mary Brydon-Kehoe</itunes:author><itunes:subtitle>How to Manage Multiple Writing Projects</itunes:subtitle><itunes:summary>As creatives we often worry about having enough to say and getting stuck for ideas. But, on the other end of the spectrum of writerly lament, is the fact that our minds are often alight with too many ideas to comfortably fit into one lifetime.

It can be a good problem to have, if you can wrangle them all and tune out the noise, but too often it can get us stuck, frozen in place and unsure of what we should devote ourselves to in a set spate of time. Having too many projects on the go can start to look alarmingly similar to the existential dread we face on the opposite end of the spectrum when it comes to the creative process.

So how do we orient ourselves and decide between so many glittering treasures? In today’s episode we tackle the age-old question of how to handle multiple writing projects.</itunes:summary><itunes:explicit>false</itunes:explicit><itunes:duration>00:20:10</itunes:duration><itunes:image href="https://images.squarespace-cdn.com/content/v1/65b971a665199b72a996f5c4/1737671235506-VKN5583MYYTX3RESF0K9/The+Laboratory+Cover+Art+%282000+x+2000+px%29.png?format=1500w"/><itunes:season>1</itunes:season><itunes:episode>2</itunes:episode><itunes:title>The Great Juggling Writer</itunes:title><itunes:episodeType>full</itunes:episodeType><enclosure length="25237518" type="audio/mpeg" url="https://static1.squarespace.com/static/65b971a665199b72a996f5c4/t/67a3f2e4b19ac93c699d32d2/1738797815949/02-05+Projects.mp3"/><media:content isDefault="true" length="25237518" medium="audio" type="audio/mpeg" url="https://static1.squarespace.com/static/65b971a665199b72a996f5c4/t/67a3f2e4b19ac93c699d32d2/1738797815949/02-05+Projects.mp3"><media:title type="plain">The Great Juggling Writer</media:title></media:content><dc:creator>marykehoe@elixireditorial.ca (Mary Brydon-Kehoe)</dc:creator><itunes:keywords>The Write Company</itunes:keywords></item><item><title>Diction: The Spice of the Narrative Voice</title><category>Crafting Language</category><pubDate>Wed, 22 Jan 2025 13:30:00 +0000</pubDate><link>https://elixireditorial.com/the-laboratory/diction-the-spice-of-the-narrative-voice</link><guid isPermaLink="false">65b971a665199b72a996f5c4:66022cbe09d2ae59c7a40443:678fc26d7082d42552f025dc</guid><description><![CDATA[<p data-rte-preserve-empty="true" style="white-space:pre-wrap;">Word choices and how we use words make up the finest grain of detail we can control in our writing. But those details can have big consequences for how our writing comes across to readers. Tune in to learn how to avoid common diction-related pitfalls in writing.</p><p data-rte-preserve-empty="true" style="white-space:pre-wrap;">Music from #Uppbeat (free for Creators!):</p><p data-rte-preserve-empty="true" style="white-space:pre-wrap;"><a href="https://uppbeat.io/t/benjamin-botkin/enigma">https://uppbeat.io/t/benjamin-botkin/enigma</a></p><p data-rte-preserve-empty="true" style="white-space:pre-wrap;">License code: D5Q3CUQ0E5HT9LTW</p>]]></description><itunes:author>Mary Brydon-Kehoe</itunes:author><itunes:subtitle>How to Avoid Over-seasoning Your Writing</itunes:subtitle><itunes:summary>Word choices and how we use words make up the finest grain of detail we can control in our writing. But those details can have big consequences for how our writing comes across to readers. Tune in to learn how to avoid common diction-related pitfalls in writing.

