<?xml version="1.0" encoding="UTF-8" standalone="no"?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns="http://www.w3.org/2005/Atom" xmlns:blogger="http://schemas.google.com/blogger/2008" xmlns:gd="http://schemas.google.com/g/2005" xmlns:georss="http://www.georss.org/georss" xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/" xmlns:thr="http://purl.org/syndication/thread/1.0"><id>tag:blogger.com,1999:blog-3884083117643488041</id><updated>2026-10-26T18:57:51.705+05:30</updated><category term="Quotes"/><category term="Dreams"/><category term="Kerala Temple Festival"/><category term="Daily Hindu Calendar"/><category term="Classic Topics"/><category term="Hindu Stories"/><category term="Interesting Facts"/><category term="Hinduism"/><category term="Hinduism Answers"/><category term="Shiva"/><category term="Hindu Goddess"/><category term="Ramayana"/><category term="Kerala"/><category term="helpful articles"/><category term="Hindu 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term="Japan"/><category term="Joining Job"/><category term="Kazakhstan"/><category term="New Zealand"/><category term="Ravi Yog"/><category term="Rishikesh"/><category term="Sarvarta Siddhi Yog"/><category term="Solar Eclipse"/><category term="Vidyarambham Dates"/><category term="audio"/><category term="buying car"/><category term="car delivery"/><category term="cesarean"/><category term="cookie"/><category term="crossword"/><category term="delivery"/><category term="engage"/><category term="exam"/><category term="giving birth"/><category term="kumaryoga"/><category term="property registration"/><category term="raja yoga"/><category term="rented house"/><category term="travel dates"/><title type="text">Hindu Blog</title><subtitle type="html"/><link href="http://www.hindu-blog.com/feeds/posts/default" rel="http://schemas.google.com/g/2005#feed" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default?redirect=false&amp;orderby=published" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/" rel="alternate" type="text/html"/><link href="http://pubsubhubbub.appspot.com/" rel="hub"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default?start-index=26&amp;max-results=25&amp;redirect=false&amp;orderby=published" rel="next" type="application/atom+xml"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><generator uri="http://www.blogger.com" version="7.00">Blogger</generator><openSearch:totalResults>41858</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><xhtml:meta content="noindex" name="robots" xmlns:xhtml="http://www.w3.org/1999/xhtml"/><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-5677232594310059210</id><published>2026-10-26T17:30:00.000+05:30</published><updated>2026-10-26T17:30:00.115+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Mahabharat"/><title type="text">The Lesson of Shamika and Shringi in Mahabharata - Forgiveness and Dharma</title><summary type="text">Do Not Curse the Protector: Shamika’s Words to His Son, Shringi, When He Cursed King ParikshitIn the Mahabharata, in the Astika Parva Chapter 37 of Adi Parva, there is the story of King Parikshit, the grandson of Arjuna. One day the king went hunting and became very tired, hungry and thirsty. He came to the ashram of Rishi Shamika, who was sitting in a vow of silence. The king asked for water, </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/5677232594310059210" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/5677232594310059210" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/10/the-lesson-of-shamika-and-shringi-in.html" rel="alternate" title="The Lesson of Shamika and Shringi in Mahabharata - Forgiveness and Dharma" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-4796807191732546796</id><published>2026-10-26T16:07:00.000+05:30</published><updated>2026-10-26T16:07:00.113+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Hindu Symbols"/><category scheme="http://www.blogger.com/atom/ns#" term="Nagas"/><title type="text">The Coiled Serpent: Hinduism's Symbol of Stillness, Wisdom and Yoga</title><summary type="text">The Serpent at Rest — Understanding the Coiled Naga in Hindu ThoughtFew images in Hindu iconography carry as much layered
meaning as the coiled serpent. Seen wrapped around the neck of Shiva, resting
beneath the feet of Bhagavan Vishnu as Sesha, or rising through the subtle body
as Kundalini, the serpent is never a mere decorative motif. It is a teaching in
visual form — a symbol that condenses </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/4796807191732546796" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/4796807191732546796" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/10/the-coiled-serpent-hinduisms-symbol-of.html" rel="alternate" title="The Coiled Serpent: Hinduism's Symbol of Stillness, Wisdom and Yoga" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-6397508598949320254</id><published>2026-10-26T14:04:00.000+05:30</published><updated>2026-10-26T14:04:00.185+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Bengal"/><category scheme="http://www.blogger.com/atom/ns#" term="Hindu Gurus and Saints"/><title type="text">From Tantra to Devotion: How Ramprasad Sen Transformed Shakta Worship in Bengal</title><summary type="text">
