<?xml version="1.0" encoding="utf-8" standalone="no"?><rss xmlns:atom="http://www.w3.org/2005/Atom" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" version="2.0">
    <channel>
        <title>TimesPastOTR on Huffduffer</title>
        <itunes:summary>TimesPastOTR</itunes:summary>
        <description>TimesPastOTR</description>
        <itunes:image href="https://huffduffer.com/images/podcast.jpg"/>
        <image>
            <title>TimesPastOTR on Huffduffer</title>
            <link>https://huffduffer.com/</link>
            <url>https://huffduffer.com/images/podcast.jpg</url>
        </image>
        <language>en</language>
        <link>https://huffduffer.com/TimesPastOTR</link>
        <atom:link href="https://huffduffer.com/TimesPastOTR/rss" rel="self" type="application/rss+xml"/>
        <atom:link href="https://huffduffer.com/TimesPastOTR/rss?page=2" rel="next" type="application/rss+xml"/>
        <itunes:explicit>no</itunes:explicit><itunes:subtitle>TimesPastOTR</itunes:subtitle><item>
            <title>Screen Director's Playhouse 51-06-07 The Gunfighter (Gregory Peck)</title>
            <description>The fastest gun in the West only wants to avoid the next gunfight. 
Gregory Peck, Wally Maher, Byron Kane, Ted de Corsia, Sam Edwards, Grace Lenard, Tom Holland, Ruth Paris, Betty Lou Gerson, Jeffrey Silver, Henry King (screen director), George Sidney (head of the Screen Director's Guild), Bill Cairn (director), Howard Wiley (production supervisor), Jimmy Wallington (announcer), </description>
            <guid>https://huffduffer.com/TimesPastOTR/715271</guid>
            <link>https://huffduffer.com/TimesPastOTR/715271</link>
            <enclosure length="0" type="audio/mpeg" url="https://2044105-857733632051567.preview.editmysite.com/uploads/2/0/4/4/2044105/51-06-07_the_gunfighter__gregory_peck_.mp3"/>
            <pubDate>Fri, 15 May 2026 01:22:10 GMT</pubDate>
            <itunes:image href="https://huffduffer.com/images/podcast.jpg"/>
        <itunes:explicit/><itunes:subtitle>The fastest gun in the West only wants to avoid the next gunfight. Gregory Peck, Wally Maher, Byron Kane, Ted de Corsia, Sam Edwards, Grace Lenard, Tom Holland, Ruth Paris, Betty Lou Gerson, Jeffrey Silver, Henry King (screen director), George Sidney (head of the Screen Director's Guild), Bill Cairn (director), Howard Wiley (production supervisor), Jimmy Wallington (announcer),</itunes:subtitle><itunes:summary>The fastest gun in the West only wants to avoid the next gunfight. Gregory Peck, Wally Maher, Byron Kane, Ted de Corsia, Sam Edwards, Grace Lenard, Tom Holland, Ruth Paris, Betty Lou Gerson, Jeffrey Silver, Henry King (screen director), George Sidney (head of the Screen Director's Guild), Bill Cairn (director), Howard Wiley (production supervisor), Jimmy Wallington (announcer),</itunes:summary></item>
        <item>
            <title>Mary Poppins (BBC radio play) - P L Travers</title>
            <description>Mary Poppins By P L Travers, dramatised by Hazel Marshall. Poised, punctilious and always practically perfect in every way, Mary Poppins brings her own blend of magic to the role of nanny. The radio play draws on previously undramatised adventures involving Mary Poppins and her young charges, Jane and Michael Banks.
The production features original music specially composed by David Chilton</description>
            <guid>https://huffduffer.com/TimesPastOTR/715270</guid>
            <link>https://huffduffer.com/TimesPastOTR/715270</link>
            <enclosure length="0" type="audio/mpeg" url="https://2044105-857733632051567.preview.editmysite.com/uploads/2/0/4/4/2044105/mary_poppins.mp3"/>
            <pubDate>Fri, 15 May 2026 01:13:06 GMT</pubDate>
            <itunes:image href="https://huffduffer.com/images/podcast.jpg"/>
        <itunes:explicit/><itunes:subtitle>Mary Poppins By P L Travers, dramatised by Hazel Marshall. Poised, punctilious and always practically perfect in every way, Mary Poppins brings her own blend of magic to the role of nanny. The radio play draws on previously undramatised adventures involving Mary Poppins and her young charges, Jane and Michael Banks. The production features original music specially composed by David Chilton</itunes:subtitle><itunes:summary>Mary Poppins By P L Travers, dramatised by Hazel Marshall. Poised, punctilious and always practically perfect in every way, Mary Poppins brings her own blend of magic to the role of nanny. The radio play draws on previously undramatised adventures involving Mary Poppins and her young charges, Jane and Michael Banks. The production features original music specially composed by David Chilton</itunes:summary></item>
        <item>
            <title>Joan of Arc, and How She Became a Saint_ A BBC Radio 4 Full-Cast Drama</title>
            <description> Can a young country girl lead an army?

Joan has no plans on saving France from the English but when the brutes turn up and put her beloved crows to death by fire she knows she has to do something. And if she saves France at the same time, well that is just a wonderful side-effect. Guided by her guardian angels, St Catherine and St Margaret, Joan decides to take a stand and fight for what she knows is right.

Dawn French plays Joan in this funny and poignant take on the story of Joan of Arc. The cast also includes Anne Reid, Maggie Steed, Kevin Eldon and Jim Broadbent.

