Summary

• OUR LEGACY has officially launched its new WORK SHOP SPORT collection, a seasonal offering designed to serve as the athletic core of the brand
• The 18-piece capsule features outerwear, jersey staples, and new activewear silhouettes constructed primarily from deadstock and residual technical fabrics
• The performance-driven collection is available globally starting today, April 17

OUR LEGACY is officially stepping into the activewear space with the launch of its new WORK SHOP SPORT collection. Designed specifically for the everyday athlete, the seasonal offering seamlessly merges high-level technical performance with the Swedish brand's signature relaxed aesthetics. Inspired by the active lifestyles of visionary thinkers, the capsule is built to encourage movement as an essential daily practice for creative output.

Focused heavily on multifunctional use, the 18-piece capsule is designed to allow wearers to smoothly transition from intense physical activity to moments of rest and the remainder of their day. The comprehensive lineup ranges across outerwear, jersey basics, trousers, shorts, and accessories, with a strong commitment to sustainable manufacturing. The majority of the garments creatively utilize deadstock and residual technical performance fabrics.

Familiar OUR LEGACY staples have been uniquely reimagined for the gym, studio, and trail. The brand's signature Blouson Jacket has been updated in a highly breathable mesh, arriving alongside the WORK SHOP Hood and Box Tee, both crafted from premium Portuguese organic cotton and finished with functional reflective prints. Pushing into new territory, the collection also introduces fresh, movement-focused silhouettes including Half Tights, Sports Shorts, and a specialized Running Gilet.

To properly visualize the ethos of the new line, the brand released a unique short film shot by the athletes themselves. The campaign follows a diverse cast of runners, rock climbers, Muay Thai boxers, snowboarders, ballet dancers, skateboarders, fencers, and Tai Chi practitioners, ultimately celebrating those who move for joy, curiosity, and creativity rather than just pure competition.

The highly anticipated WORK SHOP SPORT collection officially launches globally today, April 17. Fans looking to upgrade their activewear rotation can shop the full 18-piece capsule online through OUR LEGACY's official web store as well as at select flagship locations worldwide.

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Name: Patta x Nike Mercurial Vapor 16 Elite FG "Chrome"
Colorway: Chrome/Black-White
SKU: IQ3365-001
MSRP: $320 USD
Release Date: Summer 2026
Where to Buy: Nike

Amsterdam-based streetwear label Patta is bringing its signature aesthetic back to the pitch with a massive new Nike collaboration. As excitement continues to build on the road to the 2026 FIFA World Cup, the long-time duo has officially unveiled the striking Patta x Nike Mercurial Vapor 16 Elite FG "Chrome," delivering a high-performance football boot loaded with premium, streetwear-inspired appeal.

Following up on the previously revealed "Noise Aqua" pair, this new iteration leans heavily into a sharp, high-contrast aesthetic. The upper is enveloped in a shimmering chrome finish, dynamically split from left to right by mismatched black and white wave overlays. This specific color blocking serves as a direct, clever nod to Patta’s highly coveted Nike Air Max 1 "Waves" series, seamlessly merging elements of the "Black" and "White" sneaker iterations into a single, cohesive boot.

Rounding out the pitch-ready design, the boots feature cream laces to slightly soften the aggressive metallic exterior, while a vibrant iridescent soleplate adds an extra flash of speed-driven energy underfoot. Subtle collaborative touches are present throughout, including mini Swooshes near the forefoot, "UNITE" badging on the lateral heel, and custom Patta Air Zoom branding on the back.

Arriving in special "Team Patta" packaging to elevate the release beyond just the footwear, the mismatch theme perfectly ties the brand's visual identity into a model that already carries plenty of momentum. With the World Cup rapidly approaching, this collaboration stands out as one of the most distinctive and culturally relevant football releases on the calendar.

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Summary

• Kering shares dropped 9.3% to €254 after reporting a 6.2% decrease in overall first-quarter revenues, which landed at €3.57 billion EUR

• Flagship brand Gucci saw revenues fall 14.3% (8% organically) to €1.35 billion EUR, indicating a slower-than-anticipated turnaround for the house

• Investors are now looking toward Kering's upcoming Capital Markets Day, where new CEO Luca de Meo is expected to outline his "ReconKering" strategic roadmap

The luxury sector continues to face significant macroeconomic headwinds, and Kering is feeling the immediate impact. Shares in the French luxury conglomerate dropped 9.3% to €254 EUR in Paris following a lackluster first-quarter earnings report. The steep decline underscores that the highly anticipated turnaround at its star brand, Gucci, is taking more time than investors initially hoped, a challenge further exacerbated by a volatile global economy and ongoing conflicts in the Middle East.

For the first three months of 2026, Kering reported that overall revenues decreased by 6.2% to €3.57 billion EUR, though they managed to remain flat in organic terms. The primary drag on the balance sheet was Gucci, which saw its revenues fall 14.3% on a reported basis to €1.35 billion EUR (an 8% drop organically). While the group's wider portfolio includes fashion heavyweights like Saint Laurent, Balenciaga, and Bottega Veneta, the rare bright spots for the quarter were notably isolated to its jewelry and eyewear divisions.

With the broader luxury rebound that equity analysts expected for 2026 yet to materialize, all eyes are now on Kering's upcoming Capital Markets Day in Florence. According to Citi analyst Thomas Chauvet, the Q1 figures are taking a "secondary" back seat to the highly anticipated "ReconKering" roadshow, where new chief executive officer Luca de Meo is slated to officially unveil his strategic roadmap. Analysts maintain that the group's share support will rely heavily on cost discipline, easing financial leverage, and the successful execution of Gucci's creative direction under Demna.

Kering's immediate struggles mirror a wider cooling trend across the European luxury market. Competitor Hermès saw its shares drop 8.2% following soft first-quarter sales that largely missed expectations across most categories. Meanwhile, industry leader LVMH managed to eke out a modest 1% organic growth in Q1, keeping its shares relatively stable with a 0.1% bump, while Richemont eased 1.9% ahead of its upcoming annual results in May.

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All of the biggest music headlines in one place and playlist. Updated live throughout the week.

Earl Sweatshirt and SURF GANG Deliver Peak Nostalgia in "Chicago" Video

In every visual from Earl Sweatshirt, MIKE, and SURF GANG's collaborative POMPEII // UTILITY project, the unit is seen in its natural form. "Chicago" is no exception; it just also includes nostalgic, lo-fi filters and green screen edits throughout. "Typa shit you'd see on MTV at 3 AM in 2011," reads the top YouTube comment.

JT Goes "Numb"

City Cinderella is back. After popping out at Little Simz's Weekend One Coachella Set on Sunday afternoon, JT has shared her first studio single of 2026, a high-octane offering entitled "Numb." The track continues to expound JT's artistic range, spotlighting her versatility and putting her ability to traverse across genres on full display.

21 Savage x Young Nudy x Gabriel Moses

Ever Latto dropped off "Business & Personal," fans have been eyeing 21 Savage's next move. Earlier this week, the rapper took to social media to announce he would release something new on Thursday. And he did. Although it's not new music, but instead a striking new visual. The WHAT HAPPENED TO THE STREETS? cut "STEPBROTHERS" features Young Nudy on lyrics, but now the duo enlists the likes of a third contributor to handle the visual component. Gabriel Moses gets behind the lens for the song's music video, envisioning Atlanta's underbelly through his singular creative vision. Read more here.