Ramprasad Sen: The Poet-Saint Who Brought Kali to the Hearts of Bengal
The Context: Shakta Revival in Medieval Bengal
In the early 17th century, around 1600 CE, Krishnananda Agamavagisha emerged as a pivotal figure in reviving Shakta worship—the tradition centered on the Divine Mother—through the intricate path of Tantra. His scholarly works systematized Tantric rituals and philosophy, creating </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/6397508598949320254" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/6397508598949320254" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/10/from-tantra-to-devotion-how-ramprasad.html" rel="alternate" title="From Tantra to Devotion: How Ramprasad Sen Transformed Shakta Worship in Bengal" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-2877102529312976626</id><published>2026-10-26T10:04:00.000+05:30</published><updated>2026-10-26T10:04:00.169+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Hindu Sculptures"/><title type="text">Tiers of the Sacred: Understanding the Karanda-Makuta in Hindu Sculpture</title><summary type="text">The Conical Crown: Symbolism and Craft of the Karanda-MakutaAmong the many crown forms that adorn divine figures in
Hindu sculpture, the karanda-makuta occupies a distinctive place. Rising in a
series of diminishing tiers to a pointed summit, this conical headdress is one
of the most easily recognised markers of divinity in Indian temple art and
bronze casting. Its name derives from karanda, </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/2877102529312976626" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/2877102529312976626" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/10/tiers-of-sacred-understanding-karanda.html" rel="alternate" title="Tiers of the Sacred: Understanding the Karanda-Makuta in Hindu Sculpture" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-1520818979590149095</id><published>2026-10-26T09:04:00.015+05:30</published><updated>2026-10-26T09:04:00.172+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Diwali"/><title type="text">Bhai Dooj Story – The Various Stories Of Bhai Phonta or Bhaubeej</title><summary type="text">Bhai Dooj is observed two days after Diwali, a day meant
only for brothers and sisters. Bhai dooj story is mainly associated with Sri Krishna-Subhadra
and Lakshmi-Bali Raja. On the day, every sister prays that her brother may return
victorious from every battle in life, and every brother wishes his sister
success in all her struggles. It is known by various names Bhai phonta, Bhaubeej,
Bhatri </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/1520818979590149095" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/1520818979590149095" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/10/bhai-dooj-story-various-stories-of-bhai.html" rel="alternate" title="Bhai Dooj Story – The Various Stories Of Bhai Phonta or Bhaubeej" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-3385630682489374952</id><published>2026-10-26T07:03:00.000+05:30</published><updated>2026-10-26T07:03:00.112+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Interesting Facts"/><category scheme="http://www.blogger.com/atom/ns#" term="Ramayana"/><title type="text">Dasharatha of Ramayana and King Priam Of Greek Mythology - Comparison</title><summary type="text">When a King Becomes Only a Father: Dasharatha of Ayodhya and Priam of TroyEvery culture has stories about kings, and many of them also
show the weak side of a king, which is his love for his children. In the
Ramayana, King Dasharatha of Ayodhya is such a father. In the Greek tradition,
King Priam of Troy is another. Both are rulers who have power, wealth and
respect, but in the end the pain of a </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/3385630682489374952" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/3385630682489374952" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/10/dasharatha-of-ramayana-and-king-priam.html" rel="alternate" title="Dasharatha of Ramayana and King Priam Of Greek Mythology - Comparison" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-1892323877007036468</id><published>2026-10-26T05:00:00.000+05:30</published><updated>2026-10-26T05:00:00.122+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Hindu Goddess"/><category scheme="http://www.blogger.com/atom/ns#" term="Hindu Sculptures"/><title type="text">Samvid Tripura Devi: The Rare Iconographic Form of Wisdom Incarnate</title><summary type="text">The Silent Sage of Srividya: Iconography and Symbolism of Samvid Tripura DeviWithin the vast and layered universe of Hindu iconography,
certain forms of the Devi remain little documented, surviving mostly through
regional scriptural references, oral tradition, and localized ritual practice
rather than widespread textual codification. Samvid Tripura Devi is one such
