On November 20, 2015, Adele released her third studio album 25, marking a significant moment in music history. The album’s release was highly anticipated, following a four-year hiatus after her previous album 21.

25 was initially withheld from streaming services, a strategic move that influenced music distribution practices by emphasizing traditional album sales. This approach highlighted the ongoing debate between physical sales and digital streaming in the evolving music landscape .

The album shattered sales records, selling 3.38 million copies in its first week in the United States alone, the highest single-week sales since Nielsen SoundScan began tracking sales in 1991. Globally, 25 sold over 17.4 million copies in 2015, making it the best-selling album of the year .

The Context: Adele’s Career and Industry Climate in 2015

In 2015, Adele was at a pivotal point in her career. After the monumental success of 21, which won multiple Grammy Awards and sold over 30 million copies worldwide, Adele took a break from the spotlight. Her return with 25 was met with immense anticipation.

The album’s release during a period dominated by streaming services underscored Adele’s unique position in the industry, as she achieved massive physical and digital sales despite the prevailing trends. This success demonstrated her broad appeal and the enduring power of traditional album releases in a digital age.

Adele’s decision to withhold 25 from streaming services initially was a bold move that paid off. In an interview with TIME, she explained her reasoning: “I believe music should be an event. For me, all albums that come out, I’m excited about leading up to release day. I don’t use streaming. I buy my music. I download it, and I buy a physical [copy] just to make up for… ”

Recording Process and Collaborations

Adele’s third studio album 25 was meticulously crafted over a span of two years, from 2013 to 2015, with recording sessions held in various studios across London, Los Angeles, Stockholm, and Prague. This extensive timeline and diverse set of locations underscore the album’s rich and varied sonic palette.

The album’s creation was marked by collaborations with a host of renowned producers and songwriters, each bringing their unique influence to the project. Greg Kurstin, known for his work with artists like Sia and Kelly Clarkson, co-wrote and produced the lead single, “Hello.” This track became a global sensation, showcasing Adele’s powerful vocals against a backdrop of piano and subtle electronic elements.

Max Martin and Shellback, the Swedish pop maestros behind numerous chart-topping hits, collaborated with Adele on “Send My Love (To Your New Lover).” Their contribution introduced a rhythmic and upbeat dimension to the album, blending Adele’s soulful voice with contemporary pop sensibilities.

Bruno Mars, alongside his production team The Smeezingtons, co-wrote “All I Ask,” a poignant ballad that highlights Adele’s emotive delivery and vocal range. Canadian musician Tobias Jesso Jr. co-wrote “When We Were Young,” infusing the track with a sense of nostalgia and introspection that resonates deeply with listeners.

These collaborations, spanning various genres and production styles, contributed to the album’s dynamic sound, allowing Adele to explore new musical territories while maintaining the emotional depth and authenticity that define her artistry.

Sonic Landscape: A Blend of Classic and Contemporary

25 represents a sonic evolution for Adele, blending her signature soulful balladry with modern production elements. The album incorporates electronic textures, creative rhythmic patterns, and influences from 1980s R&B, marking a departure from the more traditional arrangements of her previous work.

Tracks like “Send My Love (To Your New Lover)” showcase this shift, featuring upbeat rhythms and layered vocals that reflect contemporary pop trends. “Water Under the Bridge” combines Adele’s powerful voice with a dynamic arrangement, creating a track that is both emotionally resonant and radio-friendly.

The album also delves into more atmospheric territories with songs like “I Miss You,” which utilizes ambient synths and a haunting melody to convey a sense of longing and vulnerability. This fusion of classic and modern elements demonstrates Adele’s willingness to experiment with her sound, resulting in an album that feels both timeless and current.

By integrating contemporary production techniques with her established musical style, Adele successfully expanded her artistic horizons on 25, delivering a record that honors her roots while embracing the evolving landscape of pop music.

Lyrical Themes: Reflection and Growth

Adele’s 25 delves deeply into themes of nostalgia, the passage of time, motherhood, and personal growth. The album serves as a “make-up record,” reflecting Adele’s desire to reconcile with her past and embrace her present self. The lyrics convey a yearning for her old self and a melancholia about the passage of time, capturing the essence of looking back while moving forward.

Motherhood emerges as a significant theme, particularly in the closing track, “Sweetest Devotion,” which Adele wrote as a tribute to her son. The song encapsulates the profound impact of becoming a parent, highlighting the transformative power of love and responsibility.

Throughout the album, Adele balances vulnerability with strength. She candidly explores her fears and regrets, yet her powerful vocals and emotive delivery imbue the songs with resilience and determination. This duality allows listeners to connect with her on a deeply personal level, as she navigates the complexities of growth and self-discovery.

Standout Tracks: Deep Dives

“Hello”
As the opening track, “Hello” sets the tone for 25 with its poignant exploration of nostalgia and regret. The song’s conversational lyrics reflect Adele’s attempt to reconnect with her past and seek forgiveness, not only from others but also from herself. Her powerful vocals, spanning from F₃ to A₅, are layered over a lush arrangement of piano and drums, creating an emotional resonance that captivated audiences worldwide.
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“When We Were Young”
Co-written with Tobias Jesso Jr., “When We Were Young” is a soul ballad that delves into the fear of aging and the longing for lost youth. The lyrics paint a vivid picture of reconnecting with old acquaintances and reminiscing about the past. Adele’s emotive delivery, combined with somber piano chords, evokes a sense of bittersweet reflection, making it one of the album’s most heartfelt tracks.

“Send My Love (To Your New Lover)”
A departure from Adele’s traditional ballads, “Send My Love (To Your New Lover)” showcases an upbeat, rhythmic sound influenced by pop and R&B. Co-written with Max Martin and Shellback, the song features a catchy guitar riff and a playful tone, reflecting Adele’s growth and maturity in handling past relationships. The lyrics convey a sense of closure and empowerment, as she wishes her former lover well while asserting her own independence.

These standout tracks exemplify the thematic richness and musical diversity of 25, highlighting Adele’s evolution as an artist and her ability to connect with listeners through authentic storytelling and emotive performances.

