Epoh Music • Blog

Burna Boy and DJ Tunez reportedly clash in physical fight at Lagos party

noreply@blogger.com (Joy Adekunle) — Wed, 08 Apr 2026 16:30:00 +0000

An alleged altercation between Burna Boy and DJ Tunez has sparked attention after videos surfaced online showing the pair in a physical confrontation.

The incident is believed to have taken place at a private gathering in Lagos, reportedly hosted at the residence of nightlife entrepreneur Obi Cubana.

In the widely circulated clips, the two are seen exchanging punches before security personnel quickly intervene to separate them.

While the exact cause of the altercation remains unclear, accounts shared online suggest that a disagreement escalated into a fight, drawing in multiple individuals during the chaos.

Unconfirmed reports further claim that members of Burna Boy’s crew may have been involved in the scuffle, though this has not been independently verified.

As the videos continue to spread, details surrounding what led to the confrontation, as well as the extent of any injuries, remain uncertain.

Neither Burna Boy nor DJ Tunez has provided a full account of the incident at this stage.

Watch the video below:

How Epoh Music helps African artists break through and get heard

noreply@blogger.com (Joy Adekunle) — Thu, 26 Mar 2026 19:59:00 +0000

Nigeria’s music scene is buzzing with incredible talent, and now there’s a platform that makes it easier than ever for artists to get heard.

Epoh Music gives Nigerian artists the chance to upload their songs for streaming, reaching fans across the country and beyond.

Whether you’re an Afrobeats singer, a hip-hop artist, or an Alté creator, Epoh Music helps you put your music directly in the hands of listeners.

Fans can stream your tracks, share them, and help your music go viral, all from the convenience of the app.

For music lovers, Epoh Music is the go-to spot to discover fresh Nigerian sounds.

From rising stars to established names, the platform brings the country’s best music together in one place.

You can download the Epoh Music app or visit epoh.ng to explore new tracks, playlists, and exclusive releases.

For artists, getting your songs on Epoh Music isn’t just about streaming, it’s about growing your audience, building your brand, and taking your music career to the next level.

With every play, share, and download, your music reaches more ears and more opportunities.

Whether you’re a creator looking to share your sound or a fan hunting for the next big hit, Epoh Music is where Nigeria’s music lives. Upload, stream, discover, and connect.

Ayra Starr vies for World Artist of the Year at 2026 iHeartRadio Music Awards

noreply@blogger.com (Joy Adekunle) — Thu, 26 Mar 2026 19:48:00 +0000

Ayra Starr bags international nod

Nigerian singer and Afropop star Ayra Starr has earned a nomination for World Artist of the Year at the 2026 iHeartRadio Music Awards, underscoring her growing impact on the global music stage.

The award, which recognises artists whose music resonates worldwide, puts Ayra in the running alongside international acts including Jackson Wang, JO1, Moliy, and South Africa’s Tyla, last year’s winner in the category.

The 2026 ceremony returns to Hollywood’s Dolby Theatre in Los Angeles, with Ludacris hosting a star-studded night celebrating the year’s top-played music across iHeartMedia radio stations and digital platforms.

Fans also have a chance to vote in exciting categories like Favorite TikTok Dance, Best Music Video, Favorite Debut Album, and more.

This year’s event promises unforgettable moments, with performances from Taylor Swift, Kehlani, Lainey Wilson, Alex Warren, RAYE, and a historic joint set from TLC, Salt-N-Pepa, and En Vogue.

Special awards will also be presented, including the iHeartRadio Innovator Award to Miley Cyrus, the Landmark Award to Ludacris, and the Icon Award to John Mellencamp.

For Ayra Starr, this nomination is a testament to her meteoric rise in the Afropop scene and her ability to capture fans beyond Nigeria’s borders.

With her signature blend of catchy hooks and soulful vocals, she continues to prove that African music is making a powerful mark on the world stage.

The 2026 iHeartRadio Music Awards broadcast live on FOX tonight, March 26, at 8:00 PM ET/7:00 PM CT, where fans will finally see who takes home the coveted World Artist of the Year award.

Asake opens up about struggles before YBNL and unwavering loyalty to Olamide

noreply@blogger.com (Joy Adekunle) — Sat, 21 Mar 2026 18:48:00 +0000

Asake

Asake recently reflected on the challenging years before signing with Olamide’s YBNL imprint, revealing how those early struggles shaped his career and cemented his loyalty to the veteran artist.

Speaking on the Korty EO podcast, Asake candidly described 2020 as a humbling year.

While the music industry seemed to thrive, for him it was a period of highs and lows.

His single Mr Money had given him a brief taste of fame, but sustaining that momentum proved difficult.

“2020 was very serious. Life really humbled me. Imagine God gives you a taste of something and then removes it. That's what happened in 2020,” he said.

Following that fleeting visibility, Asake spent nearly two years navigating setbacks and experimenting with his sound, trying to find his footing in an industry that had momentarily noticed him and then moved on.

He had previously signed with the now-defunct TFT Records in 2018, releasing tracks like Kanipe in 2019, yet the breakthrough he sought remained elusive.

Despite the challenges, Asake emphasized that his commitment to Olamide has never wavered.

He made it clear that no matter how far his career advances, his loyalty to the YBNL boss will remain steadfast, a testament to the respect and guidance he received early on in his journey.