Music from #Uppbeat (free for Creators!):
https://uppbeat.io/t/benjamin-botkin/enigma
License code: D5Q3CUQ0E5HT9LTW</itunes:summary><itunes:explicit>false</itunes:explicit><itunes:duration>00:14:06</itunes:duration><itunes:image href="https://images.squarespace-cdn.com/content/v1/65b971a665199b72a996f5c4/1737671235506-VKN5583MYYTX3RESF0K9/The+Laboratory+Cover+Art+%282000+x+2000+px%29.png?format=1500w"/><itunes:season>1</itunes:season><itunes:episode>1</itunes:episode><itunes:title>Diction: The Spice of the Narrative Voice</itunes:title><itunes:episodeType>full</itunes:episodeType><enclosure length="15961556" type="audio/mpeg" url="https://static1.squarespace.com/static/65b971a665199b72a996f5c4/t/67902c230076a04629d8589b/1737501748415/01-22+Diction.mp3"/><media:content isDefault="true" length="15961556" medium="audio" type="audio/mpeg" url="https://static1.squarespace.com/static/65b971a665199b72a996f5c4/t/67902c230076a04629d8589b/1737501748415/01-22+Diction.mp3"><media:title type="plain">Diction: The Spice of the Narrative Voice</media:title></media:content><dc:creator>marykehoe@elixireditorial.ca (Mary Brydon-Kehoe)</dc:creator><itunes:keywords>Crafting Language</itunes:keywords></item><item><title>Developing Your Writing Practice</title><category>The Write Company</category><pubDate>Wed, 08 Jan 2025 13:30:00 +0000</pubDate><link>https://elixireditorial.com/the-laboratory/developing-your-writing-practice</link><guid isPermaLink="false">65b971a665199b72a996f5c4:66022cbe09d2ae59c7a40443:677c3518bee8de6eb94e9767</guid><description><![CDATA[As we start this new year, I’m sure a lot of writers are contending with 
resolutions to write more. But before you throw yourself whole hog into a 
new routine or schedule and end up burnt out, consider taking a moment to 
think about your approach first. In this post, I’ll share my thoughts on 
how to frame your goals so they are manageable and sustainable.]]></description><media:content height="2250" isDefault="true" medium="image" type="image/jpeg" url="https://images.squarespace-cdn.com/content/v1/65b971a665199b72a996f5c4/1736193424995-AIG4QON1VXB87356UQ1W/unsplash-image-8-wQr3cTVgo.jpg?format=1500w" width="1500"><media:title type="plain">Developing Your Writing Practice</media:title></media:content><dc:creator>marykehoe@elixireditorial.ca (Mary Brydon-Kehoe)</dc:creator></item><item><title>Writing &amp; Editing with ADHD</title><category>The Write Company</category><pubDate>Wed, 18 Dec 2024 13:30:00 +0000</pubDate><link>https://elixireditorial.com/the-laboratory/writing-and-editing-with-adhd-0LcaD</link><guid isPermaLink="false">65b971a665199b72a996f5c4:66022cbe09d2ae59c7a40443:67572ab6920e6c463026df1e</guid><description><![CDATA[Today I’d like to talk about something more on the personal side.

About two years ago now, I (as I suspect is true for many of us as a result 
of the pandemic) was diagnosed with ADHD. I’ve been learning a lot since 
that time, and I have this feeling that I’m catching up now with perhaps 
where I should have been all along. Of course, I guess that’s the case when 
you find out a lot of your challenges have an actual, demonstrable root 
cause that’s actually been with you your whole life. But even if it was a 
mystery for a long time, it still had a profound impact on me, including 
with my writing practice and work as an editor.]]></description><media:content height="1000" isDefault="true" medium="image" type="image/jpeg" url="https://images.squarespace-cdn.com/content/v1/65b971a665199b72a996f5c4/1733766072747-2LF0OS6GLF8HB5CTSGJE/unsplash-image-DLt0d3KGqEg.jpg?format=1500w" width="1500"><media:title type="plain">Writing &amp; Editing with ADHD</media:title></media:content><dc:creator>marykehoe@elixireditorial.ca (Mary Brydon-Kehoe)</dc:creator></item><item><title>Worldbuilding: The Case for a Compendium</title><category>The Ingredients</category><pubDate>Wed, 04 Dec 2024 13:30:00 +0000</pubDate><link>https://elixireditorial.com/the-laboratory/worldbuilding-the-case-for-a-compendium</link><guid isPermaLink="false">65b971a665199b72a996f5c4:66022cbe09d2ae59c7a40443:6736796e11d24d6c7bc75d8e</guid><description><![CDATA[Worldbuilding is, perhaps fittingly, a massive, all-encompassing topic 
that’s easy to get lost in. When you have a world’s worth of detail to 
develop, it’s hard to tell, not only where to start, but also where to stop 
so you can shift focus to your actual story. For some writers, developing a 
setting might even be the end goal. Regardless of why you’re embarking on 
the endeavor, at some point you’ll likely find yourself asking the question 
“How do I keep everything organized?”