Written and directed by Patrick Barlow, an actor, comedian and playwright. He is one half (along with Jim Broadbent) of the British comedy double act, The National Theatre of Brent.</description>
            <guid>https://huffduffer.com/TimesPastOTR/715185</guid>
            <link>https://huffduffer.com/TimesPastOTR/715185</link>
            <enclosure length="0" type="audio/mpeg" url="https://2044105-857733632051567.preview.editmysite.com/uploads/2/0/4/4/2044105/joan_of_arc_and_how_she_became_a_saint__a_bbc_radio_4_full-cast_drama_[1787533913].mp3"/>
            <pubDate>Fri, 8 May 2026 11:38:56 GMT</pubDate>
            <itunes:image href="https://huffduffer.com/images/podcast.jpg"/>
        <itunes:explicit/><itunes:subtitle>Can a young country girl lead an army? Joan has no plans on saving France from the English but when the brutes turn up and put her beloved crows to death by fire she knows she has to do something. And if she saves France at the same time, well that is just a wonderful side-effect. Guided by her guardian angels, St Catherine and St Margaret, Joan decides to take a stand and fight for what she knows is right. Dawn French plays Joan in this funny and poignant take on the story of Joan of Arc. The cast also includes Anne Reid, Maggie Steed, Kevin Eldon and Jim Broadbent. Written and directed by Patrick Barlow, an actor, comedian and playwright. He is one half (along with Jim Broadbent) of the British comedy double act, The National Theatre of Brent.</itunes:subtitle><itunes:summary>Can a young country girl lead an army? Joan has no plans on saving France from the English but when the brutes turn up and put her beloved crows to death by fire she knows she has to do something. And if she saves France at the same time, well that is just a wonderful side-effect. Guided by her guardian angels, St Catherine and St Margaret, Joan decides to take a stand and fight for what she knows is right. Dawn French plays Joan in this funny and poignant take on the story of Joan of Arc. The cast also includes Anne Reid, Maggie Steed, Kevin Eldon and Jim Broadbent. Written and directed by Patrick Barlow, an actor, comedian and playwright. He is one half (along with Jim Broadbent) of the British comedy double act, The National Theatre of Brent.</itunes:summary></item>
        <item>
            <title>Great Escape: The Justice</title>
            <description>n the spring of 1943, a group of Air Force officers began work on an ambitious plan to tunnel their way out of a German POW camp called Stalag Luft Three. A year later the tunnel was ready and seventy-six made their escape. All but three were recaptured, but fifty were then systematically executed on orders from German High Command. This much was made internationally famous by Hollywood in the film The Great Escape, which mixes a meticulous depiction of the tunnelling plan with highly fictionalised American characters on motorbikes.

But there is a stranger part of the story which starts where the film leaves off, and reveals the real history behind the nation-building legend. The British Government vowed to avenge the murders, and within weeks of the war's end, sent RAF investigators into the ruins of Germany, with orders to track down the killers, and bring them to exemplary justice.

Award-winning dramatist Robin Brooks and internationally best-selling novelist Robert Radcliffe tell the extraordinary story of the escape, the murders, and the postwar manhunt in the chaos of divided Germany, through the eyes of one of the senior investigating officers: a straightforward by-the-book detective from Blackpool CID.</description>
            <guid>https://huffduffer.com/TimesPastOTR/715155</guid>
            <link>https://huffduffer.com/TimesPastOTR/715155</link>
            <enclosure length="0" type="audio/mpeg" url="https://2044105-857733632051567.preview.editmysite.com/uploads/2/0/4/4/2044105/great_escape-the_justice_2013-04-13.mp3"/>
            <pubDate>Tue, 5 May 2026 02:25:40 GMT</pubDate>
            <itunes:image href="https://huffduffer.com/images/podcast.jpg"/>
        <itunes:explicit/><itunes:subtitle>n the spring of 1943, a group of Air Force officers began work on an ambitious plan to tunnel their way out of a German POW camp called Stalag Luft Three. A year later the tunnel was ready and seventy-six made their escape. All but three were recaptured, but fifty were then systematically executed on orders from German High Command. This much was made internationally famous by Hollywood in the film The Great Escape, which mixes a meticulous depiction of the tunnelling plan with highly fictionalised American characters on motorbikes. But there is a stranger part of the story which starts where the film leaves off, and reveals the real history behind the nation-building legend. The British Government vowed to avenge the murders, and within weeks of the war's end, sent RAF investigators into the ruins of Germany, with orders to track down the killers, and bring them to exemplary justice. Award-winning dramatist Robin Brooks and internationally best-selling novelist Robert Radcliffe tell the extraordinary story of the escape, the murders, and the postwar manhunt in the chaos of divided Germany, through the eyes of one of the senior investigating officers: a straightforward by-the-book detective from Blackpool CID.</itunes:subtitle><itunes:summary>n the spring of 1943, a group of Air Force officers began work on an ambitious plan to tunnel their way out of a German POW camp called Stalag Luft Three. A year later the tunnel was ready and seventy-six made their escape. All but three were recaptured, but fifty were then systematically executed on orders from German High Command. This much was made internationally famous by Hollywood in the film The Great Escape, which mixes a meticulous depiction of the tunnelling plan with highly fictionalised American characters on motorbikes. But there is a stranger part of the story which starts where the film leaves off, and reveals the real history behind the nation-building legend. The British Government vowed to avenge the murders, and within weeks of the war's end, sent RAF investigators into the ruins of Germany, with orders to track down the killers, and bring them to exemplary justice. Award-winning dramatist Robin Brooks and internationally best-selling novelist Robert Radcliffe tell the extraordinary story of the escape, the murders, and the postwar manhunt in the chaos of divided Germany, through the eyes of one of the senior investigating officers: a straightforward by-the-book detective from Blackpool CID.</itunes:summary></item>
        <item>
            <title>Cool Water Murder by Chris O'Connell</title>
            <description>A hotel on a remote and crumbling headland.

There is only one guest and everyone has a motive to murder.

Kitchen knives go missing, stairs creak and surprises lurk in locked rooms.

Will there be a victim before the sea takes its sacrifice?

Starring Estelle Kohler and Robert Whelen.

Disturbing psychological thriller written by Chris O'Connell.

Heather .... Estelle Kohler
Drew .... Robert Whelen
Lawrence .... Jim Pyke
Lisa .... Annabelle Dowler
Danny .... Paul Rattray
Griffin .... Trevor Harrison

Music by Derek Nesbitt.