Isaiah Rashad Revs Up Rollout, Revealing Cover Art, Tracklist, and Merch

 

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Last week, Isaiah Rashad confirmed the imminent arrival of his newest studio record, It's Been Awful, ushering in the era with lead single "SAME SH!T" Zay is wasting no time with this rollout, returning this week with the project's official cover art, tracklist, and inaugural merch slate. The album is confirmed to span 16 songs and feature SZA, Dominic Fike, and Julian Sintonia. Thus far, the accompanying merch spans hoodies stamped with the graphic we saw circulating online last week, as well as a lineup of stylized vinyls. Swipe through it all above.

Jim Legxacy Levels Our Expectations

After Jim Legxacy dropped "idk idk" at the end of March, many fans started suspecting (or merely manifesting) an album drop. Legxacy never really clarified one way or another, up until this week, taking to X to confirm that he is, in fact, working on a project – it just might take a little time. "i am working on my album, this may take a while, bare with," he wrote. We'll wait.

Lauryn Hill (and Fam) for Denim Tears

With Ms. Lauryn Hill in front of the lens, you can't go wrong – especially when it's Liam McRae behind the lens at the same time. For Denim Tears' latest campaign, McRae shot Ms. Hill alongside her entire family in the new collection. Read more here.

Doechii x Lady Gaga Have More in the Vault

In case you missed it, last week, Doechii and Lady Gaga dropped off the first single from the official The Devil Wears Prada soundtrack, dubbed "Runway."  The cut marks the pair's first official collaboration together, and seems to be just the first of many, as per a recent Doechii interview. “I don’t want to say too much because we have more to come, Me and Gaga, but it was amazing working with her,” Doechii shared with Entertainment. “She is truly a master at her craft, and I hope everybody is enjoying ‘Runway.’ She’s so fabulous. She inspired me so much with this record, so I’m just grateful.”

Lana Del Rey Is the Newest Bond Girl

Joining the likes of Madonna, Billie Eilish, and Adele, Lana Del Rey has shared her first Bond title track. Not for a film, but rather for the franchise's official video game, comes Del Rey's first single since February's "White Feather Hawk Tail Deer Hunter," as the game's official theme song. Entitled "First Light," the theme song sequence visual for the track is due later this week. Read more here.

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Summary

• Marvel Studios will officially re-release the 2019 blockbuster Avengers: Endgame in theaters on September 25, 2026, ahead of the upcoming Avengers: Doomsday
• Directors Joe and Anthony Russo revealed at CinemaCon that the theatrical return will feature brand-new footage added to the film's already three-hour runtime
• The release will launch Disney's new "Infinity Vision" premium large-format certification, ensuring top-tier laser projection, maximum screen size, and immersive audio

Seven years after breaking global box office records, Marvel Studios' Avengers: Endgame is heading back to the big screen. During the Walt Disney Studios presentation at CinemaCon in Las Vegas, directors Joe and Anthony Russo announced a special theatrical re-release of the 2019 blockbuster. Set to hit theaters on September 25, 2026, the massive cinematic event aims to reignite fan excitement and set the stage ahead of the franchise's highly anticipated next crossover chapter, Avengers: Doomsday.

Offering audiences much more than just a nostalgic trip down memory lane, the Russo Brothers confirmed that the theatrical return will feature brand-new, never-before-seen footage seamlessly integrated into the film. While exact details regarding the additional scenes remain tightly under wraps, the new material is widely expected to help bridge the narrative gap leading into Doomsday and the introduction of Robert Downey Jr.'s Doctor Doom.

Beyond the added footage, the Avengers: Endgame re-release will also serve as the official launchpad for Disney's newly minted "Infinity Vision" theater certification. Designed to signify the ultimate premium large-format (PLF) experience, Infinity Vision guarantees that participating auditoriums meet strict technical standards. These stringent requirements mandate the largest possible screens for maximum scale, state-of-the-art laser projection for superior brightness and clarity, and premium audio formats for fully immersive sound. The exclusive certification currently covers over 75 domestic and 300 global PLF screens.

"Disney's standards for production quality are second to none, with every single detail of a film finely tuned for an immersive experience," explained Andrew Cripps, head of theatrical distribution for The Walt Disney Studios. "Infinity Vision certification extends that commitment to the theaters themselves." As Marvel Studios prepares to enter its next major cinematic era, the return of Avengers: Endgame offers a perfect opportunity for fans to relive the epic conclusion of the Infinity Saga on the biggest and brightest screens possible. With the addition of fresh footage and the promise of the groundbreaking Infinity Vision experience, the re-release is poised to dominate the fall box office while perfectly setting the stage for the highly anticipated arrival of Avengers: Doomsday.

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Summary

• Disney has released the final trailer for the upcoming Star Wars feature film, The Mandalorian and Grogu

• The footage reveals sci-fi icon Sigourney Weaver in a classic orange flight suit, playing a New Republic colonel and former Rebel pilot named Ward

• The Pedro Pascal-led film hits theaters on May 22, 2026, and will also feature the live-action debut of Clone Wars character Embo

Disney is officially building hype for its return to a galaxy far, far away, dropping the final trailer for the highly anticipated The Mandalorian and Grogu. While previous teasers have kept specific plot details under wraps, the latest footage gives fans a thrilling first look at sci-fi legend Sigourney Weaver stepping into the expansive Star Wars universe.

The new trailer heavily spotlights Weaver, who is seen sporting the iconic orange jumpsuit famously worn by Luke Skywalker and other Rebel pilots in the original trilogy. She is set to play a character named Ward, a seasoned New Republic colonel and former Rebel pilot. The casting brilliantly brings the Alien star's storied sci-fi legacy into the beloved franchise, teasing the exciting possibility of some high-stakes space dogfighting on the big screen.

Alongside Weaver's exciting reveal, the trailer also teases the live-action debut of the fan-favorite Clone Wars bounty hunter, Embo. Naturally, the upcoming film will center on Pedro Pascal's titular Mandalorian and his adorable, Force-sensitive adopted son as they transition from Disney+ to embark on a massive new cinematic adventure. The film hits theaters on May 22, 2026.

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Summary

• Singer D4vd was arrested Thursday on suspicion of murder by the Los Angeles Police Department
• The investigation centers around the discovery of a teenager's remains inside his impounded vehicle
• Authorities are expected to present the case to the District Attorney's office on Monday

The Robbery-Homicide Division of the Los Angeles Police Department has officially arrested D4vd for the murder of missing 14-year-old Celeste Rivas Hernandez. The 21-year-old singer is currently being held without bail as the situation transitions into its next judicial phase

The arrest follows a grim discovery made in September 2025. Authorities located the Lake Elsinor, California teenager's partial, decomposed remains inside the front trunk of a 2023 Tesla Model Y, which was registered to Burke, who was on tour at the time. The vehicle had been abandoned in the Hollywood Hills before being towed to a local impound lot, where the discovery occurred.

Previously identified as a target of a grand jury investigation, the artist's apprehension marks a severe escalation in the case. Burke cancelled the rest of his tour dates shortly after the vehicle was discovered, and his label Interscope pulled the deluxe version of his album from the release calendar.

Law enforcement officials confirmed that the case will be presented to the Los Angeles County District Attorney's Office on Monday for filing consideration. As of writing, representatives for the artist have not released a formal statement regarding the arrest.

