<?xml version="1.0" encoding="UTF-8" standalone="no"?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" version="2.0"><channel><title>New Liturgical Movement</title><description></description><managingEditor>noreply@blogger.com (Richard Chonak)</managingEditor><pubDate>Wed, 20 May 2026 09:48:50 -0400</pubDate><generator>Blogger http://www.blogger.com</generator><openSearch:totalResults xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/">17971</openSearch:totalResults><openSearch:startIndex xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/">1</openSearch:startIndex><openSearch:itemsPerPage xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/">25</openSearch:itemsPerPage><link>https://www.newliturgicalmovement.org/</link><language>en-us</language><itunes:explicit>no</itunes:explicit><itunes:subtitle/><itunes:owner><itunes:email>noreply@blogger.com</itunes:email></itunes:owner><item><title>Could the Introduction of Microphones Have Caused the Reform of the Mass?</title><link>https://www.newliturgicalmovement.org/2026/05/could-introduction-of-microphones-have.html</link><category>acoustics</category><category>Jarnicki</category><category>Liturgical Reform</category><category>McLuhan</category><category>microphone</category><category>Nico Fassino</category><category>versus populum</category><author>noreply@blogger.com (Peter Kwasniewski)</author><pubDate>Wed, 20 May 2026 07:00:00 -0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-15018727.post-2871555786111034571</guid><description>We are very pleased to share the following thought-provoking essay by&amp;nbsp;Paweł Jarnicki, which was first&amp;nbsp;published in Polish at&amp;nbsp;Christianitas. The text has been translated into English with the support of machine translation and will be published at NLM&amp;nbsp;in three installments, this week and next. It is one of the most insightful treatments of the question I have ever seen, and </description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbTO7qdkfRgDcRLuR8d6j2Ji8PQBDN1WiJdE6uCvDcv1dE0hA01x3KJx7y6AzITVviZQt7CpOeMzWH1c3QMphPMJlJ6rv0HLusdOOLyTomC8G_anBHVVSqO-dWeyVQZ0-rlZyqLB2_oeHfHP5P8NM3I2HewbwFkKhg_kfB9fH_fUJ8UlmLsm2r/s72-w400-h340-c/Lead%20photo.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>The Minor Litanies in the Ambrosian Rite</title><link>https://www.newliturgicalmovement.org/2026/05/the-minor-litanies-in-ambrosian-rite.html</link><category>Ambrosian Rite</category><category>Nicola de' Grandi</category><category>Rogation Days</category><author>noreply@blogger.com (Gregory DiPippo)</author><pubDate>Tue, 19 May 2026 16:15:00 -0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-15018727.post-9089727141025810730</guid><description>This post comes entirely from notes written by our Ambrosian expert, Nicola de’ Grandi. The photos were taken yesterday at the church of Santa Maria della Consolazione in Milan, where the traditional rite is celebrated, and which observed the Minor Litanies with a procession and a station within the church. (In previous years it has been held outside, but yesterday it was raining.) Last month,&amp;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUHi40Dlfu7dXIOq2jewEiH5ZExD6mFo2VYMHY0OK2BYMUyisoDpDRL2Adh_YFa0gMtl0SYSXyzgNKAdjY8brD6RSsQ1a2nXVdH-90BfD_1iiIIX3eOsd6GpnYj0NQ_1glbHU8Vw/s72-c/30+%25282%2529.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>Catholic Art School Incorporates Benedictine Spirituality into its Daily Routine</title><link>https://www.newliturgicalmovement.org/2026/05/catholic-art-school-incorporates.html</link><category>Benedictine</category><category>David Clayton</category><category>Musica Domestica</category><category>Robert Puschautz</category><category>Stabat Mater Atelier</category><category>Stabat Mater Foundation</category><author>noreply@blogger.com (David Clayton)</author><pubDate>Tue, 19 May 2026 07:00:00 -0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-15018727.post-2272506521444343466</guid><description>Chanting the Psalms daily and refectory reading are part of the artistic community’s own Way of BeautyFor those looking to train as artists in a Catholic environment, I recommend the Stabat Mater Atelier (see A Catholic Art School with Full Four-Year Training in Classical Naturalism), which teaches the traditional, rigorous drawing and painting known as the ‘Academic’ method. I was privileged to </description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/a/AVvXsEjyViJXRwva3wfBnEDH2OFpO9DpwP61y7zMjZ49sL9hO7bN7kNR83skf2Ng2kp4Q-gPCODcKkDuStGm8hXhr9rBY12m7ezzDxIQR3aroUmflsrasMpaqUKaNqIqOCj8rVbzsSYtYxBbzbyMSMwuaO3Fr_MTBONJGXRxN8APoxSIrBgST9z0auTpaw=s72-w400-h300-c" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>Vestments from the Archdiocesan Museum of Warsaw (Part 2)</title><link>https://www.newliturgicalmovement.org/2026/05/vestments-from-archdiocesan-museum-of_0298568026.html</link><category>blue vestments</category><category>Poland</category><category>Vestments</category><author>noreply@blogger.com (Gregory DiPippo)</author><pubDate>Mon, 18 May 2026 08:30:00 -0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-15018727.post-5616039279703606572</guid><description>This is the second set of photos taken by a friend, Mr Anatole Upart, at the museum of the archdiocese of Warsaw, Poland, during a recent visit. In the first part, which I posted on Saturday, most of the vestments were liturgical white, here we have a wide variety of colors, including blue. Among the Slavs who use the Byzantine Rite, blue has become de facto the standard color for feasts of the </description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhA8CbhmnUECnrQAaMXza0B21oE7R5tvj6rPOHylWAplu87qkpqIVAyi3BfnZ5HD1B62k7vsli_f-mCxqRlLCjWEgq8QV3DSrph1qYf5ARvxq8HmKG1UCAejWRsYqdxncGUQVy_2e3SbK2Htbbm0SSXVwTuSIGrG5zz-T8exaftin7Me4rpu7R-SQ/s72-w300-h400-c/IMG_9566.jpeg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>The Sunday after the Ascension</title><link>https://www.newliturgicalmovement.org/2026/05/the-sunday-after-ascension.html</link><category>Ascension</category><author>noreply@blogger.com (Gregory DiPippo)</author><pubDate>Sun, 17 May 2026 07:00:00 -0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-15018727.post-6737356241166037161</guid><description>Hear, o Lord, my voice, with which I have cried to thee.” After the first anointing, which they had received in the death of Christ, as He breathed upon them and said, “Receive the Holy Spirit”, the Apostles awaited the second anointing which the Lord had promised, saying, “If I shall go; I shall send the Paraclete to you.” Therefore, as they await, they sing in the Introit, “Hear.”Introitus Ps </description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://img.youtube.com/vi/NHVW1yPSdb8/default.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>Vestments from the Archdiocesan Museum of Warsaw (Part 1)</title><link>https://www.newliturgicalmovement.org/2026/05/vestments-from-archdiocesan-museum-of.html</link><category>Poland</category><category>Vestments</category><author>noreply@blogger.com (Gregory DiPippo)</author><pubDate>Sat, 16 May 2026 16:00:00 -0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-15018727.post-7369917191701082959</guid><description>This post is something of a follow-up to one I made last week about a chasuble decorated with images of the events surrounding the martyrdom of St Stanislaus, bishop of Krakow, Poland. These pictures come from a friend, Mr Anatole Upart, who recently visited the museum of the archdiocese of Warsaw, and very kindly shared with us these pictures of its very impressive collection of liturgical </description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj45Zyl7CBNAw0xcPKzPStRugvnREGQjv9iKHX65q5BuYqDsEcQSaVg4XlpAlkANl4D-8oL12z1BDRUsE-UKuJucica1YkMdmaQoRbOEI-hz7Zpkh0d-iNTKavBa2LDcZOAWracaUx8V-FmbN73mWr2ToV_Mpv20DYNWebeZ0bv0mtLSFdXTcRKIw/s72-w300-h400-c/IMG_9509.jpeg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>A Legend of St Brendan the Navigator</title><link>https://www.newliturgicalmovement.org/2026/05/a-legend-of-st-brendan-navigator.html</link><category>feasts</category><category>Ireland</category><category>saints</category><author>noreply@blogger.com (Gregory DiPippo)</author><pubDate>Sat, 16 May 2026 08:00:00 -0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-15018727.post-8565092203812509053</guid><description>In Ireland, today is the feast of a sainted monk named Brendan, who is traditionally said to have been born in Clonfert in the year 484, and to have died in 577 at the age of 94. He is sometimes called “the Younger” to distinguish him from another Brendan, of Birr, or “the Elder.” They were both disciples of St Finnian, the founder of one of the first abbeys in the country, Clonard, and belong to</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5R3xRa9kif1tqV__U-KminSsjRMGWv5JcR5fAAcSJB9Q4ZQzkWbYtkmsd5Gz6qGbsvEpKsz-7j-lp1qa9TOwVA14qySk_nnGDgtuUP8htyorF3l4jQx5vF2dZ_4oZMTVioMpm_z7S1lyKtGhcIlQ11bTYRNTndMBi47g77J9mF3h4c9gT4KxQKQ/s72-w400-h300-c/The_Voyage_of_St._Brandan_by_Edward_Reginald_Frampton,_1908,_oil_on_canvas_-_Chazen_Museum_of_Art_-_DSC02356.