Cultural Impact and Influence

In an era increasingly dominated by digital streaming, Adele’s 25 served as a powerful reminder of the enduring appeal of traditional album purchases. Upon its release in November 2015, 25 was notably withheld from streaming platforms like Spotify and Apple Music.

This strategic decision emphasized the album as a complete artistic work and encouraged fans to engage with it through physical and digital purchases. The result was a significant boost in album sales, with 25 accounting for 3.6% of all albums sold in the U.S. in 2015, despite being available for only six weeks that year.

This approach not only challenged prevailing industry trends but also underscored the viability of traditional album sales in the streaming era. Adele’s success with 25 demonstrated that, when presented with compelling content and a clear artistic vision, consumers are still willing to invest in complete albums. Her decision influenced other artists and industry stakeholders to reconsider release strategies and the value of album-oriented experiences.

Critical Reception and Commercial Success

25 achieved unprecedented commercial success, debuting at number one in over 30 countries. In the United States, it sold 3.38 million copies in its first week, setting a new record for the largest single-week sales since Nielsen began tracking point-of-sale music purchases in 1991. In the United Kingdom, the album sold over 800,000 copies in its first week, becoming the fastest-selling album in UK chart history.

Critically, 25 was met with widespread acclaim. At the 59th Annual Grammy Awards, Adele won five awards, including Album of the Year and Best Pop Vocal Album for 25, and Record of the Year, Song of the Year, and Best Pop Solo Performance for its lead single, “Hello.” These accolades highlighted the album’s artistic merit and Adele’s exceptional vocal performance.

25 also secured its place in numerous “best of” lists, reflecting its impact on both critics and audiences. Its success reinforced Adele’s status as a leading figure in contemporary music and underscored the album’s significance in the broader cultural landscape.

In summary, 25 not only achieved remarkable commercial milestones but also influenced industry practices and reaffirmed the enduring value of the album format in the digital age.

Legacy: A Pivotal Moment in Adele’s Discography

A decade after its release, Adele’s 25 stands as a defining milestone in her career, marking both a culmination of her early artistic journey and a bridge to her future endeavors. While her previous album, 21, catapulted her to global stardom with its raw portrayal of heartbreak, 25 showcased a matured Adele, reflecting on themes of nostalgia, personal growth, and reconciliation.

The album’s success was not merely a testament to Adele’s vocal prowess but also to her ability to connect deeply with audiences across generations. By choosing to withhold 25 from streaming platforms initially, Adele challenged the prevailing norms of the music industry, emphasizing the value of the album as a cohesive artistic work. This decision not only led to record-breaking physical and digital sales but also reignited discussions about the consumption of music in the digital age.

Furthermore, 25 solidified Adele’s influence on contemporary music, inspiring a renewed appreciation for emotive storytelling and authentic vocal performances. Her success demonstrated that there remained a significant audience for artists who prioritized sincerity over spectacle, paving the way for other musicians to embrace vulnerability in their work.

The Album’s Enduring Significance

Ten years on, 25 remains a landmark achievement in Adele’s discography and in the broader landscape of popular music. Its release not only reaffirmed Adele’s status as a leading artist of her generation but also challenged industry conventions, proving that heartfelt songwriting and powerful vocals could triumph in an era dominated by streaming and digital singles.

The album’s themes of reflection, growth, and emotional honesty continue to resonate with listeners, underscoring the timeless nature of Adele’s artistry. As the music industry continues to evolve, 25 serves as a reminder of the enduring power of authentic expression and the profound impact an artist can have when they remain true to their voice.

In retrospect, 25 is not just an album but a cultural moment—a testament to Adele’s ability to capture the complexities of the human experience and to connect with audiences worldwide through the universal language of music.

Listen to Adele’s 25 album below, purchase it on Vinyl here, and keep tabs on Adele here.

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Hosted in the beautiful Wollaston Park – which is conveniently located in the heart of Nottingham – Splendour Festival is returning for its 18th incarnation. To celebrate the festival’s 18th birthday, it’s going all out with the variety of acts performing over two days by introducing three new stages and upping the festival’s capacity to a whopping 30,000 for this year’s festivities.

The Splendour and Confetti stage’s are bringing some heavy hitters from the past 20 years including; Seasick Steve, Kate Nash, Echo and the Bunnymen, The Fratelli’s, Sophie Ellis Bextor, Natasha Beddingfield, Clean Bandit, Travis, as well as Nottingham’s own Jake Bugg and headliner’s Bloc Party and Kaiser Chiefs who will be playing their respective seminal hits “Silent Alarm” and “Employment” along with a plethora of greatest hits.

In addition to the returning Splendour and Confetti stage’s, this year will the introduction of three brand new stage’s:

The Bodega Stage, named after Nottingham’s nationally recognised live music venue of the same name, which brings to the heart of the city some of the most exciting up and coming artists from all across the country.

Dance Stage, the name speaks for itself with dance legend Trevor Nelson ready to get you pumped for your Saturday and Hedkandi joining the festival on Sunday to coincide with their 25th anniversary – a combination not to be missed for any fans of dance music.

Lastly, following the success of the adult focused, daytime disco, creators Vicky McClure and Johnny Owen will be spinning the decks along with Reverend and The Makers’ Jon McClure and a host of special guests at the dedicated Day Fever stage.

Need a break from the excellent musical line-up? There’s plenty to keep you occupied at Splendour, the Comedy Stage makes it return, along with the Silent Disco and not to forget the Cabaret Stage. No childcare for the weekend, no problem! Children under the age of 11 are given free entry and there’s plenty to keep the little one’s entertained from workshops and games at the Little Splendours area throughout the weekend and two circus tents.

Got a child over 11? Teens aged between 12 and 17 receive a discounted ticket price. Live in Nottingham? Nottingham City Residents will also receive a 10% discount on tickets. Outside of the city and worrying about how to get there, thanks to the great central city tram systems, rail networks and public buses there’s plenty of ways to get there!

