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                <h3 class="gh-card-title">② Enduring Dreams: a note on cinematic time</h3>
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                        <div class="gh-card-excerpt">THE COMPACT CONTINUITY OF CONTINUOUS MOTION

Russell would not answer a paradox with a paradox. Even if he didn’t have a good understanding of the mechanism of film, of its composition frame by frame and its potential decomposition into frames or into scenes, he would not. It’s all</div>

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                <span class="gh-card-author">Simon Taylor</span>
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                <span class="gh-card-author">Simon Taylor</span>
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                        <div class="gh-card-excerpt">Digest is currently serialising the work, Bergson, Deleuze &amp; Cinema, from the first part, entitled &quot;Enduring Dreams: a note on cinematic time&quot;.

Sections 1-9 have appeared here so far, they are compiled as ① for recent subscribers to outside light to catch up with the story so far ...




CINEMATIC</div>

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                <span class="gh-card-author">Simon Taylor</span>
                <time class="gh-card-date" datetime="2025-03-01">01 Mar 2025</time>
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                        <div class="gh-card-excerpt">Below please find links to a series of lectures I delivered to first-year students, before they specialised in digital image-making, film, motion graphics, VFX (very popular), game development (also very popular), animation or post-production, in 2022 at (although, since during COVID-19, distantly) AUT.

Bergson, Deleuze &amp; Cinema, comes out of</div>

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                <span class="gh-card-author">Simon Taylor</span>
                <time class="gh-card-date" datetime="2025-05-16">16 May 2025</time>
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                    alt="Bergson, Deleuze &amp; Cinema"
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                <span class="gh-card-author">Simon Taylor</span>
                <time class="gh-card-date" datetime="2025-05-06">06 May 2025</time>
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                    alt="theatre | . . . : first half in epistolary form"
                >
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                <h3 class="gh-card-title">theatre | . . . : first half in epistolary form</h3>
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                <span class="gh-card-author">Simon Taylor</span>
                <time class="gh-card-date" datetime="2025-04-04">04 Apr 2025</time>
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                    alt="TECHNOLOGY series (I-IV)"
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                <span class="gh-card-author">Simon Taylor</span>
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                <span class="gh-card-author">Simon Taylor</span>
                <time class="gh-card-date" datetime="2025-03-27">27 Mar 2025</time>
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                        <div class="gh-card-excerpt">OUTSIDE LIGHT AT OUTSIDELIGHT.ONLINE WITH NEW POWERS OF LEGIBILITY AND NEWSLETTERS TO KEEP YOU UP TO DATE</div>

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                <span class="gh-card-author">Simon Taylor</span>
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                    src="/content/images/size/w720/2025/04/artist-iNO--System-of-a-Fraud--Athens.jpg"
                    alt="Slavoj Žižek &amp; Mr. Kežiž"
                >
            </figure>

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                    alt="QLIPPHOTH"
                >
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                    sizes="(max-width: 1200px) 100vw, 1200px"
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                    alt="bookmarked (Ig, NY: 2017): things forgotten because at the time perfectly usual"
                >
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    <a class="gh-card-link" href="/journal/octavio-paz-duracion-duration-from-salamandra-salamander-1958-1961/">

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</section>                    <section class="gh-topic gh-topic-grid">
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                    srcset="/content/images/size/w300/2025/05/Lebanon-2024.jpg 300w,
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                    sizes="(max-width: 1200px) 100vw, 1200px"
                    src="/content/images/size/w720/2025/05/Lebanon-2024.jpg"
                    alt="some lines after Jim Moore*"
                >
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                <h3 class="gh-card-title">some lines after Jim Moore*</h3>
            </header>

                        <div class="gh-card-excerpt">Jim Moore writes,

Sometimes the world won’t let itself

be sung. Can’t become    a poem. And


Sometimes, REM sing, everybody hurts and cries

sometimes. I know the world is wrong


I know sometimes a man is wrong, sings

David Byrne, and—Michael Stipe, Hold on


Take comfort—whereon</div>

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                    sizes="(max-width: 1200px) 100vw, 1200px"
                    src="/content/images/size/w720/2025/04/philosophisational-shed-INT.JPG"
                    alt="moieties*"
                >
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                <span class="gh-card-author">Simon Taylor</span>
                <time class="gh-card-date" datetime="2025-04-30">30 Apr 2025</time>
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            <figure class="gh-card-image">
                <img
                    srcset="/content/images/size/w300/2025/04/P1010167.JPG 300w,
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                    sizes="(max-width: 1200px) 100vw, 1200px"
                    src="/content/images/size/w720/2025/04/P1010167.JPG"
                    alt="A Piece of Fabric, Tell it to the birds &amp; lying in long grass - for my parents"
                >
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                <span class="gh-card-author">Simon Taylor</span>
                <time class="gh-card-date" datetime="2025-04-18">18 Apr 2025</time>
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                    srcset="/content/images/size/w300/2025/04/oturehua-poppet-head-mine-valley-scaled-to-500.jpg 300w,
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                    sizes="(max-width: 1200px) 100vw, 1200px"
                    src="/content/images/size/w720/2025/04/oturehua-poppet-head-mine-valley-scaled-to-500.jpg"
                    alt="enantiomorphosis: the messianic | Danaë, or resistance"
                >
            </figure>

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                <h3 class="gh-card-title">enantiomorphosis: the messianic | Danaë, or resistance</h3>
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                <time class="gh-card-date" datetime="2025-04-16">16 Apr 2025</time>
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                    sizes="(max-width: 1200px) 100vw, 1200px"
                    src="/content/images/size/w720/2025/04/The-Journey-1996.jpg"
                    alt="a journey (2016)"
                >
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                    srcset="/content/images/size/w300/2025/04/lines-from-sw--over____.gif 300w,
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                    alt="fr. Sweetheart, over____ (2006)"
                >
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                    sizes="(max-width: 1200px) 100vw, 1200px"
                    src="/content/images/size/w720/2025/04/Soap_CMYK-683x1024.jpg"
                    alt="the pieces of ... soap"
                >
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                    sizes="(max-width: 1200px) 100vw, 1200px"
                    src="/content/images/size/w720/2025/05/week-10---lecture-9.jpg"
                    alt="moving image: theory | context: lecture 9"
                >
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                        <div class="gh-card-excerpt">VFX is the art of contingency. We have been considering the time of contingency. 

For the mise-en-scѐne time is the condition of a character’s embeddedness in a time of contingency, where anything can happen, which, for us the viewer, is the time of historicity. Our first concept. 

We look</div>

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                    alt="moving image: theory | context: lecture 8"
                >
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                <time class="gh-card-date" datetime="2025-05-22">22 May 2025</time>
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                <img
                    srcset="/content/images/size/w300/2025/05/week-8---lecture-7.jpg 300w,
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                    sizes="(max-width: 1200px) 100vw, 1200px"
                    src="/content/images/size/w720/2025/05/week-8---lecture-7.jpg"
                    alt="moving image: theory | context: lecture 7"
                >
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                <time class="gh-card-date" datetime="2025-05-18">18 May 2025</time>
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                <img
                    srcset="/content/images/size/w300/2025/05/week-6.jpg 300w,
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                    sizes="(max-width: 1200px) 100vw, 1200px"
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                    alt="moving image: theory | context: lecture 6"
                >
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                    sizes="(max-width: 1200px) 100vw, 1200px"
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                    alt="moving image: theory | context: lecture 5"
                >
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                    alt="moving image: theory | context: lecture 4"
                >
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