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>The Folklore of Ascension Day</title><link>https://www.newliturgicalmovement.org/2026/05/the-folklore-of-ascension-day.html</link><category>Ascension</category><category>Francis X. Weiser</category><category>Michael Foley</category><author>noreply@blogger.com (Michael P. Foley)</author><pubDate>Fri, 15 May 2026 07:00:00 -0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-15018727.post-3272872655520216797</guid><description>Having praised the writings of Fr. Francis X. Weiser in two previous posts (here and here), I thought it meet to share the following excerpt from his magnum opus, the Handbook of Christian Feasts and Customs (New York: Harcourt, Brace, and World, 1958), pp. 243-45.Ascension Plays
During the tenth century some dramatic details 
were added to the liturgical procession on Ascension Day in the 
</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>A Monument of Constantine the Great in New Rome</title><link>https://www.newliturgicalmovement.org/2026/05/a-monument-of-constantine-great-in-new.html</link><category>Byzantine Art</category><category>Relics</category><author>noreply@blogger.com (Gregory DiPippo)</author><pubDate>Thu, 14 May 2026 18:30:00 -0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-15018727.post-3341424712763291950</guid><description>Three days ago, we marked the anniversary of the dedication of Constantinople in 330 AD as the “New Rome.” In the nearly 17 centuries that have passed since then, the city has undergone countless vicissitudes which have done tremendous damage to its monuments, and very little now remains from the days of Constantine himself. The most prominent and oldest surviving monument of his era is a large </description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEis726nc3U-S2aXRFj6AGGWsQ2pnu-hH4EQYAENWZvmTlKe79DM05IfufEWiJN8EgusWkD49jTohioosyDKHxbmZ7XZLJ9UJt6u1cLcihEeXXQb6EjERwDwl0zxM89ymSNGB_qf7HcRr0XZPkllTLTO3gqlqfDBXYtY-8FTXhQtUWgA4Sm8wpDYXQ/s72-w300-h400-c/Column_of_Constantine.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>The Ascension of the Lord 2026</title><link>https://www.newliturgicalmovement.org/2026/05/the-ascension-of-lord-2026.html</link><category>Ambrosian Rite</category><category>Ascension</category><author>noreply@blogger.com (Gregory DiPippo)</author><pubDate>Thu, 14 May 2026 08:00:00 -0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-15018727.post-2846352557427660663</guid><description>
Truly it is fitting… though Christ our Lord. Who after the Resurrection, which is glorious unto all ages, appeared openly to His disciples, visible to their sight and palpable to the touch, unto the fortieth day, and was raised up unto heaven as they watched; from which time they did so profit, that what they believed might become more certain, and that they might learn more fully what to teach.</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivHfv8mJ9bx29NtsZju4e6-OOFxryOqne4bCtsM2rxpph13DChGj3WW7ddjhfQ5Fr7DaJD3XbhGrzCsAo2rIF7-00dzZVsysffqsDtD9cyMG482pj8nSPz-O9a_9Dfd7d3FrHC/s72-c/Lorenzo+Monaco.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>Durandus on the Vigil of the Ascension</title><link>https://www.newliturgicalmovement.org/2026/05/durandus-on-vigil-of-ascension.html</link><category>Ascension</category><category>Medieval Liturgy</category><category>vigils</category><category>William Durandus</category><author>noreply@blogger.com (Gregory DiPippo)</author><pubDate>Wed, 13 May 2026 14:00:00 -0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-15018727.post-6820910901635318432</guid><description>The following text is most of section 103 of book six of William Durandus’ Rationale Divinorum Officiorum; a few obscure passages have been omitted. The vigil of the Ascension is one of the relatively few features of the temporal cycle in which there was a lot of variation between different Uses of the Roman Rite in the Middle Ages, and some of the texts which he refers to here differ from those </description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjM2Ow-zdhIlGpwTrEym1z7NX3WM2FSd35HmD2RUtZUIkJw1QwS5F9mbLWnX5cUrM2eqlIKx-hL8VLUxfZxvFo1v23Wj3vGxhDTSQlQ3Wz38IpM6koUsy_rJW-p2NjC3x1BIjn3/s72-c/Paris+Missal.png" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>Why at a Nuptial