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Summary

• Norqain brings playful energy to Watches and Wonders 2026 with the Freedom Chrono Enjoy Life “Sprinkles” Special Edition
• The model debuts in multiple configurations: steel bracelet, white rubber, and white rubber with a folding clasp.
• Features include a sprinkle‑covered dial, ice‑cream date display, N19 automatic chronograph movement, and 100m water resistance

For Watches and Wonders 2026 in Geneva, Norqain launched a playful and vibrant addition to its Freedom collection with the Freedom Chrono Enjoy Life “Sprinkles” Special Edition. This timepiece is described as a colorful celebration of joy and spontaneity, drawing its creative inspiration from the carefree sweetness of summer treats. By combining whimsical design elements with a high-performance mechanical core, Norqain aims to provide a wearable reminder to savor life's little pleasures and live in the moment.

The dial is where the “Sprinkles” concept comes alive. The document describes a light blue matte dial decorated with colorful Super‑LumiNova sprinkles, paired with white counters at 3, 6, and 9 o’clock and a black tachymeter scale on a white outer ring. Diamond‑cut, rhodium‑plated hands and indexes filled with white Super‑LumiNova ensure strong legibility. A whimsical detail appears in the date window between 4 and 5 o’clock, where a soft‑serve ice cream icon replaces the numeral once every seven days — a subtle reminder to embrace small moments of joy.

The 40mm case is crafted from stainless steel, measuring 14.9mm thick with a 49.2mm lug‑to‑lug span, complete with 10 ATM of water resistance. A box‑type sapphire crystal with double anti‑reflective coating protects the dial, while the screw‑down crown and engraved Norqain plate reinforce the brand’s signature design language. The watch is delivered with either a steel bracelet or white rubber strap, and comes with a 2+1 year warranty for Norqainer Community members. Altogether, the “Sprinkles” edition blends Swiss mechanical credibility with a refreshing, personality‑driven aesthetic.

The Freedom Chrono Enjoy Life “Sprinkles” is offered in three different configurations to accommodate various stylistic preferences. The version fitted with a classic stainless steel bracelet is priced at $6,290 USD, while the model on a white rubber strap retails for $6,150 USD. A third option, featuring a white rubber strap with a folding clasp, is available for $6,350 USD. For more details, head over to Norqain's official website.

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Summary

• Bremont’s Watches and Wonders 2026 debut launches its new “Space” universe with the Supernova Chronograph and a lunar mission partnership with Astrolab
• Novelties include the Supernova Chronograph and the Altitude Chronograph Pulsograph Valjoux 23
• The collection blends space‑grade engineering, vintage chronograph heritage and limited‑edition craftsmanship

At Watches and Wonders 2026, Bremont signals a bold new era of horological exploration by officially launching its "Space" product universe with the introduction of the Supernova collection. Under the leadership of CEO Davide Cerrato, the brand has strategically pivoted from its British aviation roots toward a more cohesive, global luxury tool-watch identity. Guided by the mantra "Take It Further," Bremont’s latest mission literally reaches for the stars through a landmark partnership with American aerospace company Astrolab.

Supernova Chronograph

The Supernova Chronograph stands as Bremont’s most ambitious technical expression to date, serving as the first reference in a collection that will soon become the first British watch to reach - and stay on - the Moon. Integrated into the chassis of Astrolab’s FLIP (FLEX Lunar Innovation Platform) rover via a custom-engineered tile plate, the timepiece is scheduled to land at the lunar south pole in summer 2026. To survive the brutal conditions of the lunar environment, the watch has undergone Spacecraft Protoflight Qualification testing, exceeding expected mission conditions to validate its structural, thermal, and electrical performance.

Aesthetically, the 41mm timepiece features a futuristic angular design inspired by spacecraft geometry. Crafted from high-lustre 904L stainless steel, the case utilizes a complex sandwich-style architecture echoing Bremont’s signature "Trip-Tick" concept. It is crowned by an imposing ten-sided (decagonal) black ceramic bezel with vertically brushed top surfaces and highly polished scalloped edges.

The three-dimensional dial features a 12-sided black galvanic perforated grid - resembling solar arrays- set over a full layer of blue Super-LumiNova that creates a vivid glow in low-light conditions. At its heart beats the chronometer-rated Calibre BC77 (based on the Sellita SW500), upgraded with a Glucydur balance wheel and Anachron balance spring to provide a 62-hour power reserve. The Supernova Chronograph retails at $9,802 USD for the integrated bracelet version and $8,849 USD on rubber strap.

Altitude Chronograph Pulsograph Valjoux 23

Expanding on the successful 62GS-inspired case designs and aviation blueprints from last year, Bremont has now introduced the Altitude Chronograph Pulsograph Valjoux 23 — a technical, serious hand-wound limited edition that marries heritage soul with contemporary titanium strength. This 40-piece masterclass in "hybridization of codes" centers on a rare collection of "New Old Stock" Valjoux 23 movements, sourced and hand-finished in collaboration with the renowned high-horology atelier Chronode.

The movement, a slim column-wheel engine produced between 1916 and 1974, is celebrated for its sinuous Y-shaped bridge and sinuous architecture, now visible through an exhibition case back and regulated to Bremont’s exacting standards.

The watch wears its vintage convictions on a warm Salmon-pink dial, a shade synonymous with the great sporting chronographs of the 1930s and ‘40s. This heritage palette is given depth through a vertically brushed center dial and a grained surrounding track that houses a peripheral pulsometer scale, once a vital tool for doctors measuring human heartbeats. Housed in a 42mm brushed titanium "Trip-Tick" case with an economical depth of 12.52mm, the timepiece remains unmistakably modern in its execution while paying homage to the golden era of the wrist chronograph. The Altitude Chronograph Pulsograph Valjoux 23 is limited to 40 pieces and featires a price tag of the $33,967 USD.

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Summary

• Photographer Josie Hall is set to present her debut show at Have A Butchers in London from April 17 through May 1
• The show explores the craft of kendo, a modern Japanese martial art, visualized through her haunting, stylized signature

Discipline and ritual — in kendo, the Japanese martial art that translates to the “way of the sword,” technique is only half of the story. “What interested me was how the way of the sword correlates directly to how one operates in daily life,” photographer Josie Hall told Another about her new series, Red Patience. “It’s not just about combat, but how it acts as a framework for living: discipline, composure under pressure, responsibility and respect.”

Red Patience takes the spotlight in the London-based artist’s debut show at Have A Butchers gallery in Haggerston. Running from April 17 through May 1, the exhibition puts the lens on the centuries-old practice of kendo, translating its ritualized choreography into a suite of sublime captures.

Rather than documenting the sport straight-up, Hall fractures, bends and layers masked kendoka in large-scale prints. Across the series, figures appear suspended, saturated in chemical hues. Swordsman, ghostly overlayed atop themselves, muddy the line between opponent and self. Hall’s study of motion extends beyond still images into a collaborative video work with artist Mike Lamont. Scored by Cheng Zhuang, the moving-image piece pins down the series’ fixation on light, color and, namely, motion, capturing the tension of kendoka at rest and mid-strike.

 

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This sensitivity to form and style traces back to Hall’s early days in fashion. She first broke onto the scene by way of styling, under the wing of photographer and stylist Venetia Scott, and later Nick Knight. From this, she sharpened an instinct for surface and composition. Her eye, which drifts between documentation and dream, is seamlessly carried across her personal work, editorial projects and major fashion campaigns, for the likes of Prada, Isamaya Ffrench, Balenciaga and Martine Rose.

Kendo, then, with its balance of ancient discipline and contemporary performance, is the perfect subject. Hall’s images, at large, find home in the sweet spot between the past and present, dream and nightmare, visualizing nostalgia as its felt: wispy, fleeting and almost haunting. “I like it when you’re looking at the image and you’re not entirely sure what you’re looking at, and you question how it got to that point,” she described in a 2022 interview. “It’s about finding a limbo between both.”