International Women’s Day 206: 7 Nigerian women shaping the music industry

noreply@blogger.com (Joy Adekunle) — Sun, 08 Mar 2026 14:46:00 +0000

Ayra Starr, Simi and Tiwa Savage

This International Women’s Day, we celebrate the women who are defining the sound of Nigerian music.

From chart-topping Afrobeats hits to soulful R&B and experimental sounds, these female artists are breaking boundaries, inspiring a generation, and showing the world that Nigerian women are forces to be reckoned with in music.

1. Tiwa Savage
Often called the “Queen of Afrobeats,” Tiwa Savage has spent over a decade dominating the Nigerian music scene. With global collaborations, hit singles, and a bold presence, she continues to inspire young female artists to dream big and push boundaries.

2. Yemi Alade
Yemi Alade is celebrated for her vibrant performances and infectious Afro-pop sound. Known for hits like Johnny and her global recognition, she has become one of Africa’s most influential female musicians.

3. Simi
Singer-songwriter Simi blends soul, pop, and Afrobeat to create music that resonates across generations. Her thought-provoking lyrics and emotive vocals have cemented her as one of Nigeria’s most beloved contemporary artists.

4. Tems
With her distinctive voice and international collaborations, Tems has taken Nigerian music to the global stage. From Grammy-nominated tracks to viral hits, she represents the growing global influence of Nigerian women in music.

5. Teni
Known for her versatility and energetic performances, Teni has become a household name in Afropop. Her music blends humor, storytelling, and infectious melodies, earning her widespread acclaim and a devoted fanbase.

6. Niniola
Niniola is widely regarded as one of Nigeria’s leading voices in Afro-house. With her energetic rhythms and electrifying stage performances, she has solidified her position as a powerhouse in both Nigerian and international music circles.

7. Ayra Starr
The star of Nigerian Afropop, Ayra Starr has taken the industry by storm with her energetic vocals, catchy hooks, and boundary-pushing style. She represents the future of Nigerian music and has already achieved both local and international recognition.

Omah Lay sets April 3 release date for highly anticipated sophomore album

noreply@blogger.com (Joy Adekunle) — Fri, 06 Mar 2026 19:48:00 +0000

Afrobeats star Omah Lay has officially revealed the release date for his long-awaited sophomore album, giving fans reason to start the countdown.

The award-winning singer announced on February 6, 2026, that Clarity of Mind will drop on April 3, a project he has been teasing for nearly two years.

The upcoming album will feature 12 tracks, including previously released singles Holy Ghost, Waist, and the more recent Don't Love Me.

While Omah Lay has yet to unveil the full tracklist or guest appearances, long-time collaborator and producer Tempoe is expected to handle much of the project’s production.

Tempoe, who produced a significant portion of Omah Lay’s debut album Boy Alone as well as the Grammy-nominated hit With You with Davido, confirmed he has contributed to two tracks on the new album.

Fans have set high expectations for Clarity of Mind, anticipating that it will meet or surpass the commercial and critical success of Omah Lay’s debut.

The singer himself has stoked excitement, claiming the album will serve as definitive proof of his status as one of the greatest of his generation.

"This album is the proof of my time, my generation, and my sound," Omah Lay hinted, promising a project that reflects his growth as an artist and his vision for Afrobeats.

With the release date now official, anticipation is building for what could be another landmark moment in Omah Lay’s career.

Tiwa Savage partners with Berklee to launch music programme in Lagos, Nigeria

noreply@blogger.com (Joy Adekunle) — Wed, 25 Feb 2026 18:31:00 +0000

Tiwa Savage

Nigerian music star Tiwa Savage has announced a new initiative aimed at empowering emerging African creatives through access, mentorship and world-class music education.

Taking to X, the award-winning singer revealed the launch of TSMF Official, a platform dedicated to supporting and nurturing the next generation of talent across the continent.

“After years of building globally… It’s time to build at home,” she wrote, signalling a renewed focus on investing in Nigeria and the wider African creative industry.

As part of the initiative, Savage announced that, for the first time, the prestigious Berklee College of Music will be coming to Lagos for the Tiwa Savage Intensive Music Program.

The programme is designed to provide aspiring artists with direct access to high-quality music education, mentorship and industry insights.

The move marks a significant milestone, bringing one of the world’s leading music institutions to Nigeria and creating new opportunities for young African creatives to develop their craft at an international standard without leaving the continent.

Savage said the programme is focused on empowering Africa’s next generation of talent, reinforcing her commitment to giving back to the industry that shaped her career.

See more details below:

For the first time ever, Berklee comes to Lagos with the Tiwa Savage Intensive Music Program empowering Africa’s next generation of talent.

Apply Here - https://t.co/YndRfhRbIc #BerkleeTSMF pic.twitter.com/PMgOge3vTl
— Tiwa Savage Music Foundation (@TSMFOFFICIAL) February 25, 2026

Simi defends old daycare tweets, says they were misinterpreted

noreply@blogger.com (Joy Adekunle) — Mon, 23 Feb 2026 19:43:00 +0000

Simi

Nigerian singer and songwriter Simi has spoken out following renewed scrutiny over some of her social media posts from over a decade ago, insisting that the tweets were misinterpreted and unrelated to any improper conduct.

The controversy reignited after the singer voiced strong opinions against rape, sparked by conversations around the Mirabel TikToker case, which gained traction online.

Simi condemned sexual violence, saying rapists should be punished and calling on men to stop assaulting women, noting that “almost every woman I know has been sexually assaulted.”

Her statements triggered online debates, prompting critics to resurface her older tweets.

