Kandice Chuh, "Pedagogies of Dissent." Brian Glavey, "Having a Coke with You Is Even More Fun Than Ideology Critique." Kieran Healy, "Fuck Nuance" (previously). Steven J. Jackson, "Rethinking Repair." David Kurnick, "A Few Lies: Queer Theory and Our Method Melodramas." Christina Lupton, "Contingency, Codex, The Eighteenth-Century Novel." Shannon Mattern, "Bespoke Methods Syllabus." Mabel Moraña, "Baroque/Neobaroque/Ultrabaroque: Disruptive Readings of Modernity." J.D. Porter, "Popularity/Prestige: A New Canon." Ted Underwood, "Using GPT-4 to measure the passage of time in fiction." Ted Underwood, David Bamman, and Sabrina Lee, "The Transformation of Gender in English-Language Fiction."

S. Pearl Brilmyer, "Queer Rigidity: Habit and the Limits of the Performativity Thesis." Sarah Brouillette, "The Rise and Fall of the English-Language Literary Novel since World War II." Urvashi Chakravarty and Ayanna Thompson, "Race and Periodization." Ronjaunee Chatterjee, Alicia Mireles Christoff, and Amy R. Wong, "Introduction: Undisciplining Victorian Studies." Ben Glaser, "White Things: Form, Formalization, and the Use of Prosody." Tayana L. Hardin, "The I Who Arrives: A Meditation on History as Inheritance." Martin Harries, "Still: Sarah Kane after Beckett and Joy Division." Kathryn A. Mariner, "American Elegy: A Triptych." Christine Okoth, "Peripheral Labor." Keston Sutherland, "Wrong Poetry." Patricia Yaeger, "Literature in the Ages of Wood, Tallow, Coal, Whale Oil, Gasoline, Atomic Power, and Other Energy Sources."

Emily Apter, Against World Literature: On the Politics of Untranslatability. S. Pearl Brilmyer, The Science of Character: Human Objecthood and the Ends of Victorian Realism. Eugenie Brinkema, Life-Destroying Diagrams. Nicholas Brown, Autonomy: The Social Ontology of Art under Capitalism. Rachel Sagner Buurma and Laura Heffernan, The Teaching Archive: A New History for Literary Study. Pheng Cheah, What Is a World? On Postcolonial Literature as World Literature. Eva Cherniavsky, Neocitizenship: Political Culture after Democracy. Kandice Chuh, The Difference Aesthetics Makes: On the Humanities "After Man". Shane Denson, Discorrelated Images. Sarah Dowling, Here Is a Figure: Grounding Literary Form. Brigitte Fielder, Relative Races: Genealogies of Interracial Kinship in Nineteenth-Century America. Elaine Freedgood, Worlds Enough: The Invention of Realism in the Victorian Novel. Alexandra Gillespie and Deidre Lynch (eds.), The Unfinished Book. Emma Heaney (ed.), Feminism against Cisness. Caroline Levine, Forms: Whole, Rhythm, Hierarchy, Network. Annie McClanahan, Beneath the Wage: Tips, Tasks, and Gigs in the Age of Service Work. Laura B. McGrath, Middlemen: Literary Agents and the Making of American Fiction. Dilip M Menon (ed.), Changing Theory: Concepts from the Global South. Annmarie Mol, Eating in Theory. Aamir R. Mufti, Forget English!: Orientalisms and World Literatures. Amber Jamilla Musser, Sensual Excess: Queer Femininity and Brown Jouissance. Paul Nadal, Remittances, Literary and Economic. Jennifer C. Nash, How We Write Now: Living with Black Feminist Theory. Sianne Ngai, Theory of the Gimmick: Aesthetic Judgment and Capitalist Form. Joseph North, Literary Criticism: A Concise Political History. Tina Post, Deadpan: The Aesthetics of Black Inexpression. Pooja Rangan, The Documentary Audit: Listening and the Limits of Accountability. Roopika Risam, New Digital Worlds: Postcolonial Digital Humanities in Theory, Praxis, and Pedagogy. Christina Sharpe, In the Wake: On Blackness and Being. Dan Sinykin and Johanna Winant, Close Reading for the Twenty-First Century.