Have A Butchers
1a Dunston Rd,
London E8 4FA, UK

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Lululemon has proven its prowess in the performance-wear lane, with consistent new drops that support both high-intensity training and the wind-down. But the brand has also concurrently explored a foray into the fashion realm through past collaborations with Robert Geller and Roksanda. Now, lululemon continues that fashion-forward exploration with a new SLNSH Spring 2026 Collection — and the pieces perform just as well on the streets as they do in the sports arena.

This is a multi-season partnership for the two brands, which debuted previous collections in March, June and October of 2025. Saul Nash is known for designing clothing that liberates his wearers, and often displays his collections through choreographed performances in lieu of standard runway shows. He carried that unconstrained vision over to this assortment, which prioritized breathability and modularity.

The SLNSH Spring 2026 collection includes the Perforated Define Jacket, Mesh Cutout Tank Top and Mesh Paneled High Rise Tight 28” — all pieces that maximize breathability while in motion — alongside other shorts and pants styles, a dual-length waterproof Jacket and accessories. Marrying the British designer’s freedom-focused perspective with lululemon’s innovation-led design approach, the result is an assortment of pieces that can adapt to any environment.

Though this iteration of the lululemon x SLNSH collab is brand new, Nash had been hinting at what was to come just a couple of months back. He previewed the Spring 2026 collection during his Milan Men’s Fashion Week showcase, providing a sneak peek at the versatile designs.

The lululemon x SLNSH Spring 2026 collection is now available to shop on lululemon.com and at select retailers across North America, Europe and Asia-Pacific.

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Ever since Latto stepped out with "Business & Personal," 21 Savage has been shadowing in the spotlight. "Business & Personal" not only finally gave us all the official confirmation that Latto and Savage are not only dating, but that the two also have a baby on the way; as Latto's new "Big Mama" era continues in full effect, Sav quietly stepped into the conversation to share that he, too, has new music in the works.

Today is the day some of that new music has transpired, with the rapper sticking to his "Thursday" promise he'd been pushing all over social. The first semblance of 21 Savage's new creative output isn't exactly a new track, but it's something. Lifted from the rapper's most recent studio record, WHAT HAPPENED TO THE STREETS?, 21's latest music endeavor takes the shape of a new song called "Stepbrothers," which features two stellar assists on both the sonic and visual fronts.

Young Nudy hops on "STEPBROTHERS" as the track's featured artist, marking his and Savage's eighth official in-studio collaboration and joining the lineup of canonnical classics like "EA," "Peaches & Eggplants," and Tay-K's "The Race"'s remix.

While the song itself isn't a new offering, today did reveal a solid third contributor to "STEPBROTHERS:": none other than Gabriel Moses. The visual aficionado lenses a striking portrait of Atlanta, envisioning the city's underbelly and its nocturnal alter ego that activates only at night.

Check out some backstage images from the shoot above.

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Summary

• eYe Junya Watanabe MAN reinterprets the Alpha Industries MA-1 as a reversible denim-trucker hybrid. The Japanese-made design blends olive flight nylon with washed denim, featuring deconstructed orange stitching and classic military utility.

• This collaboration continues Watanabe’s signature "hybrid" aesthetic, merging Alpha Industries’ 20th-century wartime heritage with modern, deconstructed functionality.

eYe Junya Watanabe MAN put an innovative spin on Alpha Industries' signature MA-1 bomber jacket, combining the classic military silhouette with a denim trucker jacket.

Shifting from the original flight nylon to a washed denim, the latest garment from the collaborators is reversible by design. Worn with the olive green flight nylon out, the piece maintains original details, including the arm pockets, waist pockets, and the red Alpha Industries zipper tag on the right arm. However, the denim interior fabric is used to accent the collar, placket, cuffs, and waistband. Worn with the denim side out, small panels of orange lining fabric boast inside-out stitching for a deconstructed look.

According to Alpha Industries, the first flight jacket, the A-1, was introduced by the US military after WWI in 1927; however, it wasn't until the 1960s that the company began producing bomber jackets for the US government. The later B-15 design, used in WWII, is the true blueprint for what would become Alpha Industries' MA-1. First made in blue, the MA-1 was issued in the current olive green during the Korean and Vietnam wars.

Junya Watanabe and Alpha Industries have produced multiple releases surrounding their historic designs, including a tailored rework of the WO-J904 Biker Jacket from 2025. Watanabe’s Alpha Industries collaborations complement the Japanese designer’s deconstructed aesthetic, which also played a role in other hybrid garment collabs with Carhartt and the North Face in recent years.

Made in Japan, limited quantities of the eye Junya Watanabe Man x Alpha Industries MA-1 jacket are available in-store at Alpha Industries and online.

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Lana Del Rey is the latest Bond Girl.

If you told us the follow-up to February's "White Feather Hawk Tail Deer Hunter" would be the title track for the newest James Bond video game, we surely wouldn't believe you. But a few hours ago, Del Rey went full 007 more and dropped off her second new single of 2026, "First Light," which, more notably, signals the first single to come from the imminent Bond video game.

“Bond title songs are unforgettable, and being invited to bring a new one into the world is both an honor and a truly unique experience,” Del Rey elaborated in a press statement.

The music within the James Bond universe has always played a key role in the franchise's immersive worldbuilding, contributing heavily to the 007 narrative arc. The songstress joins the ranks of an A-list bunch of musicians who have since had their hands at the James Bond title track, including Madonna, Billie Eilish, Adele, Sam Smith, Tina Turner, Jack White, and Alicia Keys.

"First Light" precedes any official details surrounding the game itself – once again cementing the sonic component of the 007-verse – though the title theme is slated to premiere tomorrow, April 17, at 10 a.m. PST across all First Light channels on X, Twitch, YouTube, Steam, and TikTok as the game becomes available for preorder at the same time.

Stream "First Light" on all streaming services now, and stay tuned as more concrete info materializes.

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Summary

• Song for the Mute and Birkenstock launch an SS26 collaboration featuring four distinct archetypes, from paint-splattered suede to black pony hair.
• Available April 16, the collection reflects SFTM’s long-standing connection to the brand, offering versatile silhouettes that range from minimalist leather to expressive, grass-printed clogs.

Australian label Song for the Mute and Birkenstock have unveiled an SS26 collaboration centered around four classic models. Instead of opting for a unified aesthetic, Song for the Mute takes an unconventional approach, designing the collection through the lenses of four distinct archetypes.

For the Artist, the suede Birkenstock London silhouette is splattered with paint as if a painter had been wearing the mules in their studio all day. For the Rebel, the Birkenstock Paris is rendered in black pony hair, putting a Mary Jane-esque silhouette in an unexpected new makeup. For the Gardener, the Birkenstock Super Birki 2.0, much like a garden clog, gets a tan rubber body and grass-print insoles. Finally, for the Birkenstock Collector, SFTM opts for a minimalist vibe in the Birkenstock Amsterdam, streamlined in polished black leather and embossed with the Birkenstock wordmark.

With a completely different silhouette and materiality for each model, SFTM has a Birkenstock for pretty much anyone: from minimalist to expressive, from clean to lived-in, and from colorful to monochromatic. To let the range speak for itself, SFTM branding is subdued and isolated to a custom metal rivet for the collaboration.

In an exclusive statement for Hypebeast, Lyna Ty of SFTM shared, “We were drawn to collaborate with Birkenstock because of its rich heritage. The brand has an incredible history and a diverse product range; it was something we felt we could relate to."