Enter: the compendium.]]></description><media:content height="844" isDefault="true" medium="image" type="image/jpeg" url="https://images.squarespace-cdn.com/content/v1/65b971a665199b72a996f5c4/1731623713705-GSKNRXCQSMYLXHN1FJ6L/unsplash-image-h4x-Tksufvw.jpg?format=1500w" width="1500"><media:title type="plain">Worldbuilding: The Case for a Compendium</media:title></media:content><dc:creator>marykehoe@elixireditorial.ca (Mary Brydon-Kehoe)</dc:creator></item><item><title>When to Tell &amp; Not Show</title><category>Crafting Language</category><pubDate>Wed, 20 Nov 2024 13:30:00 +0000</pubDate><link>https://elixireditorial.com/the-laboratory/when-to-tell-and-not-show</link><guid isPermaLink="false">65b971a665199b72a996f5c4:66022cbe09d2ae59c7a40443:6736795d107be47ad18cdb07</guid><description><![CDATA[Someone mentioned to me the other day that there was a healthy debate going 
on in their writing group between showing versus telling as a narrative 
approach. To writers who have heard the refrain “show, don’t tell,” 
throughout their careers, this might be a bit of a shock. It would seem 
that not all are in agreement about what is often considered a writing 
standard.]]></description><media:content height="965" isDefault="true" medium="image" type="image/jpeg" url="https://images.squarespace-cdn.com/content/v1/65b971a665199b72a996f5c4/1731711204171-CY4AXERST7OU6AC8LJMO/unsplash-image-Cac5P_x4jaI.jpg?format=1500w" width="1500"><media:title type="plain">When to Tell &amp; Not Show</media:title></media:content><dc:creator>marykehoe@elixireditorial.ca (Mary Brydon-Kehoe)</dc:creator></item><item><title>Maintaining Internal Logic &amp; Consistency</title><category>Laws of Writing</category><pubDate>Wed, 06 Nov 2024 13:30:00 +0000</pubDate><link>https://elixireditorial.com/the-laboratory/maintaining-internal-logic-and-consistency</link><guid isPermaLink="false">65b971a665199b72a996f5c4:66022cbe09d2ae59c7a40443:672944f56af4396b115e764e</guid><description><![CDATA[Maintaining the internal consistency and logic of our writing can easily 
slip a writer’s attention, but such issues can be a nuisance for readers. 
The facts you present must agree with all facts stated elsewhere, but the 
finer details can become difficult for us to pick out. If you’re worried 
about committing these kinds of errors in your writing, read on for my 
advice.]]></description><media:content height="1000" isDefault="true" medium="image" type="image/jpeg" url="https://images.squarespace-cdn.com/content/v1/65b971a665199b72a996f5c4/1730758055619-53Q880E9OJ66TX7SJS78/unsplash-image-FX24328MTOQ.jpg?format=1500w" width="1500"><media:title type="plain">Maintaining Internal Logic &amp; Consistency</media:title></media:content><dc:creator>marykehoe@elixireditorial.ca (Mary Brydon-Kehoe)</dc:creator></item><item><title>Updates to Post Format &amp; Frequency</title><category>The Write Company</category><pubDate>Wed, 23 Oct 2024 14:35:38 +0000</pubDate><link>https://elixireditorial.com/the-laboratory/updates-to-post-format-and-frequency</link><guid isPermaLink="false">65b971a665199b72a996f5c4:66022cbe09d2ae59c7a40443:671909bb0e4aa5501d238a53</guid><description><![CDATA[I’ve long held that social contracts (even if it’s just me announcing an 
intent to follow through on something) help tremendously with my 
productivity, so it’s only fair that I address it when things change. 