rare and precious form. The </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/1892323877007036468" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/1892323877007036468" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/10/samvid-tripura-devi-rare-iconographic.html" rel="alternate" title="Samvid Tripura Devi: The Rare Iconographic Form of Wisdom Incarnate" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-3165274764460539680</id><published>2026-10-26T04:02:00.000+05:30</published><updated>2026-10-26T04:02:00.112+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Hinduism Answers"/><title type="text">Why Humans Feel Guilt? – Hinduism Insights</title><summary type="text">Why Humans Feel Guilt: A Hindu Perspective on Conscience and KarmaHumans feel guilt; otherwise, they would be capable of doing terrible things. Animals do not feel guilt because they do not intentionally hurt another being. They do so only out of hunger or to protect themselves. Humans, on the other hand, intentionally inflict pain on others, often as a byproduct of living in a society. Guilt </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/3165274764460539680" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/3165274764460539680" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/10/why-humans-feel-guilt-hinduism-insights.html" rel="alternate" title="Why Humans Feel Guilt? – Hinduism Insights" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-4316400436908803273</id><published>2026-10-26T03:01:00.001+05:30</published><updated>2026-10-26T03:01:00.116+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Quotes"/><title type="text">You Are Bound If You Think If You Have A Personality – Hinduism Insights</title><summary type="text">
The Illusion of Personality: How Identifying with the Ego Binds the Soul in Hindu Philosophy
Hindu scriptures consistently emphasize a profound truth that challenges our everyday experience: the personality we consider uniquely "ours" is actually a binding force that keeps us trapped in the cycle of suffering and rebirth. The Bhagavad Gita declares, "The embodied soul may be restricted from </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/4316400436908803273" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/4316400436908803273" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/10/you-are-bound-if-you-think-if-you-have.html" rel="alternate" title="You Are Bound If You Think If You Have A Personality – Hinduism Insights" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-7344786939008326701</id><published>2026-10-26T00:09:00.000+05:30</published><updated>2026-10-26T00:09:00.115+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Daily Hindu Calendar"/><title type="text">November 2 2026 Tithi – Panchang – Hindu Calendar – Good Time – Nakshatra – Rashi</title><summary type="text">Tithi in Panchang – Hindu Calendar on Monday, November 2 2026
– It is Krishna Paksha Ashtami tithi or
the eighth day during the waning or dark phase of moon in Hindu calendar and Panchang in most
regions. It is Krishna Paksha Ashtami tithi or the eighth day during the waning
or dark phase of moon till 4:55
PM on November 2. Then onward it is Krishna Paksha Navami tithi or the
ninth day during the</summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/7344786939008326701" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/7344786939008326701" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/11/november-2-2026-tithi-panchang-hindu.html" rel="alternate" title="November 2 2026 Tithi – Panchang – Hindu Calendar – Good Time – Nakshatra – Rashi" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-2032289224710268657</id><published>2026-10-25T19:39:00.000+05:30</published><updated>2026-10-25T19:39:00.114+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Hindu Symbols"/><category scheme="http://www.blogger.com/atom/ns#" term="Nagas"/><title type="text">Symbolism Of Slithering Serpent In Hinduism</title><summary type="text">The Slithering Serpent: Symbol of Life, Pleasure and Renewal in Hindu ThoughtAcross Hindu temple walls, sculptures, and the hands of
deities, the image of a serpent appears again and again — sometimes coiled in
stillness, sometimes captured mid-slither, alive with motion. The Goddess is
often depicted holding a slithering serpent, and so are several other deities
across the pantheon. This is not </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/2032289224710268657" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/2032289224710268657" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/10/symbolism-of-slithering-serpent-in.html" rel="alternate" title="Symbolism Of Slithering Serpent In Hinduism" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-4226852134927876921</id><published>2026-10-25T17:31:00.000+05:30</published><updated>2026-10-25T17:31:00.164+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Mahabharat"/><title type="text">Meaning of Jaratkaru in Mahabharata</title><summary type="text">Jaratkaru in the Mahabharata: Austerity, Duty and the Birth of AstikaJaratkaru was a great rishi in the Mahabharata. He is
remembered mostly because he became the father of Astika, the boy who stopped
the Sarpa Satra (snake sacrifice) of King Janamejaya and saved the snakes from
being burned alive. The story is told in the Astika Parva of the Adi Parva.