On Sunday, Simi took to social media to clarify her position.

“I haven’t been on Twitter today – but someone brought a few of my old tweets to my attention and I can’t not address it,” she wrote.

The singer explained that the posts dated back to 2012, when she was living with her mother and helping out at her mother’s daycare while building her music career.

“In 2012, I lived and helped out at my mom’s daycare while I was hustling my music. I tweeted everything that happened in my life, as we all did at the time,” she said.

Addressing the nature of the posts, Simi said they reflected casual observations about children at the daycare.

“Kids can be mischievous. If a child did something I found funny, I tweeted about it. Kids are cute and lovable. I want to hug, kiss and cuddle them. I tweet about it. Nothing I tweeted was from perversion.”

She also stressed that she would not allow her past comments to be “twisted” into false narratives.

“What I can’t let anyone do is twist my story to fit false narratives,” she added.

Due to the sensitivity of the situation, some of the tweets have been removed.

“My team has been deleting some of my tweets because of how sensitive it is for my family. To be honest, I did not want to,” Simi said.

Some of the posts that circulated online included a tweet from November 12, 2013, saying, “I wonder if anyone’s ever used breast milk to bake cake before,” as well as others referencing children at the daycare, such as: “David has a crush on me. He kips comn close; actin lik he wana lock lips n den he puts his head on my lap. Shd I giv him a chance? P.S: Hes 4” and “love to kiss d kids at my mum’s daycare, they’re super adorable and I’m crazy abt ’em.”

Responding to the resurfaced tweets, Simi insisted the remarks were never intended to suggest anything inappropriate.

“I’ve never been depraved in my life,” she wrote.

She reiterated her long-standing stance against sexual violence, highlighting that her recent statements were consistent with her beliefs.

“I have always spoken against rape and sexual assault, even before you knew I existed. It’s not a costume I’m wearing, it’s who I am. I’ve never claimed to be perfect. I’ve never claimed to know everything. I said stop raping women. I stand by it.”

Fido breaks silence with heartfelt apology, promises growth and deeper music

noreply@blogger.com (Joy Adekunle) — Mon, 23 Feb 2026 19:36:00 +0000

Fido

Nigerian fast-rising star Fido has publicly apologised following recent controversy, admitting that fame came faster than he was prepared for and that he mishandled certain moments along the way.

In a lengthy statement shared on social media, the Afrobeats act acknowledged that stardom changed his life almost overnight, and that he struggled to keep up internally while the world watched his rapid ascent.

“There’s no easy way to write this, so I’ll just say it plainly. I messed up,” he began.

“Stardom came into my life quickly. One minute I was dreaming about it, the next minute I was living it. And while the world was watching me grow, I was still trying to understand who I was inside that growth.”

Though Fido did not go into specifics about the incident that sparked backlash, he admitted that ego, excitement and inexperience played a role in his actions.

“Along the way, I made mistakes. I said things that should never have been said. I allowed ego, excitement, and inexperience to influence some of my decisions. That’s not who I want to be. And it’s not who I’m becoming.”

He extended a direct apology to his supporters and the wider Afrobeats community, including pioneers of the genre.

“To my fans, the ones who stream the music, defend me, pray for me, and believe in me, I am sorry. To the global Afrobeats community, the legends and godfathers who opened these doors before me, my colleagues and everyone who felt disappointed by my words or actions, I apologise. Truly.”

Fido framed the moment as a turning point, describing it as a choice between pride and humility.

“There are moments in life when you either double down on pride or you humble yourself and grow. I chose to step back. I chose to listen. I chose to reflect.”

He added, “It takes strength to admit you were wrong. It takes maturity to retrace your steps. I’m doing both.”

The singer assured fans that he is taking the lessons seriously and entering a new phase with a different mindset. “The man walking into this next chapter is more grounded, more aware, and more respectful of the platform he’s been given,” he wrote, promising that his upcoming music will come from “a deeper place. A more honest place. A more grateful place.”

Closing his message, Fido thanked those who held him accountable rather than cancelling him, as well as those who chose to stand by him.

“This is growth. This is maturity. This is me doing better. It’s game time again.”

Billboard ranks Rema among 21st century one-hit wonders

noreply@blogger.com (Joy Adekunle) — Mon, 16 Feb 2026 12:17:00 +0000

Rema makes Billboard’s one-hit wonder list

Nigerian Afrobeats star Rema has been included in Billboard’s 2026 list of “The 25 Biggest One-Hit Wonders of the 21st Century.”

The ranking, released in early 2026, looks back at artists whose songs achieved major commercial success in the United States but whose follow-up releases failed to replicate similar impact on the U.S. charts.

In Rema’s case, the recognition is tied to his 2022 smash hit “Calm Down,” particularly the remix featuring Selena Gomez.

“Calm Down” peaked at No. 3 on the Billboard Hot 100 and dominated the U.S. Afrobeats Songs chart, becoming one of the most-streamed Afrobeats tracks globally.

The record not only expanded Rema’s reach in America but also cemented his place as one of the genre’s biggest crossover success stories.

However, Billboard’s classification focuses strictly on U.S. chart metrics.

The publication describes the list as a retrospective of artistes whose single tracks reached significant commercial heights but did not match that level of chart performance in subsequent American releases.

Beyond the U.S., Rema’s catalogue tells a different story.

Songs like “Dumebi,” “Iron Man,” “Woman,” and “Soundgasm” have racked up hundreds of millions of streams and charted across Africa and Europe.