Here’s a quick post to share some updates to blog format and frequency.]]></description><media:content height="998" isDefault="true" medium="image" type="image/jpeg" url="https://images.squarespace-cdn.com/content/v1/65b971a665199b72a996f5c4/1729694226042-B67TZZ5IEW4TY1EXHHYE/unsplash-image-9DZY0mO98xU.jpg?format=1500w" width="1500"><media:title type="plain">Updates to Post Format &amp; Frequency</media:title></media:content><dc:creator>marykehoe@elixireditorial.ca (Mary Brydon-Kehoe)</dc:creator></item><item><title>Plagiarism, Copyright &amp; Defamation</title><category>Laws of Writing</category><pubDate>Wed, 16 Oct 2024 12:30:00 +0000</pubDate><link>https://elixireditorial.com/the-laboratory/plagiarism-copyright-and-defamation</link><guid isPermaLink="false">65b971a665199b72a996f5c4:66022cbe09d2ae59c7a40443:66e30d6e16d66d2021937f63</guid><description><![CDATA[This time on the Laws of Writing we’ll be looking at the actual laws that 
apply to written works—namely plagiarism, copyright and defamation—and how 
to tell if your work is at risk in any of these categories.]]></description><media:content height="1000" isDefault="true" medium="image" type="image/jpeg" url="https://images.squarespace-cdn.com/content/v1/65b971a665199b72a996f5c4/1726158995466-0UH1KQ51S0HXMTKS7GNS/unsplash-image-TdNLjGXVH3s.jpg?format=1500w" width="1500"><media:title type="plain">Plagiarism, Copyright &amp; Defamation</media:title></media:content><dc:creator>marykehoe@elixireditorial.ca (Mary Brydon-Kehoe)</dc:creator></item><item><title>How to Write Engaging Dialogue</title><category>Crafting Language</category><pubDate>Wed, 09 Oct 2024 12:30:00 +0000</pubDate><link>https://elixireditorial.com/the-laboratory/how-to-write-engaging-dialogue</link><guid isPermaLink="false">65b971a665199b72a996f5c4:66022cbe09d2ae59c7a40443:66e30d6bdc4d6563201a51de</guid><description><![CDATA[Wondering how to create electrifying dialogue that catches your reader’s 
attention or conveys emotion in a scene? Let’s talk about it.]]></description><media:content height="1000" isDefault="true" medium="image" type="image/jpeg" url="https://images.squarespace-cdn.com/content/v1/65b971a665199b72a996f5c4/1726158810545-YR1G1V46DB07RK35GSLM/unsplash-image-pWXA6ZyZk-A.jpg?format=1500w" width="1500"><media:title type="plain">How to Write Engaging Dialogue</media:title></media:content><dc:creator>marykehoe@elixireditorial.ca (Mary Brydon-Kehoe)</dc:creator></item><item><title>Creating Compelling Characters</title><category>The Ingredients</category><pubDate>Wed, 02 Oct 2024 12:30:00 +0000</pubDate><link>https://elixireditorial.com/the-laboratory/creating-compelling-characters</link><guid isPermaLink="false">65b971a665199b72a996f5c4:66022cbe09d2ae59c7a40443:66e30d68cd767209cb6c6b26</guid><description><![CDATA[Last time on The Ingredients we looked at the setting as a starting point 
for your story. Now let’s look at starting with the drivers of plot: 
characters.]]></description><media:content height="1000" isDefault="true" medium="image" type="image/jpeg" url="https://images.squarespace-cdn.com/content/v1/65b971a665199b72a996f5c4/1726158605292-OOIGA68KS0Q00QDHZ0GV/unsplash-image-Hn3S90f6aak.jpg?format=1500w" width="1500"><media:title type="plain">Creating Compelling Characters</media:title></media:content><dc:creator>marykehoe@elixireditorial.ca (Mary Brydon-Kehoe)</dc:creator></item><item><title>A Little More About Me</title><category>The Write Company</category><pubDate>Wed, 25 Sep 2024 12:30:00 +0000</pubDate><link>https://elixireditorial.com/the-laboratory/a-little-more-about-me</link><guid isPermaLink="false">65b971a665199b72a996f5c4:66022cbe09d2ae59c7a40443:66e30d647b23ad3de3d89952</guid><description><![CDATA[Hi! For anyone new here, I’m Mary. I started this blog a few months ago 
now, so I figured it might be time to give you a little more insight into 
who I am.]]></description><media:content height="996" isDefault="true" medium="image" type="image/jpeg" url="https://images.squarespace-cdn.com/content/v1/65b971a665199b72a996f5c4/1726176289216-6OS62SZ3SV8E9XKDEJFN/DSC_0035.jpg?format=1500w" width="1500"><media:title type="plain">A Little More About Me</media:title></media:content><dc:creator>marykehoe@elixireditorial.ca (Mary Brydon-Kehoe)</dc:creator></item><item><title>What Is a Style Sheet?</title><category>Laws of Writing</category><pubDate>Wed, 18 Sep 2024 12:30:00 +0000</pubDate><link>https://elixireditorial.com/the-laboratory/what-is-a-style-sheet</link><guid isPermaLink="false">65b971a665199b72a996f5c4:66022cbe09d2ae59c7a40443:66b516d0018f2629519edaff</guid><description><![CDATA[Editors, especially copy editors, use what’s called a style sheet when 