With single day tickets, weekend tickets and VIP tickets still available here, Splendour is shaping up as THE place in the midlands to be for a great weekend of excellent music with a wide variety of genres covered and a plethora of alternatives to ensure the festival will be fun for all the family.

Words by Sam Huntley

The post WPGM Previews: Splendour Festival 2025 appeared first on WE PLUG GOOD MUSIC.

Suki Summer emerges as a rare voice to feel both achingly personal and universally resonant in a brimming indie-pop landscape. Her debut EP, Lovesick And Sick Of Love, is a fearless new talent whose music feels like a handwritten letter passed under your door.

Across six deeply intimate tracks, Suki explores love in all its modern messiness: the rush, the ache, the longing, and the letting go. Wrapped in shimmering synths, soft-focus melodies, and diaristic lyricism, the EP is a masterclass in emotional storytelling.

Suki’s sound sits somewhere between the lo-fi nostalgia of Clairo and the cinematic melancholy of Lana Del Rey, yet there’s a distinct voice and vision here that’s entirely her own. Rather than chasing pop perfection, she leans into fragility and truth. The result is a body of work that feels lived-in, honest, and utterly captivating.

The EP opens with a burst of golden-hour glow. “Summer Crush” is all glittery synths, breezy guitar lines, and flirtatious energy, an ode to the giddy rush of a first queer fling.

Suki captures the thrill of possibility with the kind of vivid nostalgia that instantly transports you to a sun-drenched boardwalk or a backyard party where hearts beat a little faster. It’s playful and light, but there’s an undercurrent of self-awareness that hints at the heartbreak to come. A perfect opening chapter.

Dreamlike and wistful, “Marianne” slows the tempo and softens the palette. It’s a postcard from a love that never quite bloomed, infused with Italian summer haze and emotional ambiguity. Suki’s vocal delivery is hushed and intimate, almost like a secret.

There’s a melancholy magic to this track, the kind of song you find yourself returning to late at night when you’re in your feelings. It’s romantic without being naive, and that subtle complexity makes it one of the EP’s most emotionally rich moments.

The title track arrives like a wake-up call. With biting lyrics and a deliciously detached cadence, Suki dismantles the dating fatigue of the digital age. “LOVESICK AND SICK OF LOVE” is witty, weary, and oddly empowering, a slow-burn anthem for those fed up with the performative dance of modern romance. The production is restrained but punchy, letting her words hit hard. It’s the EP’s cleverest moment, proof that Suki can cut deep with just a few well-placed lines.

Vulnerability takes center stage in “used to you,” a quietly devastating track about emotional drift. Over minimalist production, Suki sings about the slow fade of intimacy, the moment when love becomes more habit than connection. Her voice is fragile but firm, every lyric carefully measured, every pause meaningful. It’s a soft unraveling, heartbreak shown in grayscale. This is where Suki’s gift for emotional nuance truly shines.

If there’s a soul to this EP, it lives inside “i still want u.” This is the kind of song that leaves a mark. Sparse, haunting, and unflinchingly honest, it’s a raw confessional about love that lingers long after it should have left. The instrumentation is ghostlike, gentle piano, ambient echoes, and Suki’s voice is a tremble in the dark. She doesn’t just describe longing; she makes you feel it. Easily the emotional high point of the project, and one that lingers long after the final note.

The EP ends not with a dramatic goodbye, but with a gentle exhale. “outro (it’s nvr bye it’s jus c ya l8r)” is more mood than melody, a minimalist, meditative piece that washes over you like waves at low tide. There’s grace in its simplicity and closure in its softness. It’s not about forgetting, but about moving forward, with love, not bitterness. A perfect, understated finale.

With Lovesick And Sick Of Love, Suki Summer doesn’t just share her heart, she invites us to sit with our own. Her songwriting is fearless in its intimacy, her voice soft yet unshakably clear, and her sonic world lush with both beauty and ache. In just six songs, she’s created a narrative arc that feels cohesive, compelling, and deeply human.

Suki Summer is not here to chase trends; she’s here to tell the truth, in all its messy, glittering, glorious complexity. And if Lovesick And Sick Of Love is any indication, she’s only just begun to shine.

Listen to Suki Summer’s Lovesick And Sick Of Love EP below, and stream it everywhere else here.

Words by Danielle Holian

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Growing up, I was completely captivated by pop culture. The energy, the honesty, the color… It pulled me in and never let go. Pop music, in particular, spoke to my soul. It gave me a language for joy, heartbreak, hope and everything in between.

A few weeks back, I released my first single in 6 years: “Electric Love”. This song was born out of one of the hardest moments in my life. I had just witnessed my family fall apart. It was something I never saw coming. As a kid, I thought family breakdowns were things that happened in movies, not in real life, at least definitely not in mine.

When it happened, I was devastated. I felt like I was suddenly thrown into a world I didn’t recognize, full of uncertainty and pain. I didn’t know where to turn. I felt lost, emotionally paralyzed, and deeply sad. In that moment, music became my lifeline once again.

At first though, it was difficult to write. My creativity was completely blocked by the chaos in my head. Every time I sat down to create, I found myself thinking about my mom, my sisters, and whether they were okay. I couldn’t focus.

The weight of what was happening made it hard to reconnect with the part of myself that used to find joy in writing. For a while, I forced myself to try, hoping that something might spark, but nothing felt right. Everything just felt heavy.

Before this, people mostly knew my music as upbeat and lighthearted: very pop, very fun. I loved that, because at the time, I wanted to give people something joyful, something that made them smile and would help them forget their troubles.

But with “Electric Love”, I needed to do the opposite. I didn’t want to escape reality: I wanted to confront it. I didn’t want to write a song for others. I needed to write a song for myself. I wanted to create a space where I could begin to heal.

The turning point came one night when I isolated myself in a room while my friends and my then-partner were hanging out nearby. I turned off the lights, closed my eyes and let myself go completely. That’s when the melody for “Electric Love” came to me. It felt so natural, like it had been waiting to come out all along. I started singing from a place of truth and vulnerability. It was raw, unfiltered and real.