Director: Sue Wilson

First broadcast on BBC Radio 4 in October 2001.</description>
            <guid>https://huffduffer.com/TimesPastOTR/715154</guid>
            <link>https://huffduffer.com/TimesPastOTR/715154</link>
            <enclosure length="0" type="audio/mpeg" url="https://2044105-857733632051567.preview.editmysite.com/uploads/2/0/4/4/2044105/cool_water_murder_2001-10-06.mp3"/>
            <pubDate>Tue, 5 May 2026 02:14:56 GMT</pubDate>
            <itunes:image href="https://huffduffer.com/images/podcast.jpg"/>
        <itunes:explicit/><itunes:subtitle>A hotel on a remote and crumbling headland. There is only one guest and everyone has a motive to murder. Kitchen knives go missing, stairs creak and surprises lurk in locked rooms. Will there be a victim before the sea takes its sacrifice? Starring Estelle Kohler and Robert Whelen. Disturbing psychological thriller written by Chris O'Connell. Heather .... Estelle Kohler Drew .... Robert Whelen Lawrence .... Jim Pyke Lisa .... Annabelle Dowler Danny .... Paul Rattray Griffin .... Trevor Harrison Music by Derek Nesbitt. Director: Sue Wilson First broadcast on BBC Radio 4 in October 2001.</itunes:subtitle><itunes:summary>A hotel on a remote and crumbling headland. There is only one guest and everyone has a motive to murder. Kitchen knives go missing, stairs creak and surprises lurk in locked rooms. Will there be a victim before the sea takes its sacrifice? Starring Estelle Kohler and Robert Whelen. Disturbing psychological thriller written by Chris O'Connell. Heather .... Estelle Kohler Drew .... Robert Whelen Lawrence .... Jim Pyke Lisa .... Annabelle Dowler Danny .... Paul Rattray Griffin .... Trevor Harrison Music by Derek Nesbitt. Director: Sue Wilson First broadcast on BBC Radio 4 in October 2001.</itunes:summary></item>
        <item>
            <title>Harold Pinter’s The Dreaming Child</title>
            <description>Adapted from the novel by Karen Blixen

The story follows Emily, a woman in 1868 Bristol haunted by a lost love, who adopts a slum child named Jack who seems to have eerie, intimate knowledge of her past.</description>
            <guid>https://huffduffer.com/TimesPastOTR/714648</guid>
            <link>https://huffduffer.com/TimesPastOTR/714648</link>
            <enclosure length="0" type="audio/mpeg" url="https://ia601800.us.archive.org/11/items/BBC-Pinter/2015-05-07%20The%20Dreaming%20Child%20%28BBC%20Unmade%20Movies%29.mp3"/>
            <pubDate>Wed, 8 Apr 2026 02:52:24 GMT</pubDate>
            <itunes:image href="https://huffduffer.com/images/podcast.jpg"/>
        <itunes:explicit/><itunes:subtitle>Adapted from the novel by Karen Blixen The story follows Emily, a woman in 1868 Bristol haunted by a lost love, who adopts a slum child named Jack who seems to have eerie, intimate knowledge of her past.</itunes:subtitle><itunes:summary>Adapted from the novel by Karen Blixen The story follows Emily, a woman in 1868 Bristol haunted by a lost love, who adopts a slum child named Jack who seems to have eerie, intimate knowledge of her past.</itunes:summary></item>
        <item>
            <title>Agatha Christie - The Harlequin Tea Set</title>
            <description>It’s been many years since Mr. Satterthwaite has seen Mr. Harley Quin, so when Satterthwaite, awaiting his broken down car, goes to a tea shop called the Harlequin café, he begins to think of his friend.

A self-described snob, Satterthwaite orders coffee and examines the coloured china when a bolt of sunlight comes in and the very same Mr. Quin walks through the door. Enigmatic as ever Mr. Quin and his diligent dog Hermes stay for a Turkish coffee with the excitable Satterthwaite whilst the car is fixed, and Satterthwaite cannot help but bore Mr. Quin with the very long history of the family he is off to visit.

Their conversation is interrupted by the abrupt entrance of the member of that very same family intent upon replacing her harlequin cups. Satterthwaite desperately persuades Quin to accompany him, but, all the bereft Satterthwaite is left with is one word, ‘Daltonism.’ What is the importance of Quin turning up at the tea shop on that day and what does that word have to do with anything?</description>
            <guid>https://huffduffer.com/TimesPastOTR/714512</guid>
            <link>https://huffduffer.com/TimesPastOTR/714512</link>
            <enclosure length="0" type="audio/mpeg" url="https://dn721503.ca.archive.org/0/items/0001-harlequin-tea-set/0001_HarlequinTeaSet.mp3"/>
            <pubDate>Sat, 4 Apr 2026 18:47:30 GMT</pubDate>
            <itunes:image href="https://huffduffer.com/images/podcast.jpg"/>
        <itunes:explicit/><itunes:subtitle>It’s been many years since Mr. Satterthwaite has seen Mr. Harley Quin, so when Satterthwaite, awaiting his broken down car, goes to a tea shop called the Harlequin café, he begins to think of his friend. A self-described snob, Satterthwaite orders coffee and examines the coloured china when a bolt of sunlight comes in and the very same Mr. Quin walks through the door. Enigmatic as ever Mr. Quin and his diligent dog Hermes stay for a Turkish coffee with the excitable Satterthwaite whilst the car is fixed, and Satterthwaite cannot help but bore Mr. Quin with the very long history of the family he is off to visit. Their conversation is interrupted by the abrupt entrance of the member of that very same family intent upon replacing her harlequin cups. Satterthwaite desperately persuades Quin to accompany him, but, all the bereft Satterthwaite is left with is one word, ‘Daltonism.’ What is the importance of Quin turning up at the tea shop on that day and what does that word have to do with anything?</itunes:subtitle><itunes:summary>It’s been many years since Mr. Satterthwaite has seen Mr. Harley Quin, so when Satterthwaite, awaiting his broken down car, goes to a tea shop called the Harlequin café, he begins to think of his friend. A self-described snob, Satterthwaite orders coffee and examines the coloured china when a bolt of sunlight comes in and the very same Mr. Quin walks through the door. Enigmatic as ever Mr. Quin and his diligent dog Hermes stay for a Turkish coffee with the excitable Satterthwaite whilst the car is fixed, and Satterthwaite cannot help but bore Mr. Quin with the very long history of the family he is off to visit. Their conversation is interrupted by the abrupt entrance of the member of that very same family intent upon replacing her harlequin cups. Satterthwaite desperately persuades Quin to accompany him, but, all the bereft Satterthwaite is left with is one word, ‘Daltonism.’ What is the importance of Quin turning up at the tea shop on that day and what does that word have to do with anything?</itunes:summary></item>
        <item>
            <title>Drama On 3 - Tennessee Williams - Spring Storm</title>
            <description>SPRING STORM by Tennessee Williams. A radio adaptation of the Royal and Derngate, Northampton production, broadcast to mark the centenary of the playwright's birth. Heavenly Critchfield has almost everything a young woman could desire, but when she's forced to decide between respectable suitor Arthur and handsome, wild lover Dick, her actions cause a chain of consequences that tear their lives apart.