working on new projects, though style sheets are not exclusive to the 
editorial profession. Style sheets can actually benefit writers as they 
write. Let’s look at how we can make use of them.]]></description><media:content height="1000" isDefault="true" medium="image" type="image/jpeg" url="https://images.squarespace-cdn.com/content/v1/65b971a665199b72a996f5c4/1723144092429-C7EYIPIFIZKO5H3J9EKX/unsplash-image-OPzWvgL-upY.jpg?format=1500w" width="1500"><media:title type="plain">What Is a Style Sheet?</media:title></media:content><dc:creator>marykehoe@elixireditorial.ca (Mary Brydon-Kehoe)</dc:creator></item><item><title>Passive &amp; Active Voice</title><category>Crafting Language</category><pubDate>Tue, 10 Sep 2024 12:30:00 +0000</pubDate><link>https://elixireditorial.com/the-laboratory/passive-and-active-voice</link><guid isPermaLink="false">65b971a665199b72a996f5c4:66022cbe09d2ae59c7a40443:66b516cdf8c01c1d960d16e2</guid><description><![CDATA[Why is it that people laud active voice while passive voice is derided? Is 
it a rule or preference to favour one over the other? To put it simply, if 
there wasn’t a use for a particular style, it wouldn’t exist, so let’s 
examine these more closely.]]></description><media:content height="843" isDefault="true" medium="image" type="image/jpeg" url="https://images.squarespace-cdn.com/content/v1/65b971a665199b72a996f5c4/1723144919999-RAXNZUFUGXRAC27ZWZE7/unsplash-image-7SeRQRY_g0k.jpg?format=1500w" width="1500"><media:title type="plain">Passive &amp; Active Voice</media:title></media:content><dc:creator>marykehoe@elixireditorial.ca (Mary Brydon-Kehoe)</dc:creator></item><item><title>How to Shape Your Setting</title><category>The Ingredients</category><pubDate>Wed, 04 Sep 2024 12:30:00 +0000</pubDate><link>https://elixireditorial.com/the-laboratory/how-to-shape-your-setting</link><guid isPermaLink="false">65b971a665199b72a996f5c4:66022cbe09d2ae59c7a40443:66b516c9e5043f74bfe773ba</guid><description><![CDATA[Stories can come from many places. Maybe you want to explore a particular 
philosophical angle or maybe you’ve thought of a fascinating character. 
Don’t forget that your setting can be just as enchanting a starting point. 
In this week’s blog, we’ll be using setting as an anchor point from which 
to conjure your story.]]></description><media:content height="1000" isDefault="true" medium="image" type="image/jpeg" url="https://images.squarespace-cdn.com/content/v1/65b971a665199b72a996f5c4/1723831053196-KN8W1S79XMHDX4H79ZQA/unsplash-image-1-29wyvvLJA.jpg?format=1500w" width="1500"><media:title type="plain">How to Shape Your Setting</media:title></media:content><dc:creator>marykehoe@elixireditorial.ca (Mary Brydon-Kehoe)</dc:creator></item><item><title>Finding Your Writing Group</title><category>The Write Company</category><pubDate>Wed, 28 Aug 2024 12:30:00 +0000</pubDate><link>https://elixireditorial.com/the-laboratory/finding-your-writing-group</link><guid isPermaLink="false">65b971a665199b72a996f5c4:66022cbe09d2ae59c7a40443:66b516b9ec2406737ecce6f6</guid><description><![CDATA[Writing is often thought of as a lonely endeavour, and while it’s true that 
most stories only have one author, it doesn’t mean the process must—or 
should—exclude other people. Belonging to a community and having a support 
network behind you can help combat feelings of isolation, motivate you to 
write more and even make your writing better.]]></description><media:content height="997" isDefault="true" medium="image" type="image/jpeg" url="https://images.squarespace-cdn.com/content/v1/65b971a665199b72a996f5c4/1723145838946-6ELC9PV3BWI8YEPQ8GQ6/unsplash-image-NP4mDCN0PIU.jpg?format=1500w" width="1500"><media:title type="plain">Finding Your Writing Group</media:title></media:content><dc:creator>marykehoe@elixireditorial.ca (Mary Brydon-Kehoe)</dc:creator></item><item><title>To Capitalize or Not to Capitalize?</title><category>Laws of Writing</category><pubDate>Wed, 21 Aug 2024 12:30:00 +0000</pubDate><link>https://elixireditorial.com/the-laboratory/to-capitalize-or-not-to-capitalize</link><guid isPermaLink="false">65b971a665199b72a996f5c4:66022cbe09d2ae59c7a40443:669146dc26396f19953f729e</guid><description><![CDATA[To capitalize or not to capitalize. That really is the question.