Further, co-founder Melvin Tanaya added, "We have a special connection with the brand. We have been using Birkenstock in our lookbooks throughout the years. We even created specific fabrics for it, even if it was just for the lookbook. We also have been wearing different models for years; it was always a collaboration we had in mind from our very beginning in 2011.”

The collection doesn't stop at shoes; the footwear lineup is accompanied by a complementary apparel collection, including four jumpsuits/overalls designed for each archetypal exploration.

Song for the Mute x Birkenstock will be available from April 16, 2026, at 1774.com and songforthemute.com, as well as selected retailers worldwide.

Photo: Song for the Mute x Birkenstock/Frederic Horn

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Latin culture made its presence undeniable across Weekend 1 of Coachella, not just onstage, but woven throughout the festival grounds. Installations like “Latina Foreva,” along with an off-site flea market spotlighting Latin American designers, set the tone early, hinting at a broader cultural moment taking shape in the desert led by Colombian superstar Karol G.

By Sunday night, that momentum reached its peak. Karol G closed the weekend with a historic headline performance, becoming the first Latina artist to lead Coachella’s main stage. The set marked a defining milestone, not only in her career but also in the ongoing rise of Latin music on global festival platforms.

Addressing the crowd, Karol G grounded the moment with clarity and purpose: “I am Carolina from Medellín, Colombia… this is not just about me, this is about my Latino community.”

From the opening moments, the performance remained deeply rooted in Latin identity. The use of the gaita hembra — a traditional Colombian instrument — created an immediate connection to her heritage, while the appearance of an all-women mariachi band hinted at her love for Mexican traditions.

A recurring motif emerged in the form of the macaw, symbolizing freedom, identity, and the cultural richness of Latin America. Styling, choreography, and production worked in sync to deliver a cohesive vision — one that felt both intentional and globally resonant.

Weekend 1 also featured a series of guest appearances bridging different eras and sounds within Latin music. Wisin brought a surge of energy to the stage, while Becky G joined for “MAMIII.” Mariah Angeliq appeared for “EL MAKINON,” and Arturo Sandoval added a live instrumental layer to “Ivonny Bonita.” Finally, Greg Gonzalez of Cigarettes After Sex joined in on an unreleased track.

Karol G’s headline set ultimately transcended the role of a closing performance. It reflected a larger cultural shift, one that underscores the global expansion of Latin music and its growing dominance on one of the world’s most visible stages. Across the weekend, that influence was impossible to ignore. By Sunday night, it was front and center.

Take a closer look at Karol G's weekend 1 performance at Coachella above.

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Summary

• Ulysse Nardin debuts the [Super] Freak at Watches and Wonders 2026, celebrating 180 years of the Maison and 25 years of the Freak watch
• Limited to 50 pieces, the [Super] Freak is powered by the new UN‑252 caliber, which features a world-first automatic double tourbillon carousel

Ulysse Nardin marks a monumental dual milestone this year as it celebrates 180 years since its founding in Le Locle, as well as the 25th anniversary of the icon that redefined modern horology: the Freak. To commemorate this legacy, the Maison took to Watches and Wonders in Geneva to unveil the [Super] Freak -- a timepiece the brand declared as the most complicated time-only watch ever made. This release serves as a tribute to the original 2001 Freak — a "viral moment" of its time that famously dispensed with the crown, hands and dial in favor of a rotating movement that tells the time. The [Super] Freak represents the absolute pinnacle of the collection, distilling 25 years of research and development into a single high-tech machine.

At the heart of the [Super] Freak is the entirely new in-house caliber UN-252, a mechanical powerhouse that was four years in the making. It stands as a historic milestone, featuring the world’s first automatic double tourbillon carousel. The minute bridge presents two titanium flying tourbillons, each inclined at 10 degrees and rotating in opposite directions every 60 seconds. This complex seven-plane construction results in an architecture where 97.46% of the movement is in motion, with only 13 of its 511 components remaining fixed.

The watch integrates several of Ulysse Nardin’s most significant patented inventions, including the world’s smallest differential and a newly patented gimbal system. Measuring just 4.8 mm, the gimbal ensures flawless energy transmission to the newly introduced seconds display. To provide the massive energy required to power two tourbillons, the Maison employs its Grinder® winding system, the most efficient automatic system in the industry. Aesthetics are further elevated by an hour disc rendered in transparent blue Nanosital, a high-tech polycrystalline material that reveals the automatic engine beneath.

Crafted for the most discerning collectors, the [Super] Freak is housed in a 44 mm white-gold case and is limited to just 50 timepieces. The watch is an artisanal masterpiece, with over 70% of the movement hand-finished and every single piece assembled by one Grandes Complications watchmaker over 60 hours. Head over to Ulysse Nardin's official website for more details on its availability.

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Coachella comes twice a year, and continually claims the spot as one of music’s most-watched weekends. From surprise guests to intentional art installations, the weekend is jam-packed with amusement from Friday through Sunday evening, when the headliner’s last note brings the festival to a reluctant close. But ever since Goldenvoice birthed the major musical celebration in 1999, Coachella has been about much more than just the music.

2026, thus far, has been a year full of nostalgia. Artists are leaning into their roots now more than ever before, while the masses yearn for touchpoints that bring them closer to fond memories of simpler times. This year’s “2016 trend” resurfaced many iconic symbols of Coachellas past: flower crowns, crocheted pieces, neon snapbacks — making Coachella 2026 one to watch. The festival itself celebrated a milestone 25th anniversary, while another monumental moment was christened: Karol G’s headline performance, marking the first Latina headliner in festival history. But this year in particular, there was a palpable, yet intangible excitement lingering in the air…some call that Bieber Fever.

Justin Bieber's stronghold on the weekend carried far beyond the performance component, with his Skylrk label leading the merch charge. One of the festival's most coveted on-site activations, the Skylrk Oasis was nestled in the back corner of the festival, aside the sleek merch pop-up, which housed limited-edition hoodies, eyewear, "It's Not Clocking To You" graphic tees, and other crucial festival accessories.

Mk.gee was another motif, not only appearing as a mainstay on guitar for Dijon's Friday evening set, but also appearing during "DAISES" to close out JB's Saturday night headlining spectacle.

We reported live from the desert and rounded up all of our favorite moments from the three-day festival — everything we loved from Weekend 1 below.

 

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Day 1

Kaytranada’s Set at 818 Outpost:

A Kaytranada set is always a good way to start the day. The DJ primed the crowd at 818’s Outpost event, bringing out Justine Skye to set the tone for Day 1.

Headliner Sabrina Carpenter’s Custom Dior Looks:

Sabrina Carpenter brought her signature, effervescent glam to Indio with her performance. The star’s “Sabrinawood” set paid homage to Old Hollywood and some of the icons that shaped her. As such, she had to dress the part. Dior stepped in to equip the singer with four custom looks that she donned on stage: a red sequined mini dress, a gold sequined mini dress with billowing chiffon sleeves, a white lingerie-informed look, and a black lace corseted bodysuit — the show’s swanky finale look.

Dijon Did That “Talk Down” Remix:

On Day 1, there was simply no better place to be at sunset than the Outdoor Stage for Dijon’s set. With Mk.gee on guitar, Dijon delivered an era-spanning set as the California sky changed colors behind him. A particular highlight, if we had to pick? The “Talk Down” rendition that only certain crowds get if they’re lucky.