Tennessee Williams was born on 26th March, 1911. 'Spring Storm', one of his first plays, was written in 1937, when he was twenty-six. It didn't receive its first production until 1995 in Berkeley. The European Premier took place at the Royal &amp; Derngate Northampton on 15 October 2009, running alongside Beyond the Horizon by Eugene O'Neill. Both productions subsequently transferred to the Royal National Theatre in 2010 to the Cottesloe Theatre.</description>
            <guid>https://huffduffer.com/TimesPastOTR/714484</guid>
            <link>https://huffduffer.com/TimesPastOTR/714484</link>
            <enclosure length="0" type="audio/mpeg" url="https://2044105-857733632051567.preview.editmysite.com/uploads/2/0/4/4/2044105/williams_tennessee-110306-spring_storm-b-drama_on_3-_bbcr3_.mp3"/>
            <pubDate>Thu, 2 Apr 2026 10:48:29 GMT</pubDate>
            <itunes:image href="https://huffduffer.com/images/podcast.jpg"/>
        <itunes:explicit/><itunes:subtitle>SPRING STORM by Tennessee Williams. A radio adaptation of the Royal and Derngate, Northampton production, broadcast to mark the centenary of the playwright's birth. Heavenly Critchfield has almost everything a young woman could desire, but when she's forced to decide between respectable suitor Arthur and handsome, wild lover Dick, her actions cause a chain of consequences that tear their lives apart. Tennessee Williams was born on 26th March, 1911. 'Spring Storm', one of his first plays, was written in 1937, when he was twenty-six. It didn't receive its first production until 1995 in Berkeley. The European Premier took place at the Royal &amp; Derngate Northampton on 15 October 2009, running alongside Beyond the Horizon by Eugene O'Neill. Both productions subsequently transferred to the Royal National Theatre in 2010 to the Cottesloe Theatre.</itunes:subtitle><itunes:summary>SPRING STORM by Tennessee Williams. A radio adaptation of the Royal and Derngate, Northampton production, broadcast to mark the centenary of the playwright's birth. Heavenly Critchfield has almost everything a young woman could desire, but when she's forced to decide between respectable suitor Arthur and handsome, wild lover Dick, her actions cause a chain of consequences that tear their lives apart. Tennessee Williams was born on 26th March, 1911. 'Spring Storm', one of his first plays, was written in 1937, when he was twenty-six. It didn't receive its first production until 1995 in Berkeley. The European Premier took place at the Royal &amp; Derngate Northampton on 15 October 2009, running alongside Beyond the Horizon by Eugene O'Neill. Both productions subsequently transferred to the Royal National Theatre in 2010 to the Cottesloe Theatre.</itunes:summary></item>
        <item>
            <title>JCW Brook - The Bognor Regis Vampire</title>
            <description>"Forgive me for being personal, but you have several peculiarities: your teeth, white face and staring, red eyes ... the fact that our mahogany mirror over the fireplace seems to ignore your existence - and what are you doing in Bognor Regis?"

A couple receives an unusually diabolical visitor, but this guest may get more than he bargained for...

Starring Margot Boyd and Philip Voss.

Written by JCW Brook.</description>
            <guid>https://huffduffer.com/TimesPastOTR/714483</guid>
            <link>https://huffduffer.com/TimesPastOTR/714483</link>
            <enclosure length="0" type="audio/mpeg" url="https://2044105-857733632051567.preview.editmysite.com/uploads/2/0/4/4/2044105/brook_790525_the_bognor_regis_vampire.mp3"/>
            <pubDate>Thu, 2 Apr 2026 10:36:13 GMT</pubDate>
            <itunes:image href="https://huffduffer.com/images/podcast.jpg"/>
        <itunes:explicit/><itunes:subtitle>"Forgive me for being personal, but you have several peculiarities: your teeth, white face and staring, red eyes ... the fact that our mahogany mirror over the fireplace seems to ignore your existence - and what are you doing in Bognor Regis?" A couple receives an unusually diabolical visitor, but this guest may get more than he bargained for... Starring Margot Boyd and Philip Voss. Written by JCW Brook.</itunes:subtitle><itunes:summary>"Forgive me for being personal, but you have several peculiarities: your teeth, white face and staring, red eyes ... the fact that our mahogany mirror over the fireplace seems to ignore your existence - and what are you doing in Bognor Regis?" A couple receives an unusually diabolical visitor, but this guest may get more than he bargained for... Starring Margot Boyd and Philip Voss. Written by JCW Brook.</itunes:summary></item>
        <item>
            <title>Afternoon Play - The Valley of Trelamia</title>
            <description>The Afternoon Play, 6 August 1986, 15.00-15.47
Rebroadcast on Radio 4 Extra, Sun 11 Sept 2016