Mass the Couple May, and Should, Kneel Inside the Sanctuary</title><link>https://www.newliturgicalmovement.org/2026/05/why-at-nuptial-mass-couple-may-and.html</link><category>care cloth</category><category>communion rail</category><category>Customs</category><category>marriage</category><category>Sarum</category><category>The Roman Ritual</category><category>velatio nuptialis</category><author>noreply@blogger.com (Peter Kwasniewski)</author><pubDate>Wed, 13 May 2026 07:00:00 -0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-15018727.post-3053203097681616372</guid><description>Now that we are on the threshold of peak wedding season, it is opportune to publish the following letter, which makes a case for the restoration of a longstanding traditional practice that, in the confusion of recent decades, has fallen by the wayside but deserves to be recovered. We publish it here with minor edits to make it more universal than its original epistolary form. – PAKDear Reverend </description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhp3K4ssm1jgX2MBTvQ9mpL_2Cwlcxfz1XlY5QdhhtlnyQdYrFP__E3V6jb3ZKMH2haVj-bdYOTLs7wex9HLlrhmI79KM1EYUPEFgE2nKQG5m5PNdVQYA77YqCaYtomh-dskHbKlFJq5OMY55nTQ3M4ni_cvRku_Q6YoMYh5KmnHxhkHhjb-v_s/s72-w400-h255-c/image001.png" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>A Homily of St Gregory the Great Carved in Stone</title><link>https://www.newliturgicalmovement.org/2026/05/a-homily-of-st-gregory-great-carved-in.html</link><category>breviary</category><category>feasts</category><category>Roman Basilicas</category><category>saints</category><category>St. Gregory the Great</category><author>noreply@blogger.com (Gregory DiPippo)</author><pubDate>Tue, 12 May 2026 09:00:00 -0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-15018727.post-5856381367329605341</guid><description>Today is the feast of two Roman Saints named Nereus and Achilleus. An inscription placed over their burial place by Pope St Damasus I (366-84) tells us that they were soldiers who were forced to participate in the persecution of Christians, but threw away their weapons and armor, and were in turn martyred for the Faith. There can be no doubt of the authenticity of their martyrdom, or that their </description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNFHSVt-O1rf7yWlm8Dz4CoSDH5BoiRlNoRdaU-JgSFfnb2WjulyhRoRmrxUJmDB8MbQrSZ-HoqK2VMI5r_EYU_IRMCM4tJAw-2VsrgLLML1l4rfYVp9dnBwOUvzjTCNt3K_k8cIsYE_j6UglquY5I5loS6bMUOpuiLpIs7hUpnR085f-kQr20Lw/s72-w239-h400-c/Rubens.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>The Foundation of Constantinople</title><link>https://www.newliturgicalmovement.org/2026/05/the-foundation-of-constantinople.html</link><category>Byzantine Liturgy</category><author>noreply@blogger.com (Gregory DiPippo)</author><pubDate>Mon, 11 May 2026 18:30:00 -0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-15018727.post-1381967416218588326</guid><description>On this day in 330 AD, the emperor Constantine presided over the dedication of a new capital of the Roman Empire, after six years of building on the site of the ancient city of Byzantium. The Greek historian Herodotus (ca. 485-425 B.C.) places the founding of Byzantium in 656 B.C., and in 334 AD, Constantine also presided over celebrations of its millennial anniversary; this indicates that he did</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtDdu-lbhfkxMW14prK-LW36zyfEV-lOjnEC9T2HulYfJvkjRVI3QycfHNbqzF3EoQ_JDNyKG44vQF_y3P5TfggH5LTIeF2ZMZD01GE6LqFpv8jlzJmGgZdlN6Zga8mTMIT_a4b0Vs7ZJlnDwQvioUqLTxqRWAo_YBqnxDhqJqJpH-r6c7nHHK1g/s72-w400-h185-c/Urbs_Roma,_commemorative_coin_of_Constantinople.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>The Institution of the Rogation Days</title><link>https://www.newliturgicalmovement.org/2026/05/the-institution-of-rogation-days.html</link><category>Liturgical History</category><category>Rogation Days</category><author>noreply@blogger.com (Gregory DiPippo)</author><pubDate>Mon, 11 May 2026 07:00:00 -0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-15018727.post-2427342765074411604</guid><description>Today is the first day of the penitential observance known as the Lesser Rogations, and also, by coincidence, the feast of St Mamertus, bishop of Vienne in France, who first instituted them around the year 470 A.D. His successor but one, St Avitus, has left us a sermon on the Rogations, in which he describes the reason why they were instituted, in the wake of a series of public calamities.