Heineken House Served Peak Nostalgia:

Wale performed some throwbacks in the Heineken House, a stage and hangout lounge that put Heineken front and center at the festival. Plastered in green, the House served up beer and good vibes all day long. The stage brought some of the festival’s most nostalgic performances of the weekend, getting the crowd rowdy with a performance of “No Hands” by Wale and “Temperature” by Sean Paul — two 2000s era certified classics.

fakemink’s Big Stateside Festival Debut:

All eyes were on fakemink for his Friday night set. The new face of the UK underground took over the Gobi Stage for his first-ever US festival performance. Mink’s forty minutes on stage were electric, as he flipped between SoundCloud cuts and new era classics, including, of course, “LV Sandals,” “Makka,” “Easter Pink,” and “Music and Me.”

No CAP, Central Cee Rocked Custom Gap:

Gap’s presence at Coachella was palpable – literally, a large number of attendees winding up in one of the label’s limited-edition Coachella zip-up hoodies at some point before the end of the night. Though Gap’s festival fervor wasn’t limited to just the fans, as Central Cee carried a major on-stage moment for the brand. The rapper donned a custom Gap hoodie with “CAP” stamped across the middle, in Gap’s signature style.

Blood Orange Sang in Circles — Literally:

 

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Blood Orange leaves an impressionable mark on all of his music. It’s what gained him an army of loyal fans that came to support his Coachella set on Day 1. That unwavering originality is also what informed his choice to be one of the first artists to perform “In the Round,” a new stage set up at Coachella. The round stage allowed for a unique 360-degree audience view, creating a sense of intimacy no matter where you stood in the crowd.

Justin Bieber’s SKYLRK Oasis Provided a Reprieve from the Raves:

Justin Bieber’s Saturday headline appearance was enough to drive Coachella ticket demand up more than ever before. But he was making waves at the festival before he even took to the stage, with his second-ever IRL retail experience for Skylrk. His brand’s viral renderings of futuristic sunglasses and modular phone cases had fans enamored, so it was no surprise that the pop-up was nearly sold out of inventory by the end of each festival day. A relaxing oasis complemented the shopping experience, where fans could immerse themselves in surreal scenes, chill out between sets on beanbags, and take inventory of their new Skylrk swag.

The xx Played “Intro” as the Outro:

Another solid sunset moment on Day 1 was The xx’s anticipated on-stage reunion. The trio’s Coachella comeback came at about the halfway point of the first day, Romy, Jamie, and Oliver taking their places like no time at all had passed. Marking their first festival appearance in eight years, the group ran through all of the nostalgic songs like “Angels,” “VCR,” and “Crystalized,” and closed out with the iconic “Intro” as the set’s outro.

Surprises:

Carpenter refrained from bringing out a traditional surprise music guest and instead opted for theatrics to complement her dramatized set. Susan Sarandon provided an interlude, reading a monologue between songs, and Will Ferrell acted as an impromptu electrician in a humorous cameo on stage.

 

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Dijon’s raw set kept the audience captivated. Perhaps the only thing that could break their concentration was an appearance by Mk.gee, which was expected, but still just as exciting in actuality. KATSEYE also wowed fans by bringing Huntr/x stars Ejae, Rei Ami and Audrey Nuna on stage to perform “Golden” from K Pop Demon Hunters.

Lastly, Swae Lee brought his son out in a Spider-Man costume as he performed Into the Spider-Verse soundtrack hit “Sunflower,” and it was adorable. There were some other guests too, and though they weren’t dressed in Spider-Man costumes, they also made waves. His guests included Nav, Jhené Aiko and Rich the Kid.

Day 2

Hailey Bieber’s First Rhode Activation in the Desert:

The First Lady of Bieberchella had a full plate during Weekend 1, as Hailey Bieber also planned her own activation outside of the festival during the high-energy opening. The event was in celebration of Rhode’s latest collab with none other than Justin Bieber himself, and it showcased carnival-inspired games and chromed-out photo opps. The skincare brand’s newly launched peptide lip treatment flavor and acne “Spotwear” drew a buzzy crowd, making the pre-event the spot to be before the show began.

WHATMORE Brought NYC to Coachella Valley:

As WHATMORE’s breakout year continues, the New York City boy band is gearing up for a big festival run this summer. The first on the lineup was Coachella, where the gang brought the authentic NYC energy all the way to the desert. All five members donned full Advisry ‘fits, Keith Herron’s New York-based streetwear-meets-high-fashion label, as they ran through a setlist of their classic TikTok flips and debut album tracks.

A-List Spottings at Revolve Fest:

Revolve Fest continued for its 9th year, unveiling a large-scale setup so grandiose it almost competed with parts of the festival itself. An evening Don Toliver performance surely gave some attendees a tough choice to weigh. Before he took to the stage, preceded by Kehlani and a Chase B DJ set, we kept our eyes peeled for what’s known to be the recurring “influencer Olympics” of Coachella. Here’s who we spotted.

Geese Caught Bieber-Fever:

 

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Gen Z’s favorite emerging band from New York City, Geese, performed a highly anticipated set at the Gobi stage. The performance showed off Geese in their truest form — they sang fan favorites, including “Cobra” and “Trinidad,” and shuffled through Omegle roulette on screen behind them. It seems band members caught a little bit of Bieber Fever themselves mid-set, as they graced the audience with their special rendition of hit track “Baby” merged with “2122.”

The Strokes Mourning Their PinkPantheress Set-Time Overlap:

Seeing The Strokes under the stars in the desert is something everyone should experience at least once in their lives. To some, it was merely the prelude to Bieber, but to those with taste, it was the perfect opening act. Julian Casablancas, however, was more concerned with his overlapping “Man, I’m bummed. I wanted to see PinkPantheress. She’s playing at the same time as us,” he said to the crowd. “What the f*ck, man. They f*cked us.”

Bieberchella:

 

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It goes without saying that for many festival-goers, this was the main attraction. Pop mogul Justin Bieber has been on a touring hiatus since 2022. He even refrained from performing in general for a while, but his mass-watched Grammy’s performance gave fans a hopeful taste of what was to come. Little did they know his Coachella performance would stray from the undone nature of his Grammy’s offering. The star’s Coachella set was still equal parts intimate and raw because it felt like watching YouTube videos with an old friend — that friend just happens to be Justin Bieber. But the live experience of watching JB play old hits roulette with his own music was anything but pared back.

 

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A few days before Weekend 1 ensued, local Coachella Valley residents shared recordings of Justin’s throwback tracks echoing through the hills of Indio. It left fans guessing — will he really take a trip down memory lane with us all, or will he stick to SWAG? After playing some SWAG and SWAG II staples, which turned out to be exactly what Bieber did, pausing along the way to laugh at old videos of himself, and even throwing some random memes in between. The overall crowd reaction was positive. Some post-performance reviews questioned the relevance of the performance concept, but to loyal “Beliebers,” it made perfect sense. It all started on YouTube, after all.

Surprises:

Kehlani made her second appearance of the day when GIVEON brought her out as a surprise guest at the Main Stage. Their voices harmonized over her viral track, “Folded,” resulting in a resounding, buttery-smooth symphony. Sombr rose quickly from rookie artist rankings to being widely adored for his 80s-inspired sound. He united his generation with the old guard by bringing out Billy Corgan of the Smashing Pumpkins. PinkPantheress brought an unexpected fan on stage — Tyriq Withers — and crowned him as her “Romeo.”

Day 3

The Guess Compound’s VERDY Installations:

Guess hosts content creators and celebrities from its community every year in Indio, welcoming them to the Guess Compound. The compound houses each group, while spa services, La La Land Cafe, and a party house are all on site as well. It was a good Day 3 refresh before heading into the festival, and we got a chance to check out exclusive VERDY statues scattered strategically throughout the compound. As for the compounds' residents? Young Thug, Becky G, and Amelia Gray Hamlin, just to name a few.