John writes books about unusual phenomena around the world, but has never penetrated "our own mysterious Celtic back yard". So he travels deep into Cornwall, where he finds the Valley of Trelamia and a girl who lives at one with it ...
</description>
            <guid>https://huffduffer.com/TimesPastOTR/714482</guid>
            <link>https://huffduffer.com/TimesPastOTR/714482</link>
            <enclosure length="0" type="audio/mpeg" url="https://2044105-857733632051567.preview.editmysite.com/uploads/2/0/4/4/2044105/redgrove_860806_the_valley_of_trelamia.mp3"/>
            <pubDate>Thu, 2 Apr 2026 10:30:14 GMT</pubDate>
            <itunes:image href="https://huffduffer.com/images/podcast.jpg"/>
        <itunes:explicit/><itunes:subtitle>The Afternoon Play, 6 August 1986, 15.00-15.47 Rebroadcast on Radio 4 Extra, Sun 11 Sept 2016 John writes books about unusual phenomena around the world, but has never penetrated "our own mysterious Celtic back yard". So he travels deep into Cornwall, where he finds the Valley of Trelamia and a girl who lives at one with it ...</itunes:subtitle><itunes:summary>The Afternoon Play, 6 August 1986, 15.00-15.47 Rebroadcast on Radio 4 Extra, Sun 11 Sept 2016 John writes books about unusual phenomena around the world, but has never penetrated "our own mysterious Celtic back yard". So he travels deep into Cornwall, where he finds the Valley of Trelamia and a girl who lives at one with it ...</itunes:summary></item>
        <item>
            <title>Saturday Playhouse - The Book of Shadows</title>
            <description>Saturday Playhouse, 28th October 1995
Duration: 88 minutes

In this tale of the supernatural, journalist Ellie Rogers is sent to Norfolk to investigate witchcraft. Exceedingly sceptical, she soon witnesses some terrifying incidents which just can't be explained.</description>
            <guid>https://huffduffer.com/TimesPastOTR/714481</guid>
            <link>https://huffduffer.com/TimesPastOTR/714481</link>
            <enclosure length="0" type="audio/mpeg" url="https://2044105-857733632051567.preview.editmysite.com/uploads/2/0/4/4/2044105/cherry_951028_the_book_of_shadows.mp3"/>
            <pubDate>Thu, 2 Apr 2026 10:25:41 GMT</pubDate>
            <itunes:image href="https://huffduffer.com/images/podcast.jpg"/>
        <itunes:explicit/><itunes:subtitle>Saturday Playhouse, 28th October 1995 Duration: 88 minutes In this tale of the supernatural, journalist Ellie Rogers is sent to Norfolk to investigate witchcraft. Exceedingly sceptical, she soon witnesses some terrifying incidents which just can't be explained.</itunes:subtitle><itunes:summary>Saturday Playhouse, 28th October 1995 Duration: 88 minutes In this tale of the supernatural, journalist Ellie Rogers is sent to Norfolk to investigate witchcraft. Exceedingly sceptical, she soon witnesses some terrifying incidents which just can't be explained.</itunes:summary></item>
        <item>
            <title>McNelly Knows a Ranger</title>
            <description>After a rancher who treated him like a son is killed by a gang, Bowdrie joins McNelly's Texas Rangers to track down the killers.</description>
            <guid>https://huffduffer.com/TimesPastOTR/714480</guid>
            <link>https://huffduffer.com/TimesPastOTR/714480</link>
            <enclosure length="0" type="audio/mpeg" url="https://2044105-857733632051567.preview.editmysite.com/uploads/2/0/4/4/2044105/bowdries_law_-_01_-_mcnelly_knows_a_ranger.mp3"/>
            <pubDate>Thu, 2 Apr 2026 10:07:29 GMT</pubDate>
            <itunes:image href="https://huffduffer.com/images/podcast.jpg"/>
        <itunes:explicit/><itunes:subtitle>After a rancher who treated him like a son is killed by a gang, Bowdrie joins McNelly's Texas Rangers to track down the killers.</itunes:subtitle><itunes:summary>After a rancher who treated him like a son is killed by a gang, Bowdrie joins McNelly's Texas Rangers to track down the killers.</itunes:summary></item>
        <item>
            <title>Crime and Punishment</title>
            <description>Fyodor Dostoyevsky's romantic thriller about guilt and redemption, </description>
            <guid>https://huffduffer.com/TimesPastOTR/711946</guid>
            <link>https://huffduffer.com/TimesPastOTR/711946</link>
            <enclosure length="0" type="audio/mpeg" url="https://dn721605.ca.archive.org/0/items/miscellaneous_plays_2000-06-xx_crime_and_punishment/miscellaneous_plays_2000-06-xx_crime_and_punishment.mp3"/>
            <pubDate>Sat, 20 Dec 2025 02:56:08 GMT</pubDate>
            <itunes:image href="https://huffduffer.com/images/podcast.jpg"/>
        <itunes:explicit/><itunes:subtitle>Fyodor Dostoyevsky's romantic thriller about guilt and redemption,</itunes:subtitle><itunes:summary>Fyodor Dostoyevsky's romantic thriller about guilt and redemption,</itunes:summary></item>
        <item>
            <title>Saturday Playhouse - Sat 4th Nov 1995 - Shane</title>
            <description>Shane is the archetypal western hero: the high-plains drifter. No-one knows where he came from or where he is going, but he makes the present safe.