Let’s look at how to capitalize on capitals.]]></description><media:content height="1125" isDefault="true" medium="image" type="image/jpeg" url="https://images.squarespace-cdn.com/content/v1/65b971a665199b72a996f5c4/1720798128271-XN2XMEZV7RYHO3HCJ8PL/image-asset.jpeg?format=1500w" width="1500"><media:title type="plain">To Capitalize or Not to Capitalize?</media:title></media:content><dc:creator>marykehoe@elixireditorial.ca (Mary Brydon-Kehoe)</dc:creator></item><item><title>How to Write Captivating Sentences</title><category>Crafting Language</category><pubDate>Wed, 14 Aug 2024 12:30:00 +0000</pubDate><link>https://elixireditorial.com/the-laboratory/how-to-write-captivating-sentences</link><guid isPermaLink="false">65b971a665199b72a996f5c4:66022cbe09d2ae59c7a40443:669146da078002460d3bf156</guid><description><![CDATA[A writer might be describing the best thing since sliced bread, but if 
their sentences are dull, readers aren’t likely to stay engaged. The way 
the words sit on the page and on the tips of our tongue can enchant a 
reader.

Though some kinds of writing are meant to be perfunctory, there is room for 
art in many instances.]]></description><media:content height="1000" isDefault="true" medium="image" type="image/jpeg" url="https://images.squarespace-cdn.com/content/v1/65b971a665199b72a996f5c4/1720797849669-PV9NBDZQJFAWWLU7G6NP/image-asset.jpeg?format=1500w" width="1500"><media:title type="plain">How to Write Captivating Sentences</media:title></media:content><dc:creator>marykehoe@elixireditorial.ca (Mary Brydon-Kehoe)</dc:creator></item><item><title>Inspiration &amp; Idea Generation</title><category>The Ingredients</category><pubDate>Wed, 07 Aug 2024 12:30:00 +0000</pubDate><link>https://elixireditorial.com/the-laboratory/inspiration-and-idea-generation</link><guid isPermaLink="false">65b971a665199b72a996f5c4:66022cbe09d2ae59c7a40443:669146d78c0041766044489b</guid><description><![CDATA[A writer may have a wealth of ideas, struggling to even keep pace with the 
thoughts as they occur. Other times, as if by a magical curse, the 
wellspring runs dry. Getting stuck when you’re trying to start the next big 
project can leave you feeling helpless and unmotivated. But there are ways 
to treat this malady.]]></description><media:content height="1000" isDefault="true" medium="image" type="image/jpeg" url="https://images.squarespace-cdn.com/content/v1/65b971a665199b72a996f5c4/1720797539862-5IY4GIGO5AW7TI2OIGH0/image-asset.jpeg?format=1500w" width="1500"><media:title type="plain">Inspiration &amp; Idea Generation</media:title></media:content><dc:creator>marykehoe@elixireditorial.ca (Mary Brydon-Kehoe)</dc:creator></item><item><title>Should I Hire an Editor?</title><category>The Write Company</category><pubDate>Wed, 31 Jul 2024 12:30:00 +0000</pubDate><link>https://elixireditorial.com/the-laboratory/should-i-hire-an-editor</link><guid isPermaLink="false">65b971a665199b72a996f5c4:66022cbe09d2ae59c7a40443:669146d3c1250014ec192f19</guid><description><![CDATA[At some point you might ask yourself: should I hire an editor? Though there 
are a few factors to consider, hiring an editor is an investment in your 
project that helps ready it for publication. So where do you start?]]></description><media:content height="1001" isDefault="true" medium="image" type="image/jpeg" url="https://images.squarespace-cdn.com/content/v1/65b971a665199b72a996f5c4/1720797293225-CUYGKGA2ZKCV1BLJHTBX/image-asset.jpeg?format=1500w" width="1500"><media:title type="plain">Should I Hire an Editor?</media:title></media:content><dc:creator>marykehoe@elixireditorial.ca (Mary Brydon-Kehoe)</dc:creator></item><item><title>Interruptions &amp; Inclusions &amp; Compounds—Oh My: A Who’s Who of Dashes &amp; Hyphens</title><category>Laws of Writing</category><pubDate>Wed, 24 Jul 2024 12:30:00 +0000</pubDate><link>https://elixireditorial.com/the-laboratory/dashes-and-hyphens</link><guid isPermaLink="false">65b971a665199b72a996f5c4:66022cbe09d2ae59c7a40443:668c2db2a0a408726d823dc4</guid><description><![CDATA[This week we’re zooming in on an oft-overlooked but important element of 