FKA Twigs Performs:

On day three of Coachella – especially once the sun goes down. Leave it to FKA Twigs to rev up the energy to a nearly palpable level. Twigs began her set lying down in a bed, before kicking off an impressively choreographed set, complete with a cameo from Honey Balenciaga and a "cellophane" performance.

Heineken Debuted the Clinker:

Heineken’s Clinker is social anxiety’s worst nightmare. The festival-ready smart band wraps right around Heineken cans or glasses, allowing users to turn “Cheers!” into connections. Just one clink of your glasses and the device’s special tech syncs with listeners’ streaming data to show you your best musical matches. This was a hit at the Heineken House, with some game-changing tech that could level up future festival experiences.

Isaiah Rashad Hosted an Impromptu Set at the Do Lab:

 

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Isaiah Rashad's album rollout, at first, existed totally separately from Coachella. The rapper kicked off his It's Been Awful era just last week, ushering in the record's rollout with a trailer and lead single, "SAME SH!T." A Coachella performance was not on the docket – until Sunday morning, that is, when Rashad announced he'd be popping by the Do Lab for a surprise 6pm set on Sunday evening. Zay ran through the classics – "Lay Wit Ya" and "RIP Young" included – before getting into "SAME SH!T" and some other new stuff.

Clipse Carries

Something about seeing "Mr. Me Too" with Travis Barker on drums... Pusha T and Malice took over the Outdoor Stage on Sunday evening for a high-octane set filled with New York grit and true hip hop energy.

Karol G’s Milestone Performance as the First Latina Headliner:

 

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Karol G made history as Coachella’s first Latina headliner — and her performance made serious headlines in more than one way. She made five outfit changes, repping Colombia with every new look, including a dazzling tiered skirt that showed off the colors of her native flag. The entire performance was an homage to her Latina roots, as she incorporated a traditional, women-led Mariachi band and guests, Puerto Rican-Cuban artist Mariah Angeliq, and Becky G. Karol G spoke in her native language for the duration of the set, except for when she commemorated the special moment and honored the artists who paved the way before her. “I am Carolina Giraldo from Medellin, Colombia. And today, I am the first Latina woman to headline Coachella.” It was a monumental way to end a monumental weekend.

Gap’s Hoodie House Holds It Down Through the Desert Weather:

Stationed next to the Sahara Tent, Gap set up shop for the weekend, equipped with all of the necessary gear for the chilly desert nights. Gap’s Hoodie House was home to a limited-edition release of Coachella x Gap hoodies, complete with an entire customization station.

Thugchella Takes It Up a Notch:

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It was easy to forget that Young Thug wasn't a headliner. The artist section for Thugger's set was easily just as packed as Carpenter's headlining kick off, and just a few levels down from the Bieber crowd extravaganza. Going down on Sunday at 7:50 pm, Thug took the stage for his first major performance since returning from prison. The rapper positioned himself on a UY SCUTI-inspired stage, complete with constellation-style red lighting projected into the sky behind him, and donning a custom Sp5der set and pair of Mattias Gollin-designed Sp5der x Vans. The setlist was expansive, beginning with "Ski" and "Surf" before transitioning into deep cuts like "I Know There's Gonna Be (Good Times)" – for the first time live since 2015 – and "Mamacita." Classics included "Check" and "Best Friend," with guest appearances coming from Ty Dolla $ign for "CARNIVAL," NAV for "Trimski" and Camila Cabello on "Havana." Thug also debuted his first solo foray into the electronic ether, preceding "I Know There's Gonna Be (Good Times)" with an EDM track dubbed "Small Walls." Arguably the best part throughout the night? Thug ensured North West was okay at all times. Before any moshing began, Thugger checked in that North was safe.

Surprises:

 

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Clipse opened their performance with drumming legend Travis Barker, who commanded the Outdoor Stage with “Chains & Whips.” MIA came out for a surprise performance of “Paper Planes” at Major Lazer, and Young Thug brought fans back to an iconic collab with Camilla Cabello, as she joined him on stage to perform the 2017 hit “Havana” along with Nav returning for the pair's new track, and birthday boy Ty Dolla $ign popping out for “CARNIVAL.” Subtronics brought Destroy Lonely on stage at the Sahara tent, where two worlds unexpectedly collided as they debuted a new single. Little Simz kept the audience on their toes by bringing out JT.

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Summary

• Panerai’s Watches and Wonders 2026 lineup revives its military heritage through vintage‑leaning Luminor designs and extreme mechanical feats
• Novelties include the PAM01731, PAM01732, PAM01631, PAM01733 Brunito, PAM01735, and PAM01629 Forged Titanium
• The collection spans archival tributes, long‑power‑reserve engineering, aged finishes and advanced material innovation

While recent Watches and Wonders editions have often seen Maisons racing toward futuristic, tech-heavy aesthetics and hyper-modern materials, Panerai’s 2026 presentation anchors itself firmly in the raw, unapologetic power of its military past. Long before "tool watch" became an industry buzzword, Panerai was forging highly secretive, virtually indestructible instruments for the Royal Italian Navy. At this year's fair, the brand revisits that heroic era, proving that true innovation doesn't require erasing history — it requires mastering it.

Luminor PAM01731 & Luminor Destro PAM01732

Leading the charge into this nostalgic territory are the Luminor PAM01731 and the Luminor Destro PAM01732, two 44mm steel warriors that read like a love letter to the 1960s. Eschewing modern frills, both timepieces proudly sport a domed sapphire crystal that perfectly mimics the warm, vintage optical distortion of early PERSPEX® lenses. The PAM01731 captivates with a tobacco-colored, grainy matte sandwich dial that evokes the sun-bleached patina of historic models, complemented by a classic small seconds sub-dial.

Meanwhile, the Destro PAM01732 is designed originally for military divers who needed their left hand free for compasses and depth gauges; its iconic crown-protecting bridge sits at 9 o'clock, framing a deep, matte blue dial stripped of the small seconds for ultimate minimalist purity. Powered by the reliable hand-wound P.6000 caliber with a three-day power reserve and tested to 300 meters of water resistance, these fearless companions retail for approximately $9,200 USD and will hit boutiques this month.

Luminor 31 Giorni PAM01631

If power reserve is the ultimate flex of mechanical endurance, Panerai has just set a new standard with the Luminor 31 Giorni PAM01631. The culmination of seven years of relentless R&D at the brand's Neuchâtel Manufacture, this 44mm Panerai Goldtech™ masterpiece boasts an unprecedented 31-day (744 hours) power reserve on a single manual wind. The openworked dial invites the wearer into the soul of the newly developed P.2031/S skeleton movement, where a sophisticated sequence of four barrels stores massive energy, while a patent-pending Torque Limiter ensures chronometric consistency for the entire month. The visual poetry of the exposed mechanics is matched only by its legibility, utilizing a polarized date disc and a sweeping, curved power reserve indicator. Limited to just 200 pieces and priced at $107,000 USD, this boutique-exclusive powerhouse redefines self-sufficiency in high-end horology.

Luminor 8 Giorni PAM01733 Brunito

With the Luminor 8 Giorni PAM01733, Panerai embraces the scars of battle. This 44mm tool watch introduces the captivating “Brunito” finish — a hand-brushed, aged black PVD treatment designed to mirror the softened, weathered edges of heavily used military navigational gear. It is an intentional, poetic celebration of wear and tear, ensuring no two cases are exactly alike. The moody, battle-hardened exterior gives way to a mesmerizing anthracite dial finished with circular brushing that dances under the light, punctuated by vintage-inspired beige Super-LumiNova® and the proud "8 Giorni" inscription. Hidden behind the open sapphire caseback is the robust P.5000 hand-wound caliber, delivering eight days of unwavering autonomy. Ready for the depths with 300 meters of water resistance, the Brunito arrives in June 2026 with a price tag of approximately $12,700 USD.