I sent the demo to my collaborators right away, and they instantly connected with it. From there, the creative process became very therapeutic. It felt so different from the way I used to work. I wasn’t trying to write a hit. I was trying to write a lifeline, a love letter to myself. I wanted this song to mark a turning point, a personal rebirth, a way to move from the pain of the past into the present and start living again.

“Electric Love” is more than just a track: it’s a moment of transformation. It represents the beginning of a new chapter in my life. It’s the sound of me choosing to hold on, choosing to heal and learning to love myself again through it all. If this song can comfort someone else who’s going through a tough time, then I know I’ve done something meaningful.

Listen to “Electric Love” below.

Words by Amery // Follow him on Instagram + Facebook

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Nessa Barrett who originally became famous by publishing lip-sync videos on social media platform TikTok is now an established alt-pop singer-songwriter. She openly addresses vulnerable topics such as mental disorders and struggles.

As her support act, sombr took the stage fans knew the lyrics to his songs as if it was his own concert. Sombr successfully hyped up the crowd with his most streamed songs “Undressed” and “Back To Friends” as well as his newest single “We Never Dated”. The collaboration between Nessa Barrett and sombr gave the feeling of a 2-in-1 concert.

Opening with her alt-pop anthem “Dirty Little Secrets” Barrett created a moody and seductive atmosphere and shows off her impressive skills on the guitar. Matching film visuals during “Edward Scissorhands” and an intimate feeling created by Barrett sitting on a bar chair singing with her eyes closed almost forced the crowd to really take it all in and even caused some to tear up.

During “Blue Valentine” Barrett suddenly rushed off the stage leaving the crowd confused until she came back up and asked the crowd if they would like to restart the song which earned her loads of cheers. Right before “Pins and Needles”, a song that describes the raw process of ending a relationship with emotional distance, Barrett blocks the ex of a fan on their phone, hoping that will help them to move on.

The venue was filling with screams as Barrett and her band, consisting of keys, guitar and drums, played the first notes of “Mustang Baby”. During the first refrain Nessa Barrett unexcitingly went off the stage at Große Freiheit 36 again. After a few moments coming back up and asking “Are we good? Are we having fun”, referring to some fans who had fainted earlier.

Instead of continuing the song she directly moves on to “Given Enough”, an emotional and vocal driven song, that captures the feeling of giving everything for a loved person but not receiving the same effort in return.

The deep connection Barrett shares with her fans could be truly felt by everyone in the room during her performance of “Love Looks Pretty On You” with her coming down to the barricade singing the lyrics directly to the fans in the very front rows while being lit up by the hundreds of flashlights from the fans in the back and on the balcony.

Right before “Keep Your Eyes On Me Boy” Barrett lit up a cigarette, giving off Lana Del Rey vibes. Hamburg marked their favourite song of the night “Dying On The Inside”, one of her older but well-beloved tracks, by singing louder than ever before and moving around as one.

Before “Aftercare”, Barrett thanked everyone for coming to the show and smiled at the happy faces in the crowd.
Barrett then finished with an encore of three of her more popular songs (“The One That Should’ve Got Away”, “Die First” & “P*rnstar”), leaving the crowd screaming for more.

Words + photography by Annika Hogrefe

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On July 26, the city of Łódź, right in the heart of music, will be taken over by Europe’s music scene once again. Tomlinson will be one of the highlights at mbank Łódź Summer Festival 2025. Tomlinson will bring his signature blend of heartfelt lyrics and stadium-sized energy to one of Poland’s biggest summer music events – and the best thing about it: it’s free of charge!

Fans can expect a dynamic set featuring hits from his latest album Faith in The Future like “Bigger Than Me”, “Out Of My System” and “Silver Tongues” along with One Direction favourites and most likely one or two cover songs.

Previously Tomlinson covered “7” by Catfish and the Bottleman, “Mr Brightside” by The Killers as well as “505” by Arctic Monkeys. Tomlinson might even to introduce some brand-new, completely unheard songs of his third studio album, which is rumoured to be released near the end of this year, during his festival summer of 2025.

Due to Tomlinson popularity as well as his huge and dedicated fan base, the organizers expect to break last year’s record of 40,000 visitors this summer. However, some fans are worried that the festival will be overrun by fans hoping to witness Tomlinson’s first ever entry free performance. A fan on reddit even states: “Inviting Louis to play at a FREE festival is like a step-by-step tutorial to create complete mayhem”.

Overall Tomlinson is set to bring a show that balances nostalgia for his One Direction days with the evolution of a confident solo artist. Music fans can expect raw emotion, high-energy and genuine crowd connection during Tomlinson’s set at mbank Łódź Summer Festival 2025.

Besides Louis Tomlinson, music fans will have the opportunity to see Doda, Mrozu, T.Love, Ich Troje and Tomasz Makowiiecki on the July 26. The day before, Shaggy will be celebrating the 30th anniversary of Mr. Bombastic. The same day Bambi, Kult, Tribbs, Cool Kids of Death and Lia Sky will be taking the three stages in the city of Łódź. On July 27, London Grammar, Sobel, Oki, Coma, Tatiana Okupnik and Skalpel Av will close the three-day festival.

Visitors will be able to spend the three days camping around the festival grounds directly in the centre of the city, if they like. There will also be spots for street food as well as various food trucks around the city the main stage as well as two smaller stages.

Plan your trip to the beautiful city of Łódź and prepare for unforgettable emotion, massive fan energy, and memories to last a lifetime – just be ready for the crowds. Find out more information about Łódź Summer Festival 2025 here.

Words by Annika Hogrefe // Photo Credit: Sarah-Louise-Bennett for DORK

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Those familiar with All Points East would have recognised LIDO’s layout, which occupied roughly half the footprint of the larger festival. Spread across three stages, the sold out 32,000 capacity event felt packed from the moment gates opened. More on that later…

Our first stop of the day was A.G. Cook, artist, producer, and the visionary behind PC Music, who’s known for reshaping the landscape of modern pop. As front row fans screamed at the sight of Charli in the VIP pit, Cook spun out his signature bouncy beats, including selections from Brat’s remix album. In fact, most of the set featured Charli’s music, a not-so-subtle nod that this was her party, and we were all invited.