Adapted for radio by Nick McCarty. With Howard Keel as the narrator and Stacy Keach as Shane. </description>
            <guid>https://huffduffer.com/TimesPastOTR/711763</guid>
            <link>https://huffduffer.com/TimesPastOTR/711763</link>
            <enclosure length="0" type="audio/mpeg" url="https://ia802307.us.archive.org/15/items/jack-schaefer-shane/Jack%20Schaefer%20Shane.mp3"/>
            <pubDate>Sat, 13 Dec 2025 02:00:16 GMT</pubDate>
            <itunes:image href="https://huffduffer.com/images/podcast.jpg"/>
        <itunes:explicit/><itunes:subtitle>Shane is the archetypal western hero: the high-plains drifter. No-one knows where he came from or where he is going, but he makes the present safe. Adapted for radio by Nick McCarty. With Howard Keel as the narrator and Stacy Keach as Shane.</itunes:subtitle><itunes:summary>Shane is the archetypal western hero: the high-plains drifter. No-one knows where he came from or where he is going, but he makes the present safe. Adapted for radio by Nick McCarty. With Howard Keel as the narrator and Stacy Keach as Shane.</itunes:summary></item>
        <item>
            <title>The Saturday Playhouse 9-27-97 Close Enough To Touch</title>
            <description>"Close Enough To Touch" is the dramatised story of the loss of the submarine HMS Thetis in Liverpool Bay on 1st June, 1939, which cost 99 lives.

The HMS/M Thetis was a brand new submarine, the third of the then modern and new class of submarine boats... the "T" class boats. She was the first submarine built on Merseyside by Cammell Laird. She was the pride of the navy, of the men who built her and the men who sailed in her. To so very many, ninety nine of them, she was soon to become their tomb. On her very first dive, her very first venture into the element for which she had been designed and built, she died. Those with her, save four died too. So close to safety, with the stern above water, the steel hull that should have protected them from the dangers of the deep, became their coffin wall. Why did this tragedy happen?

The play was recorded on location at the historic warship site, Birkenhead, Merseyside.</description>
            <guid>https://huffduffer.com/TimesPastOTR/711164</guid>
            <link>https://huffduffer.com/TimesPastOTR/711164</link>
            <enclosure length="17656372" type="audio/mpeg" url="https://s3.amazonaws.com/RE-Warehouse/m/miscellaneous_plays_1997-09-27_close_enough_to_touch.mp3"/>
            <pubDate>Thu, 4 Dec 2025 01:11:37 GMT</pubDate>
            <itunes:image href="https://huffduffer.com/images/podcast.jpg"/>
        <itunes:explicit/><itunes:subtitle>"Close Enough To Touch" is the dramatised story of the loss of the submarine HMS Thetis in Liverpool Bay on 1st June, 1939, which cost 99 lives. The HMS/M Thetis was a brand new submarine, the third of the then modern and new class of submarine boats... the "T" class boats. She was the first submarine built on Merseyside by Cammell Laird. She was the pride of the navy, of the men who built her and the men who sailed in her. To so very many, ninety nine of them, she was soon to become their tomb. On her very first dive, her very first venture into the element for which she had been designed and built, she died. Those with her, save four died too. So close to safety, with the stern above water, the steel hull that should have protected them from the dangers of the deep, became their coffin wall. Why did this tragedy happen? The play was recorded on location at the historic warship site, Birkenhead, Merseyside.</itunes:subtitle><itunes:summary>"Close Enough To Touch" is the dramatised story of the loss of the submarine HMS Thetis in Liverpool Bay on 1st June, 1939, which cost 99 lives. The HMS/M Thetis was a brand new submarine, the third of the then modern and new class of submarine boats... the "T" class boats. She was the first submarine built on Merseyside by Cammell Laird. She was the pride of the navy, of the men who built her and the men who sailed in her. To so very many, ninety nine of them, she was soon to become their tomb. On her very first dive, her very first venture into the element for which she had been designed and built, she died. Those with her, save four died too. So close to safety, with the stern above water, the steel hull that should have protected them from the dangers of the deep, became their coffin wall. Why did this tragedy happen? The play was recorded on location at the historic warship site, Birkenhead, Merseyside.</itunes:summary></item>
        <item>
            <title>Saturday Drama - Red Velvet</title>
            <description>
Red Velvet
Saturday Drama

by Lolita Chakrabarti.

Adrian Lester stars in a radio version of the Tricycle Theatre's award-winning production, directed by Indhu Rubasingham, about the first black actor of note to play Othello.

The Theatre Royal, Covent Garden, 1833. Edmund Kean, the greatest actor of his generation, has collapsed on stage whilst playing Othello. A young black American actor has been asked to take over the role. But as the public riot in the streets over the abolition of slavery, how will the cast, critics and audience react to the revolution taking place in the theatre?

Imagined experiences based on the true story of Ira Aldridge.

Lolita Chakrabarti won Most Promising Playwright at The Evening Standard Awards and the Critics' Circle Awards after the 2012 run of Red Velvet at The Tricycle. Adrian Lester's performance earned him the Best Actor Award at the Critics' Circle Awards.