Without Jaratkaru, there would be no Astika</summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/4226852134927876921" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/4226852134927876921" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/10/meaning-of-jaratkaru-in-mahabharata.html" rel="alternate" title="Meaning of Jaratkaru in Mahabharata" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-1346971557746892695</id><published>2026-10-25T16:01:00.000+05:30</published><updated>2026-10-25T16:01:00.172+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Bhagavad Gita"/><category scheme="http://www.blogger.com/atom/ns#" term="Krishna"/><title type="text">Krishna Wants Arjuna to Become Krishna — Not Just Arjuna, But All of Us</title><summary type="text">See Me in All: Krishna's Vision for Arjuna and HumanityBhagavan Sri Krishna represents the realized soul, free of
all conditioning, capable of seeing truth exactly as it is. He is the self
established in sat chit ananda — existence, consciousness, and bliss. Arjuna,
by contrast, is consciousness crumbled by conditioning. He is weighed down by
the body, the senses, kama and karma, desire and fate,</summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/1346971557746892695" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/1346971557746892695" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/10/krishna-wants-arjuna-to-become-krishna.html" rel="alternate" title="Krishna Wants Arjuna to Become Krishna — Not Just Arjuna, But All of Us" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-3046289637538825317</id><published>2026-10-25T10:01:00.000+05:30</published><updated>2026-10-25T10:01:00.113+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Ramayana"/><title type="text">Symbolism Of Ravana Can Only Be Killed By Human</title><summary type="text">The Boon That Undid Ravana: Why Only a Human Can Slay the Demon Within - Symbolism and MeaningRavana received a boon that ensured he could not be killed by any supernatural being. Yet, out of arrogance, he dismissed humans as insignificant and excluded them from his request. This omission was not merely a plot device but a profound symbolic statement.In Hindu thought, demons, or Rakshasas, are </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/3046289637538825317" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/3046289637538825317" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/10/symbolism-of-ravana-can-only-be-killed.html" rel="alternate" title="Symbolism Of Ravana Can Only Be Killed By Human" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-4628721958876298064</id><published>2026-10-25T09:04:00.000+05:30</published><updated>2026-10-26T05:25:12.305+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Shiva"/><title type="text">How Sati's Death Made Shiva Destroy the Society</title><summary type="text">When Shiva Turned Against Society: The Death of Sati and the Fall of Daksha's YajnaMahadev Shiva, the primordial, has always stood apart
from the structures that human civilisation builds around itself. He dwells on
Mount Kailasa, smeared in ash, surrounded by wild spirits and forest creatures,
indifferent to the rules of caste, ritual and social hierarchy. Daksha
Prajapati, on the other hand, </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/4628721958876298064" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/4628721958876298064" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/10/how-satis-death-made-shiva-destroy.html" rel="alternate" title="How Sati's Death Made Shiva Destroy the Society" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-3235822304755564782</id><published>2026-10-25T06:59:00.000+05:30</published><updated>2026-10-25T06:59:00.112+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Ramayana"/><title type="text">Queen Kausalya and the Ashvamedha Horse - When a Queen Led the Sacrifice</title><summary type="text">The Horse, the Queen and the Yajna: Understanding Dasharatha’s Great RitualKing Dasharatha of Ayodhya had no son, and this was a big
sorrow for him. On the advice of the sage Vasishtha and others, he decided to
perform a great yajna so that he would get children. In the Valmiki Ramayana,
this began with the Ashvamedha, the horse sacrifice. After that, the sage
Rishyashringa performed the </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/3235822304755564782" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/3235822304755564782" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/10/queen-kausalya-and-ashvamedha-horse.html" rel="alternate" title="Queen Kausalya and the Ashvamedha Horse - When a Queen Led the Sacrifice" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-5100717932197388495</id><published>2026-10-25T05:02:00.000+05:30</published><updated>2026-10-25T05:02:00.111+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Hindu Sculptures"/><title type="text">Vajraprastarini Idol Form – Iconography</title><summary type="text">Vajraprastarini Devi: The Rare Eight-Armed Form Seated Upon the WatersHindu iconographic tradition is vast, and within it exist
countless forms of the Devi that are rarely sculpted, rarely painted, and
consequently rarely known outside specialist textual and ritual circles.