His debut album, Rave & Roses, reached the Top 10 on the UK Albums Chart, and he has collaborated with international acts such as Chris Brown on “F4F” and 6lack on “Running.”

The singer has also graced major global stages, including Coachella in the United States and Wireless Festival in the United Kingdom, underscoring his international appeal.

As of now, the Afrobeats star has not publicly responded to Billboard’s ranking, but the conversation it has sparked points to a broader tension between traditional chart success and the realities of global music influence.

Davido, Ayra Starr, and Burna Boy lose to Tyla at the Grammy 2026

noreply@blogger.com (Joy Adekunle) — Tue, 03 Feb 2026 19:47:00 +0000

South African superstar Tyla has once again outshone Africa’s biggest names on the global stage after clinching the Best African Music Performance award at the 68th Annual Grammy Awards, beating heavyweights Davido, Ayra Starr and Burna Boy.

The singer, born Tyla Laura Seethal, won the category with her hit single Push 2 Start, marking her second Grammy victory in as many appearances.

She previously made history in 2024 with Water, becoming the first artist to ever win the newly introduced category. This latest triumph now makes her the first act to take home the award twice.

The ceremony, held in Los Angeles, came shortly after Tyla celebrated her 24th birthday, adding a personal milestone to an already remarkable career moment for the South African star.

Tyla edged out stiff competition from Burna Boy’s Love, Davido and Omah Lay’s With You, Ayra Starr and Wizkid’s Gimme Dat, as well as Eddy Kenzo and Mehran Matin’s Hope & Love, underlining her growing dominance in the African and global music scene.

Released on 11 October 2024, Push 2 Start became one of Tyla’s standout records and served as the lead single for TYLA +, the deluxe edition of her self-titled debut album.

The song highlighted her signature “Popiano” sound, a polished fusion of Amapiano, pop and R&B that has come to define her artistry.

Nigerian government meets music industry stakeholders over royalty crisis

noreply@blogger.com (Joy Adekunle) — Thu, 29 Jan 2026 18:32:00 +0000

The Federal Government has taken a major step toward addressing long-standing concerns around royalty distribution and collective management in Nigeria’s music industry, following a high-level meeting with key industry stakeholders in Abuja.

The meeting, held on Tuesday, January 27, was convened amid growing backlash over the handling of royalties by the Nigerian Copyright Commission (NCC) and increasing calls for reform within the country’s collective management framework.

For many stakeholders, the engagement marked the first serious attempt by government to confront what they describe as a broken system that has failed to prioritise creators and rightsholders.

The session was jointly led by the Minister of Arts, Culture, Tourism and the Creative Economy, Hannatu Musawa, alongside the Attorney General of the Federation and Minister of Justice, Prince Lateef Olasunkanmi Fagbemi, SAN. Also present were the Director-General of the NCC, Dr John Assien, and the Director-General of the National Council for Arts and Culture, Mr Obi Asika.

Industry representation came from major music sector bodies, including the Record Label Proprietors’ Initiative Ltd/Gte (ReLPI), represented by Mr Kizito Ahams, Senior Licensing and Publishing Manager at Mavin Records, and the Music Publishers Association of Nigeria (MPAN), led by its chairman and Premier Records CEO, Mr Michael Odiong.

The discussions centred on deep-seated concerns about Nigeria’s collective management architecture, particularly its impact on musicians, publishers, and other rights holders.

Participants raised issues around opaque governance structures, weak accountability, poor reporting standards, and a lack of transparency in how royalties are collected and distributed.

The meeting followed heightened public scrutiny of the NCC’s recent attempt to disburse private copying levies through a Collective Management Organisation (CMO), a move that previously drew criticism from ReLPI over questions of representation and beneficiary legitimacy.

Attention during the discussions inevitably turned to the Musical Copyright Society of Nigeria (MCSN), currently the only NCC-approved music CMO in the country.

According to those present, urgent questions were raised around custodianship of funds, distribution processes, and clarity over who ultimately benefits from collected royalties.

Sources familiar with the meeting said the core objective was to review and interrogate Nigeria’s entire collective management framework, with the possibility of restructuring it to restore confidence in the system.

The emphasis, they noted, was on building a transparent, credible model that places creators and rightsholders at the centre, while ensuring proper oversight and accountability.

Seun Kuti blasts Wizkid over Fela tattoo, calls him “the biggest clout chaser”

noreply@blogger.com (Joy Adekunle) — Wed, 21 Jan 2026 21:35:00 +0000

Seun Kuti disses Wizkid

Seun Kuti has launched a blistering attack on Wizkid, accusing the global superstar of hypocrisy for carrying a tattoo of Fela Anikulapo-Kuti while allegedly disrespecting the late Afrobeat icon through his actions and the behaviour of his fanbase.

The Afrobeat musician, who is Fela’s son, made the remarks in a video that has since circulated widely on social media, as tensions between the two artists continue to escalate.

Seun questioned Wizkid’s motives, arguing that it is contradictory to permanently ink Fela’s image on one’s body while allowing fans to insult the legend online.

According to Seun, Wizkid’s tribute to his father is hollow and driven by attention rather than genuine respect.

He went as far as demanding that the singer remove the tattoo if he cannot truly honour Fela’s legacy.

“You cannot claim to love Fela while your fans insult him,” Seun said. “Wizkid is the biggest clout chaser in the world. That tattoo is an infiltrator, a childish way to enter and destroy from the inside.”