Inside Stage 2’s dome tent, the crowd packed in for Magdalena Bay. With one of 2024’s standout albums, Imaginal Disk, the synth heavy pop duo were the perfect early afternoon energy boost. Lead singer Mica Tenenbaum, electric in a powder blue jumpsuit to match her makeup, danced her way on stage as they opened with “Image”.

The bass soared across the tent, whipping the crowd into a frenzied swirl that soon spilled beyond the tent’s capacity. The band delivered a tight set of Imaginal Disk highlights, including “Death & Romance”, “Cry for Me” and “Fear, Sex”.

Next up was Wales’ own Kelly Lee Owens. Centre stage between two synth rigs and dressed in a coat lined with deep blue faux fur, Owens brought her euphoric soundscape to LIDO. The thumping bassline of “Dreamstate” rang out as her vocals echoed across the crowd.

The word ‘Euphoria’ pulsed behind her in white and blue, setting the tone for a set that leaned heavily on her new album. “Love You Got” stood out, a personal favourite, showcasing Owens’ vocal range over a thundering club ready beat.

With the sun now high overhead, The Japanese House brought her signature sky blue visuals to the main stage. While her indie pop sound might have seemed like an outlier on the bill, to Charli’s most devoted fans (especially those clued in to the Apple remix), it made perfect sense. Amber Bain joked that she only had to take a 12 minute Lime bike ride to the venue, before launching into fan favourites like “Touching Yourself”, “Sunshine Baby” and “Saw You in a Dream”.

Earlier, I mentioned the festival felt crowded from the start and it became glaringly obvious during The Dare’s set on Stage 2. With less ground than All Points East and fewer artists on the bill, programming one of the day’s most anticipated acts inside a tent backfired.

As other stages went quiet, thousands flooded towards Stage 2. Security quickly cordoned off the area, leaving huge numbers of fans stuck on the periphery with no alternative performances to watch. If LIDO returns in 2025 with names as big as Charli, it’ll need either a bigger footprint or a larger schedule to avoid bottlenecks like this.

That said, if you were one of the lucky few who made it into the tent, you were in for a treat. Despite the blazing sun outside, The Dare turned the tent into a sweaty, sleazy New York basement. His set drew clear comparisons to LCD Soundsystem and the early 2000s electroclash scene.

Surrounded by strobes, Harrison Patrick Smith owned the stage, storming around, screaming into the mic, pointing at ecstatic fans. Down in the photo pit, bras and cigarettes flew overhead during bass-heavy tracks like “Good Time” and “I Destroyed Disco”, leaving me laughing as I walked amongst them.

It was euphoric, grimy, unrelenting fun. If not for the sunlight creeping in, you’d swear it was 2am in Brooklyn. Toward the end of his set, The Dare brought out surprise guest PinkPantheress for “Stateside”, a track Smith co-wrote, before launching into his viral hit “Girls”.

As night approached, the crowd, dressed for the club in DIY brat tees, neon greens and sunglasses, surged toward the main stage. This wasn’t just another headline show; it felt like a cultural moment. Fans buzzed with speculation: would Charli bring out Addison Rae? Lorde? One of her many collaborators from earlier in the day?

Spoiler: she didn’t bring out anyone. Bladee did briefly appear, but a botched backing track and technical hiccups put a dampener on that moment. It was a slightly odd choice, given the day had been billed as a celebration of Charli’s creative circle. Still, when Charli walks on stage, the screams begin. As the ripped-up brat backdrop crashes to the floor, she asks “You ready?”

What follows is a tightly choreographed, visually slick set. In a green bra and hotpants, she commands the stage with swagger, hitting every mark with precision. Her crew of camera operators capture her energy and beam it out to the huge screens for everyone to see.

Charli tears through most of brat and the remix album, “360”, “365” and “Von Dutch” have fans on each other’s shoulders, belting every lyric. Like the albums, the live show balances techno party bangers with moments of reflection. She opens up about fame, vulnerability, and growth, yet never loses momentum.

The energy never dips. Amelia Dimoldenberg makes a cameo on the big screen to perform the viral Apple dance before Charli steps into a centre stage rain shower. Closing tracks “Party 4 U” and “I Love It” serve as nods to her earlier eras.

As lights sweep across the crowd, Charli asks, “Do I just drag it out, is it a brat summer again?”
The screen flashes: “Brat isn’t just a summer thing. It’s a forever thing.” With that, Charli ends on a final question: “Will you hate me if I stick around?”

Though her set finished 20 minutes earlier than scheduled, leading to some speculation about time cuts, it didn’t dampen the atmosphere. She delivered the brat party everyone hoped for. Who knows, maybe this was just the start of brat summer 2.0.

Words + photography by Matt Wellham // Charli XCX photography by Henry Redcliffe

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Seb Adams‘ sophomore album Bittersweet Nostalgia is a record that radiates heart, humour, and hard-won wisdom. Where 2022’s Between Awake & Fast Asleep introduced a wide-eyed dreamer carving out a space in the alt-rock arena, Bittersweet Nostalgia sees Adams more grounded, more daring, and more sonically expansive. What emerges is an album as much about emotional growth as it is about playful rebellion, a record steeped in 90s pop-punk euphoria, retro pop culture love letters, and tender self-reflection.

From the opening bars of “Rearview Mirror”, it’s obvious this is a different kind of coming-of-age album, one that doesn’t just linger on the growing pains but celebrates the weird and wonderful ride. The track’s propulsive guitars and sunshine-drenched melodies carry an infectious optimism, striking a perfect balance between personal catharsis and crowd-ready anthem. There’s grit in Adams’ voice, but there’s also hope, and it’s this duality that makes, Bittersweet Nostalgia, such an absorbing listen.

At its core, the record is driven by what Adams has coined ‘Arcade Pop Punk’: a frenetic, genre-blending sound that injects old-school pop-punk with synth-driven exuberance and a healthy dose of internet-era referentiality. The result is a sound that feels both instantly familiar and completely singular. Think Blink-182 if they grew up on Tony Hawk’s Underground, EDM breakdowns, and Discord servers, and you’re halfway there.