Vajraprastarini Devi is one such form. She does not appear in the widely
circulated iconographic compendiums the way Durga, </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/5100717932197388495" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/5100717932197388495" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/10/vajraprastarini-idol-form-iconography.html" rel="alternate" title="Vajraprastarini Idol Form – Iconography" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-1402079088749221000</id><published>2026-10-25T04:02:00.000+05:30</published><updated>2026-10-25T04:02:00.111+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Hinduism Answers"/><title type="text">Why Resisting Pain Hurts More Than the Pain Itself - Hinduism Insights</title><summary type="text">Let It Flow: What Hindu Wisdom Teaches About Pain and ResistanceIn Hindu thought, pain is not an accident or a punishment.
It is woven into the very fabric of existence, called prakriti, until a soul
attains self realization. As long as we identify with the body and mind rather
than the atman, the true self, some degree of suffering is inevitable. The
Bhagavad Gita explains that contact between </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/1402079088749221000" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/1402079088749221000" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/10/why-resisting-pain-hurts-more-than-pain.html" rel="alternate" title="Why Resisting Pain Hurts More Than the Pain Itself - Hinduism Insights" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-3715249938885919694</id><published>2026-10-25T03:00:00.002+05:30</published><updated>2026-10-25T03:00:00.124+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Quotes"/><title type="text">In Crisis We Don’t Need Advisors But A Companion – Hinduism Insights</title><summary type="text">In Times of Crisis: The Strength of Companionship in Hindu Thought
There is no dearth of advisors and advice in the world when we are in a crisis. Most of them do not truly care; they are just there to mark their attendance. In a crisis, what most of us need is a companion — a silent support, a meaningful touch that reminds us there are people who care.Every human being faces moments when life’s </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/3715249938885919694" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/3715249938885919694" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/10/in-crisis-we-dont-need-advisors-but.html" rel="alternate" title="In Crisis We Don’t Need Advisors But A Companion – Hinduism Insights" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-4940573647327069932</id><published>2026-10-25T00:08:00.000+05:30</published><updated>2026-10-25T00:08:00.119+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Daily Hindu Calendar"/><title type="text">November 1 2026 Tithi – Panchang – Hindu Calendar – Good Time – Nakshatra – Rashi</title><summary type="text">Tithi in Panchang – Hindu Calendar on Sunday, November 1 2026
– It is Krishna Paksha Saptami tithi or
the seventh day during the waning or dark phase of moon in Hindu calendar and Panchang in most
regions. It is Krishna Paksha Saptami tithi or the seventh day during the
waning or dark phase of moon till 7:06
PM on November 1. Then onward it is Krishna Paksha Ashtami tithi or the
eighth day during</summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/4940573647327069932" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/4940573647327069932" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/11/november-1-2026-tithi-panchang-hindu.html" rel="alternate" title="November 1 2026 Tithi – Panchang – Hindu Calendar – Good Time – Nakshatra – Rashi" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-7512003226468519620</id><published>2026-10-24T19:26:00.000+05:30</published><updated>2026-10-24T19:26:00.122+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Krishna"/><title type="text">When Dharma Demands Defiance: Krishna and the Courage to Challenge Corrupt Authority</title><summary type="text">Beyond Blind Obedience: How Krishna Redefined Respect, Rebellion, and DharmaThe Arc of Dharma Across the Yugas

Hindu thought does not treat dharma as a fixed, unchanging
code. It is a living principle that adapts to time, circumstance, and the moral
condition of society. As the yugas progress from Satya to Treta to Dvapara and