Seun further suggested that Wizkid’s admiration has crossed into something more troubling, accusing him of trying to replace Fela in the hearts of fans rather than celebrating his influence.

He warned that such behaviour risks weakening the foundations of Afrobeat and what his father stood for.

“What you have is not enough unless other people cannot have it. All the cars, women, houses and fame will never be enough because someone else has something," he added.

The comments sparked a strong response online, with fans split over the feud.

While some agreed with Seun’s stance and echoed his concerns about preserving Fela’s legacy, others defended Wizkid, pointing to his role in introducing Fela’s music to a new generation and questioning Seun’s approach.

Wizkid did not stay silent for long.

In a series of posts on X, the Ojuelegba singer fired back at Seun, repeatedly referring to him as “Auntie Seun” and accusing him of clout-chasing.

He also alleged that Seun’s recent behaviour was influenced by substance use and mocked his appearance.

In one post, Wizkid described Seun as a “hungry bird” and made it clear that, while he respects Fela Anikulapo-Kuti, he does not extend the same regard to his son.

His fanbase quickly rallied behind him, amplifying the jabs and flooding Seun’s mentions with similar remarks.

As the exchange continues to dominate conversations online, the clash has reignited broader debates about legacy, respect and who gets to speak for Afrobeat’s past and future.

Oxlade warns artists against skipping sound checks after disastrous London show

noreply@blogger.com (Joy Adekunle) — Wed, 07 Jan 2026 13:47:00 +0000

Oxlade

Nigerian singer Oxlade has shared a candid warning with fellow performing artists, urging them to never take the stage without a proper sound check, following what he described as one of the worst performances of his career.

Taking to X, the hitmaker addressed performers directly, acknowledging that while event organisers often fall short, artists must still protect their craft.

“I know organizers can do better with the gadgets required to run a show,” he wrote. “But please, don’t perform anywhere without running a proper sound check.”

Oxlade revealed that the advice was drawn from personal experience, recounting a disappointing headline show in London that left him frustrated and disappointed.

The event marked his first-ever headline concert in the city, which he co-headlined with fellow Nigerian artist Bella Shmurda, making the experience even more painful.

“Na from sound check you go don know your fate,” he added, explaining that the lack of preparation ultimately set the tone for the night.

According to the singer, the organisers failed to allow a sound check at the venue before the show, leading to major technical issues once the performance began.

He went on to explain that while the monitor speakers on stage sounded acceptable, the audio quality reaching the audience was poor.

“The monitor speakers… sounded fair, but the speakers feeding the audience were terrible,” Oxlade wrote, describing the situation as chaotic and unacceptable for a headline event.

Visibly frustrated, the singer did not hold back in his assessment of the show.

“That gotta be the worst event I performed at,” he said, before ending his message with a blunt reminder to fellow artists: “A word is enough for the wise.”

Burna Boy’s ‘I Told Them’ tour shatters African records with historic $30.5 million run

noreply@blogger.com (Joy Adekunle) — Tue, 30 Dec 2025 19:45:00 +0000

Burna Boy has once again cemented his status as the African Giant, proving that persistence, cultural pride and star power can translate into historic global success. His I Told Them world tour has officially closed as the highest-grossing tour by an African artist, pulling in an astonishing $30.5 million from 302,801 tickets sold across 22 shows, according to Touring Data.

The achievement not only marks Burna Boy’s biggest tour to date but also sets a new benchmark for African music on the global stage, surpassing the estimated $25 million generated by Wizkid’s Made in Lagos tour.

For Burna, it is a clear message that the world is not just listening to African music anymore, it is paying premium prices for it.

Launched in support of his 2023 album I Told Them, the tour stretched across North America and Europe, delivering high-energy performances that blended Afrobeat, reggae, dancehall and hip-hop.

Fans packed arenas and stadiums to hear standout tracks such as City Boys and Big 7, performed with the raw intensity that has become Burna’s trademark.

One of the tour’s most defining moments came on 29 June 2024 at London Stadium, where nearly 59,000 fans turned up for a show that grossed an unprecedented $6.147 million in a single night, the highest ever recorded by an African artist.

By the end of 2025, the tour had firmly pulled ahead of all previous African touring records.

Born Damini Ebunoluwa Ogulu in Port Harcourt, Burna Boy’s rise to this level has been years in the making. From winning a Grammy for Twice as Tall in 2021 to becoming the first African artist to sell out Madison Square Garden in 2022, I Told Them now feels like the culmination of a decade-long grind.

Midway through the tour, early figures sat around $15 million, but major stadium dates in cities like London and Paris pushed the totals into record-breaking territory.

Beyond the numbers, the tour stood out for its strategic execution. Burna Boy and his team focused on premium global markets, with average grosses of about $1.38 million per show and ticket prices that reflected his superstar status.

Appearances by artists such as Dave, Stormzy, J Hus, Popcaan, Snoh Aalegra and Toni Braxton added to the appeal, drawing diverse audiences from African diaspora communities and international fans alike.

The tour also produced multiple individual records. Burna Boy became the first African artist to sell out major stadiums in the UK, the US and France, while his Canadian dates alone grossed $5.7 million across six shows.

In the United States, he broke his own arena records, including a $1.725 million night at Capital One Arena in Washington, DC. At Hard Rock Live in Hollywood, he also set a record for the most expensive average ticket price for an African artist, at $172.76.