punctuation & grammar: dashes and hyphens.]]></description><media:content height="1000" isDefault="true" medium="image" type="image/jpeg" url="https://images.squarespace-cdn.com/content/v1/65b971a665199b72a996f5c4/1720462978287-O5TQS8187HP9116V47IM/image-asset.jpeg?format=1500w" width="1500"><media:title type="plain">Interruptions &amp; Inclusions &amp; Compounds—Oh My: A Who’s Who of Dashes &amp; Hyphens</media:title></media:content><dc:creator>marykehoe@elixireditorial.ca (Mary Brydon-Kehoe)</dc:creator></item><item><title>Evoking Setting &amp; Mood</title><category>Crafting Language</category><pubDate>Wed, 17 Jul 2024 12:30:00 +0000</pubDate><link>https://elixireditorial.com/the-laboratory/evoking-setting-and-mood</link><guid isPermaLink="false">65b971a665199b72a996f5c4:66022cbe09d2ae59c7a40443:668c2a8b69fbce1d065cf95d</guid><description><![CDATA[Atmosphere can make or break the immersion that writers strive to achieve, 
both in fiction and nonfiction. Let’s learn how to craft an effective one 
in this week’s blog.]]></description><media:content height="1000" isDefault="true" medium="image" type="image/jpeg" url="https://images.squarespace-cdn.com/content/v1/65b971a665199b72a996f5c4/1720462209192-NWE7ROF29G8XLQXZX5OO/image-asset.jpeg?format=1500w" width="1500"><media:title type="plain">Evoking Setting &amp; Mood</media:title></media:content><dc:creator>marykehoe@elixireditorial.ca (Mary Brydon-Kehoe)</dc:creator></item><item><title>Outlines: The Road Map for Your Work</title><category>The Ingredients</category><pubDate>Wed, 10 Jul 2024 12:30:00 +0000</pubDate><link>https://elixireditorial.com/the-laboratory/outlines-the-roadmap-for-your-work</link><guid isPermaLink="false">65b971a665199b72a996f5c4:66022cbe09d2ae59c7a40443:668c0f685b70e74e0814b86d</guid><description><![CDATA[Starting with the structure of your work can not only strengthen your 
writing, it can also save you lots of time and effort down the road. But 
where should you organize all of your ideas? This week we’ll be looking 
into writing outlines.]]></description><media:content height="1125" isDefault="true" medium="image" type="image/jpeg" url="https://images.squarespace-cdn.com/content/v1/65b971a665199b72a996f5c4/1720455308069-3P15TKT5UVK541KMLB3Y/image-asset.jpeg?format=1500w" width="1500"><media:title type="plain">Outlines: The Road Map for Your Work</media:title></media:content><dc:creator>marykehoe@elixireditorial.ca (Mary Brydon-Kehoe)</dc:creator></item><item><title>Resources for Writers &amp; Editors</title><category>The Write Company</category><pubDate>Wed, 03 Jul 2024 18:14:58 +0000</pubDate><link>https://elixireditorial.com/the-laboratory/resources-for-writing-and-editing</link><guid isPermaLink="false">65b971a665199b72a996f5c4:66022cbe09d2ae59c7a40443:6685937df69b411df74d32df</guid><description><![CDATA[I provide writing guidance based on my own experience and training here in 
the Laboratory, but there are plenty of incredible resources out there for 
writers and editors. The list below contains some of those I’ve personally 