The album’s origin story adds another layer of depth. After early sessions left him uninspired, it was a spontaneous trip and an acoustic detour with his girlfriend that sparked the turning point: “Long Gone”. It’s a quiet gem of a track, stripped back and achingly earnest, but it ended up becoming the creative compass for the album. In many ways, it’s the soul of, Bittersweet Nostalgia, a moment of clarity that cuts through the neon fuzz with real emotional weight.

From there, the album blossoms into a kaleidoscopic mix of moods and moments. “Guitar Hero III” is a standout, a jangly, melancholic bop that channels the youthful freedom of late-night gaming sessions and the bittersweet ache of growing up too fast. It’s this kind of specific-yet-universal storytelling that makes Adams such a compelling songwriter; he doesn’t just narrate nostalgia, he embodies it.

Elsewhere, “More Than You Know” leans into slower, emo-inflected territory. It’s an aching tribute to lost friendships, anchored by swelling strings and vocals that crack just enough to feel real. Adams has always had a knack for emotional vulnerability, but here it feels more refined, more intentional. It’s not about wallowing, it’s about honouring the past while stepping bravely into what’s next.

Then there’s “Man In The Mirror”, perhaps the album’s most sobering moment. It’s raw and unfiltered, grappling with addiction and self-doubt without ever slipping into cliché. The song’s stripped-back production, just voice, piano, and the occasional gut-punch lyric, gives it a disarming intimacy. This isn’t pop-punk posturing; it’s something far more honest.

The production, handled primarily by Adams himself with key collaborators adding polish, walks a clever tightrope between DIY grit and studio sheen. Guitars crunch and shimmer, pianos glisten, synths sparkle, and drums punch with the kind of urgency that makes you want to shout along. It’s a sonic playground that rewards repeat listens, with tiny details tucked away in the corners like secrets in an old-school RPG.

And then comes the closer: “Worth Waiting For (Reprise)”. Gentle, unguarded, and full of quiet resolution, it’s the kind of ending that makes you want to hit replay, not because you missed something, but because you’re not quite ready to let it go. It’s a lullaby for the hopeful and the heartbroken alike, and it cements, Bittersweet Nostalgia, as a project that knows exactly where its emotional anchor lies.

In an age where genre lines blur and attention spans shrink, Seb Adams has created something rare — a cohesive, emotionally rich album that feels like a full-circle moment while still hinting at more to come. Bittersweet Nostalgia, is a testament to personal evolution, to the memories that shape us, and to the music that makes sense of it all.

This isn’t just a nostalgia trip, it’s an arrival.

Listen to Seb Adams’ Bittersweet Nostalgia album below, and stream it everywhere else here.

Words by Danielle Holian

The post WPGM Recommends: Seb Adams – Bittersweet Nostalgia (Album Review) appeared first on WE PLUG GOOD MUSIC.

Opening with “Dirty Little Secret”, she set the tone early—commanding, emotive, and self-assured. Compared to her last UK shows in more intimate venues, the growth in both scale and presence was unmistakable. Barrett filled the Forum not just with fans, but with a maturity in performance that proves she’s not only evolved as an artist, but is increasingly owning the stage with poise and intention.

Behind her, projections flickered and shifted to match the mood of each song—scenes from Edward Scissorhands played during her haunting performance of the eponymous track. Her voice was front and centre throughout the night—soulful, gritty, and often catching the crowd off guard with unexpected key changes and vocal runs that felt almost improvised in their vulnerability.

Standouts like “Blue Valentine” and “Dying On The Inside” highlighted her signature tone, while songs like Gaslight showcased her more playful, provocative side, with her twirling the mic cord like a prop as she danced across the stage.

Throughout the venue, groups of friends decked out in fishnets, chokers, and Nessa-inspired fits sang along to every word, forming a kind of collective catharsis. The setlist was a careful blend of upbeat anthems and emotional slow-burners, with fan-favourites like “S.L.U.T.”, “Pins And Needles”, and “Mustang Baby” giving the crowd every reason to scream, cry, and dance in equal measure.

After briefly exiting the stage to thunderous applause, Barrett returned for a three-song encore: “the one that should’ve got away”, “die first”, and “P*RNSTAR”. Each track represented a distinct era of her artistry, reminding the audience just how far she’s come in a relatively short amount of time.

If this London performance was any indication, Nessa Barrett is stepping fully into her era—not just as a singer, but as a complete performer. From the visuals to the vocals, the growth is undeniable, and it’s exciting to think about where she’ll go next.

Words + photography by Stefania Mohottige

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Ten years ago, Kendrick Lamar released To Pimp a Butterfly, a groundbreaking album that redefined the boundaries of hip-hop and cemented his status as a visionary artist.

Released on March 15, 2015, the album was a bold departure from his previous work, weaving together elements of jazz, funk, soul, and spoken word to create a rich tapestry of sound that challenged listeners and critics alike. Its complex themes and innovative production set a new standard for what hip-hop could be, earning widespread acclaim and influencing a generation of artists.

The album’s impact extended beyond music, resonating deeply with the social and political climate of the time. Songs like “Alright” became anthems for the Black Lives Matter movement, capturing the pain and resilience of Black communities in the face of systemic injustice. To Pimp a Butterfly was not just an album; it was a cultural moment that sparked conversations about race, identity, and the role of art in society.

A decade later, the album’s relevance remains undiminished. Its exploration of personal and collective struggles continues to resonate, and its innovative fusion of genres has inspired countless artists to push the boundaries of their own work. To Pimp a Butterfly stands as a testament to Kendrick Lamar’s artistry and a milestone in the evolution of hip-hop.

Conceptual Genesis: The Metamorphosis Metaphor

At the heart of To Pimp a Butterfly lies a powerful metaphor: the transformation of a caterpillar into a butterfly. This metamorphosis serves as an allegory for personal growth, the struggle for self-realization, and the complexities of Black identity in America. Throughout the album, Kendrick Lamar uses this imagery to explore themes of oppression, exploitation, and the quest for freedom.