Pheelz speaks against music comparisons as Samklef criticises industry culture

noreply@blogger.com (Joy Adekunle) — Tue, 16 Dec 2025 05:18:00 +0000

Pheelz has weighed in on the growing culture of music comparisons in the Nigerian music industry, warning that constant rivalry is doing more harm than good.

The producer and hitmaker took to X to remind fans that music was created to be enjoyed, not turned into a competitive sport.

Reacting to his post, veteran producer Samklef reflected on what he described as a more peaceful era in the industry, recalling a time when new artists were welcomed without pressure or hostility.

He cited the early careers of Wizkid and Olamide as examples of when creativity thrived without comparisons.

However, Samklef’s response quickly drew attention after he alleged that the industry became increasingly toxic in later years, accusing unnamed figures of promoting unhealthy competition, fake streams and intimidation tactics.

"Music was fun when we started. When Wizkid came, there was no comparison—everything was pure love. Olamide came too, same thing. No pressure, no hatred, just music. Then one Scorpio boy who moves like diddy..Davido entered, and since then the industry turned toxic. Cultist mindset, threats, fake streams, dirty moves everywhere," he wrote.

“Music no be football. It was never a fight,” Sam added.

The exchange comes as end-of-year rankings, streaming statistics and award conversations have intensified comparisons among fans of top musicians.

In recent months, online rivalries have frequently dominated social media, sometimes spilling over into direct exchanges involving the artists themselves.

Music was fun when we started.
When Wizkid came, there was no comparison—everything was pure love.
Olamide came too, same thing.
No pressure, no hatred, just music.
Then one Scorpio ♏️ boy who moves like diddy..Davido entered, and since then the industry turned toxic.
Cultist… https://t.co/Ij9Th2bepp
— SAMKLEF DRAGON (@SAMKLEF) December 15, 2025

Adekunle Gold announces historic Lagos concert with 55-piece orchestra

noreply@blogger.com (Joy Adekunle) — Mon, 15 Dec 2025 17:50:00 +0000

Adekunle Gold, popularly known as AG Baby, is preparing to stage one of the most ambitious performances of his career with the announcement of a major homecoming concert in Lagos.

The Afrobeats star revealed that he will headline a landmark show at the National Theatre on December 26, where he will perform with a full orchestra in what is being described as one of the largest symphonic collaborations in Nigerian pop music history.

Sharing the news on X on Sunday, 14 December 2025, Adekunle Gold promised fans a once-in-a-lifetime experience.

The concert will feature a live journey through his entire six-album catalogue, backed by a 55-piece MUSON Orchestra alongside his live band, The 79th Element.

“Experience FUJI and all 6 albums that shaped my journey,” he wrote, inviting fans to witness the evolution of his sound on a grand stage.

The Boxing Day show represents a full-circle moment for the singer, who grew up immersed in the indigenous sounds of Lagos.

Bringing an orchestral performance to the iconic National Theatre reflects both his roots and the artistic growth that has defined his career over the past decade.

Fans attending the National Theatre concert can expect a powerful retelling of Adekunle Gold’s musical journey, from early favourites to recent hits, reimagined through orchestral arrangements.

The collaboration between the MUSON Orchestra and The 79th Element band is expected to blend the rhythm and soul of Afrobeats and Fuji with classical grandeur, creating an immersive live experience.

Odumodublvck takes aim at rival rapper in cryptic tweet

noreply@blogger.com (Joy Adekunle) — Mon, 15 Dec 2025 17:21:00 +0000

Nigerian rapper Odumodublvck has once again set social media buzzing after sharing a controversial tweet that many believe is directed at fellow rapper Blaqbonez.

In the post, Odumodublvck criticised record labels that pay artists during the festive season instead of allowing them to generate income through bookings, mocking what he described as artificial hype.

He went on to question the success and relevance of an unnamed rapper’s work, claiming there was “no motion,” no songs worth booking, and suggesting that hip hop as they know it is no longer thriving.

"RECORD LABEL WEY DEY PAY ARTISTE DURING CHRISTMAS PERIOD INSTEAD OF MAKE ARTISTE MAKE MONEY FOR RECORD LABEL DEM NO DEY MAKE KOBO FOR HIM HEAD, INSTEAD, DEM DEY ORGANIZE SHOWS MAKE E BE LIKE SAY E GET MOTION.

"KEEP RAPING ABOUT YOURSELF, FULL ALBUM NO MOTION. NOT ONE TUNE WORTH A BOOKING. HIP HOP? E DON CLOSE," he wrote.

Although Odumodublvck did not mention any names, fans were quick to speculate that the tweet was aimed at Blaqbonez, especially given the long-running tension between the two artists.

The rappers have traded jabs for months, both directly and indirectly, keeping their rivalry in the public eye.

The tweet drew mixed reactions online.

While a few users supported Odumodublvck’s blunt take on the music industry, the majority pushed back, trolling him and dismissing his claims.

5 Nigerian songs that defined 2025 and ruled our playlists

noreply@blogger.com (Joy Adekunle) — Thu, 04 Dec 2025 19:05:00 +0000

2025 delivered a wave of unforgettable music moments, but a handful of Nigerian songs rose far above the rest.

These tracks didn’t just top charts, they shaped culture, sparked trends, dominated radio, and became the heartbeat of parties, social media and everyday life.

From love ballads to street anthems and carefree bangers, these are the five songs that defined Nigerian music this year.