used and recommend. I will continue to update this list over time.]]></description><media:content height="1387" isDefault="true" medium="image" type="image/jpeg" url="https://images.squarespace-cdn.com/content/v1/65b971a665199b72a996f5c4/1720031024990-C8EE6ZYG301HW517RYG9/image-asset.jpeg?format=1500w" width="1500"><media:title type="plain">Resources for Writers &amp; Editors</media:title></media:content><dc:creator>marykehoe@elixireditorial.ca (Mary Brydon-Kehoe)</dc:creator></item><item><title>Writing Fundamentals: Understanding Rules</title><category>Laws of Writing</category><pubDate>Wed, 26 Jun 2024 12:30:00 +0000</pubDate><link>https://elixireditorial.com/the-laboratory/understanding-rules</link><guid isPermaLink="false">65b971a665199b72a996f5c4:66022cbe09d2ae59c7a40443:667b21d25bfc4408a38cc94e</guid><description><![CDATA[The last post in our series (for now!) exploring the fundamentals of 
writing is all about rules, why it is important to understand them and how 
you can bend them for your own use.]]></description><media:content height="997" isDefault="true" medium="image" type="image/jpeg" url="https://images.squarespace-cdn.com/content/v1/65b971a665199b72a996f5c4/1719345820115-4X73YF5R0KBTN91T32W5/image-asset.jpeg?format=1500w" width="1500"><media:title type="plain">Writing Fundamentals: Understanding Rules</media:title></media:content><dc:creator>marykehoe@elixireditorial.ca (Mary Brydon-Kehoe)</dc:creator></item><item><title>Writing Fundamentals: Know Thyself; Know Thine Audience</title><category>Crafting Language</category><pubDate>Wed, 19 Jun 2024 14:06:26 +0000</pubDate><link>https://elixireditorial.com/the-laboratory/know-thyself-know-thine-audience</link><guid isPermaLink="false">65b971a665199b72a996f5c4:66022cbe09d2ae59c7a40443:6672df98cd0fb06ac361cb8c</guid><description><![CDATA[This week’s topic is style, the elusive face of writing.]]></description><media:content height="1072" isDefault="true" medium="image" type="image/jpeg" url="https://images.squarespace-cdn.com/content/v1/65b971a665199b72a996f5c4/1718806021394-N1LL161W3UG6M4GVOO13/image-asset.jpeg?format=1500w" width="1500"><media:title type="plain">Writing Fundamentals: Know Thyself; Know Thine Audience</media:title></media:content><dc:creator>marykehoe@elixireditorial.ca (Mary Brydon-Kehoe)</dc:creator></item><item><title>Writing Fundamentals: Structure for Longevity</title><category>The Ingredients</category><pubDate>Wed, 12 Jun 2024 12:30:00 +0000</pubDate><link>https://elixireditorial.com/the-laboratory/structure-for-longevity</link><guid isPermaLink="false">65b971a665199b72a996f5c4:66022cbe09d2ae59c7a40443:66633096b91a202a45588e3e</guid><description><![CDATA[In the first of a series on the fundamentals of writing, we’ll be looking 
at building writing structures that stand against the sands of time.]]></description><media:content height="968" isDefault="true" medium="image" type="image/jpeg" url="https://images.squarespace-cdn.com/content/v1/65b971a665199b72a996f5c4/1717779467264-3KNFBP62W0QSH2616MD6/image-asset.jpeg?format=1500w" width="1500"><media:title type="plain">Writing Fundamentals: Structure for Longevity</media:title></media:content><dc:creator>marykehoe@elixireditorial.ca (Mary Brydon-Kehoe)</dc:creator></item><item><title>Welcome to Elixir Editorial</title><category>The Write Company</category><pubDate>Wed, 05 Jun 2024 16:00:00 +0000</pubDate><link>https://elixireditorial.com/the-laboratory/welcome-to-elixir-editorial</link><guid isPermaLink="false">65b971a665199b72a996f5c4:66022cbe09d2ae59c7a40443:666081333f40b516899fbc7d</guid><description><![CDATA[Along with editing, I’ve been known to spin a yarn or two about the 
literary arts. Join me in the laboratory on Wednesdays for a deep dive on 
the principles of writing.]]></description><media:content height="1350" isDefault="true" medium="image" type="image/png" url="https://images.squarespace-cdn.com/content/v1/65b971a665199b72a996f5c4/1717620918031-8P52K3XIFM990F4XNMXA/1.png?format=1500w" width="1080"><media:title type="plain">Welcome to Elixir Editorial</media:title></media:content><dc:creator>marykehoe@elixireditorial.ca (Mary Brydon-Kehoe)</dc:creator></item></channel></rss>