Luminor PAM01735

Channeling the imposing proportions of the legendary Ref. 6152/1, the Luminor PAM01735 is a masterclass in monumental elegance. Sized at a commanding 47mm, the fully polished steel case serves as a brilliant frame for an ivory gradient matte grainy dial. This "tropical" face deepens in color toward the outer edges, whispering tales of mid-century diving instruments aged by decades of exposure on the Mediterranean. It is a dial that tells a story before you even check the time. Powered by the large 16½ ligne hand-wound P.3000 calibre, it features a robust three-day power reserve and a quick-change hour function for seamless travel adjustments. Slated for a June 2026 release, this 100-meter water-resistant time capsule is priced at approximately $12,400 USD.

Luminor Forged Titanium PAM01629

Rounding out the collection is a daring leap into material science: the Luminor Forged Titanium PAM01629. While Panerai has utilized titanium since its 1985 Mille Metri prototype, this limited edition marks the Maison’s first foray into forged titanium. Subjecting the metal to intense heat and extreme pressure under a forging hammer yields a case that is 40% lighter than steel, yet profoundly durable. Aesthetically, the process leaves a natural, wave-like striated pattern across the 47mm case — a visual echo of sea currents and layered stone that makes each of the 100 pieces entirely unique. Paired with a rich anthracite sun-brushed dial and driven by the steady heartbeat of the P.3000 calibre, the PAM01629 marries ancient metalworking philosophy with cutting-edge tech. Priced at $23,600 USD, this ultra-exclusive, 100-meter water-resistant model will launch in November 2026.

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Tyshawn Jones has one of the most powerful ollies in the history of skateboarding. That's not an opinion — it's a matter of public record, documented across video parts, Thrasher covers, and a Ferrari in a parking lot. But what makes it special isn't just the height. It's the ease. Tyshawn does things correctly — the way they're supposed to be done — while making them look so effortless you'd think he stumbled into them.

That combination of precision and nonchalance is the foundation of everything he does on a board, and the ollie is where it all starts. We're talking about a guy who turned a Midtown Manhattan subway entrance into a skate spot, who ollied a loading dock in the middle of a line like it was a curb, and who somehow found a way to top all of it by clearing Samuel L. Jackson down a set of stairs.

We went deep on everything else in our cover story on the icon. This one's just about his ollie — and these ten clips are why it deserves its own conversation.

"Play Dead" (2014)
Ollie Can Into Propped Tile at Muni in Philly

Muni in Philadelphia is one of the most storied spots in street skating, and this clip is a big reason why. Tyshawn ollies over the can, landing easy onto the propped tile kicker— a transfer that demands both precision and serious pop. He claimed the spot by hitting it from the opposite direction, like he never even meant to try in the first place.

"Blessed" (2018)
Ollie Into the 33rd Street 6 Train Entrance, NYC

The 33rd Street subway entrance isn't a skate spot. It's a guardrail, a staircase dropping into the street, and a spiked fence on the other end — all of it in the middle of one of the busiest blocks in Manhattan. The clip appeared in "Blessed," Supreme's second full-length skate video, which dropped in 2018 and featured Tyshawn in the coveted final part. Getting the trick required as much logistics as it did athleticism: Tyshawn brought a crew of friends to manage the chaos, positioning them around the entrance to hold back the crowd before each attempt. According to a New York Times profile of Jones, when he finally landed it, office workers in the building above had gathered at the windows to watch — and when he rode away clean, the whole floor erupted. The photo landed him on the cover of Thrasher. Only TJ could turn a commuter nightmare into a historic skate clip.

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"The General" (2022 / 2023)
Switch Ollie Over the Picnic Table the Long Way

When Tyshawn does a trick, he does it correct. He did this switch over a picnic table the long way and got a Thrasher cover for it. Then Gifted Hater, one of skating's most notorious online critics, questioned whether it was legit. So Tyshawn did it again, on Instagram, just to settle the debate. The trick is incredible, but the encore is iconic.

"Blessed" (2018)
Ollie Can Into the Courthouse Drop in NYC

The Courthouse is the spot that made Tyshawn famous — it's where he earned the nickname "The Courthouse Kid," a moniker he picked up after rattling off a string of tricks at the iconic Foley Square spot that stopped the skate world in its tracks. So it's fitting that one of his best ollies happened there too. He pops into a can and sends it down the drop with the kind of control that makes a genuinely dangerous trick look routine. Thrasher later ran the photo, which tells you everything about how it landed.

"Blessed" (2018)
Switch Ollie Over a Traffic Barrel at TF West, NYC

TF West — the William F. Passannante Ballfield in Greenwich Village — is a notoriously barren spot: a flat expanse of asphalt with no ledges, no stairs, not even a curb. The trash cans are basically the only obstacles, which is exactly why Tyshawn treats them like a proving ground. This switch ollie over a traffic barrel is deceptively simple-looking — until you remember he's doing it switch, and that the height he gets is borderline unreasonable.

The Ferrari Ollie (2023)

The setup is exactly what it sounds like: Tyshawn Jones ollied over a Ferrari Monza SP2. But even for someone with his verticle, this one came with a unique kind of pressure. "The Ferrari scared me most because of the price," he admitted. "I didn't want to mess it up." He didn't. The clip went viral instantly and became one of the most talked-about moments in recent skate history — even if, as he noted in our cover story, it somehow got half the views of a video of him dancing with Tracee Ellis Ross.

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Federal Plaza (2024)
Ollie Over the Whole Ledge at Federal Plaza, Chicago

Nick Matthews had already done this one, but when Tyshawn posted it on Instagram with zero fanfare it felt like a completely different trick. No buildup, no big moment — just the clip, dropped casually like it was nothing. The ABD status almost makes it better: Matthews made history, TJ made it look like a Tuesday.

Ollie Four Trash Cans at TF West

Most skaters tip trash cans on their sides to keep the height manageable. Tyshawn leaves them upright. Four in a row, cleared with room to spare. At a spot with nothing to skate, he found a way to make it one of the most memorable clips of his career.

"Kingdom Come" (2022)
Ollie Up the Loading Dock in Line

Watch closely and you'll catch him rolling over a piece of trash right before he pops — and it barely registers. What follows is an ollie up a loading dock that clears a height most people couldn't jump standing still, in the middle of a line, without breaking a sweat. And if that wasn't enough, the very next clip in the part is him jumping a public ping pong table and grinding the middle divider. Back to back. Classic TJ: the setup looks like nothing, the tricks look impossible.

The Ollie Over Samuel L. Jackson (2025)

Yes, really. During a shoot, Tyshawn ollied clean over Samuel L. Jackson as he sat on a set of steps — zero room for error, perfect control, and one of the most surreal clips in recent skate history. The Ferrari was scary because of the price tag, but Tyshawn has since reconsidered which trick carried more risk. "Now that I think about it, Samuel L. Jackson is worth way more than that Ferrari. Damn, I never thought of that. Samuel is worth probably 70 to 80 of those Ferraris, probably more. Shit." Just another day on the job.

Read our full cover story on the skate icon here, and purchase a copy of Hypebeast Magazine #37: The Architects Issue on HBX.

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