St </description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPNJWAaWXnbvOuPN-G-Cw18FTLwsXvtiBUhBJpxh7CXwO8LG7uEhBByMzC8CZwBBxfQLjVxi2B8OQ3zyKQj2IlmjriXeG67RvjQBRESxlNahVIRDapRjTjrM_6_gbmjwUstH6D/s72-c/farnese+hours.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>The Fifth Sunday after Easter</title><link>https://www.newliturgicalmovement.org/2026/05/the-fifth-sunday-after-easter.html</link><category>Easter season</category><category>Introit</category><author>noreply@blogger.com (Gregory DiPippo)</author><pubDate>Sun, 10 May 2026 07:00:00 -0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-15018727.post-8183347825471200671</guid><description>Proclaim ye the voice of joy, alleluia, and let it be heard, alleluia, proclaim it unto the end of the earth: the Lord hath delivered his people, alleluia, alleluia. Ps. 65 Shout with joy to God, all the earth, sing ye a psalm to his name; give glory to his praise. Glory be to the Father... Proclaim ye... (The Introit of the Fifth Sunday after Easter,)Introitus (Isa 48) Vocem jucunditátis </description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://img.youtube.com/vi/hP7ii4451Oo/default.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>St Pachomius of Egypt</title><link>https://www.newliturgicalmovement.org/2026/05/st-pachomius-of-egypt.html</link><category>feasts</category><category>monastic life</category><category>Rule of St. Benedict</category><category>saints</category><category>St Jerome</category><author>noreply@blogger.com (Gregory DiPippo)</author><pubDate>Sat, 9 May 2026 07:00:00 -0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-15018727.post-8518475009365744345</guid><description>On May 9th, the Coptic Church commemorates one of the great early monastic patriarchs, a native Egyptian called Pachom, whose name is Latinized as Pachomius. He was one of the most influential figures on the organization of monastic life in the 4th century; this is true even in the West, (where his feast has only been kept very rarely), since St Benedict adopted many of his ideas into his </description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMwI-HX7jbflPJoJhxVnGG1Tz9SVCUcJGrEWAYyukvuO2ljJ_jxReS1dhNMzYZe0uBjxD9JSFsRdqknEkQmok3nSkHcM7r5VLzgh5ZQTPM3udQ7ZVEySdoDwVwq2s8B0pqrhKdYv_qyzRLsP6MpUpZmPJxi4R-aMdNmcLnydpKGbIR4HCY-g/s72-w400-h266-c/Trinity%20Chapel,%20Lublin,%20Poland.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>The Shrine of St Michael the Archangel on Mount Gargano</title><link>https://www.newliturgicalmovement.org/2026/05/the-shrine-of-st-michael-archangel-on.html</link><category>St. Michael</category><author>noreply@blogger.com (Gregory DiPippo)</author><pubDate>Fri, 8 May 2026 14:00:00 -0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-15018727.post-9011844797694755486</guid><description>
Today is the feast which celebrates the Apparition of St Michael on Mount Gargano in the Italian region of Puglia. I have previously described the circumstances of the apparition in greater detail; there has been a shrine dedicated to him in one form or another on the site ever since it took place at the end of the 5th century. In the entry for his principal feast day in September, the Roman </description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVr7iFF4leDr89FW5CNx0-aM0w0bXcCMqbs9wnFcqxzavnXvf30es0GQZSBVJ17DLw2CX1D6P0qFkuy0ad_8HEwGJc6J8sMIMgq1x4_-g6TXFDSYhJ2osFNDZo6N7lLEvJqlus/s72-c/DSCN8905.JPG" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>Learned Blunders: The Impact of Flawed Scholarship on the Liturgical Reforms of the Twentieth Century</title><link>https://www.newliturgicalmovement.org/2026/05/learned-blunders-impact-of-flawed.html</link><category>Ad orientem</category><category>Church Fathers</category><category>concelebration</category><category>liturgical orientation</category><category>Michael Foley</category><category>Ordinary Time</category><author>noreply@blogger.com (Michael P. Foley)</author><pubDate>Fri, 8 May 2026 07:00:00 -0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-15018727.post-5306548785898435582</guid><description> Most of the debates about the liturgical reforms of the twentieth century are understandably concerned with theological or ideological elements. Critics of the 1962 Missal worry that the old Mass is too hierarchical and too aligned with an outdated political ideology, a relic of the days of the Ancien Régime. Critics of the 1969 Missal, on other hand, wonder if the new Mass is too egalitarian, </description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="http://3.bp.blogspot.com/-o7dW9EBXb6M/UTrLKMfbCAI/AAAAAAAADas/XZ1wt0AYfuI/s72-w283-h400-c/4.+Pius+XII.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>Online Resources for Papal Ceremonies</title><link>https://www.newliturgicalmovement.org/2026/05/online-resources-for-papal-ceremonies.html</link><category>online resources</category><category>Papal Liturgy</category><category>Sacramentaries</category><author>noreply@blogger.com (Gregory DiPippo)</author><pubDate>Thu, 7 May 2026 18:30:00 -0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-15018727.post-8887390802943494583</guid><description>The creators of the Poland-based website Caeremoniale Romanum have contacted us to share news of a couple of important new resources which they have recently added to the site.At the following page: https://caeremonialeromanum.com/en/caeremonialia-papalia-dykmans/, you will find links to two different works by the Belgian Jesuit Fr Marc Dykmans. The first is his four volume series, “Le </description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHoSrG5UubCiO1g_yQhxA1EwfUQfG7V6RN1g_wxdz9nVG7N9mIWundTbwkryUZp1keX7IZGNn38UF1ZsHkUNdgo4Efts7Jaxd8TWR97c6TBdXyNH7PqpEDtgxScF3n7MhdkgrP/s72-c/Piccolomini+Caeremoniale.jpeg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>The Life of St Stanislaus Depicted on a Chasuble</title><link>https://www.newliturgicalmovement.org/2026/05/the-life-of-st-stanislaus-depicted-on.html</link><category>feasts</category><category>Historical Vestments</category><category>Nicola de' Grandi</category><category>Poland</category><category>saints</category><author>noreply@blogger.com (Gregory DiPippo)</author><pubDate>Thu, 7 May 2026 07:00:00 -0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-15018727.post-622099664613128465</guid><description>On the general calendar of the Roman Rite, today is the feast of St Stanislaus (1030-79), a priest of Krakow who was well-known as an excellent preacher, and elected bishop of that see in 1072. The king of Poland at the time, Bolesław II, was a talented and capable man, but indulged in many evil deeds; he kidnapped a noblewoman after whom he lusted, and stole property from the Church. For this, </description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMOVA6HF9aNGbd0Z2FzZxLh_q9x8a963X3Bqded1k7KZ1NpL0Ke-pCfQO-5wTobjIfL23sNy0jNVpASIO_lz9uMqJHDCXOvSVgLv7cZNzdU22NfnDVYLNJWY6JtH7Y4LS9jTHKGMKWiQZb1ve454WfbKHdLHhGU0lLbTRojF1O1_vjfyHPrw/s72-w309-h400-c/00%20miniature.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>The Feast of St John at the Latin Gate</title><link>https://www.newliturgicalmovement.org/2026/05/the-feast-of-st-john-at-latin-gate.html</link><category>Byzantine Liturgy</category><category>Church Fathers</category><category>feasts</category><category>Roman Basilicas</category><category>saints</category><category>St John the Evangelist</category><category>Station Churches</category><author>noreply@blogger.com (Gregory DiPippo)</author><pubDate>Wed, 6 May 2026 13:00:00 -0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-15018727.post-2197888636950205334</guid><description>