Music by Paul Englishby

Directed by Indhu Rubasingham
Studio Production by Anne Bunting, Keith Graham and Mike Etherden
Produced by Abigail le Fleming</description>
            <guid>https://huffduffer.com/TimesPastOTR/711059</guid>
            <link>https://huffduffer.com/TimesPastOTR/711059</link>
            <enclosure length="0" type="audio/mpeg" url="https://www.mediafire.com/file_premium/xk08n5lxfibicv3/Red_Velvet_2014-07-19.mp3"/>
            <pubDate>Fri, 28 Nov 2025 01:13:54 GMT</pubDate>
            <itunes:image href="https://huffduffer.com/images/podcast.jpg"/>
        <itunes:explicit/><itunes:subtitle>Red Velvet Saturday Drama by Lolita Chakrabarti. Adrian Lester stars in a radio version of the Tricycle Theatre's award-winning production, directed by Indhu Rubasingham, about the first black actor of note to play Othello. The Theatre Royal, Covent Garden, 1833. Edmund Kean, the greatest actor of his generation, has collapsed on stage whilst playing Othello. A young black American actor has been asked to take over the role. But as the public riot in the streets over the abolition of slavery, how will the cast, critics and audience react to the revolution taking place in the theatre? Imagined experiences based on the true story of Ira Aldridge. Lolita Chakrabarti won Most Promising Playwright at The Evening Standard Awards and the Critics' Circle Awards after the 2012 run of Red Velvet at The Tricycle. Adrian Lester's performance earned him the Best Actor Award at the Critics' Circle Awards. Music by Paul Englishby Directed by Indhu Rubasingham Studio Production by Anne Bunting, Keith Graham and Mike Etherden Produced by Abigail le Fleming</itunes:subtitle><itunes:summary>Red Velvet Saturday Drama by Lolita Chakrabarti. Adrian Lester stars in a radio version of the Tricycle Theatre's award-winning production, directed by Indhu Rubasingham, about the first black actor of note to play Othello. The Theatre Royal, Covent Garden, 1833. Edmund Kean, the greatest actor of his generation, has collapsed on stage whilst playing Othello. A young black American actor has been asked to take over the role. But as the public riot in the streets over the abolition of slavery, how will the cast, critics and audience react to the revolution taking place in the theatre? Imagined experiences based on the true story of Ira Aldridge. Lolita Chakrabarti won Most Promising Playwright at The Evening Standard Awards and the Critics' Circle Awards after the 2012 run of Red Velvet at The Tricycle. Adrian Lester's performance earned him the Best Actor Award at the Critics' Circle Awards. Music by Paul Englishby Directed by Indhu Rubasingham Studio Production by Anne Bunting, Keith Graham and Mike Etherden Produced by Abigail le Fleming</itunes:summary></item>
        <item>
            <title>Roy Orbison: In Dreams</title>
            <description>One-hour music intensive documentary presents rock music legend, Roy Orbison, through his own words and music, and comments by artists inspired by his legacy. Interview subjects include Roy Orbison, himself, recorded throughout his career, Chet Atkins, Bruce Springsteen, Don Was, Jeff Lynne, Barry, Maurice &amp; Robin Gibb, former Monument Records president Fred Foster, and others.</description>
            <guid>https://huffduffer.com/TimesPastOTR/710984</guid>
            <link>https://huffduffer.com/TimesPastOTR/710984</link>
            <enclosure length="0" type="audio/mpeg" url="https://2044105-857733632051567.preview.editmysite.com/uploads/2/0/4/4/2044105/roy_orbison_in_dreams.mp3"/>
            <pubDate>Sun, 23 Nov 2025 18:58:53 GMT</pubDate>
            <itunes:image href="https://huffduffer.com/images/podcast.jpg"/>
        <itunes:explicit/><itunes:subtitle>One-hour music intensive documentary presents rock music legend, Roy Orbison, through his own words and music, and comments by artists inspired by his legacy. Interview subjects include Roy Orbison, himself, recorded throughout his career, Chet Atkins, Bruce Springsteen, Don Was, Jeff Lynne, Barry, Maurice &amp; Robin Gibb, former Monument Records president Fred Foster, and others.</itunes:subtitle><itunes:summary>One-hour music intensive documentary presents rock music legend, Roy Orbison, through his own words and music, and comments by artists inspired by his legacy. Interview subjects include Roy Orbison, himself, recorded throughout his career, Chet Atkins, Bruce Springsteen, Don Was, Jeff Lynne, Barry, Maurice &amp; Robin Gibb, former Monument Records president Fred Foster, and others.</itunes:summary></item>
        <item>
            <title>Elvis: The Early Years</title>
            <description>Elvis grows from his childhood in Tupelo and Memphis to become, at various times, the King of Rock &amp; Roll, a threat to America's moral fiber, an honorable soldier serving his country, and one of Hollywood's biggest film stars. Close friends (Jerry Schilling, Patty Parry) and historians (Pete Guralnick, Ernst Jorgensen) detail his earliest influences, struggles and successes on his path to stardom alongside Elvis' own words and some of his best known recordings. As his popularity grew, he consistently earned more respect from those who initial saw him as a threat to American youth. By the 1960s, Elvis was the ultimate symbol of goodness, thanks to his two years in the army and his dizzying production schedule of 31 movies in eight years.</description>
            <guid>https://huffduffer.com/TimesPastOTR/710983</guid>
            <link>https://huffduffer.com/TimesPastOTR/710983</link>
            <enclosure length="0" type="audio/mpeg" url="https://2044105-857733632051567.preview.editmysite.com/uploads/2/0/4/4/2044105/elvis_the_early_years.mp3"/>
            <pubDate>Sun, 23 Nov 2025 18:33:38 GMT</pubDate>
            <itunes:image href="https://huffduffer.com/images/podcast.jpg"/>
        <itunes:explicit/><itunes:subtitle>Elvis grows from his childhood in Tupelo and Memphis to become, at various times, the King of Rock &amp; Roll, a threat to America's moral fiber, an honorable soldier serving his country, and one of Hollywood's biggest film stars. Close friends (Jerry Schilling, Patty Parry) and historians (Pete Guralnick, Ernst Jorgensen) detail his earliest influences, struggles and successes on his path to stardom alongside Elvis' own words and some of his best known recordings. As his popularity grew, he consistently earned more respect from those who initial saw him as a threat to American youth. By the 1960s, Elvis was the ultimate symbol of goodness, thanks to his two years in the army and his dizzying production schedule of 31 movies in eight years.</itunes:subtitle><itunes:summary>Elvis grows from his childhood in Tupelo and Memphis to become, at various times, the King of Rock &amp; Roll, a threat to America's moral fiber, an honorable soldier serving his country, and one of Hollywood's biggest film stars. Close friends (Jerry Schilling, Patty Parry) and historians (Pete Guralnick, Ernst Jorgensen) detail his earliest influences, struggles and successes on his path to stardom alongside Elvis' own words and some of his best known recordings. As his popularity grew, he consistently earned more respect from those who initial saw him as a threat to American youth. By the 1960s, Elvis was the ultimate symbol of goodness, thanks to his two years in the army and his dizzying production schedule of 31 movies in eight years.</itunes:summary></item>
        <item>
            <title>Afternoon Drama - The Queen of Spades (1997)</title>
            <description>The 1997 BBC radio adaptation of "The Queen of Spades" was a 90-minute drama based on Alexander Pushkin's famous short story. This version aired as part of BBC Radio 4’s Afternoon Drama series and featured Greg Wise and Amanda Root in leading roles. The adaptation was written by Michelene Wandor, who is known for her radio plays and dramatizations of classic literature.