finally Kali, dharma is said to stand on fewer and fewer legs. What </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/7512003226468519620" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/7512003226468519620" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/10/when-dharma-demands-defiance-krishna.html" rel="alternate" title="When Dharma Demands Defiance: Krishna and the Courage to Challenge Corrupt Authority" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-3772525341660028788</id><published>2026-10-24T17:31:00.000+05:30</published><updated>2026-10-24T17:31:00.111+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Mahabharat"/><title type="text">Serpent Ashvasena's Revenge Against Arjuna In Mahabharata</title><summary type="text">Ashvasena: The Serpent Who Wanted Revenge on Arjuna -&amp;nbsp;Ashwasena and Karna’s Arrow: Revenge That MissedAshvasena was a naga, a son of Takshaka, the king of
serpents. His story is told in two places in Mahabharata, first in Adi Parva
and then in Karna Parva. In Adi Parva, we see how his anger is born. In Karna
Parva, we see how that anger comes back to take its revenge. The two parts must
be </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/3772525341660028788" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/3772525341660028788" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/10/serpent-ashvasenas-revenge-against.html" rel="alternate" title="Serpent Ashvasena's Revenge Against Arjuna In Mahabharata" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-6693065780044866754</id><published>2026-10-24T16:03:00.000+05:30</published><updated>2026-10-24T16:03:00.112+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Ganesha"/><category scheme="http://www.blogger.com/atom/ns#" term="Interesting Facts"/><category scheme="http://www.blogger.com/atom/ns#" term="Muruga"/><title type="text">Warrior Kartikeya And Scholar Ganesha – A Comparison</title><summary type="text">The Warrior and the Scholar: Kartikeya and Ganesha as Two Faces of DharmaShiva and Parvati are described in Hindu tradition as the
parents of two sons who, together, represent the complete range of human and
cosmic effort. Kartikeya, also called Skanda, Murugan, or Subrahmanya, is the
commander of the celestial armies and the destroyer of the demon Tarakasura.
Ganesha, the elephant-headed deity, </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/6693065780044866754" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/6693065780044866754" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/10/warrior-kartikeya-and-scholar-ganesha.html" rel="alternate" title="Warrior Kartikeya And Scholar Ganesha – A Comparison" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-6674879278831607423</id><published>2026-10-24T10:00:00.000+05:30</published><updated>2026-10-24T10:00:00.112+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Hindu Goddess"/><category scheme="http://www.blogger.com/atom/ns#" term="Hindu Sculptures"/><title type="text">Shuddhavidya Devi: The Rare Iconographic Form of Pure Knowledge</title><summary type="text">The Hidden Goddess of Wisdom: Iconography and Symbolism of ShuddhavidyaAmong the vast and layered pantheon of Devi worship in
Hinduism, certain forms remain known only to a handful of practitioners,
preserved in regional agamic and tantric literature rather than in the widely
circulated puranic canon. Shuddhavidya Devi is one such form. The very name
Shuddhavidya, meaning pure knowledge or </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/6674879278831607423" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/6674879278831607423" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/10/shuddhavidya-devi-rare-iconographic.html" rel="alternate" title="Shuddhavidya Devi: The Rare Iconographic Form of Pure Knowledge" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-3364273105173604988</id><published>2026-10-24T09:01:00.000+05:30</published><updated>2026-10-24T09:01:00.113+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Hindu Goddess"/><category scheme="http://www.blogger.com/atom/ns#" term="Hindu Symbols"/><title type="text">Bound, Unbound, Undone: The Symbolism of Hair in Parvati, Durga and Kali</title><summary type="text">Three Strands of Shakti — Reading the Hair of Parvati, Durga and KaliIn Hindu iconography, nothing on the body of the Devi is
accidental. Every ornament, weapon, posture and even the manner in which her
hair is worn carries deliberate meaning. The single feminine force, Adi Shakti,
appears in countless forms, but three of her most contemplated aspects —
Parvati (also called Gauri), Durga, and </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/3364273105173604988" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/3364273105173604988" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/10/bound-unbound-undone-symbolism-of-hair.html" rel="alternate" title="Bound, Unbound, Undone: The Symbolism of Hair in Parvati, Durga and Kali" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry></feed>