John was an Apostle, an Evangelist, and a Prophet: an Apostle, because he wrote to the churches as a teacher; an Evangelist, because he wrote a book of the Gospels, which the other twelve Apostles did not do, apart from Matthew; and a Prophet, for on the island of Patmos, whither he had been banished by Domitian because of his testimony to the Lord, he beheld the Apocalypse, which contains such </description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGXZFv2OEGFMziCL0ZaUxdxs9XBEwfEk9a2cop1nPl29qo9FeVrHyBu6AeDmeHV5n4atoJ8mHr8_30Ili5qyDioP9qvylITCwRvhRoJgbucsA0kur0KqLZo591agYEvV9g0VVOkQ/s72-c/The+Martyrdom+of+St+John%252C+by+Charles+LeBrun.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>Introducing the Thomistic Artists Guild, with Upcoming Conference and Competitions</title><link>https://www.newliturgicalmovement.org/2026/05/introducing-thomistic-artists-guild.html</link><category>competitions</category><category>conferences</category><category>Sacred Art</category><category>Thomistic Artists Guild</category><author>noreply@blogger.com (Peter Kwasniewski)</author><pubDate>Wed, 6 May 2026 08:00:00 -0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-15018727.post-8094248906275802263</guid><description>NLM received the following notice from Fr. James O’Reilly, FSSP, and is pleased to share it with the public.Where has beauty in the arts gone? Buildings are gray, woke agendas are tied to a film’s plot, and classical music usually has one or two channels on public radio. Western Civilization experienced a Renaissance before and it is time for another one to begin. Great works of art were often </description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAtI6tRxHDA2iVHifKDmuDvWrOe5AkF73AU5i1EWnfisLYOlPwVgq8mjdf8tYzjQaqsjTISEL1qjvQulGAJvl1TjfxLHi12PnFtbHIDvRKMV3afD0gUDyVgfKIojGnGu0RVdgI-l5iEkErOF4wtcNLyTWRvHq39x2BXbwHUaBmuwLuwnUYwJRo/s72-w309-h400-c/Art%20and%20Virtue%20Flyer%205_30_2026.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>Abbé Henri Dutilliet’s “Little Liturgical Catechism” Now in English</title><link>https://www.newliturgicalmovement.org/2026/05/abbe-henri-dutilliets-little-liturgical.html</link><category>Os Justi Press</category><category>Resources</category><author>noreply@blogger.com (Peter Kwasniewski)</author><pubDate>Tue, 5 May 2026 14:00:00 -0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-15018727.post-2846455730436646556</guid><description>On this feast of St. Pius V, I am pleased to share with NLM readers the latest release from Os Justi Press, Abbé Henri Dutilliet’s Little Liturgical Catechism. Inspired by the efforts of Dom Prosper Guéranger, Dutilliet’s remarkable work, first published in French in 1860, offers a comprehensive distillation of the Roman liturgy and the Church’s annual cycle of worship.This fine but forgotten </description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpWvPpxHyqTbns-nXLM4wBpZUgXj3jL2AB_dIx6PqpYqn2Wri2g3i2vZUzKuGaKRU5owNsHYO0y69NCEOzrNrAnQrMZrHu3wYnzL7VzXnrpPuNt0PhDx-jsVi4ODdTFtlnjc3IxJvUeFPvI8o2khD3WuujUrZigF_kXTarr_aMnkCy-u-qTHJj/s72-w400-h300-c/best2.JPG" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>A New Commission by Artist Henry Wingate: Our Lady of La Vang for Holy Rosary Church, Houston</title><link>https://www.newliturgicalmovement.org/2026/05/a-new-commission-by-artist-henry.html</link><category>David Clayton</category><category>Henry Wingate</category><category>Sacred Art</category><author>noreply@blogger.com (David Clayton)</author><pubDate>Tue, 5 May 2026 08:00:00 -0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-15018727.post-3845279443724977359</guid><description>I was delighted to hear from an old friend, Henry Wingate, who wanted to tell me about his latest project, a painting of&amp;nbsp;Our Lady of La Vang, commissioned by Holy Rosary Church, in Houston, Texas.I will admit that I didn’t know anything about this apparition and what follows comes from the Wikipedia entry, which I am trusting is accurate.“Our Lady of La Vang is a Marian apparition associated</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiT9WqEEDNuKAgdteOUXOJ0CRbQ6jERc2ndWyovv9SwJEFRsQy2hCfU6yJsKPJWWQZcYUOEyQNC_bRoww1pJi_1AY5yfmYeqxjsTMW63JaUN0A7Hi6MS6C_85Qega94CxxmGISb2yCw9H7E9VY-hX1jQY2fNMWNBvkiB87pW00h8BKAvtfgQGt-8g/s72-w317-h400-c/Our%20lady%20of%20Lavang%20painting%20in%20Frame,2.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item></channel></rss>