This production is distinct from opera or other adaptations and is a dramatized version specifically created for BBC radio, emphasizing atmosphere, character, and suspense true to Pushkin’s source material.</description>
            <guid>https://huffduffer.com/TimesPastOTR/710945</guid>
            <link>https://huffduffer.com/TimesPastOTR/710945</link>
            <enclosure length="0" type="audio/mpeg" url="https://the-eye.eu/public/Radio/otrr.org/Library%20Files/B%20Series/BBC/BBC%20970308%20Queen%20of%20Spades%28%20stereo%29_OTRRPG.mp3"/>
            <pubDate>Fri, 21 Nov 2025 02:32:59 GMT</pubDate>
            <itunes:image href="https://huffduffer.com/images/podcast.jpg"/>
        <itunes:explicit/><itunes:subtitle>The 1997 BBC radio adaptation of "The Queen of Spades" was a 90-minute drama based on Alexander Pushkin's famous short story. This version aired as part of BBC Radio 4’s Afternoon Drama series and featured Greg Wise and Amanda Root in leading roles. The adaptation was written by Michelene Wandor, who is known for her radio plays and dramatizations of classic literature. This production is distinct from opera or other adaptations and is a dramatized version specifically created for BBC radio, emphasizing atmosphere, character, and suspense true to Pushkin’s source material.</itunes:subtitle><itunes:summary>The 1997 BBC radio adaptation of "The Queen of Spades" was a 90-minute drama based on Alexander Pushkin's famous short story. This version aired as part of BBC Radio 4’s Afternoon Drama series and featured Greg Wise and Amanda Root in leading roles. The adaptation was written by Michelene Wandor, who is known for her radio plays and dramatizations of classic literature. This production is distinct from opera or other adaptations and is a dramatized version specifically created for BBC radio, emphasizing atmosphere, character, and suspense true to Pushkin’s source material.</itunes:summary></item>
        <item>
            <title>The Lux Radio Theatre. November 04, 1945. CBS net. "Destry Rides Again".</title>
            <description>The classic western story about a strange lawman and his unusual methods. Jimmy Stewart, Joan Blondell.
William Keighley (host), John Milton Kennedy (announcer), Thomas Hanlon (second announcer), Louis Silvers (music director), Frances Robinson, Leo Cleary, Ken Christy, Noreen Gammill, Tommy Cook, Charles Seel (doubles), Dorothy Scott, Joseph Du Val, Ruby Dandridge, Tyler McVey (doubles), Franklyn Parker (doubles), Doris Singleton (singing voice for Joan Blondell, commercial spokesman: as "Libby"), Truda Marson (commercial spokesman: as Merle Oberon), Nancy Gates (intermission guest), Felix Jackson (screenwriter), Gertrude Purcell (screenwriter), Henry Myers (screenwriter), Max Brand (author), Fred MacKaye (director), Sanford Barnett (adaptor), Charlie Forsyth (sound effects), </description>
            <guid>https://huffduffer.com/TimesPastOTR/710646</guid>
            <link>https://huffduffer.com/TimesPastOTR/710646</link>
            <enclosure length="0" type="audio/mpeg" url="https://dn721304.ca.archive.org/0/items/OTRR_Lux_Radio_Theatre_Season_12_Singles/Lux_Radio_Theatre_45-11-05_500_Destry_Rides_Again_AFRS.mp3"/>
            <pubDate>Mon, 3 Nov 2025 03:26:22 GMT</pubDate>
            <itunes:image href="https://huffduffer.com/images/podcast.jpg"/>
        <itunes:explicit/><itunes:subtitle>The classic western story about a strange lawman and his unusual methods. Jimmy Stewart, Joan Blondell. William Keighley (host), John Milton Kennedy (announcer), Thomas Hanlon (second announcer), Louis Silvers (music director), Frances Robinson, Leo Cleary, Ken Christy, Noreen Gammill, Tommy Cook, Charles Seel (doubles), Dorothy Scott, Joseph Du Val, Ruby Dandridge, Tyler McVey (doubles), Franklyn Parker (doubles), Doris Singleton (singing voice for Joan Blondell, commercial spokesman: as "Libby"), Truda Marson (commercial spokesman: as Merle Oberon), Nancy Gates (intermission guest), Felix Jackson (screenwriter), Gertrude Purcell (screenwriter), Henry Myers (screenwriter), Max Brand (author), Fred MacKaye (director), Sanford Barnett (adaptor), Charlie Forsyth (sound effects),</itunes:subtitle><itunes:summary>The classic western story about a strange lawman and his unusual methods. Jimmy Stewart, Joan Blondell. William Keighley (host), John Milton Kennedy (announcer), Thomas Hanlon (second announcer), Louis Silvers (music director), Frances Robinson, Leo Cleary, Ken Christy, Noreen Gammill, Tommy Cook, Charles Seel (doubles), Dorothy Scott, Joseph Du Val, Ruby Dandridge, Tyler McVey (doubles), Franklyn Parker (doubles), Doris Singleton (singing voice for Joan Blondell, commercial spokesman: as "Libby"), Truda Marson (commercial spokesman: as Merle Oberon), Nancy Gates (intermission guest), Felix Jackson (screenwriter), Gertrude Purcell (screenwriter), Henry Myers (screenwriter), Max Brand (author), Fred MacKaye (director), Sanford Barnett (adaptor), Charlie Forsyth (sound effects),</itunes:summary></item>
    </channel>
</rss>