Originally, the album was to be titled Tu Pimp a Caterpillar, a play on words that would have abbreviated to “Tu-P-A-C,” referencing the late rapper Tupac Shakur. However, Lamar ultimately chose To Pimp a Butterfly to emphasize the beauty and vulnerability of the butterfly, symbolizing the potential for transcendence and the perils of exploitation.

In an interview with MTV, he explained that the word “pimp” represented the aggressive forces that seek to exploit beauty and talent, while “butterfly” symbolized the positive aspects of life and the importance of using one’s platform for good.

This metaphor reaches its culmination in the album’s final track, “Mortal Man,” where Lamar recites a poem that encapsulates the journey from caterpillar to butterfly. He describes the caterpillar as a prisoner to its environment, consuming everything around it to survive, while the butterfly represents the talent and beauty within the caterpillar that, once realized, can break free from the cycle of oppression.

This transformation is not without its challenges, as the caterpillar must navigate the institutionalization of the cocoon and the internal struggle to emerge as a butterfly. The poem serves as a poignant reflection on the potential for growth and the importance of self-awareness in overcoming adversity.

By framing the album around this metaphor, Kendrick Lamar invites listeners to reflect on their own journeys and the societal structures that shape their experiences. To Pimp a Butterfly is not just a personal narrative; it is a call to consciousness, urging individuals to recognize their potential and challenge the forces that seek to exploit and suppress.

In these first two sections, we’ve explored the enduring significance of To Pimp a Butterfly and the profound metaphor that underpins its narrative. The album’s innovative approach to music and storytelling has left an indelible mark on hip-hop and continues to inspire critical thought and artistic exploration.

Recording Process: Crafting a Sonic Tapestry

To Pimp a Butterfly stands as a testament to Kendrick Lamar’s visionary approach to music, characterized by its rich tapestry of sounds and collaborative spirit. The album’s recording process was a meticulous endeavor that brought together a diverse array of talented musicians, resulting in a fusion of genres that redefined the boundaries of hip-hop.

Central to the album’s sonic landscape is bassist Stephen ‘Thundercat’ Bruner, whose virtuosic playing infuses tracks like “Wesley’s Theory” and “These Walls” with a distinctive groove. Thundercat’s ability to blend R&B, jazz, and electronic elements adds depth and complexity to the album’s sound .

Saxophonist Kamasi Washington contributes his expansive jazz sensibilities, particularly evident in tracks like “u,” where his emotive playing complements the song’s introspective themes. Washington’s involvement underscores the album’s commitment to incorporating authentic jazz elements .

Multi-instrumentalist Terrace Martin serves as a linchpin in the album’s production, bringing his expertise in jazz, funk, and soul to the forefront. Martin’s contributions, including saxophone, keyboards, and production work, are integral to the album’s cohesive yet eclectic sound .

The collaborative nature of To Pimp a Butterfly extends to other notable musicians such as pianist Robert Glasper, whose nuanced playing adds a layer of sophistication, and vocalists Bilal and Lalah Hathaway, whose soulful performances enrich the album’s emotional resonance .

The fusion of jazz, funk, soul, and hip-hop elements throughout the album reflects Lamar’s intent to create a work that is both a homage to African-American musical traditions and a bold statement of innovation. This intricate blending of genres results in a soundscape that is as challenging as it is rewarding, inviting listeners to engage with the music on multiple levels.

Narrative Structure: The Power of Poetry

Beyond its musical complexity, To Pimp a Butterfly is anchored by a compelling narrative structure that unfolds through a recurring poem. This poem, introduced in fragments at the end of several tracks, gradually reveals itself in full during the album’s final song, “Mortal Man.”

The poem serves as a unifying thread, guiding listeners through Lamar’s introspective journey as he grapples with themes of fame, identity, and societal pressures. Its progressive revelation mirrors the artist’s own process of self-discovery, culminating in a profound reflection on personal growth and transformation.

In “Mortal Man,” the poem transitions into a simulated interview between Lamar and the late Tupac Shakur, constructed from a 1994 interview with the Swedish radio program P3 Soul. This imagined dialogue allows Lamar to engage with one of his key influences, discussing topics such as the responsibilities of artists, the struggles of the Black community, and the cyclical nature of history.

The inclusion of this interview not only pays homage to Shakur’s enduring legacy but also situates Lamar within a continuum of socially conscious artists. It underscores the album’s thematic depth and reinforces its exploration of complex issues through a personal and poetic lens.

Through this innovative narrative device, To Pimp a Butterfly transcends traditional album structures, offering a cohesive and immersive experience that challenges listeners to reflect on the interplay between personal and collective narratives.

Standout Tracks: Deep Dives

Kendrick Lamar’s To Pimp a Butterfly is a tapestry of intricate narratives and potent messages. Among its tracks, several stand out for their profound impact and thematic depth.

“Alright”: A Modern Protest Anthem

“Alright” emerged as a beacon of hope amid turmoil, resonating deeply with the Black Lives Matter movement. Its chorus, “We gon’ be alright,” became a rallying cry during protests against racial injustice and police brutality. The song’s infectious rhythm, combined with its poignant lyrics, encapsulates a sense of resilience and optimism in the face of adversity .

“King Kunta”: A Declaration of Empowerment

In “King Kunta,” Lamar asserts his dominance and critiques the exploitation of Black artists. Drawing inspiration from the enslaved African Kunta Kinte, the track melds funk rhythms with sharp commentary on cultural appropriation and the music industry’s commodification of Black talent .
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“u” and “i”: Exploring Inner Turmoil

The juxtaposition of “u” and “i” delves into Lamar’s internal struggles. “u” is a raw exposition of self-doubt and guilt, reflecting on personal failures and the weight of expectations. Conversely, “i” serves as an anthem of self-love and affirmation, emphasizing the importance of inner peace and resilience .

“How Much a Dollar Cost”: A Moral Parable

This track narrates a transformative encounter between Lamar and a homeless man, who is later revealed to be a divine figure. The story challenges notions of greed, compassion, and spiritual worth, prompting listeners to reflect on the true value of generosity and humility .