1. With You – Davido featuring Omah Lay
With You was the ultimate 2025 anthem. Davido teamed up with Omah Lay to deliver a smooth, emotional track that quickly became a fan favourite. Its heartfelt lyrics and soothing melody made it the perfect soundtrack for weddings, chill nights, and romantic playlists, cementing its place as one of the year’s most-played songs.

2. Fun – Rema
Rema brought pure energy and escapism with “Fun.” The song’s playful beat and catchy hook turned it into a summer and party favourite, dominating dance floors and TikTok challenges. Its feel-good vibe made it the perfect track for anyone looking to forget their worries and simply enjoy the moment.

3. Body – Ckay featuring Mavo
Ckay’s “Body” fused street-pop energy with catchy melodies, creating a track that everyone wanted to dance to. Featuring Mavo, the song became a club and social media favourite, proving once again that street-inspired Nigerian music has the power to go mainstream while staying authentic.

4. Many People – Adekunle Gold
Adekunle Gold’s “Many People” offered a more reflective and melodic experience. With his signature smooth vocals, Adekunle Gold connected deeply with listeners, creating a track that felt personal and comforting. It became a go-to for those quiet moments or introspective playlists, showing that Nigerian music can be both popular and meaningful.

5. Hot Body – Ayra Starr
Ayra Starr closed the year with “Hot Body,” a high-energy anthem full of confidence and swagger. Mixing Afropop and dancehall influences, the song lit up clubs, fashion events, and social media. “Hot Body” showcased Ayra Starr’s bold persona and empowered young listeners, proving that female voices are a major driving force in Nigerian music today.

These five songs not only topped charts and playlists but also reflected the diversity and vibrancy of Nigerian music in 2025.

Wizkid’s son Boluwatife Balogun launches music career with debut EP ‘Champion’s Arrival’

noreply@blogger.com (Joy Adekunle) — Tue, 11 Nov 2025 18:14:00 +0000

Bolu

Boluwatife Balogun, the 14-year-old son of Afrobeats superstar Wizkid, has officially stepped into the music spotlight under his stage name, Champz.

On Tuesday, 11 November 2025, the young talent released his first project, a five-track EP titled Champion’s Arrival, instantly sparking excitement online.

Champz confirmed the release on his social media.

“11/11: The Champion has arrived. My debut EP ‘Champion’s Arrival’ Out Now on all streaming platforms!”

Unlike his father’s signature Afropop sound, Champz’s music leans heavily into Rap, Afroswing, and Trap, highlighting his own unique style.

Early teasers of his tracks, which circulated weeks prior to the release, showcased his impressive lyrical flow and polished delivery, remarkable for someone of his age.

Meanwhile, keep streaming your favourite Nigerian songs on epoh.ng

Burna Boy, Davido, and Ayra Starr shine with 2026 Grammy nominations

noreply@blogger.com (Joy Adekunle) — Sat, 08 Nov 2025 19:05:00 +0000

Nigerian music continues its global dominance as several of the country’s stars earned nominations for the 2026 Grammy Awards, with Afrobeats once again taking center stage.

The Recording Academy unveiled the full list of nominees for the 68th Annual Grammy Awards on November 7, 2025, covering music released between September 16, 2024, and August 31, 2025. The ceremony will take place on February 1, 2026, at the Crypto.com Arena in Los Angeles, airing on CBS and streaming on Paramount+.

In the Best African Music Performance category, Nigeria maintains a strong presence with Burna Boy earning a nomination for “Love”, Davido and Omah Lay recognized for “With You”, and Ayra Starr alongside Wizkid for “Gimme Dat.” Other nominees in the category include “Hope & Love” by Eddy Kenzo and Mehran Matin, and “Push 2 Start” by South African star Tyla.

Burna Boy, one of Nigeria’s most decorated global artists, also bagged a nomination in the Best Global Music Album category for his project “No Sign of Weakness.” He faces competition from Youssou N’Dour (“Eclairer le monde: Light the World”), Shakti (“Mind Explosion (50th Anniversary Tour Live)”), Anoushka Shankar featuring Alam Khan and Sarathy Korwar (“Chapter III: We Return To Light”), Caetano Veloso and Maria Bethânia (“Caetano e Bethânia Ao Vivo”), and Siddhant Bhatia (“Sounds Of Kumbha”).

The Best Global Music Performance category, however, does not feature any Nigerian artists this year. Nominees include Bad Bunny for “EoO”, Ciro Hurtado for “Cantando en el Camino”, Angélique Kidjo for “Jerusalema”, Yeisy Rojas for “Inmigrante Y Que?”, Shakti for “Shrini’s Dream (Live)”, and Anoushka Shankar for “Daybreak.”

This year marks Burna Boy’s seventh consecutive Grammy nomination, a streak that began in 2020 and reinforces his consistency on the global music scene. Davido now holds five career nominations, while Wizkid has accumulated six with this latest recognition.

Although artists such as Rema, Seyi Vibez, Bnxn, Shallipopi, Asake, and Moliy submitted their projects for consideration, they did not make the final cut. Still, the strong showing by Nigerian acts in multiple categories reflects Afrobeats’ unstoppable rise and continued influence in shaping the sound of modern global music.

Burna Boy admits he’s confused after leaving Christianity for Islam

noreply@blogger.com (Joy Adekunle) — Fri, 07 Nov 2025 14:18:00 +0000

Global music star Burna Boy has opened up about his ongoing search for spiritual clarity after revealing that he converted from Christianity to Islam.

In a candid conversation with streamer Plaqueboymax, the Grammy-winning artist admitted that his journey through faith has left him with more questions than answers.

"I grew up as a Christian, but then I converted to Islam and all types. It’s like I’ve studied it all. I’m still out here trying to find what is really going on," Burna Boy said.

Raised in a Christian home in Nigeria, the Last Last hitmaker explained that his early religious beliefs were inherited from his family rather than discovered on his own.

“That’s what your parents believe in. That’s what you are born into,” he shared.

However, after embracing Islam in search of a deeper understanding, Burna confessed that his research only brought more confusion.

“The more I researched, the more confused I got,” he said.

The star went on to reflect on his current thoughts about organized religion, calling it a “controlled mechanism.”

He elaborated: “In all my research, there’s always one scientific fact that goes against every book. Everything comes from the workshop of the sun. I believe we are creations, and if we are creations, there must be a creator. Everyone is coming up with versions that are confusing me.”

How Epoh Music is changing the way Nigerians buy event tickets

noreply@blogger.com (Joy Adekunle) — Thu, 30 Oct 2025 11:26:00 +0000

In a country where live entertainment thrives, getting access to your favorite shows should be simple.

Yet for years, Nigerian event lovers have struggled with unreliable ticketing systems and last-minute hassles. That’s where Epoh Music steps in, redefining how fans discover, book, and attend events across Nigeria.

Epoh Music isn’t an event organizer; it’s a ticketing and event-listing platform built to connect organizers and audiences seamlessly.

Whether it’s a sold-out concert in Lagos, a comedy show in Abuja, or a lifestyle event in Port Harcourt, Epoh Music makes it easier for fans to find what’s happening and get their tickets without stress.

For event organizers, the platform provides a smooth way to list shows, manage ticket sales, and reach a larger audience, all in one place.

How to list your event on Epoh Music

Visit epoh.ng and create an organizer account.
Add your event details; date, venue, ticket prices, and flyer.
Publish your event and start selling tickets instantly to thousands of fans.

For event lovers

Epoh Music keeps you connected to Nigeria’s entertainment pulse. From headline concerts to exclusive gatherings, you can browse events, buy tickets securely, and stay updated, all through the website or the app.

Visit epoh.ng or download the Epoh Music app on Google Play to get started.

Davido announces 5IVE tour in Nigeria

noreply@blogger.com (Joy Adekunle) — Wed, 15 Oct 2025 08:50:00 +0000

Afrobeats superstar Davido has thrilled fans with a major announcement; he’s taking his acclaimed 5IVE Tour to cities across Nigeria, marking his official homecoming after a successful North American run.

The Unavailable crooner took to social media to share the news, revealing that the Nigerian leg of his tour will kick off on October 18 at the Godswill Akpabio Stadium in Uyo, Akwa Ibom State.

The 30,000-capacity venue is expected to be packed with fans eager to see the superstar perform live.

From there, Davido will head to Enugu, where he’s set to take over Michael Okpara Square on October 26, before storming Yola’s Mahmud Ribadu Square on October 29.

The first phase of the tour will wrap up in Ibadan on November 2 at the historic Obafemi Awolowo Stadium, formerly known as Liberty Stadium.

But that’s not all. The DMW boss will round off the year with two massive shows: one at Eagle Square, Abuja, on December 14, and a grand finale at Eko Hotel, Lagos, on Christmas Eve, a night that promises to be nothing short of spectacular.

Sharing his excitement, Davido wrote:

“I’m blessed to perform all around the world, and everywhere I go, Nigeria goes with me. But this time… I’m bringing it HOME. 🫡 After an unforgettable North American tour, it’s only right we bring that energy back where it all began. 🇳🇬 This one’s for the culture. This one’s personal. This one’s for US.”

“Wizkid did not make me famous” - Tems

noreply@blogger.com (Joy Adekunle) — Tue, 14 Oct 2025 18:11:00 +0000

Grammy-winning Nigerian singer Tems has finally addressed the long-standing debate surrounding her rise to fame and her collaboration with Wizkid on the chart-topping hit Essence.

In a rare and candid interview, the Free Mind hitmaker spoke openly about the years of online chatter from Wizkid’s fanbase, who often credit the Ojuelegba crooner for her success.

Tems, who is known for keeping her personal views out of public drama, said she felt it was time to set the record straight.

“Wizkid did not make me famous. His fans should stop moving mad. I love him, but let’s not twist the story. Essence was written by me,” she stated firmly.

Tems emphasized that while she has deep respect for Wizkid and values their collaboration, it was unfair and disrespectful for people to downplay her creative contribution to Essence and her growth as an artist.

Since its release in 2020, Essence has become a global anthem, earning both artists international acclaim and reshaping Afrobeats’ global sound.

Yet, as Tems’ solo career continued to soar, with collaborations alongside Drake, Beyoncé, and Future, some fans of Wizkid accused her of being ungrateful for not consistently attributing her rise to him.

Tems pushed back against that narrative, reminding listeners that she was already on her way up before the collaboration.

“People who really followed my journey know I had songs like Try Me and Mr Rebel before Essence came along. I was already building something,” she explained.

Sources close to both artists say the tension between Tems and Wizkid’s fanbase grew after she became a global star, with her artistic independence sometimes mistaken for pride.

The debate resurfaced when she reportedly declined to perform Essence at a major international show, focusing instead on her new projects.