Themes Explored: Identity, Fame, and Resistance

To Pimp a Butterfly is a profound exploration of the complexities of Black identity, the burdens of fame, and the enduring struggle against systemic oppression.

Navigating Black Identity – Lamar delves into the multifaceted nature of Blackness, addressing internalized racism, colorism, and the quest for self-acceptance. The album challenges societal constructs and emphasizes the importance of embracing one’s heritage and individuality .

The Double-Edged Sword of Fame – Fame, as depicted in the album, is both a blessing and a curse. Lamar grapples with the isolation it brings, the pressure to be a role model, and the fear of losing authenticity. Tracks like “u” highlight the psychological toll of success and the internal conflict between personal desires and public expectations .

Resistance and Social Commentary – At its core, the album is a powerful commentary on systemic racism and societal injustices. Through vivid storytelling and historical references, Lamar sheds light on the enduring struggles of the Black community, urging listeners to confront uncomfortable truths and advocate for change .
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In essence, To Pimp a Butterfly is not just an album; it’s a cultural milestone that challenges, educates, and inspires. Its intricate narratives and thematic richness continue to resonate, solidifying its place in the pantheon of transformative musical works.

Cultural Impact: Beyond the Music

Kendrick Lamar’s To Pimp a Butterfly (TPAB) is not merely an album; it’s a cultural milestone that transcended the boundaries of music to influence art, academia, and social activism.

Reinvigorating Politically Conscious Hip-Hop

Upon its release, To Pimp a Butterfly redefined the landscape of hip-hop by reintroducing and amplifying themes of political consciousness. The album’s intricate fusion of jazz, funk, and spoken word served as a backdrop for Lamar’s incisive commentary on systemic racism, identity, and personal struggle.

This approach inspired a new wave of artists to explore socially relevant themes in their work. Notably, artists like Vince Staples and Solange have drawn from To Pimp a Butterfly‘s blueprint, crafting albums that delve into introspection and societal critique. The album’s influence extended beyond hip-hop, impacting artists across genres, including David Bowie, who cited TPAB as an inspiration for his final album, Blackstar .

Academic Recognition and Inclusion in Curricula

To Pimp a Butterfly‘s profound themes and complex compositions have garnered significant attention in academic circles. The album has been incorporated into university curricula, serving as a case study in courses ranging from music theory to African American studies.

For instance, educators have utilized TPAB to engage students in discussions about race, identity, and the socio-political landscape of America . Moreover, the album has been analyzed in scholarly articles, highlighting its relevance in contemporary discourse .

Critical Reception: Accolades and Legacy

To Pimp a Butterfly received widespread critical acclaim upon its release, solidifying Kendrick Lamar’s status as a visionary artist.

Grammy Recognition and Critical Acclaim

At the 58th Annual Grammy Awards, To Pimp a Butterfly earned Lamar 11 nominations, including ‘Album of the Year’ and ‘Best Rap Album’, winning the latter. The album’s standout track, “Alright,” won Best Rap Performance and Best Rap Song, further cementing its impact. Critics lauded the album’s ambitious scope and profound lyricism, with publications like Rolling Stone and The Guardian naming it the best album of 2015 .

Enduring Legacy in the Music Industry

Over the years, To Pimp a Butterfly has been consistently ranked among the greatest albums of all time. In Rolling Stone’s updated list of ‘The 500 Greatest Albums of All Time,’ the album secured the 19th position.

Its innovative blend of musical styles and unflinching exploration of complex themes have influenced a generation of artists and reshaped the trajectory of hip-hop. To Pimp a Butterfly stands as a testament to the power of music as a vehicle for social commentary and personal expression, ensuring its place in the annals of music history.

Visual and Live Interpretations

Kendrick Lamar’s To Pimp a Butterfly is not only a sonic masterpiece but also a visual and performative tour de force. The album’s themes are vividly brought to life through its music videos and live performances, enhancing its narrative and emotional impact.

Visual Storytelling in Music Videos

The music videos accompanying To Pimp a Butterfly are rich in symbolism and thematic depth. In “Alright,” Lamar is depicted levitating through urban landscapes, juxtaposing scenes of police aggression with moments of communal resilience. This imagery reinforces the song’s message of hope amidst systemic oppression.

“These Walls” presents a more surreal narrative, blending humor and introspection. The video features Lamar in a series of vignettes that explore themes of desire, consequence, and the complexities of human relationships, aligning with the song’s exploration of vulnerability and escapism.

Notable Live Performances

Lamar’s live renditions of To Pimp a Butterfly tracks have been lauded for their theatricality and emotional resonance. At the 2016 Grammy Awards, he delivered a powerful medley of “The Blacker the Berry” and “Alright,” beginning his performance in chains and culminating with a fiery backdrop and an image of Africa superimposed with “Compton.” This performance was widely acclaimed for its bold commentary on racial injustice .

Another standout performance was at the Kennedy Center in Washington, D.C., where Lamar collaborated with the National Symphony Orchestra. This concert blended classical instrumentation with hip-hop, showcasing the versatility of To Pimp a Butterfly‘s compositions and Lamar’s ability to transcend genre boundaries .

Conclusion: The Timelessness of To Pimp a Butterfly

A decade after its release, To Pimp a Butterfly remains a seminal work in contemporary music. Its fusion of jazz, funk, and hip-hop, combined with its unflinching exploration of race, identity, and personal struggle, has solidified its status as a cultural touchstone.

The album’s influence extends beyond music, permeating academic discourse and inspiring a generation of artists to engage with social and political themes in their work. In Kendrick Lamar’s discography, TPAB stands as a bold statement of artistic intent, marking a moment where he harnessed his platform to challenge, provoke, and inspire.

As we reflect on TPAB’s enduring legacy, it is clear that its messages resonate as strongly today as they did upon release. The album continues to serve as a mirror to society, compelling listeners to confront uncomfortable truths and envision a more equitable future.

Listen to Kendrick Lamar’s To Pimp A Butterfly album below, stream it everywhere else here, and keep tabs on Kendrick Lamar here.

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